Billboarding: 4/21/08

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… In which we take a twice-monthly look at the top ten of one of Billboard magazine’s many singles charts. This week: the Hot 100!


1. Leona Lewis, “Bleeding Love” (J)

Honestly, I’m torn. On the one hand, I honestly believe there’s an art to crafting a heartfelt, yet perfectly inoffensive, midtempo ballad — and if the vocalist can get it across without suffering a melismatic meltdown, so much the better. On the other hand, “Bleeding Love” was co-written by Ryan Tedder, frontman for the terrible OneRepublic, so I’m pretty sure common decency requires me to hate it. Sorry, Leona! I would say “better luck next time,” but I’ve heard the rest of your album, and I know there wouldn’t be any point.


2. Lil Wayne feat. Static Major, “Lollipop” (Universal Motown)

I love “Lollipop,” and let me tell you why: Lil Wayne’s migraine-inducing “singing” here surely represents the final shark-jumping of the vocoder effect that the kids apparently can’t get enough of. It’s barely a song, but if it kills this trend dead, it deserves a Grammy.


3. Jordin Sparks feat. Chris Brown, “No Air” (19)

I’ve never watched American Idol, so I have no feel for where Jordin Sparks falls on the great vanilla continuum of the show’s former contestants, or whether she and Kimberley Locke are actually the same person. R&B fans need cliched ballads just as much as the rest of us, so “No Air” is performing sort of a public service, I guess, but I can’t help wondering what it would sound like if Ozzy and Lita were singing instead of these two.


4. Usher feat. Young Jeezy, “Love in This Club” (LaFace)

I can’t find a single version of the actual video that’s allowing embedding, so fuck it — here’s some girl doing a cover in her bedroom, on the ukulele. I like this version better anyway. Usher is stupid.


5. Mariah Carey, “Touch My Body” (Island)

Mimi’s record-setting 18th Number One drops from the top spot to Number Five this week, but I still prefer it to any of the songs outranking it — even if, as Jason has repeatedly complained, the lyrics make a soon-to-be-totally-dated YouTube reference. I could take or leave a lot of her stuff, and “Touch My Body” is wafer thin, but it’s also a lot of fun.


6. Ray J & Yung Berg, “Sexy Can I” (KOCH/Epic)

Aside from his extracurricular activities, I know nothing about Ray J; I’d always assumed he was the sort of C-list singer who spent his summers playing water parks and ribfests. I also had no idea Epic had gotten into the habit of picking up after KOCH’s sloppy seconds. Oh, and here’s something else I’d never have guessed: I can’t help liking “Sexy Can I.” This should have been a summer hit.


7. Madonna feat. Justin Timberlake, “4 Minutes” (Warner Bros.)

After whiffing with American Life and Confessions on a Dance Floor, Madonna apparently didn’t want to hedge her bets for her final Warners hurrah, and went out and got herself a pair of real live chartbusters for the lead-off single. “4 Minutes” is a pile of hooks, propped up by icy synths, all stridently, adamantly forward-looking — in other words, it’s vintage Madonna, which is why it’s sort of funny that she makes what amounts to a cameo appearance on the song. Remember the good old days, when aging, hit-hungry artists just called Don Was? It was a simpler, more innocent time.


8. Chris Brown, “With You” (Jive)

Hearts all over the world tonight are getting tired of hearing “With You.” This was released as a single back in…what, December? It’s nice to see a song have legs once in awhile, but still — in another few weeks, this is going to go down as Chris Brown’s personal “Two Princes.”


9. Sara Bareilles, “Love Song” (Epic)

Another one that seemingly can’t be embedded, but that’s fine — in the space of a couple of months, I’ve gone from kinda liking this song to wishing Sara Bareilles could be shipped off to an island with Colbie Caillat. It’s nice to have something breaking up all the canned hip-hop and R&B in the Top Ten, but does it always have to be chick pop that sounds like it was lifted from an episode of a show on the CW?


10. Flo Rida feat. T-Pain, “Low” (Atlantic)

The hit we can’t get rid of, from the soundtrack to a sequel no one asked for. I’m pretty sure “Low” has been somewhere on the Top Ten for all of 2008 — you’d think that kind of longevity would wear down a person’s negative feelings for a song, but no; I hate it just as much now as I did back in January. The best thing about “Low” is that the movie it’s shilling, the horrible Step Up 2 the Streets, stars Briana Evigan, the daughter of Greg Evigan. You know, this guy:

…And that’s it for this week’s Billboarding, folks! Meet me back here in two Mondays, when we’ll look at the Top Ten from another chart!

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  • So you have heard these songs, apparently. Which brings forth a mixture of pity and sadness. The Bush administration would claim, "This is not torture!" but seriously we all, in our hearts, know it is.

    Like members of the "Proudly, I have never seen Titanic" club, I'm grateful never to have listened to any of these. Though I did see part of a Colbie Caillat video once. I had to listen to some Pink Floyd for a while to cleanse the palate, so to speak. Apparently, I am an elitist. And at the same time bitterly clinging to my religion and my guns.
  • Oh yes, I've heard them -- and just wait until you hear all the fun stuff Billboard has in store for us in the weeks and months to come!
  • Love it man!

    The saddest part about the Lil Wayne song is that he's actually pretty damn talented, so why he needs to go to that vocoder crap is beyond me, but I know - that's a pretty catchy ditty there.

    "Love in this Club" is Usher's worst song. Nothing unique about it at all, but it sounds pretty decent on Ukelele.

    I'm not a huge fan of the Mariah song - but the video, well...hold up now. Anything that puts Mariah in a bra and panties is my type of party!

    And that is quite interesting to see "KOCH/EPIC" as the label for Ray J. Not only is Ray J like C-Level, isn't Koch like D-Level?
  • About ten years ago, KOCH adopted the major-esque policy of distributing TONS of stuff, investing almost nothing in A&R, and hoping some of their releases would stick. It seems to have worked, at least from the standpoint that I'm pretty sure KOCH is one of the biggest indie distributors left. Not that there are that MANY left...but still.
  • WHarrisBullzEye
    As ever, I will watch any Mariah Carey video with the mute on, if only because I think she's freaking HOT. And although Madonna showing her age, well, hell, so am I. And, hey, at least I actually enjoying listening to her music...
  • I love how Mariah's video is one big passive-aggressive cocktease: "Why are you staring at me in my underwear? I mean, sure, I answered the door wearing nothing but that, but staring is rude nonetheless." Of course, Jeff informed me that 99 percent of videos from the past ten years operate this way. I guess I've been living under a rock.
  • Sad really. I haven't listened fully to all of them, but noticeably absent is any evidence of an electric guitar, or real drums.
  • I like "Love Song" and Bareilles's album, and I'm not generally a chick-pop fan, but she has some catchy melodies.
  • On Saturday night, for my brother's birthday, we went to late-night bowling. That's when they turn on the black lights and mirror balls and drop the projection screens down. I'm not saying that songs like "Dream On", "Paradise City" or "Wanted Dead Or Alive" are any great shakes. Matter of fact, there's little shaking there at all, but each of those songs sound a little different to each other...

    What I find grating is just how much R&B dominates the top 10 and, in that, how much they all sound the same. Mariah steals big from Alicia Keys. Madonna keeps trying to be relevant. Whatever is playing, T-Pain has to slip in with his stupid Auto-Tune trick. And even when we've covered a Billboard chart from eight weeks from now, the voices may change but the sound will stay.

    I'm old. I know. I get it. But damn, when did any semblance of individuality become so bad a thing?
  • Billboarding is, officially, my favorite new addition to PopDose. Sometimes variety dilutes the whole. This piece keeps me abreast of what's going on, isn't snarky and is relevant.
    Thanks, Jeff!
  • Thanks for saying so, Allen! We're going to be introducing a few new features here over the next several weeks -- I hope you're excited about them all!
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