Adventures Through The Mines Of Mellow Gold 28

Jason Hare April 18, 2007 76

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We’ve covered the men. We’ve covered the women. We’ve even covered a few people who run somewhere in the middle. But we have yet to cover the male-female Mellow Duet – and that’s what we’re going to tackle on this week’s Adventures Through The Mines Of Mellow Gold!

Olivia Newton-John and Cliff Richard – Suddenly (download)

Hey, where’s everybody goin’?

Listen, before you start unplugging the computer from the wall, remember this: I can’t promise you amazing songs every week. Hell, I can’t even promise you mediocre songs weekly. Mellow Gold is like sticking a hot poker in your eye: even when it’s good, it’s still pretty bad. For every “Smoke From A Distant Fire,” you have an “I’ve Never Been To Me,” and for every “Moonlight Feels Right,” you have a “Suddenly.” Take your Mellow Gold lumps like a true wuss, wouldja?

Besides, I had to cover this song. It was on my iPod (I swear, I have no idea how it got there!), and as it finished…I played it again. And again. And again. I’m not saying that “Suddenly” is a good song, by any means. Something just attracts me to it. It’s a car-accident song, without a doubt.

So let’s talk a bit about our two equally smooth singers, although I don’t really need to say much, do I? Olivia Newton-John: huge celebrity, both as an actress and a singer. In 1980, she was still glowing from the massive success of Grease. Cliff Richard: immensely successful artist in the UK, moderately successful artist in the US. In 1980, Cliff was enjoying a resurgence on the UK charts after a number of years where he focused on gospel music. Americans probably don’t know that Cliff Richard has had more #1 hits in the UK, other than Elvis Presley and The Beatles. This guy was big (and still does pretty well, but that’s another story).

In 1980, Olivia Newton-John starred in Xanadu.

I’m really not going to say much about Xanadu. I’ll leave that to you in the comments, if you like. For starters, I haven’t seen it. Enough people have told me about it that I’m pretty sure I don’t need it entering my brain. Plus, I saw Two Of A Kind a number of times, and that was pretty much enough for cruddy Olivia Newton-John movies. Suffice it to say that the movie is that of legend, now; a colossal box-office failure and a waste of Gene Kelly that has now somehow not only become a cult favorite, but will appear on Broadway sometime this year.

The soundtrack, however, was a different matter: Xanadu, The Not-As-Shitty-As-The-Movie Soundtrack reached #4 and scored five Top 20 hits. The soundtrack, conceptually, was interesting: side A belonged to Olivia, and side B belonged to Electric Light Orchestra. (Wha?) Granted, I know about as much about ELO as I know about Xanadu, so again, my comments section is always open for tangential discussion. The soundtrack included our Mellow hit, as well as the title track and Magic, a #1 single.

“Suddenly” was written by John Farrar, who was Olivia’s longtime musical partner, doing much of the writing and producing for her big hits, including “You’re The One That I Want,” “Hopelessly Devoted To You,” and yes – “Have You Never Been Mellow” (which some might suggest is a better choice, but shit, I’ve written this much and can’t stop now). Farrar also knew Cliff Richard, having not only been a backng guitarist and vocalist for the singer, but was also a member of Cliff’s former group, The Shadows.

As for Cliff and Olivia, their connection dated back to the early ’70s when she regularly appeared on his variety show; as a matter of fact, Cliff’s first duet with a woman was with Olivia, in their 1972 telefilm The Case. “Suddenly” was their first charting duet together, and the lowest of the charting tracks from Xanadu. It only made it to #20, but it did reach #4 on AC. And AC, friends, is where Mellow Gold lies.

So have you listened to “Suddenly” lately, and if so, have you wondered if maybe Farrar had a crush on the Gibb brothers? “Suddenly” is, essentially, another Top 20 hit for the Bee Gees. Think about it. Actually, no, don’t think about it. Listen to it. Doesn’t Cliff Richard sound like a Gibb, especially that low, breathy vocal in the beginning of the song? Those gentle acoustic guitars playing through some weird effects pedal, the gentle keyboard and synth strings…has anybody called Barry about a lawsuit?

It’s true that I love me some Gibb, and for a while, I was thinking that maybe this was the reason I was so drawn to this number. But upon further reflection (and why anybody would spend this much time on anything from Olivia Newton-John is beyond me), I know what it is.

Suddenly, the wheels are in motion
And I-ah-ah-HA-ha
I’m ready to sail any ocean
Suddenly I don’t need the answers
‘Cause I-ah-ah-HA-ha
I’m ready to take all my chances with yooooou

There is something so guilty-pleasure awesome about the way Cliff and Olivia made a conscious choice to completely obliterate the word “I,” and the way they go all staccato on the penultimate syllable. I feel like a complete idiot for spending this much time on this one line (which, by the way, took me five minutes to spell). But it’s clearly the focus of the entire song. If you were to try and describe “Suddenly” to someone, what part would you sing? At what point would they go, “Oh! I know what you’re talking about, and I don’t think we can be friends anymore”? It’s right here! The breathy part! Here at the corner of Gibb and Vagina!

So it’s all because of that one part that I listen to this song over and over again. I sing it, too. Out loud. Both parts. I take turns. Sometimes I feel more like Cliff than Olivia. Sometimes, it’s the other way around, and then I go searching for the outfit she’s wearing in the above photo. Have I-ah-ah-HA-ha said too much?

The only thing better/worse/better again than listening to “Suddenly” is watching it. This is my favorite version, from some German “Hooray For Hollywood” TV special. I always think it’s going to turn into a porno, and it doesn’t, which is disappointing.

Then there’s this version, an awkward roller-skating scene from the movie which, oddly, kinda makes me want to see the whole film. Olivia reportedly fractured her tailbone during the filming of this number.

If you really like the song and want to hear it with a full orchestra (oh, the majesty!):

And finally, this one makes me laugh, mainly just because Cliff Richard is such a dramatic tool, especially when he’s lip-syncing.

And there you have it. Way too much space devoted to a mediocre song that I can’t turn off. Hopefully it does the same for you. And if not, there’s always next week! See you soon for another Adventure through the Mines Of Mellow Gold!

  • Jane

    Yes, true — cheese is impossible to resist. haha.

  • woofpop

    Discovery (whichwas not-so affectionately referred to as Disco-Very by my friends..). Late ’79 – Don’t Let Me Down (brrrrrruce!) on the radio constantly – ELO = dead to me then… I agree that Strange Magic is a great song -and pretty much everything prior to ’78 by ELO is worth a listen. Cliff Richard has a couple of really good songs, though – especially Carrie, which was supposed to be the follow-up to We Don’t Talk Anymore – it’s an IPod guilty pleasure for me, anyway…

  • woofpop

    Discovery (whichwas not-so affectionately referred to as Disco-Very by my friends..). Late ’79 – Don’t Let Me Down (brrrrrruce!) on the radio constantly – ELO = dead to me then… I agree that Strange Magic is a great song -and pretty much everything prior to ’78 by ELO is worth a listen. Cliff Richard has a couple of really good songs, though – especially Carrie, which was supposed to be the follow-up to We Don’t Talk Anymore – it’s an IPod guilty pleasure for me, anyway…

  • woofpop

    JB, ELO was already gone by that point (1980) – that happened with  Discovery (which was  not-so affectionately referred to as Disco-Very by my friends..). Late ’79 – "Don’t Let Me Down (brrrrrruce!)"  on the radio constantly – ELO = dead to me then… I agree that "Strange Magic" is a great song -and pretty much everything prior to ’78 by ELO is worth a listen.  Cliff Richard has a couple of really good songs, though – especially "Carrie", which was supposed to be the follow-up to "We Don’t Talk Anymore" – it’s an IPod guilty pleasure for me, anyway…

  • Old Davy

    Jason! Get thee some ELO. Pronto!woofpop is right on the money. ELO was fantastic until they left UA for Epic in 78. Out of the Blue is one of the greatest pop double albums ever. I suggest you start with that one. Or maybe Face the Music if you want something with a little bit more of an edge to it.

  • Old Davy

    Jason!  Get thee some ELO.  Pronto!woofpop is right on the money.  ELO was fantastic until they left UA for Epic in 78.  "Out of the Blue" is one of the greatest pop double albums ever.  I suggest you start with that one.  Or maybe "Face the Music" if you want something with a little bit more of an edge to it.

  • http://mulberrypanda96.blogspot.com/ Robert

    “when my first copy of the xanadu soundtrack warped in the backseat of mom and dad’s car …”

    Mom and dad’s backseat, once again, instantly qualifies “Suddenly” as Mellow Gold.

    I do remember this song now. I like it in a guilty-pleasure sort of way. And I liked ELO disco numbers like “Shine a Little Love” and Cliff Richard’s “We Don’t Talk Anymore,” but not in a guilty-pleasure sort of way. Or even in a Babs ‘n’ Barry “Guilty” sort of way, because I like that song too.

  • http://mulberrypanda96.blogspot.com/ Robert

    “when my first copy of the xanadu soundtrack warped in the backseat of mom and dad’s car …”

    Mom and dad’s backseat, once again, instantly qualifies “Suddenly” as Mellow Gold.

    I do remember this song now. I like it in a guilty-pleasure sort of way. And I liked ELO disco numbers like “Shine a Little Love” and Cliff Richard’s “We Don’t Talk Anymore,” but not in a guilty-pleasure sort of way. Or even in a Babs ‘n’ Barry “Guilty” sort of way, because I like that song too.

  • http://mulberrypanda96.blogspot.com/ Robert

    “when my first copy of the xanadu soundtrack warped in the backseat of mom and dad’s car …”

    Mom and dad’s backseat, once again, instantly qualifies “Suddenly” as Mellow Gold.

    I do remember this song now. I like it in a guilty-pleasure sort of way. And I liked ELO disco numbers like “Shine a Little Love” and Cliff Richard’s “We Don’t Talk Anymore,” but not in a guilty-pleasure sort of way. Or even in a Babs ‘n’ Barry “Guilty” sort of way, because I like that song too.

  • http://damagedgoods4sale.blogspot.com bedheaded

    I am shocked – SHOCKED – to find out that Barry Gibb had nothing to do with this song. Another illusion from my youth shattered.Yes, the Ah’s have it, but now that I really listen to it, Richard’s voice isn’t the one that sounds like Mr. Gibb, it’s Olivia’s. Very sneaky.I am enjoying the hell out of these trips to the Mines of Mellow Gold. Keep up the good work.

  • http://damagedgoods4sale.blogspot.com bedheaded

    I am shocked – SHOCKED – to find out that Barry Gibb had nothing to do with this song.  Another illusion from my youth shattered.Yes, the Ah’s have it, but now that I really listen to it, Richard’s voice isn’t the one that sounds like Mr. Gibb, it’s Olivia’s.  Very sneaky.I am enjoying the hell out of these trips to the Mines of Mellow Gold.  Keep up the good work.

  • Jhensy

    Me too, I’m also amazed this wasn’t a Bee Gee thing… always thought it was. Actually the only thing I remember was the I-ah-ah-ha-ha hook. And this was only a #20 hit in 1980… how do I remember that hook so well? I was listening to Joy Division andCabaret Voltaireand all that crap at the time. Weird.
    And yeah, ELO was long gone by 1980. They jumped the shark for me when I saw them during the Out Of The Blue tour (’78?), when they played in a giant hokey flying saucer, and I felt really stupid watching it. Their masterpiece is A New World Record from ’77, but there’s tons ofinteresting and rewarding stuff throughout their catalogue, great fun if you’ve never explored. Jeff Lynne was a pretty brilliant guy.

  • Jhensy

    Me too, I’m also amazed this wasn’t a Bee Gee thing… always thought it was. Actually the only thing I remember was the "I-ah-ah-ha-ha" hook. And this was only a #20 hit in 1980… how do I remember that hook so well? I was listening to Joy Division and Cabaret Voltaire and all that crap at the time. Weird.
      And yeah, ELO was long gone by 1980. They jumped the shark for me when I saw them during the "Out Of The Blue" tour (’78?), when they played in a giant hokey flying saucer, and I felt really stupid watching it. Their masterpiece is "A New World Record" from ’77, but there’s tons of interesting and rewarding stuff throughout their catalogue, great fun if you’ve never explored. Jeff Lynne was a pretty brilliant guy.

  • http://jellyjules.com J

    Thanks for making me live a day with this piece of crap song stuck in my head. I will probably never forgive you.

  • http://jellyjules.com J

    Thanks for making me live a day with this piece of crap song stuck in my head. I will probably never forgive you.

  • http://jasonhare.com Jason

    Thanks for all the ELO suggestions, everybody. I now know what I must do.

  • http://jasonhare.com Jason

    I’ve thought about it, and I can live with that.

    Thanks for all the ELO suggestions, everybody.  I now know what I must do.

  • http://mulberrypanda96.blogspot.com/ Robert

    I think “Calling America,” their last hit (from the beloved year of 1986, to boot), is pretty great too.

  • http://mulberrypanda96.blogspot.com/ Robert

    I think “Calling America,” their last hit (from the beloved year of 1986, to boot), is pretty great too.

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  • dave

    There is an overdub of a foreign language over what you thought was a german tv show, but it was actually an american tv special called Olivia Newton-john Hollywood Nights. That came on the hour before the 1980 oscars; and i read that she would not do a tv special unless she got that time slot. Thats one strong Olivia!!! Youv’e also got to see that special it co-stars Elton john, Tina Turner, Andy Gibb, Gene Kelly, Karen Carpenter, toni tanille, Cliff Richard, and more. She duets with elton and the title song is a dance number of the Bob Seger remake of his Hollywood nights.

  • dave

    There is an overdub of a foreign language over what you thought was a german tv show, but it was actually an american tv special called Olivia Newton-john Hollywood Nights.  That came on the hour before the 1980 oscars; and i read that she would not do a tv special unless she got that time slot.  Thats one strong Olivia!!!  Youv’e also got to see that special it co-stars Elton john, Tina Turner, Andy Gibb, Gene Kelly, Karen Carpenter, toni tanille, Cliff Richard, and more.  She duets with elton and the title song is a dance number of the Bob Seger remake of his Hollywood nights.

  • Anonymous

    Yes I’m an Olivia fan (and Xanadu is one of my guilty pleasures), but if you REALLY want to feast your eyes on something astonishing that Olivia had a part in, seek out her long-lost movie TOOMORROW (most of the collector’s copies out there have Japanese subtitles and while the picture quality is not exactly pristine it certainly is watchable). She’s actually pretty cute in it, although the story is hokeyand the music is cheesy beyond belief (which no doubt contributed to its almost instantaneous opening and closing in 1970 and consignment torelative oblivion ever since).

  • Ray

    Yes I’m an Olivia fan (and Xanadu is one of my guilty pleasures), but if you REALLY want to feast your eyes on something astonishing that Olivia had a part in, seek out her long-lost movie TOOMORROW (most of the "collector’s copies" out there have Japanese subtitles and while the picture quality is not exactly pristine it certainly is watchable).  She’s actually pretty cute in it, although the story is hokey and the music is cheesy beyond belief (which no doubt contributed to its almost instantaneous opening and closing in 1970 and consignment to relative oblivion ever since). 

  • Anonymous

    I actually have the 45 rpm single of “Suddenly” (matter of fact I have ALL of the singles from Xanadu), and one thing that hasn’t been mentioned yet is that the “Suddenly” single has one of the three songs from the movie that did NOT appear on the soundtrack album… Olivia’s lovely take on the standard, “You Made Me Love You”. The song was in the movie as the tune Gene Kelly’s character played on his phonograph just before the fantasy sequence where he dances with ONJ to “Whenever You’re Away From Me”. The other sought-after b-sides were ELO’s “Drum Dreams” (b-side for the “I’m Alive” and “All Over The World” singles; played in the movie as the Xanadu club opened) and “Fool Country” (b-side to “Magic”; appeared in the movie as part of the closing Xanadu medley… this puppy finally saw the light of day on CD as the last track on disc #1 of the Olivia Newton-John GOLD collection).

  • Ray

    I actually have the 45 rpm single of “Suddenly” (matter of fact I have ALL of the singles from Xanadu), and one thing that hasn’t been mentioned yet is that the “Suddenly” single has one of the three songs from the movie that did NOT appear on the soundtrack album… Olivia’s lovely take on the standard, “You Made Me Love You”. The song was in the movie as the tune Gene Kelly’s character played on his phonograph just before the fantasy sequence where he dances with ONJ to “Whenever You’re Away From Me”. The other sought-after b-sides were ELO’s “Drum Dreams” (b-side for the “I’m Alive” and “All Over The World” singles; played in the movie as the Xanadu club opened) and “Fool Country” (b-side to “Magic”; appeared in the movie as part of the closing Xanadu medley… this puppy finally saw the light of day on CD as the last track on disc #1 of the Olivia Newton-John GOLD collection).