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Future Retro: Blue Angel with Cyndi Lauper

The early musical output of popular artists is the stuff of semi-legend and fan obsession — Aretha Franklin’s Columbia recordings, Little Richard the blues singer, Madonna’s New York demos, and … Cyndi Lauper, retro chick?

BLUE ANGEL GETS ITS WINGS
Formed in 1977, Blue Angel featured John Turi on keyboards and saxophone, Arthur Neilson on guitar, Lee Brovitz on bass guitar, Johnny Morelli on drums and a certain Cynthia Ann Lauper throwing down major lead vocals. Bringing a full-on retro-rockabilly/girl-group vibe, Blue Angel were wrapped in a rapturous love for well-crafted early ’60s pop and rock. Groups with a similar aesthetic, such as some early B-52’s, also come to mind. Blue Angel, however, were much more easily appreciated than many other groups of their kind — making it all the more baffling that they were not nearly as successful as their counterparts. Where were the pop, new wave, and rock fans of the time who were screaming for something new and fresh?

Cyndi and bandmate John Turi wrote much of the group’s material. True to their roots, they also covered pop standards both on record and during their local New York club concerts. Cyndi and company would regularly deliver raw, rocking renditions of Elvis Presley’s “Hound Dog,” Little Richard’s “Keep On Knocking,” and the Connie Francis confection “Lipstick on Your Collar.” It was a testament to their emerging talent that they could equal and sometimes surpass the fun of the originals. They were wildly popular in the clubs, where they even had one of their local concerts broadcast on the radio. It was looking like nothing but blue skies for Blue Angel. (more…)

Future Retro: Culture Club, “Don’t Mind If I Do”

I’m DJ D from Retro Remixes, and this is my shiny new column, fresh out of the bubble wrap. Pop! Pop! Pop!

This feature, a spin-off of my blog, will appear once in a great while, much like a Stevie Wonder album, then flame out as quickly as Michael Jackson’s hair during a Pepsi commercial. It’s called “Future Retro” because it’ll deal mainly with lesser-known releases from your favorite and your most-hated old-school artists. I’ll keep you posted on what they’ve been up to since they faded from the spotlight or what level they’ve sunk to in order to bolster a sagging career. Many of these artists were actually still sober at the time they recorded their more recent records, but some, sadly, were not. I’ll also focus on classic albums that have been reissued for the enjoyment of devoted fans and not repeat, not to line the pockets of greedy record executives.

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