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The Bigger Picture: The Film School of Life
How valuable is a college career for the creative professional? Arend Anton explores this issue in his latest edition of The Bigger Picture
Read More »The Bigger Picture: What’s the Frequency?
Is there a key to creativity? Could there be some way of unlocking what is within the mind at any given time? The answer to this question has often eluded me. I cannot conclude
Read More »The Bigger Picture: Sound Appreciation
Most people probably realize how important sound is to movies. In filmmaking, audio and visuals have at the very least a 50/50 relationship, though I might argue that audio bears even more importance. I
Read More »The Bigger Picture: Gettin’ Hitched
I’ve been watching a lot of Alfred Hitchcock’s work lately. When searching for a new project, I tend to immerse myself in that which I wish to imitate. I have quite a task ahead
Read More »The Bigger Picture: The Big Three, Part Three
We have now reached the last of a three part series concerning the three taboos of cinema. Thus far we have discussed the use of profanity and violence, leaving us left with only one
Read More »The Bigger Picture: The Big Three, Part Two
Last week I began a three-part series about the three biggest movie taboos, at least in American cinema — the things we seem to often have both a disdain for and a sick fetishistic
Read More »The Bigger Picture: The Big Three, Part One
If you read this column last week, you might think from reading the headline that I’ve decided to only discuss the economic situation. In truth, I’m not referencing the “big three” U.S. automakers, but
Read More »The Bigger Picture: From Dreams to Reality
Since its inception, this column has at times deviated from the strict parameters that most “movie” columns adhere to. In many ways, my intention has always been to touch on more than the average
Read More »The Bigger Picture: The Paradox of Poverty
There is a sentiment, shared by many followers of great art, that monetary success strips an artist of his inspiration. It is the idea that once the artist has little left to prove, the
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