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Mix Six: “Then and Now”

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I was watching Anvil: The Story of Anvil on VH1 Classic the other night, and I believe it was Slash who said something like: “You know, there aren’t many bands who have been together for 30 years.”  And he’s right (well, if Slash really did say what I attributed to him).  Bands or singers who have been recording music for long periods of time are rare birds indeed.  Some certainly hang on to their core sound and often fit prevailing musical trends into one or two songs (Think “Emotional Rescue” or “Miss You” by the Rolling Stones), while others will revamp their sound and sail off on a new musical direction– leaving puzzled fans wondering: “What the hell is this?” (Think KISS in Music From “The Elder” or when Rush went headfirst into a synthaholic binge).

What I wanted to do for this mix was to feature bands and singers who, by hook or crook, have been able to maintain a musical career that went beyond their salad days.  In putting together this mix, I generally took the first album and the most recent release, paired them together to see what, if any, changes or similarities were there.  Sorry if this sounds a little too academic in its description, but really what I’m trying to do is best summed up in the title of this mix:  “Then and Now.” (more…)

CD Review: Various Artists, “The Twilight Saga: New Moon” Original Motion Picture Soundtrack

The New Moon soundtrack bolted to the #2 position on the charts after it was released last week, and if it hadn’t been for Michael Buble, it would certainly have been #1 (Well played, Buble; well played, sir).

I don’t need a marketing guru to tell me how popular the series by Stephenie Meyer is. I just have to talk to my daughter (age 13) to know that the Twilight series is something that is more than a passing fad and a cleverly marketed story that appeals to teenage girls. Sure, all the product surrounding the series is designed to evoke eeks and gasps from its targeted demo, but it’s the story and how well it translates to the screen that’s really of importance to my daughter and her friends. The fact that a group like Paramore recorded an extremely popular song for the first film’s soundtrack is a wonderful addition to the Twilight universe, but soundtracks are one thing, and the story another.

All that said, however, I asked my daughter and her two friends (all of whom are fans of the Twilight series) to listen to the New Moon soundtrack and offer their thoughts on music that’s been carefully chosen to appeal to their tastes…or has it?

First off, let’s meet our teen critics — all of whom are in eighth grade. (more…)

Mix Six Six Six (’09)

mixsix_halloween

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Last year, I was feeling all boo hoo about the fact that no one, and I mean no one comes to our house on Halloween.  Call it fear of strangers with candy (who might shove a razor blade in that Snickers bar, or snap off a hypodermic needle in that family size peanut butter cup), or, more realistically, it’s the fact that I live in a condo complex where the motto is “A place for the newlywed … and the nearly dead.”  Yeah, there really aren’t any kids around here, so we just gave up buying candy for those non-existent trick or treaters.  So, that leaves me with you, dear reader and lover of the ye olde Mix Six, to spoil you with musical treats. So grab a mug of bitches brew and get ready for a Mix Six Six Six for ‘09!

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“Freaks Come Out At Night,” Whodini (Download)

You can’t always start out a mix with a top of the hour cooker.  Nope, sometimes you gotta dig a little deeper and find a song that signals the keynote of the mix in a “deep cut” kind of way. Sure, this tune by Whodini has a pretty long shelf life because, well, the title of this song pretty much guarantees that it’s going to end up on a Halloween mix.  And look: it did! (more…)

Bourbon Street: Eagle Rare

Bourbon Street

“This is the most popular bourbon we sell,” said the clerk at my local BevMo.  I guess I had “sucker” written on my face since I bought the bottle without reading the notes on the Eagle Rare. However, the review notes don’t always tell an accurate story of a particular bourbon — as I found out last time — so, in a roundabout way, I reasoned that I would just go with the clerk’s recommendation and see what’s what.

I must say, the Eagle Rare bottle was different for a bourbon.  Some bourbon bottles, like my beloved Woodford, or Jeff Giles’ longtime steady, Knob Creek, look like containers cartoon hillbillies keep their “tonic” in.  Eagle Rare, however, is bottled in a container that could easily house wine.  It’s also wrapped in thin, grayish tissue paper that’s sealed with a silver sticker that makes it so  very … yuppie.  But I didn’t care. It’s not the bottle that makes the bourbon, it’s what’s inside.

Eagle RareEagle Rare has a fine amber color that evokes a sense of quality.  I couldn’t discern any characteristic aromas like bananas, vanilla, or even a hint of cinnamon. Rather, it was surprisingly devoid of distinguishing smells.  Maybe, I thought, the taste would reveal layers of flavor that were lacking when I attempted to breathed in the nonexistent scents.

The start was pleasant. There were hints of bananas and a rather smooth, velvety feel in my mouth (or should I say palate).  It was the finish that was the most surprising … and not in a good way.  What was the most pronounced taste?  Wet socks.  That’s right — that dank, somewhat moldy taste that screams: “I stepped in a fucking puddle!” Initially I thought that my palate was somehow tainted from eating food that didn’t pair well with the Eagle Rare.  So, drank a glass of water, waited a bit, and had another drink. Guess what? Yeah, wet socks.  Great — and in full disclosure to the FTC, I BOUGHT THIS BOTTLE WITH MY HARD EARNED PAY — now I was stuck with a bottle of wet sock and I was out about $38.00. But all was not lost. I was able to mask the foul taste by, yes, making cocktails with the Eagle Rare.  Now, my bourbon cocktail of choice is a Manhattan, but even making Manhattans (well, good Manhattans) is not a cake walk. You have to have good sweet vermouth for starters.  Second, you don’t want to do what a lot of flashy bartenders do:  shake the hell out of the drinks for far too long.  The shards of ice bury the flavors of the liquors, and if you add Angostura bitters (which you should), you might end up putting too many dashes that will throw the whole concoction out of whack.  So, if you really want the flavors of the bourbon, sweet vermouth, bitters and cherry to stand out, I submit that you don’t shake, but rather stir the combo over ice for a good 30-40 seconds and serve in a chilled glass. Eagle Rare, I’m happy to report, makes for a good Manhattan.  Not great, mind you — but good. There was no wet sock taste, the good flavors of the bourbon stood out and, overall, I was quite pleased with it.  I’m pretty adamant about drinking bourbon straight. However, there are times when you have to bend those rules, and for me, drinking Eagle Rare was one of those times. If you’re a fan of astringent tastes (and there are people who do like it), this is a bourbon for you.  Me? Well, I think I tipped my hand long ago with Woodford Reserve.  However, I gotta say (and this will be a tease for the next column), I think I’ve found me a beautiful mistress.

Two and a half tumblers.

The Popdose Interview: Mike Meadows of porterdavis

Mike Meadows

A few weeks ago, I had a chance to chat with Mike Meadows from the group porterdavis. Mike has a varied background:  he studied music at the prestigious Berklee College of Music in Boston where he fell in love with hand percussion and the rhythms from India, Africa and also Arabic grooves. He’s been to Ghana twice to absorb the music and wider culture and, partly because of his travels and the desire to produce a versatile drum that can be used in a variety of settings, he created his own unique drum called “The Black Swan.” (more…)

Mix Six: “Apple’s Genius Mix”

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I think David Medsker can relate to this… Back in my salad days of college, I made extra money with two turntables and a microphone.  More often than not, some guy at a wedding reception I was working at would amble up to my DJ rig with a toothpick in his mouth, trying in vain to dig out a small bit of rubber chicken or steak, and stand there looking at my setup.  I’d get the once over twice, and then it started.

“So, you do this a lot?” Queried semi-drunk reception attendee.

“Yeah,” I would answer (knowing full well what was coming next).

“Seems like a pretty easy job.  I mean, all you do is get paid to play records.  Hell, any trained monkey can do that!  How hard can it be? You just play some songs, get paid, and go home.  Seems like a dream job to me.”

“Well,” I would patiently try and explain, “It’s not as easy as you think.  You have to read the crowd, pick songs that you think they will like, watch the tempo of the mix, and know when to play a heavy hitter that’s going to be a crowd pleaser. It’s not science, but there’s a skill at doing this right.”

“Like I said,” Mr. Bibulous Blowhard would intone,”any trained monkey can do this. In fact, I’ll bet you one day there’ll be a computer that can do what you’re doing.”

Flash forward twentysomething years later, and the fucker’s right. There is a computer that can do what I used to do. In fact, if you work in the radio industry, a computer has by and large replaced what DJs used to do. Yep, most DJs who work in the radio industry just play whatever the music director has scheduled into the computer.  They rarely have any control over the music content, so it stands to reason that it would only be a matter of time when “shuffle” mode on your favorite music player would morph into DJ mode. And so it is with Apple’s “Genius Mixes” — which comes with the latest version of iTunes. (more…)

Mix Six: “MTV on the Radio”

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I led a semi-sheltered suburban life in my high school years, so it wasn’t until MTV made its debut on my cable system a year after it launched in 1981 that I really started getting exposure to music that wasn’t AC/DC or Rush.  But that’s not all MTV was able to do. Because the channel only had so many videos to play in a 24 hour programming schedule, it meant that they were open to artists who had videos ready to go — ’cause, you know, they were starving for content.  I had no idea what was going on in the bowels of MTV programming back then, but what I did find that I was able to hear and see artists I really didn’t know much about. Of course if you look at this list you’re thinking “Yeah, it’s classic ’80s…so what?” But before they were classics, they were new songs that were untried in the music marketplace.  But MTV being what it was back in the day, meant the programmers were able to give many of these song/videos extremely high rotations.  So much so, that one couldn’t help like (or love) what they were hearing or seeing.  MTV affected radio playlists in ways program directors never thought it could. Kids seeing the video for something like “Rockit” on MTV would call their local stations and request the song.  As the requests piled up, the songs eventually made their way to radio.  Not all were breakaway hits, but if it wasn’t for MTV they certainly wouldn’t have been played on the radio all that much. (more…)

Mix Six: “Neo Swing, Baby”

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There was a moment in the mid to late ’90s when I passed an invisible line from young adulthood — where you crave new and exciting things and your mind is generally open to cultural changes — to adulthood, where more staid things like parenthood, owning a home and, alas, feeling like you’re just culturally out of it tend to creep in.  And so it goes with the neo-swing revival of the ’90s –well as far as yours truly is concerned.  By the time this type of music became popular again, I was in that latter category where the excitement of dressing up in a zoot suit and learning some new dance steps sounded fun, but my energy level for such things was pretty much nil as my wife and I were raising our daughter and, it seemed, the most culturally connected to new music came when I could sit in a rocking chair with my toddler and watch the VH1 Top 20 Countdown.  Flash forward 10 years and what do we have?  A Mix Six, naturally! (more…)

Bourbon Street: “Evan Williams Single Barrel Vintage 1998″

evanwilliamsWelcome to a new feature here on Popdose! Each month I’ll review a bourbon that, more often than not, is from a small batch and assign it a rating (between one and five stars). I wanted to co-write this feature with my fellow bourbon lover, Jeff Giles, but he lives in New Hampshire, where the state government runs all the liquor stores. In other words, there’s a paucity of choice when he goes bourbon shopping, so if he decides to write up a review, it will probably be on his current favorite: Knob Creek. But let’s not pillory Jeff for his poor choice of where he makes his home. Rather, let’s move forward with the topic at hand and delve into the first bourbon to be reviewed here.

Go into any bar, and what do you think the most popular drink is? If you said beer, you’d be right. But among variety of micro and macro-brews at local watering holes, you’re also going to find people order quite a few rum and Cokes, Mojitos, and Cosmopolitans being ordered on any given Friday night. I have nothing against those drinks, but you won’t find me ordering them. Nope. My drink of choice is bourbon. Yeah, that’s right, bourbon: straight with no chaser. But not just any bourbon, mind you. It has to be something that’s worth savoring; something to slowly enjoy over a long conversation or while watching an engaging movie. In other words, (and to use a more high-minded way of expressing myself): I loves me some sipping bourbon. (more…)

Mix Six: “Beatlesque”

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Call this mix the postscript of Beatles Week at Popdose … a postscript that’s a couple of weeks late! But better late than never, right?  There’s been a lot of talk about the marketing savvy of Beatles merchandise, and it’s pretty damn impressive. I mean, getting people to buy remastered recordings they’ve probably had in their collections for years (and I’m talking about vinyl, cassette, 8 track, CD, and mp3s) is no easy feat – unless the product really is superior to what came before.  And yes, the remasters did live up to the hype.  But if I may start a second sentence with a conjunction, what also lives up to the hype is the long shadow of the Beatles’ style of music on popular recording artists.  Billy Joel, Andy Partridge, Roland Orzabal, Jeff Lynne, Neil Finn, and the Gallagher boys must have all, at one point or another, fantasized about being “The 5th Beatle” while singing along to one of the Fab Four’s songs.  So much so, that they all wrote songs that were unabashedly Beatlesque.

“Scandinavian Skies,” Billy Joel (download)

Billy is certainly a singer/songwriter who doesn’t need to copy the style of musical giants since, well, he’s in that pantheon.  I’m not a big fan of his music, but The Nylon Curtain was, for me, the most impressive of his catalog.  The sappy love songs were absent and the themes tackled were certainly a step up from what came before and after this album — and having several nods to the Beatles only added to the depth of this album. (more…)