Drummer Ted Sirota and his band Rebel Souls have a new record out called Seize the Time (Naim Jazz, 2009). It’s an explicitly political instrumental album, very in line with Sirota’s previous CDs, all of which have featured album titles, song titles and liner notes that make clear Sirota’s progressive politics.
I talked with Sirota about Seize the Time for my show, The Jazz Session. (That interview will air later this year.) During the interview, Sirota mentioned that he believes many critics ignore or dismiss — or simply miss — his music, instead talking about his politics and nothing else. His comment, coming as it did 25 minutes into an interview where I’d done nothing but talk about his politics, initially made me regret the direction of the conversation up to that point.
After a few moments’ thought, though, I told Sirota that while I think the album is powerful musically, I think it’s even more powerful socially because we live in an age where explicit political statements are vital to our survival. I’m happy to have another CD of smart, fun music to listen to. I’m even happier to turn people on to an artist who puts his social awareness where his drumsticks are.
In the 1960s, jazz artists made socially aware music, much as their counterparts in other genres did. I’ll give some specific examples in a minute. To be fair, such music has never completely disappeared, although “conscious jazz,” to coin a term, has ebbed and flowed in the same way as political engagement in this country. (more…)

I was (briefly) in college in 1992. My best friend was a very talented drummer name Mike. We played in a jazz group together called, for no apparent reason, the Pre-Flattened Cats.
“If I could go back in time, I might go back and change the name of the band,” said Andrew Durkin, composer and bandleader extraordinaire, in his hotel room in Pittsfield, Massachusetts. Durkin and his band, the Industrial Jazz Group, had just finished the first night of a 10-night, 10-city East Coast tour that will take them more 2,000 miles through six states and the District of Columbia. (The tour runs through 10/24.
What is “jazz,” exactly? I sure as hell don’t know. And neither, I would suggest, does anyone else.
Man’ish Boy is music born of poverty and wealth.
