Let’s begin with the facts. Motown: The DVD contains 18 vintage clips of Motown artists performing some of their best known songs. Only five of the 18 are actually live performances. Of these, Gladys Knight and the Pips’ performance of “Grapevine” at the 1972 Save the Children Concert and Smokey Robinson & the Miracles doing “Tears of a Clown” on the Andy Williams Show in 1971 stand out. The rest of the clips have been gathered from a variety of U.S. and overseas sources including the Ed Sullivan Show, the Mike Douglas Show, Hullabaloo, and Live from the Bitter End.
Interspersed between the songs are excerpts from interviews with Motown artists. These include Mike Douglas speaking with Smokey Robinson, Motown-founder Berry Gordy on a local Detroit show called Teen Town, and some thoroughly cringe-worthy shtick featuring Lloyd Thaxton with the Temptations. Bonus features include previously unseen footage from the Motown Picnic, circa 1970. Basically it’s the company’s home movies. There are a couple of poignant shots of a young Michael Jackson in this footage. The complete Gordy Teen Town interview is here, as is a 1959 featurette about what was going on in the world in the year that Motown was founded. A Maypo commercial and a trailer for a Brigitte Bardot film are fun, but that is no reason to buy this DVD. Sadly, the 1959 newsreel is the most interesting thing in this package. The accompanying booklet features a nice essay by Stu Hackel. (more…)
The latest installment of the vaunted PBS series Independent Lens is No Subtitles Necessary: Laszlo & Vilmos. The documentary about the legendary Hungarian cinematographers debuts this week around the country. Check your local listings for time and channel.
Laszlo Kovacs and Vilmos Zsigmond met at film school in Budapest in the 1950s. When Soviet tanks rumbled into the city to crush the reform movement in 1956, the two friends took to the streets to document the horrors of the crackdown. They understood the importance of the footage they had, and volunteered to smuggle it out of their repressed country.
The two filmmakers eventually settled in Hollywood, where they did all sorts of odd jobs before getting opportunities to work on low-budget horror and biker films. Over the next 40 years, they created some of the most indelible images in the history of film. Kovacs got his break when he was tapped to be the Director of Photography for the seminal film Easy Rider in 1969. He went on to be the cinematographer on some of the greatest films of the 1970s, including Bob Rafelson’s Five Easy Pieces, Peter Bogdanovich’s Paper Moon, Hal Ashby’s Shampoo, and Martin Scorsese’s New York, New York. In the 1980s, he worked on films like Ghostbusters and Say Anything.
At the same time, Zsigmond was creating his own masterpieces, the first of which was his work on Robert Altman’s classic McCabe & Mrs. Miller. He went on work with Steven Spielberg on Sugarland Express, and most notably Close Encounters of the Third Kind, for which he won the Academy Award. His credits also include Michael Cimino’s The Deer Hunter, and Heaven’s Gate. He received his fourth Academy Award nomination for his work on The Black Dahlia in 2006, and he is currently at work on his third film with Woody Allen. (more…)
Artie Lange has been a core cast member of the Howard Stern radio show for eight years. Even if you are not a Stern listener, you may have encountered Lange as a regular on Mad TV, or through one of his other, often controversial television appearances. He is also the author of the best-selling memoir Too Fat To Fish, which was published earlier this year. Lange has just released his first comedy album, the aptly titled Jack and Coke (Shout Factory).
As a result of his celebrity, Lange has fought a very public battle with addiction over the years. He’s been known to miss work at his day job with Stern, or to fall asleep at work if he does make it in. It’s not just his comedy that’s edgy and raw. His life is lived right on that same ragged edge. The thing is, it’s nearly impossible to dislike the guy, and you can’t help but find yourself rooting for him through all of his struggles. He can have you laughing uproariously with his tales of hookers and eight-balls, and in the next moment have you near tears as he talks about his late father.
Jack and Coke is, as you might expect, profane, politically incorrect, vulgar, and yes, very funny. Any comedian who begins his set with the words, “I’m glad Heath Ledger died, and I’ll tell you why,” is prepared to take some chances. Lange follows that with a rather explicit description of his own alleged audition for Brokeback Mountain. For him, there is no idol too sacred to smash, no pretentious balloons that he’s unwilling to put a pin in, and no thought that needs to remain unexpressed. It goes without saying that if you’re easily offended, Jack and Coke is not for you. (more…)
Gary Hustwit is best known (to me, anyway) as the filmmaker behind the award-winning documentary about Wilco, I Am Trying To Break Your Heart, and his film about synthesizer pioneer Robert Moog, simply called Moog. He also got my attention by managing to make a very interesting film about, of all things, a font. That was Helvetica, and it was the first in Hustwit’s planned trilogy about design. Now he has returned with the second entry in his trilogy, Objectified. The new film will premiere November 24 on PBS as part of the Independent Lens series. Check your local listings for time and channel in your area.
Most people don’t think much about design. We touch and use hundreds of items in a day without giving a second thought about who made them, or why they look and feel as they do. Fortunately, there are people who give a lot of thought to design, and those people are the subjects of Hustwit’s film. Through in-depth conversations with people like Paola Antonelli, the design curator at the Museum of Modern Art in New York, Chris Bangle of the BMW Group in Munich, Bill Moggridge co-founder IDEO (who designed what may have been the first laptop computer, which he demonstrates), and Jonathan Ive at Apple, Hustwit gets to the heart of creative design and thinking. (more…)
Earlier this week, I posted an item to Twitter (sorry, I refuse to use the word ‘tweeted’ in regard to any action I’ve ever taken) saying that I was listening to Rhino’s latest box set, The Doors: Live in New York. The response I got was immediate, negative in tone, and came from two colleagues who know a little something about music. One took a shot at Jim Morrison, the other at drummer John Densmore. The subject of the Doors has always been, and apparently still is, a provocative one. Battle lines are drawn. Feelings are strong on both sides. In the end, the fact that a simple mention of the band evokes such reaction, 40 years after the fact, is itself commentary on the band’s legacy.
Madison Square Garden opened in 1968, the fourth building in New York City to bear that name. In addition to the world famous arena, home to the New York Knicks, and New York Rangers, and the site of many legendary concerts, the complex includes what was then called the Felt Forum. The theater, which can seat up to 5,600 people for concerts, was named after then-Garden president Irving Felt.
On January 17 and 18, 1970, the Doors showed up to play four shows, two a night, at the Felt Forum. In 1969, they were one of the first rock bands to play Madison Square Garden itself, but opted to play the smaller Forum the next time around in order to recapture the intimacy with the audience that had characterized their early career, and to take advantage of the superior acoustics that the Felt Forum offered. It was just a few weeks before their album Morrison Hotel would be released. (more…)
How much do you know about Vic Chesnutt? You might know that he currently resides in Athens, GA, and that his first two albums were produced by that city’s most famous citizen, Michael Stipe of R.E.M. You might also know that Chesnutt was left partially paralyzed following a car accident in 1983, and that 1996 saw the release of Sweet Relief II: Gravity of the Situation, a tribute to Chesnutt. The album featured covers of Chesnutt’s songs by the likes of Madonna, Garbage, REM, the Smashing Pumpkins, and Live. Chesnutt has collaborated with Widespread Panic, Lambchop, Bill Frisell, among others, and he’s released over a dozen albums on various labels over the years.
Skitter On Take-Off is Chesnutt’s first album for Vapor Records. It was produced by indie legend Jonathan Richman and his drummer Tommy Larkin, and they had a very definite idea of how they wanted the album to sound. According to Richman, “We were both thinking that the way to get the feeling for Vic as a listener was to hear just Vic — no arrangements, no guest guitar solos, no “ironic” touches or anything else to cloud his voice or his poetry.” The end result is an album that features Chesnutt on guitar and vocals, Richman on guitar and harmonium, and Larkin on drums. It was recorded completely live, and there were no overdubs. (more…)
Please read to the end for information about how you can win a copy of this album.
The Village in question is Greenwich, and 429 Records has gathered together an accomplished cast to celebrate the music that shook the world from that corner of New York City in the Sixties. Lest you think my use of phrase “shook the world” is an overstatement, I offer the first three songs on the album as evidence. Bob Dylan’s “Subterranean Homesick Blues” finds Rickie Lee Jones putting a pin in the balloon of pretension that surrounds Dylan these days. Though not of his making, it marks his every movement. Jones jabs at it with, of all things, a slide whistle, returning the humor inherent in the song.
Songs two and three are Dylan covers too, albeit more serious in tone. There’s nothing funny about “It’s Alright Ma I’m Only Bleeding,” and Winnipeg band the Duhks perform it with requisite intensity and respect. Lucinda Williams makes Dylan’s bitter rant “Positively 4th Street” her own by bringing it from a less angry, more heartbroken place, and very few people do heartbreak like Lucinda Williams.
Sixpence None the Richer contribute a wonderfully inventive take on the traditional “Wayfaring Stranger,” and John Oates’ retelling of another traditional song, “He Was A Friend of Mine,” is something of a revelation. The extremely underrated Philadelphia singer/songwriter Amos Lee closes out side one with a typically understated, soulful version of Fred Neil’s “Little Bit of Rain.” (more…)
Beginning this Sunday night, AMC will be asking you to invest six hours of your television viewing time, over the course of three nights, in their remake of the iconic ’60s British drama, The Prisoner.
A man named Michael wakes up in a strange place known to its inhabitants as The Village. He has memories of his past life in New York City, but no idea of how he got to The Village. Everyone there has a number instead of a name, and our hero, played by Jim Caviezel, is referred to as 6. At first glance, The Village appears to be a bright cheerful place, with a few idiosyncrasies. The only television program seems to be a soap opera called The Wonkers, and the only food available comes in the form of wraps filled with various ingredients.
The man in charge of all of this is called 2, and he is played by the wonderful Ian McKellen. 2 appears to be some sort of benevolent monarch, but he is, in fact, a paranoid, scheming dictator, who employs “undercovers” to spy on the populace, and keeps his wife in a drug-induced dream state much of the time. The citizens who present the most danger for 2 are the “dreamers,” because they know that, despite 2’s insistence to the contrary, there is another world beyond The Village. 6 knows there is an outside world. He sees it in his dreams. He remembers living in it. He fights a running battle with 2 to retain his identity, proclaiming loudly that he is not a number. (more…)
You know the scene. Hell, if you grew up in a certain era, it’s practically tattooed on your eyelids. Lloyd Dobler (deftly played by John Cusack) stands in the driveway of the home of his beloved, Diane Court (Ione Skye). It’s early morning. He has his boom box, and his Peter Gabriel cassette. He raises the boom box above his head …
To celebrate the 20th anniversary of the release of Cameron Crowe’s directorial debut, Say Anything…, Fox has released the film on Blu-ray. In addition to the film itself, the disc includes some worthwhile new bonus features including a revealing documentary that looks back at the film 20 years later, a conversation with Cameron Crowe, and even a trivia track that includes over 200 questions about the film. There’s also a cast commentary which was originally recorded for the DVD version, and alternate, deleted, and extended scenes.
Lloyd and Diane are classic high school outsiders. She’s brilliant, and beautiful, with a bright future in front of her that includes a fellowship that will take her to England to study. At the same time she’s lonely, and insecure. Her parents divorced five years earlier, and when given the choice, Diane opted to live with her father, brilliantly played by John Mahoney. Lloyd, who lives with his sister (played by his real life sister Joan Cusack), has no really discernible future, unless kickboxing, “the sport of the future,” catches on (which of course it did). But he’s an eternal optimist, and you have the sense that he’ll land on his feet no matter what happens. (more…)
The Airmen and the Headhunters is the most recent entry in the PBS series Secrets of the Dead, which has been running for nine years on the network. The documentary tells the little-known story of U.S. airmen who bailed out of their stricken aircraft over Japanese-occupied Borneo in 1944. On the island, they encountered Dayak tribesmen, also known as the “wild men of Borneo,” who kept them hidden from the Japanese until they could be rescued in 1945. These tribes were best known for hunting the heads of their enemies.
In the 1930s, Christian missionaries came to Borneo, and were successful in converting many of the island’s tribal people. When the Japanese occupied the island at the start of WW II, they murdered the missionaries and their families, which caused a great deal of anger among the indigenous people of Borneo. That’s why they were only too willing to assist the airmen when they arrived on the island.
By 1945, the tide of the war had turned in the Allies’ favor, and they were re-taking many of the territories that they had lost to the Japanese. The recapture of Borneo, a former British and Dutch colony, was high on their list of priorities. Toward that end, the British sent an eccentric anthropologist named Tom Harrisson to organize a guerilla war to coincide with the coming invasion of the island. Harrisson was only too happy to allow the natives to bring back the practice of headhunting which had been banned at the turn of the century, and the Dayaks were thrilled to resume the practice. Also employing poison blow darts, the Dayaks struck fear into the hearts of the Japanese. (more…)
Let’s begin with the facts. Motown: The DVD contains 18 vintage clips of Motown artists performing some of their best known songs. Only five of the 18 are actually live performances. Of these, Gladys Knight and the Pips’ performance of “Grapevine” at the 1972 Save the Children Concert and Smokey Robinson & the Miracles doing “Tears of a Clown” on the Andy Williams Show in 1971 stand out. The rest of the clips have been gathered from a variety of U.S. and overseas sources including the Ed Sullivan Show, the Mike Douglas Show, Hullabaloo, and Live from the Bitter End.
The latest installment of the vaunted PBS series Independent Lens is No Subtitles Necessary: Laszlo & Vilmos. The documentary about the legendary Hungarian cinematographers debuts this week around the country. Check your local listings for time and channel.
![51ysgu3hnvL._SCLZZZZZZZ_[1]](http://popdose.com/wp-content/uploads/51ysgu3hnvL._SCLZZZZZZZ_1.jpg "51ysgu3hnvL._SCLZZZZZZZ_[1]")
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How much do you know about Vic Chesnutt? You might know that he currently resides in Athens, GA, and that his first two albums were produced by that city’s most famous citizen, Michael Stipe of R.E.M. You might also know that Chesnutt was left partially paralyzed following a car accident in 1983, and that 1996 saw the release of 
Please read to the end for information about how you can win a copy of this album.
Beginning this Sunday night, AMC will be asking you to invest six hours of your television viewing time, over the course of three nights, in their remake of the iconic ’60s British drama, The Prisoner.![51ePYDAQi0L._SCLZZZZZZZ_[1]](http://popdose.com/wp-content/uploads/51ePYDAQi0L._SCLZZZZZZZ_1.jpg "51ePYDAQi0L._SCLZZZZZZZ_[1]")
You know the scene. Hell, if you grew up in a certain era, it’s practically tattooed on your eyelids. Lloyd Dobler (deftly played by John Cusack) stands in the driveway of the home of his beloved, Diane Court (Ione Skye). It’s early morning. He has his boom box, and his Peter Gabriel cassette. He raises the boom box above his head …![68741-104[1]](http://popdose.com/wp-content/uploads/68741-1041.jpg "68741-104[1]")
The Airmen and the Headhunters is the most recent entry in the PBS series Secrets of the Dead, which has been running for nine years on the network. The documentary tells the little-known story of U.S. airmen who bailed out of their stricken aircraft over Japanese-occupied Borneo in 1944. On the island, they encountered Dayak tribesmen, also known as the “wild men of Borneo,” who kept them hidden from the Japanese until they could be rescued in 1945. These tribes were best known for hunting the heads of their enemies.