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The Three Strike Rule: Trust Me

Hey everyone, Shaun is back!   His inauguration celebration hangover has just worn off and he’s ready for another year of looking at television with me.  This week we review a new comedy/drama on TNT, Trust Me. It premieres tonight at 10 PM/9C.

trust-meTrust Me is about ad people in the 21st century, and before any of you cry “Mad Men ripoff,” let me assure you that Trust Me couldn’t be farther from Mad Men in terms of tone, look and approach.  Hey, if there can be umpteen shows about doctors, lawyers or cops, we can certainly put up with another show about an advertising agency. Trust Me is the type of light drama that TNT excels at.  With good reason, the creators this show, Hunt Baldwin and John Coveney are both veterans of The Closer, TNT’s sensation that is the highest rated original series on basic cable.

I had reservations going into Trust Me because anytime you put together a cast of actors who’ve had success on other shows, it can spell disaster.  Moreover, I wondered if Eric McCormack would shed his “Will” mannerisms from his days on Will and Grace. I had more faith in Tom Cavanaugh (Ed of Ed) because he’s done other, darker roles since that show was canceled, but McCormack’s role as “Will” lives on in syndication.

In the first episode, we learn that McCormack’s character, Mason, and Cavanaugh’s Connor have been an ad team for years (Mason is the artist, Connor the writer). By the end of the first act, Mason is promoted above his old friend. While Mason learns to cultivate his inner shark, he also has to deal with how this promotion will affect his partnership with Connor. At the same time, a new writer arrives at the agency and she brings with her a slew of awards and plenty of attitude. This character is played by Monica Potter. While there is a plot involving beating out a competitor for a big cell phone campaign, plot is secondary in this series that has some zip to it and shows real potential.

McCormack and Cavanaugh work great together.  McCormack’s conservative, cautious approach to Mason is the perfect foil to Cavanaugh’s impulsive and over-caffeinated Conner.  These two are the main reason to watch Trust Me, as they really come off like a couple of old friends struggling with the changes in life thrown their way.  Potter is pleasant to watch and her character shows real human flaws and doesn’t come off as just some bitch there to take command of the office. Added to the mix is one of my favorite actors, Griffin Dunne (After Hours) as the creative director of Connor and Mason’s team.  (more…)

The Three Strike Rule: Year-End Rants by Scott and Shaun

Well hey there. In case you didn’t know, this is the last week of The Three Strike Rule until the new year. Hey, don’t get mad at me, take it up with the Editor in Chief. Anyway, it’s been a pleasure writing about the boob tube over the coarse of the year; we’ve had some fun. To wrap things up, my compadre, Shaun Hamid, has joined me in giving you our two cents’ worth what 2007 brought us in television. Until next year, aloha.

BEST SHOW

Scott: Friday Night Lights (NBC/DirecTV) The small-town football series’ 2nd season ended on a high note last winter as we watched it regain its form after stumbling with a soap opera-ish murder plot. Still, NBC ran the final episodes with little fanfare, despite the fact that there was little original programming on the air due to the writers’ strike. The network redeemed itself by striking a deal with DirecTV to co-produce a third season. Since October, the satellite provider has been airing these new episodes and come January, those same episodes will air on the peacock network.

The third season has been everything fans of the show love, in particular the study of a working marriage between two of the finest actors on television, Kyle Chandler and Connie Britton as Coach and Mrs./Principal Taylor. They are the heart of the show. If you haven’t watched this show yet, what the hell is your problem? More than any other series on TV, FNL approaches each week with intelligence, humor and heart. At a time when the country is in turmoil, here is a quality show that taps into everything that is great about the America and reminds us of what we can be. Procedurals and medical dramas are a dime a dozen, and aren’t we all bored to shit with the woes of filthy rich people? I said it back in January, and now I’ll repeat myself: WATCH THIS SHOW!

Shaun: Mad Men (AMC) In spite of the remarkable amount of attention this show has gotten critically and awards-wise, it still feels unheralded to me. This show consistently elevates itself above much other dramatic fare. No network, NBC to HBO, has a show nearing its quality and innovation currently. While it can be irritating in its few failures, I think that is a testament to a show that a viewer expects so much from. If you have not seen this show yet, and judging by the ratings that may be a good bet, take the leap. It would be unfortunate for it to meet the fate of another similar luminary in another genre: Arrested Development.

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The Three Strike Rule: “Life on Mars”

Shaun Hamid is back tossing his voice into the TV arena with me.  We hope that in the coming weeks you, our readers, will help continue our conversations about television as art and entertainment.

Shaun: The U.S. version of the BBC cult show, Life on Mars, has arrived after much tooling on ABC (Thursdays, 10 PM).  For its premiere it received a rather strong response, but it has been losing its audience in the intervening weeks.  Considering the ambitious nature of the series, and its potential, one can only hope that ABC is patient enough to see if it can find its own identity.

The premise of Life on Mars is that present day NYPD Detective Sam Tyler, played by Jason O’Mara, is hit by a car while investigating a case.  When he wakes up, he is in 1973 New York.  He is not sure if this is some elaborate hallucination or the afterlife.

Occasionally, he hears the sounds of a hospital room in his head, leading the Sam (and the audience) to believe he is in a coma or similar state in 2008.  However, the 1973 world he inhabits is so vivid that it is hard to really know which world Sam knows is actually more real.  In 1973, Sam is still a cop, and he works out of a precinct which is ruled by Lieutenant Gene Hunt (played by Harvey Keitel), with his two main men Detective Ray Carling (Michael Imperioli) and Detective Chris Skelton (Jonathan Murphy).

Sam’s intrusion with his 30 years of advanced political correctness and procedural adherence is not met kindly by the gut-instinct approach of Hunt.  Sam would otherwise go crazy, if he is not already, were it not for the calming force of Officer Annie Norris (an understated Gretchen Mol).  Gene and Sam stand at odds, but in the end they both basically want to do the right thing.  How Sam finds his way to live in this archaic world or manages his way home is what invests you in the series.It’s difficult to not compare this version with the original. Indeed, it is obvious that the minds behind the U.S. version (producers Josh Appelbaum, Andre Nemec and Scott Rosenberg) are very aware of the shadow that it casts. (more…)

The Three Strike Rule: “Mad Men”

This week, something new for the column: I invited my fellow TV critic, Shaun Hamid, to sit in and discuss the highly acclaimed Mad Men.   I hope that our discussion will draw more comments from you readers and start a discussion about this celebrated show.  Consider it a sort-of Siskel & Ebert type of exchange, if you will.

Scott: Last month. AMC’s Mad Men became the first basic cable show to win the Emmy for best dramatic series.  This was quite a feat for a show that airs on the little-watched AMC. Created by Matthew Weiner (an executive producer for The Sopranos), Mad Men (the show derives its name from what the Madison Avenue ad men used to call themselves) is set in the early 1960s, when postwar conservative ‘50s values carried over into the new decade.  Men were the breadwinners, women stayed at home and raised the children, and anything outside of this “norm” was seen as controversial and scandalous. 

Mad Men does a remarkable job of capturing the tone and look of that era in the way the characters speak and act, as well as the meticulous attention to detail. The clothes, the sets, everything is pretty much pitch perfect. The main character is Don Draper, played by actor Jon Hamm. Draper is a rising star in the advertising world and a partner in the firm of Sterling/Cooper. When he isn’t gulping scotch, smoking endless cigarettes and proving that he has an undeniable gift for selling things to consumers, Draper is on his way to becoming a captain of industry and a member of the elite class. Yet, Draper isn’t all that he seems. He doesn’t lead just a double life, this guy harbors so many secrets he carries on a triple and quadruple life.  Born Dick Whitman, he’s the bastard child of a prostitute and grew up poor on a farm.  He fought in the Korean war and when his commanding officer was killed in the line of duty, assumed the fallen soldier’s identity to escape his miserable past.  By age 19, Draper began harboring the first of his many secrets.  That he has been able to rise to the top of the advertising world is a mystery, but it’s a good mystery and one that has kept the cult like fan base watching for over two seasons.

As Draper demonstrates, Mad Men is a show about secrets.  Marital affairs, hidden sexuality, children out of wedlock, discreet alcoholism, and most of all, secret identities — everyone is keeping something locked away. (more…)