Billboarding: 5/19/08

Jeff Giles May 19, 2008 13

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Howdy, pardners! It’s been a couple of weeks since we moseyed down Billboard way, so what do you say we hop along down to the Hot Country Top 10 and see what’s cooking in Nashville?


1. James Otto, “Just Got Started Lovin’ You” (Warner Bros./Raybaw)

It’s hokey as hell, and James Otto looks uncomfortably like a young Ron Perlman, but I don’t hate “Just Got Started Lovin’ You.” On the other hand, I do think it’s sort of telling that the best thing about the song is the model Otto’s fooling around with in the video.


2. Brad Paisley, “I’m Still a Guy” (Arista Nashville)

One year and four singles later, Paisley’s 5th Gear album is still going strong — it was just certified platinum last month, in fact. That’s astonishing longevity in the current industry climate, particularly for a release whose cover looks like it was designed with a stack of magazines, a roll of tape, and a bottle of Captain Morgan’s. Like three out of every seven country singles, “I’m Still a Guy” is total redneck pandering, but that’s fine. It’s hooky and even a little bit funny.


3. Phil Vassar, “Love Is a Beautiful Thing” (Universal South)

You might have changed the name, but you aren’t fooling us, Phil Vassar — we know this is a cover of “It’s a Beautiful Thing,” a ten-year-old hit from Canadian country singer Paul Brandt. Yes, you read that right: Canadian country. Shame on you, Phil Vassar.


4. Taylor Swift, “Picture to Burn” (Big Machine)

A cute little blonde thing who sings spunky, catchy songs about being strong ‘n’ indepndent ‘n’ such — I realize Taylor Swift sounds like a focus group’s wet dream, but as much as I’d love to dismiss her as genetically modified corn, I can’t help grinning like a dummy whenever I hear one of her singles. I even used some of my eMusic downloads on this album a couple of months ago. I haven’t listened to it yet, but I know my long-term prospects for resistance are slim.


5. George Strait, “I Saw God Today” (MCA Nashville)

Strictly speaking, I don’t like country music. That being said, I can’t argue George Strait’s galaxy-spanning awesomeness, and neither can you.


6. Rascal Flatts, “Every Day” (Lyric Street)

Rascal Flatts, on the other hand, is (are?) not awesome. I say this despite the fact that my partial ownership of the publishing rights to a track on their first album has made me an embarrassing amount of money. “Embarrassing” being the key word here. I’m hearing this song for the first time as I watch the video and type this paragraph, but it’s hard to see, because I’m suffering flashbacks to Mike & the Mechanics’ “The Living Years” and Chicago’s “What Kind of Man Would I Be?”


7. Trace Adkins, “You’re Gonna Miss This” (Capitol Nashville)

Otherwise known as “Stop and Smell the Roses, Y’All, Part 479.”


8. Lady Antebellum, “Love Don’t Live Here” (Capitol Nashville)

Better than you’d expect from a band that made its chart debut backing Jim Brickman. Much better, actually.


9. Kenny Chesney, “Better As a Memory” (BNA)

It just isn’t a country top 10 without an appearance from ol’ Turtle Head Chesney, and this one — which finds Chesney putting a pedal-steel spin on Boston’s “A Man I’ll Never Be” — is better than most. Still, I’ve never been able to listen to his music without giggling, and this song is no different.


10. Carrie Underwood, “Last Name” (Arista Nashville)

Hey, look! It’s another cute little blonde thing singing about being strong ‘n’ independent ‘n’ such! I guess this is a prequel to “Before He Cheats,” but seeing as how I’ve never heard “Before He Cheats,” I can’t vouch for this information firsthand. I’m not sure I can finish the song, actually. I’m not really sure why, but where I find Taylor Swift’s music irresistible, I’ve always just been sort of annoyed by Carrie Underwood.

…And that’s it for the Billboard Hot Country Top 10 this week, amigos! Meet me back here in two weeks when we tackle the dreaded “Hot AC” chart!

  • Elaine

    - I want to like Brad Paisley, I really do. If he ever stops making hammy novelty songs I might be able to get there.

    - I do like Taylor Swift. Doesn't she write all of her own stuff? And my kids like her, and there's no reason (yet) that I shouldn't encourage it. I like that, too.

    - Rascal Flatts are metrosexual'd within an inch of their lives, and they creep me out.

    - I think it's a little unfair to allow George a pass and call out Trace, when they're both singing treacly syrup that's beneath them.

    - Carrie's lame ditty about being so drunk she married a stranger in Vegas impresses me almost as little as the song about being so mad she happily commits felony vandalism on a boyfriend's truck. Plus she screams through the thing; plus she looked AWFUL last night on that awards show. She was wearing a Fat Elvis jumpsuit!

    There. Ahhhhh I feel better now. Thanks!!

  • kalbiqueen

    Just reading the name “Rascal Flatts” makes me nauseous. My kids played that horrific cover of “Life is a Highway” at me sixty times a day for months. I hate them. I hate their frosted hair and I hate hate HATE the guy's voice.

  • Bubba the Elder

    Someone please shoot whoever ran sound for the CMAs last night. No one could hear their monitors and the up-front, dry vocal sound made everyone sound bad. Of course, there's no helping Chesney and Rodney Atkins and those other turds in the punchbowl…that's you, Rascal Flatts. Brad is cool, but Kix's creepy comment after Taylor Swift's soggy singing (did you hear the tape kick in when she got underwater?) sounded…barely legal.
    And, as someone who knows little about hip-hop, I'd like any excursions into the subject to be guided by a knowledgeable sherpa. So I get annoyed with Country music articles qualified with the lameass phrase ” I don't really [usually] LIKE country music'. Then keep your piehole shut.
    Thanks, love the sit…really.

  • http://www.popdose.com jefito

    Well, I don't know that this necessarily qualifies as a “country music article” — it's just a few words about each of the songs on the Top 10. And you don't have to LIKE something to be AWARE of it.

  • http://www.popdose.com DwDunphy

    So, metal is about death and carnage and evil. Hip-hop is about goin' to da club and stealin' yo bitch and uh-huh, yeeah. Pop is about tween lolitas who aren't really like that but, come on already. And now country (or at least Nashville Country; it's a big distinction) is the self-help, fortune cookie, bumpersticker thing. You hope I dance? Really? Do you REALLY hope I dance?

    It makes it all that more special when you do hear a country song that avoids the treacle and boot-scootin' and redneckin' and just gets you at gut-level. A lot of it is the performer, and most of these newer acts wear the boots but don't have the callouses, if you get my meaning. I like a little country, but I like those mostly for their ability to transcend, and not wallow, in the cornpone.

    Hell, Trent Reznor wrote a great country tune. All it took was Johnny Cash to sing it.

  • Thierry

    Agreed about the bad sound, but those were the ACM Awards, not the CMAs.

  • Bubba the Elder

    ACM, CMA… when you type with two fingers, the details get left to spellcheck. Which missed the last word – “site” – as in, I really love your work, Jeff, I'm just in a bad mood after that piece of crap show. Been playing “New Country” covers recently and, while the technical songwriting aspects can be appreciated, the numbing pandering of the lyrics chafes my chaps. Gotta teach those boys some Buddy Miller…I'm kind of a geek about the history of country music, so the fading presence and influence of artists who created and developed the genre bothers me. I mean, I don't see any good for the future of the style if Rascal Flatts influences young kids picking up guitars for the first time. I realize it's pop music and styles change (witness the horror that greeted Billy Sherrill's string arrangements that became the standard just a couple of years later) and I appreciate artists who at least acknowledge the past (Brad Paisley, Sara Evans et al), but give me the alt-country scene any day. Just the old curmudgeon in me wanting out. Keep on.

  • http://www.popdose.com jefito

    Aw, not to worry, Bubba — thanks for the clarification, though!

  • Bubba the Elder

    ACM, CMA… when you type with two fingers, the details get left to spellcheck. Which missed the last word – “site” – as in, I really love your work, Jeff, I'm just in a bad mood after that piece of crap show. Been playing “New Country” covers recently and, while the technical songwriting aspects can be appreciated, the numbing pandering of the lyrics chafes my chaps. Gotta teach those boys some Buddy Miller…I'm kind of a geek about the history of country music, so the fading presence and influence of artists who created and developed the genre bothers me. I mean, I don't see any good for the future of the style if Rascal Flatts influences young kids picking up guitars for the first time. I realize it's pop music and styles change (witness the horror that greeted Billy Sherrill's string arrangements that became the standard just a couple of years later) and I appreciate artists who at least acknowledge the past (Brad Paisley, Sara Evans et al), but give me the alt-country scene any day. Just the old curmudgeon in me wanting out. Keep on.

  • http://www.popdose.com jefito

    Aw, not to worry, Bubba — thanks for the clarification, though!

  • Bubba the Elder

    ACM, CMA… when you type with two fingers, the details get left to spellcheck. Which missed the last word – “site” – as in, I really love your work, Jeff, I'm just in a bad mood after that piece of crap show. Been playing “New Country” covers recently and, while the technical songwriting aspects can be appreciated, the numbing pandering of the lyrics chafes my chaps. Gotta teach those boys some Buddy Miller…I'm kind of a geek about the history of country music, so the fading presence and influence of artists who created and developed the genre bothers me. I mean, I don't see any good for the future of the style if Rascal Flatts influences young kids picking up guitars for the first time. I realize it's pop music and styles change (witness the horror that greeted Billy Sherrill's string arrangements that became the standard just a couple of years later) and I appreciate artists who at least acknowledge the past (Brad Paisley, Sara Evans et al), but give me the alt-country scene any day. Just the old curmudgeon in me wanting out. Keep on.

  • http://www.popdose.com jefito

    Aw, not to worry, Bubba — thanks for the clarification, though!

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