Author Archive

Product Review: Rosangel Tequila

rosangelIt’s hard to say no to a free bottle of tequila.  It’s even harder to write a review of that free tequila where you explain how the only way they could have made a less palatable product is by mashing up three turnips and a carrot, filtering the juice through a nylon stocking they found on the side of the interstate, and leaving the swill in an unwashed goldfish tank for two weeks to ferment using leftover saran wrap from a package of ground beef as a valve, then distilling it in a column made from the catalytic converter of a 1984 Oldsmobile.  Fortunately, this is not that review.

The Champs – “Tequila”

The free tequila in question is Rosangel, a hibiscus-infused version of Gran Centenario Reposado tequila.  It’s bottled in clear glass, which lets the pink hue of the hibiscus show.  The glass is incredibly solid – great for clubbing an opponent in a bar fight or preparing root mush – but the cork adds a touch of class that’s usually only seen in a nice bourbon or scotch.

A few friends and I drank the majority of this bottle while watching the classic British gangster film The Long Good Friday.  It’s well-suited to drink as a shot – the hibiscus flavor makes it much more interesting on its own – and survives the trip down your throat smoothly enough that a lime isn’t needed.  As long as you’re secure enough in your masculinity to handle the pink color (or sufficiently heedless of your femininity to drink straight tequila), it’s also fine for sipping. (more…)

Motion Picture Soundtrack: Ferris Bueller’s Day Off

ferris-buellerA couple weeks ago my girlfriend and I took a trip to Chicago for the weekend.  The weather on Sunday was practically identical to that during Ferris Bueller’s legendary day off: mostly sunny with a high temperature of 69 degrees.  It was the kind of weather that inspired Ferris (Matthew Broderick) to remark thoughtfully to the audience, “how could I possibly be expected to handle school on a day like this?” before taking off for a day of surprisingly wholesome adventures in downtown Chicago with his best friend Cameron (Alan Ruck) and his girlfriend Sloane (Mia Sara).

“Breaking the fourth wall” is an expression that refers to the imaginary “fourth wall” of a theater – the portal through which the audience watches the events of the story.  Breaking the wall occurs when one of the characters acknowledges the fact that an audience exists, and speaks to them directly (or refers to them indirectly).  This happens copiously in Ferris Bueller’s Day Off (1986) – in fact, it’s probably the most familiar example of this technique.  Ferris talks about all kinds of things; he provides a tutorial on how to fake an illness, gripes about his lack of a car, and explains his disdain for authority – and of any ideology in general.  Having Ferris speak directly to us is an important part of the movie’s charm, as Matthew Broderick’s smarmy charisma floats off of the screen and makes it clear why everyone in his high school – even the teachers in the English department – simply adore him.

The Film: Ferris Bueller’s Day Off

The Song: “Please, Please, Please Let Me Get What I Want”

The Artist: Dream Academy (more…)

Exit Music (For a Film): “Fear and Loathing in Las Vegas”

Fear and Loathing in Las Vegas

What would rock and roll be without drugs?  Tomorrow is the first anniversary of  the death of Albert Hoffman, the Swiss chemist who first synthesized LSD-25.  Hoffman’s tale is one of the most celebrated stories of chemical discovery; he discovered the compound in 1938 but shelved it after preliminary tests on animals showed no particular pharmacological benefits (aside from “restlessness”).  A “peculiar presentiment” prompted Hoffman to revisit the substance five years later, and during the synthesis process he found himself sufficiently disoriented to discontinue work.  Three days later, on April 29, 1943, he intentionally subjected himself to what he thought would be a threshold dose of 250 µg (which is actually from two to five times the typical recreational dose), and the well-chronicled adventures that followed have been subsequently celebrated as  “Bicycle Day” amongst the psychonaut community.

The Film: Fear and Loathing in Las Vegas

The Song: “Jumping Jack Flash”

The Artist: The Rolling Stones (more…)

CD Review: Silversun Pickups, “Swoon”

SwoonIn “There’s No Secrets this Year,” the first song on Swoon, the Silversun Pickups come out swinging for the fences.  If the band has been bothered by frequent comparisons to the Smashing Pumpkins, they don’t show any signs of it here.  It’s an auspicious track that makes the same kind of promises that “Cherub Rock” made as the opening track of Siamese Dream fifteen years ago.

The comparisons are apt.  The band enthusiastically acknowledges the Pumpkins as one of their primary influences, and even the appearance, gender, and ethnicity (a lanky vocalist, a female bassist, an Asian-American male) of their lineup is similar.  “There’s No Secrets this Year” showcases a number of the postive ways the Pumpkins have influenced the Pickups, as mulitple guitar overdubs and rattling drum rolls are assembled together into an ambitious, portentous opener.

(more…)

Exit Music (For a Film): “The Last Temptation of Christ”

In 1998, Terrence McNally’s play “Corpus Christi” was first performed in New York City. It wasn’t hard to predict that portraying Jesus as a promiscuous homosexual living in Corpus Christi, Texas would inspire vehement condemnation from religious groups – and it most certainly did, as “Christians” spewed death threats against the members of the Manhattan Theater Group that first produced the play, and when the play opened in London in 1999 a British Muslim group issued a fatwa calling for the assassination of the playwright.

A few clues exist in the gospels that suggest Jesus’ sexual preferences might have made it a little easier to ignore the charms of the prostitutes he was willing to defend.  Mentions of the “disciple who Jesus loved,” and “the kiss of Judas” provide fodder for interpretation, but in a larger sense, I think Jesus’ sexuality is entirely irrelevant with regards to the core message of his teachings.  Whether Jesus had any sexual nature at all affects his legacy no more than Morrisey’s sexuality affects his lyrics or whether Kevin Spacey’s sexual preference influences the roles he inhabits.

The Film: The Last Temptation of Christ

The Song: “It Is Accomplished”

The Artist: Peter Gabriel

(more…)

Popdose Gets ‘Faced: The Ultimate Drinking Mixtape

faced

A couple months ago, Jeff mentioned to me that he was thinking of putting together the Ultimate Drinking Mixtape in time for St. Patrick’s Day. I got so excited that I persuaded him to immediately open the floor to suggestions from the Popdose writers. And the song requests flowed in.

As the resident souse of the Popdose staff, I felt it was my responsibility to filter through the ideas that emerged and weave them together into something slightly more coherent than the drunken rantings I’d occasionally find typed out on my computer during the extensive beta-testing process. Later, during gamma-testing, the songs started to find their ways into groups. Finally, when I reached the delta-testing phase, things had been organized into chapters that celebrate the many different aspects of that delightful elixir that can lift or lower our spirits, make us in turn beautiful or ugly, and loosen or tangle our tongues with equal abandon.

Here’s the full tape – 116 minutes of pure malt goodness, with some wonderful words of wisdom sprinkled in.  Just add liquor.

The Ultimate Drinking Mixtape

A playlist follows the jump, but I feel I must warn you – it goes down a lot smoother if you drink straight from the bottle.

(more…)

Exit Music (For a Film): “Ocean’s Eleven”

Conceptually, counting cards is incredibly simple.  Take a deck of cards.  With a full deck, the count is zero.  Deal the cards out one by one.  Each time you see a card numbered 2 through 6, add one to the count.  Each time you see an ace, a face card, or a ten, subtract one from the count.  That’s it.  You’re done.  You’ve learned the basic high-low counting system, a system that mathematician Edward O. Thorpe developed and proved by winning huge money during a single weekend.

On the technical side, the hardest part of counting cards exists in playing with perfect strategy.  There are essentially 250 situations that can occur while playing blackjack, and you need to know how to play your cards in each of them.  Memorizing 250 different responses might sound intimidating, but it’s no harder than memorizing the multiplication tables, and you managed to accomplish that before you were nine years old.

Put these two basic techniques together, and you’ve got an edge on the casino.  All you need to do is increase the amount of your bet when the count is positive, and over the long haul you’ll win money.  Of course, any dealer worth the meager wages the casinos begrudge them can count cards as easily as you – so with a basic high-low system, what you’re doing is completely transparent.

The Film: Ocean’s Eleven

The Song: “69 Police”

The Artist: David Holmes

I saw Ocean’s Eleven (2001) at a special screening in Mission Valley for Qualcomm employees and their friends.  I had a roommate who was working on their digital cinema collaboration with Texas Instruments.  The film was a fun bit of fluff, obviously as enjoyable for the actors to produce as it was for us to watch.  The engineers at Qualcomm were deservedly proud of their work, which was absent of lint, spots, jitter or cigarette burns.  It was a fun evening – the Qualcomm folks were still enjoying the tail end of the giddy stock price heights of the 2000 dot-com bubble, and I was on the tail end of my own experience at pilfering money from a Las Vegas casino. (more…)

Exit Music (For a Film): “Easy Rider”

In 2002 I decided to cross one of the items off my bucket list (I hate that expression – if someone knows a better one please leave it in the comments) and took a trip to New Orleans for Mardi Gras.  My boss didn’t want to sign off on the vacation time because he was anticipating some sort of crisis during that week, so I almost had to quit my job for it.  It was one of the few times I actually played hardball  – I was playing chicken with a $2000 Christmas bonus that wouldn’t be awarded unless you actually worked for the company the day they handed out the checks – but I eventually got my way and flew out to Austin to join my college friend F****.  Our plan was to rent a car and drive from Texas to Louisiana, stay at an as-yet undetermined hotel on the outskirts of Louisiana and drive into town each day for parades.

F**** and I didn’t have a great track record of traveling together.  During our senior year in college, we’d embarked on a cross-country journey from Virginia to California in an aging Ford Taurus that my parents had given to me.  After a single day of being on the road together, we came to an unspoken agreement that if we didn’t make it across the country as quickly as possible, our journey might outlast our friendship.  We ended up driving in shifts for 34 straight hours, from Asheville, North Carolina to Las Vegas, stopping only for food and gas.  We survived, and our friendship survived (that particular trip, at least – we’re no longer friends today), and it didn’t seem like a bad idea to try it again four years later.

The Film: Easy Rider

The Song: “Ballad of Easy Rider”

The Artist: Roger McGuinn

(more…)

Motion Picture Soundtrack: “Paper Planes”

The soundtrack to Danny Boyle’s film Trainspotting (1996) is widely considered to be one of the best soundtracks ever.  The songs Boyle selected for the soundtrack fulfill two primary goals – showcasing artists that the characters themselves adore, and setting the mood of the situations the songs accompany.  Music plays a huge part in the lives of the characters of Trainspotting, and very little of the music on the soundtrack was created specifically for the film – in fact relying heavily on musicians mentioned in the Irvin Welsh novel on which the film was based.  By contrast, the soundtrack of Boyle’s most recent production, Slumdog Millionaire (2008) was written entirely by A.R. Rahman to fit the visual material that had already been produced, with the exception of a single song.

The Film: Slumdog Millionaire

The Artist: M.I.A.

The Song: “Paper Planes”

(more…)

The Top Ten Top Ten Music Lists of 2008

Nothing has expanded the proliferation of year-end Top Ten Lists like the internet.  Every year critics of every stripe put together their top ten lists for the year, and impossible to look through more than a few lists without getting bored of nodding your head in agreement or muttering about what a jackass the writer turned out to be.  Here at Popdose, we’ve never been fans of the amalgamated lists like the Onion’s A/V Club and Pitchfork Media produce – there are too many cooks with fingers in the broth and there’s a usually a complete lack of coherence.  Lists by single authors tend to be more focused – and more interesting to read, because they introduce you to the writer’s personal tastes.

Here at Popdose, we decided to let everyone else do the heavy lifting.  The writers nominated their favorite music-related lists in ten categories (Top Ten Music Videos, Top Ten Albums, etc.).  We winnowed them down to a shortlist of nominations, and then voted on which individual list we thought was the finest for each category.  Were there any kind of objective criteria?  Nope.  Some of us voted solely on the basic content of the lists.  Others cared more about the quality of the writing that accompanied the actual list rather than the author’s selections.  Others (I’m not naming names here but this would be Jeff Giles) pushed really hard for lists with purple hypertext, simply because it reminded them of their My Little Pony collection.

So here, in no particular order, are your winners.  Hats off to the champions!  And none of this could have been accomplished without the massive collection of year-end lists compiled by largeheartedboy, so hats off to him as well.

—————————————————————————————————————-

soundtracks1

Winner: Alexis Larsen, Dayton Daily News

Channeling the voice of T. Herman Zweibel, Alexis Larsen counts down the top ten movie soundtracks of the year in style, savoring her syllables by hyphenating words like “con-cert,” “nu-ance,” and “ob-scure.” (Actually, it was originally a print column, and the typesetting carried over into the online version). Concise story capsules, essential details, and interesting extras are make this list worth reading. Not to mention that Alexis makes all the right picks.

Runner-Up: Drake Lelane, Film.com

—————————————————————————————————————-

videos11

Winner: Antonio, The Cookie Crumbling Creation Company

Antonio has a firm grasp of the simple algebraic concept that good music + good video = good music video.  There aren’t any glorified live performances here, or pelvises thrusting into a fisheye lens, just a simple collection of solid songs (only a few of which are familiar) and interesting visuals.  The presentation could use some polish, and it would have been fun to see them ranked from 1 to 10, but there’s no faulting Antonio’s selections.  Scrolling through the embedded videos is like watching an episode of 120 Minutes – you know, during MTV’s salad years when they actually played music videos.

Runner-Up: Chris DeLine, Culturebully

—————————————————————————————————————-

covers1

Winner:  Dave, Let’s Sexy Fighting

Dave doesn’t waste any words, he just gets straight to the point with a well-presented list of ten great covers of ten great songs by ten great artists.

—————————————————————————————————————-

albumcovers1

Winner:  Artvinyl

Okay, so there’s actually 50 album covers on display here.  And it’s hard to describe Artvinyl’s flagship product without sounding like we’re shilling for them, but it’s actually pretty cool.  They design frames that allow you to display the artwork from your favorite vinyl albums, while still having access to the records themselves.  In true democratic fashion, Artvinyl allowed visitors to vote on their favorite album artwork and compiled the results in a simple, tastefully designed page that’s almost as much of a joy to look at as the album covers themselves.

Runner-Up: Danielle Langley, Musicisart

—————————————————————————————————————-

singles1

Winner:  Carlos Delgado, iF Magazine

Wait, we’re actually endorsing a list that features Katy Perry?  Exactly.  The top singles of 2008 aren’t necessarily the songs we like the best (even though we will admit to liking a few that are on the list), it’s about which ones managed to get their job as singles done.  These songs surfed down the radio airwaves and into your head, and getting them back out was harder digging a bamboo stand out of your back yard.  Carlos Delgado sums them up nicely, giving credit where credit is fairly due.

Runner-Up: Ryan Brockington, New York Post

—————————————————————————————————————-

concerts1

Winner:  Eric Danton, The Hartford Courant

Writing at the behest of a paper I used to deliver to doorsteps personally, Eric Danton counts off his favorite ten shows of the year.  Obviously selecting the top ten live performances is going to be a very subjective list – every live show is different and no writer can possibly see every band that comes to town – but Eric managed to accumulate quite a bit of mileage traveling to shows throughout New England and New York and his picks encompass a nice variety of acts.  Links take you deeper down the rabbit hole to full-length reviews of each show that made the cut.

Runner-Up:  Joe Long, Each Note Secure

—————————————————————————————————————-

albums1

Winner:  Taylor Long, T-Sides

Although this pick carries the scent of homerism, make a visit to Taylor Long’s T-Sides and try to argue that she didn’t earn her title.  Go ahead.  We’ll wait.  Visually appealing, with short blurbs that blossom into full diatribes, Taylor doesn’t just tell you, she shows you and lets you listen along as well.

Runner-Up: 1,000,000 Words

—————————————————————————————————————-

worstvideos1

Winner:  Dustin Sussman, Spike TV

Dustin Sussman channels his inner crusty old man (or a surly gossip blogger) as he dissects and dismisses the year’s least worthy video offerings.  Dustin doesn’t try to sound sophisticated and critical, he just goes ahead and unleashes his fury in no uncertain terms on “artists” like Heidi Montag, Tokio Hotel, and Brokencycle.

—————————————————————————————————————-

overrated1

Winner: J.R. Taylor, New York Press

Speaking like a true outsider, J.R. Taylor tees up and swings away at ten of the year’s critical darlings.  And while none of us can agree with every single one of the choices that ends up on his skewer, we can gladly admit that he does a nice job poking away at the soft underbellies of some of the year’s most highly hyped acts – and the critics who loved them.

Runner-Up:  Allan Cheng, AWMusic

—————————————————————————————————————-

miscellaneous1

Winner: The Top 12 Kids Show Rap Mashups, Sub Zero, Unreality Magazine

While I’d definitely recommend putting the headphones on before you check out any of these videos at work, this collection of rap music set to videos of children’s shows is absolutely hilarious.  Personally, I believe that Bert and Ernie belonged in the top spot, but that’s just a matter of taste.  Every year an amusing new mashup trend appears, and 2008 was no exception.

Runner-Up:  The Top 10 Ad Songs of the Year, Charlie Moran, Advertising Age

—————————————————————————————————————-