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The Steel Horse Archives: Cinderella, “Somebody Save Me”

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CINDERELLA
Song Title: “Somebody Save Me”
Album: Night Songs
Release Date: Aug. 2, 1986

Why You Remember Them: Rode to fame by digging fingernails deep into Bon Jovi’s coattails in the post-Slippery When Wet epoch.

Worldwide Total Album Sales To Date: 18 million

How You Can Tell This Cinderella From The Cartoon Princess On Google: Be sure to click on “Cinderella * Rock N Roll.” Pretty much everything else is wicked Disney.

Other Key Tracks: “Shake Me,” “Don’t Know What You Got Till It’s Gone”

Humiliating Personal Memory: I dubbed (high-speedly, like I even have to say that) this tape from a friend’s brother in Upland, Ind., in 1986. The song that came after “Somebody Save Me” was called “In from the Outside,” and I was briefly obsessed with “In from the Outside,” except the extended prog-rock outro thing. Whatevs. (more…)

The Steel Horse Archives: Prologue — Step Inside, Walk This Way

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With the exception of whichever one Mase was in, perhaps no musical genre has endured a swifter or less celebrated mainstream extermination than Hair Metal, whose predominant 1980s celebrants – generally uncomplicated fellows who came to town with nothing more than hearts of gold, dreams of fame and lady makeup – wanted nothing more than to have a good time, even if you couldn’t get one to write a decent lyric about it by electro-shocking him in the shoulder pads.

Once that floating naked baby record and the flannel people materialized, of course, such bands couldn’t do much but struggle to quote-fingers evolve (anyone remember Poison’s gospel-tinged ode to individuality “Stand?” Pfft.), but surprisingly, most fans resisted the abruptly spiritual carpe-diem stuff emerging from the very same people who just minutes prior were panting out songs like “The Hunter” and “Wanted Man” and “Slip of the Lip” and “You Are The Saint, I Am The Sinner” while thrusting, into the MTV cameras, anything attached to them that was thrustable. Eight minutes later “Beavis and Butthead” put a dingus named Stuart in a Winger T-shirt and the coffin was closed. For a while.

Because these days, a great many hairtacular bands have circled their wagons on the middle-tier nostalgia package-tour circuit looking, if not to conquer the Earth, to at least ruin some more of its ozone. These are the lucky ones, of course, as some are surely moving used cars in Lexington, some are assembling weird simulacrums of their former bands and releasing “Chinese Democracy” and still others are smacking their noses into parts of the Tony Awards. It’s a mess, is what I’m saying. But regardless, somewhere on its plummet down from the wild ’80s schmaltz-glitz years of Bon Jovi, Poison, Motley Crue and the 250 bands that started with W, hair metal — and this was really nice of it — forgot to die. (more…)

Popdose Flashback: Tone-Lōc, “Lōc-ed After Dark”

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Tone-Lōc – Lōc-ed After Dark (1989)
purchase this album (Amazon)

There’s no way around this: Tone Lōc’s 1989 debut, Lōc-ed After Dark, is COMPLETELY ADORABLE. The elementary, dubious and occasionally tortured rhyme scheme (”lax-adaiscal’ with “that’s the way to go,” “night” with, uh, “tonight”)! The sustained reports about how skilled a rapper one can be without actually rapping anything! The neurotic reliance employment of the first four break-beats in the history of the world! Lōc-ed After Dark may be the only album with the word “motherfucker” in it you sort of feel like you could play for your kids.

Compared even with the nascent gumball-rap of the time, Lōc-ed — recently reissued in a remarkably inessential “Deluxe Edition” with a couple of recycled remixes and instrumentals — is like an, um, super-chewy gumball. It’s dated like Def Leppard-drummer jokes and lousy with lines that’d seem wacky even in the Camelot Music-era context — mall-shopping, Stroh’s beer, Fila wear (brought up often enough to convince you they kicked in for the studio time) — to say nothing of Lōc’s constant egging on of his DJ in what is an oddly seductive fashion (check out title track, in which Lōc requests the fella to “scratch his back for me,” while he moans, provocatively). Danger is only hinted at; the bad words come infrequently enough to seem like tiny hugs. Even Lōc’s obsession with pot (”Cheeba Cheeba”) comes with caveats both psychological and economical: “It’s not harmful like heroin, and also, it’s cheaper.” See! You’d be silly not to smoke this stuff! (more…)

Listening Booth: Guns n’ Roses, “Chinese Democracy”

Guns n’ Roses – Chinese Democracy (Geffen, 2008)
purchase this album (Best Buy)

Unless you’ve spent a lot of time in the company of William Shatner, Chinese Democracy will likely be one of the most ridiculous audio recordings you ever come across. It is sprawling and stupid and ludicrous and hilarious and will make you shoot milk out of your nose and cringe and it is not very good and sometimes extremely terrible, and just when you think things cannot possibly get any more extraordinarily strange, that’s when Axl Rose drops the MLK sample on you.

Originally slated for release in 1948, Chinese Democracy comes out Sunday exclusively for people shopping for Black Friday-sale plasmas at Best Buy, a wise promotional stunt and kind of an all-in proposition — if putting this record out this week doesn’t create interest or move units, nothing will. Because one thing is sure: the songs won’t sell it.

The final, finished, ostensibly archival version of Chinese Democracy is a fucking mess, a haphazard, stop-and-go Transformer of rap-metal parts, ideas, sketches, Chester Bennington riffs, lyrical crimes, la la las, and ridiculous electronic touches and twists that only occasionally resemble completed songs; in what will be the least surprising thing you’ll read all week, it sounds like what happens when you dicker around with something so long it stops making any sort of cohesive sense. Tracks like “I.R.S.” and the absurd “Riad n’ the Bedouins” barely begin accelerating before they veer into left-field guitar solos, tempo shifts, distracting vocal tricks, and Axl’s never-far-afield need to drop in something robotic. These songs build no momentum, create no wave. It’s more like Axl’s “A Day in the Life”; you feel like he cut up the tape, threw it into the air, and sticky-taped together the results.

(more…)

Songs for the Dumped: Volume Fourteen

songsforthedumped.gifLadies, here’s a little-known fact about many guys: If you break up with them, but then don’t leave, they will very possibly assume that you weren’t the SLIGHTEST BIT SERIOUS about the breaking-up thing, and will hang around more or less waiting for that glorious moment when you say, “You know what, I’m really sorry — I don’t know WHAT that was all about! Hang on, let me just remove my shirt.”

Let us now join Popdose maestro Jeff Giles on the worst trip to Europe since Charlie Brown and Linus were sent to indentured servitude at that weird French manor.

“A Little Bit Of Sadness In My Life, Or, How It’s Possible To Not Get Smooched On A Monthlong Vacation That Ends In Paris”
By Jeff Giles

As a rule, bloggers are an exhibitionist lot — why do you think we’re always trying to shove our innermost thoughts in front of your eyeballs? — but music critics tend to be pretty guarded and self-conscious, so you can imagine the conflicting impulses our staff suffered when they received the assignment for this month’s feature. Being that I was the one who handed down the assignment, some of this conflict spilled over on me — I was sent more than one e-mail accusing me of getting off on your Popdosers’ suffering.

Nothing could be further from the truth. But just to even any perceived imbalances here, I will share with all of you the story of how I came to be dumped in Paris, and why I fucking hate Lou Bega.

It was the summer of 1999, and I was an idiot. This may sound like a strange setup, but there’s literally no other way to explain what I’m about to tell you, which is: I was in Europe, on a monthlong vacation, with my ex-girlfriend. And her mother. And I was footing the bill for the whole thing.

I say “ex-girlfriend,” but I don’t mean it as in “ex-girlfriend now.” Well, I mean, the woman in question is my ex-girlfriend now, but she was also my ex-girlfriend then, as in on the trip. That I was paying for. In Europe, remember? With her mom?

See, here’s the thing. Closure is important. And when you don’t get it — say, when someone breaks up with you over the phone, and gives you no reason for doing so, and continues flitting around the corners of your life for years, like a venomous moth — you might, if you are an idiot, find yourself committing a series of progressively more desperate and expensive acts. You might even find yourself on a treadmill in the basement of a hotel on the Isle of Capri, praying for a heart attack, or sending e-mails back home with the signoff “There’s mercy in Hell.”

I mean, heh, who hasn’t been there, right?

Fuckin’ anyway, like I was saying, it was the summer of 1999, and Europe — the source of all horrible novelty songs — was deep in the throes of Lou Bega mania. Everywhere we went, we heard “Mambo No. 5″ (download). I’m pretty sure I even heard it at the Vatican. In my mind, the song is inexorably linked with that “vacation,” which kicked off with my ex-girlfriend’s pronouncement that after much thought and internal discussion, she had decided she was satisfied with always being my ex-girlfriend, and from there went downhill with the speed of a piano on bobsleds coated in chicken fat.

For a month, I went to old castles and churches and stared at paintings of Jesus. For a month, I searched in vain for a decent breakfast. One night, I found myself in a late-night screaming match with a German border patrol agent on a train to…I don’t remember, really. I drank plenty, but not enough. Lou Bega was always there.

Finally, we reached Paris, and the last few days of the trip. I don’t know if it was the cumulative effect of all the booze, or the higher grade of porn on the Parisian hotel TV, but I somehow got the notion that one last roll in the hay wouldn’t be such a bad idea. You know, one for the road, right? On the road, even. The road I fucking paid for.

I will spare you the details of the conversation that followed — mostly because I’ve blocked it almost completely from my memory — but I can tell you two things: One, we were sitting on the sidewalk outside an ice cream parlor; and two — of course! — “Mambo No. 5″ was on.

Feel the burn, fuckers. Here’s the single edit of “Mambo No. 5,” the extended mix (download), the “Havana Club Mix” (download), and something called “Mambo (The Trumpet)” (download). You’re welcome.

Songs for the Dumped: Volume Thirteen

songsforthedumped.gifThere are few things more entertaining on planet Earth than watching a guy who’s recently gone through some sort of emotional distress. I once stopped by a buddy’s place after having to put my dog to sleep; clearly having no idea what the accepted etiquette in such a situation was, he asked me, straight-faced, “So, uh, how’d it go?” Luckily, guys are also especially equipped to handle such things, as they, if nothing else, probably have a horrifying movie in the cabinet to watch. Let us turn things over now to Jason Hare, who sure plays a mean pinball.

“Jesus Christ, when is she going to stop flinging poop?”
By Jason Hare

The song that reminds me of being dumped, thankfully, always ends with me rolling in hysterics on the floor.

My first really hardcore dumping happened when I was 16 years old. I was pretty much completely oblivious to the fact that my girlfriend had been cheating on me for a couple of months; I had suspicions, but this was at a time where I still believed that people, when confronted with the devil on one shoulder and an angel on the other, would head in the direction of the harp and wings. One Saturday afternoon, I got the phone call where she finally gave me the one-two punch: yes, she had cheated on me, and yes, she was breaking up with me — and not even to necessarily be with the other guy. Somehow, that made it worse.

I had that horrible feeling in the pit of my stomach. You know the feeling. I got off the phone and did everything I could to hold back my tears. Luckily, I’ve always had good friends who are right there to try and take your mind off of things the minute something like this happens. I quickly called Andrew and Mike (formerly of Down With Snark) and invited them to come over and watch a movie. I was just becoming a Who fan, and decided that perhaps this would be a good time to see Ken Russell’s film version of Tommy. We were all in a band together, and all dug The Who; I figured this was a good opportunity to focus on something other than what a sucker I had been for a few months. Anything to get the day’s events off of my mind.

So we sat down to watch Tommy. Have you ever seen Tommy? If so, you’ll know it’s unlike just about any other movie. I know Who fans who insist it’s a cinematic masterpiece. However, I think it’s easily one of the worst movies I’ve ever seen.  But thankfully, it’s bad in one of those so-terrible-it’s-funny ways. Mike, Andrew and I started laughing within the first 15 minutes of the movie, when they continuously flash back to these shots of Captain Walker screaming bloody murder as his plane crashes. The whole movie is just so awful: from Jack Nicholson’s pathetic attempt at singing to Tina Turner’s awesome-yet-frightening-as-hell turn as The Acid Queen, to Eric Clapton’s “Hey, anybody got any more heroin?” turn singing “Eyesight to the Blind.” And I haven’t even mentioned Oliver Reed. (more…)

Songs for the Dumped: Volume Twelve

songsforthedumped.gifIf there’s anything worse than having your heart broken in high school, when your fragile emotional identity is still developing, probably badly, it’s having your heart broken in elementary school, when it’s just sad, and you don’t even know why it’s sad, and you don’t even know what you can do to fix it. Actually, maybe that’s not true. In elementary school, at least you can still play with your “Star Wars” figures. They won’t judge you for your sobbing.

“Why Must I Chase That Cat?”
By Will Harris

This is a story I’ve told countless times to countless people, even working it into my review of the movie “Little Manhattan,” but it remains one of my favorites, and whenever Valentine’s Day rolls around, I find it’s always worth re-telling…

All men have stories of their first love, and here is mine, so let it be told: it was 1980, and the girl’s name was Kathy Hawbaker. She lived a street over from me, and she made me feel funny in my tummy whenever I looked at her. I was only nine years old, but having already received all the information on love I was sure I was ever going to need (courtesy of movies, TV, and Top 40 song lyrics, thank you very much), I decided to make a romantic gesture to Kathy on Valentine’s Day.

I bought a card and a box of candy — both of which ended up being far smaller than I’d originally planned, since my bemused mother assured me it was the thought that counted — and took the suddenly-interminable stroll from my house to Kathy’s. I knocked, her dad answered, and then he called to her. She came up to the screen door and I presented her with her gifts, somehow getting out the words, “These are for you.”

Kathy opened the door and, as she took the card and candy, uttered those three words that every nine-year-old boy longs to hear:

“Oh, my cat!”

Before I knew what had happened, her cat had shot past my ankles. With card and candy in hand, Kathy ran past me and retrieved the feline from the yard, then ran back past me, went inside, and closed the door behind her. I stood dazed for a moment, then, upon the realization that my first-ever romantic gesture had come to a decidedly anticlimactic end, I walked home sobbing, and, upon coming through my own front door, proceeded to take as much comfort as my mother was willing to offer.

I ask you: is it any wonder that I’m more of a dog person?

If you look at a Chinese calendar, you’ll see that 1980 was actually designated the year of the monkey. For yours truly, however, it will always be remembered as…cue the Al Stewart, please…the “Year of the Cat” (download).

Songs for the Dumped: Volume Eleven

songsforthedumped.gifSome love stories are full of hideous terror, but some can teach us things, such as that for a not-insignificant portion of the populace, there is apparently something called a “Sexy Canadian thing.” Who knew? Molly Marinik teaches us that some loves actually can be stopped at the border. Pot, too.

“Love (Not Love)”
By Molly Marinik

My favorite breakup song is “Just Another Couple Broken Hearts” by Was (Not Was) (download). It’s helped me through many a dumping, and made me feel particularly good after I was dismissed by Mitch, my co-counselor at the summer camp where i worked the summer before my senior year of college. Mitch was from Vancouver and had a really sexy Canadian thing going on.

We were working at an overnight camp in the Poconos and started dating early on in the summer…after three months of a hot summer romance, it became apparent that we were going our separate ways (Mitch to British Columbia, and me back to Ohio to finish school). And since i was hellbent on living in New York and Mitch was never leaving Vancouver, it became apparent that a perpetual 3000 mile long-distance relationship was not going to work. So Mitch did that thing guys do and distanced himself, shut off emotionally, and refused to deal with the impending break-up like a normal person. On the last night of the summer, the staff all went out to a local bar and Mitch picked a fight with me and sat in the corner pouting all night.

We parted ways amicably, but after an intense romance it was a less than fulfilling goodbye. So the lyrics to “Just Another Couple Broken Hearts” consoled me:

“So save your tears for Shakespeare / Because no one’s lost a life here / We’re down and out and lonely / But we’ll be okay.”

Songs for the Dumped: Volume Ten

songsforthedumped.gifThere are a few cold, hard truths in this world: you can’t run for president on the GOP ticket if you’re a thrice-married cross-dresser, the Cubs aren’t going to win this year either, and long-distance relationships are really, really hard to pull off, no matter how ambitiously starry-eyed you are when you leave college. Mojo Flucke learned the last one the hard way, but at least he got a trip to Margaritaville out of it, which is something not all of us can say.

“Wasted Away Again In Puerto Rico”
By Mojo Flucke, Ph.D.

I begin by tossing out this long-distance dedication — “Breathe” by All (download) — to this one girl.

See, I was engaged twice. Few people know of the first; most know of Kate, the second, to whom I remain happily married. I very rarely speak of this other one, because the retelling sends jolts down my spine. Bad- vibes jolts. Like when you’re using jumper cables to start a car and you get a sudden poke and realize, yeah, your arm actually conducts serious amperage just like the warnings right there on the battery say. Still does, 15 years on. Dunno why, because clearly I’m much better off today without her, and with my soulmate Kate.

This one girl? She was my last college girlfriend, beautiful and smart, with an easy laugh and, best of all, half-decent taste in music, save for chronic Plimsouls benders revisited upon her every few months. We closed down shop at the U in Athens, Ohio, got our degrees, and started our careers together. Me in chilly New Hampshire, she in sunny-wonderful Wilmington, N.C. Didn’t matter where we ended up or how good or bad the career changes togetherness would require, she’d accepted the ring and said “yes.” Good times were invariably ahead. (more…)

Songs for the Dumped: Volume Nine

songsforthedumped.gifWe’ve been doing “Songs for the Dumped” for awhile now, and if we’ve learned anything it’s that:

1. People are at heart mean and vindictive, and

2. Apparently nobody had a good time in high school, because, like, all of these stories are about high school.

Did anyone actually enjoy themselves during this phase? Who are these people that call it the “best four years of their lives?” Are they insane? Liars? Elves? If you have a good high school story, hit us up in the comments down there; meanwhile, Py Korry checks in with a story about two sisters, and Pete Townshend.

“Sisters of No Mercy”
By Py Korry

It’s 1983, and it’s my senior year of high school. At a party one weekend I have a long conversation with Gwen, who’s there with a bunch of friends, and her younger sister, Jenna. Gwen and I talk for over an hour and it’s clear (to me, that is) that the two of us are starting to fall for each other. There’s a lot of smiling, a few not-so-subtle touches to the arm after a couple well timed jokes, and even a couple of slow dances. I was going in for the whole “kiss and then get her number” thing, when her friends said they had to leave. Crap! Could this get any worse? Sadly, yes.

When I saw her at school on Monday, I asked if she would help me with my Geometry homework — since she was getting an A and I was wallowing in the C-/D+ realm. She said she would, and I drove over to her house that night, where she did help me with my homework, and I asked her out. She said “yes” and I floated home thinking I had won the Publishers Clearinghouse Sweepstakes. Stupidly, I made plans with my friend Matt to double date. We were going to go to San Francisco on Friday to get dinner, and then off to some arty-farty movie with Sting (Brimstone and Treacle ) and then, hopefully, a lot of making out.

But then… (more…)