Bootleg City: The Beatles, “Abbey Road”

It’s a little disgusting when you think about how much talent these guys had. But I’ve come up with a surefire way to make myself feel less envious: I repeat “Their best work was behind them by the time they reached 30″ over and over again until I fall asleep, or until someone on public transportation tells me to shut up — whichever comes first — and suddenly I’m all better. See if it works for you.

Over the past two weeks Bootleg City has revisited Big Star’s first two albums. In college I had a poster that showed the Big Star “family tree,” listing all the bands they influenced in the ’80s and ’90s (Let’s Active, the Posies, Matthew Sweet, etc.) as well as bands who influenced them, with the Beatles right at the top. But then, who haven’t the Beatles influenced? They changed pop music forever. They were the biggest band that ever was and ever will be. They created all-time classic songs in the time it’s taken me to write this tiny amount of text. They– … deep breath … their best work was behind them by the time they reached 30, your best work is still ahead of you, their best work was behind them by the time they reached 30, you should actually do some work instead of looking for ways to criticize musical legends– hey, subconscious, you’re supposed to be on my side!

There seem to be a couple different versions of “The Alternate Abbey Road” floating around, one of which is considered a “fake,” though I’m not sure why. Is it really a Stars on 45 bootleg? Did the original cast of Beatlemania record their own version of the Beatles’ 1969 album? Were the Rutles involved somehow? I don’t know, but if you do, feel free to explain in the comments section. Of special interest here are the demos of “Come and Get It,” a song that Paul McCartney eventually gave to Apple Records labelmates Badfinger, and “All Things Must Pass,” a George Harrison composition that became the title track of his first solo album a year later.

Come Together [Take 1]
Something [Demo]
Something [Take 37]
Maxwell’s Silver Hammer [Early Mix]
Maxwell’s Silver Hammer [Take 5]
Oh! Darling [Early Version]
Octopus’s Garden [Take 2]
Octopus’s Garden [Take 32]
I Want You (She’s So Heavy) [Mono Mix]
Here Comes the Sun [Mono Mix]
Because [Take 16]
You Never Give Me Your Money [Unreleased Take]
Sun King [Early Mix]
Mean Mr. Mustard [Mono Mix]
Polythene Pam [Mono Mix]
She Came In Through the Bathroom Window [Mono Mix]
Golden Slumbers/Carry That Weight [Early Take]
The End [Early Instrumental Mix]
The End [Take 7]
Her Majesty [Take 3]

Old Brown Shoe [Demo]
Ain’t She Sweet [Outtake]
Come and Get It [Demo: 7/24/69]
All Things Must Pass [Demo]

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  • David
    It feels like Christmas! Thanks!
  • steve
    It is indeed sick when you hear the outtakes of these guys. I grew up listening to the records, which to me were so good I always figured it was put together by George Martin. Sure, they played it in the studio on their instruments, but not live. They were in glass enclosed silence booths and ole Georgy made the magic happen on the big board later. But then you hear all these Anthologies and bootlegs that are around and you hear them play another version of something beautiful like "We can work it out" or "Something" and you realize that it was mostly just 4 sickeningly talented guys playing in a room. And they could come back again tomorrow, sit down, and play it again. As Paul said in the Anthology DVD set, "we were just a good little band who could really play together well". A bit understated....
  • Some writer noted how amazing it was that Lennon and McCartney grew up so close together and, you know, only turned out to be two of the greatest songwriters, not to mention singers, of all time.

    All of them produced good work after the Beatles broke up, of course, but it is amazing when you think that none of them were 30 yet when they disbanded.
  • Elaine
    (Is it still fashionable to say, 'don't you mean three sickeningly talented guys and Ringo?')
  • Neil Cake
    yeh, go on, disparage Ringo... he was a good drummer; inventive and innovative, but understated. No, he didn't write as many classic songs as the other 3, but it's patently unfair to criticise him.
  • It probably still is fashionable, but I do think he's underrated. A few years after the band had broken up, wasn't he the most successful Beatle in terms of hit singles?
  • Elaine
    I don't know. Was he?

    I was only kidding, but I do remember watching him perform this summer (was it on Conan?) and thinking he was decidedly lackluster as a front man. Sorry. :/
  • I saw him on "Late Late Show," and I felt like he was out of his element too. It had a lot to do with his dancing while he sang. But as the Beatles' drummer in the '60s, not bad at all. He also seems like the Beatle who'd be the most fun to have a beer with.
  • I have musician friends who think he was the best drummer in rock. (Yes, I know, any kiddies reading who thinks good drumming has to be flashy or highly technical will disagree.)
  • Yes, with Ringo all the flashiness seemed to be on his fingers, not in his technique. He usually drummed with "no fills," I believe.
  • L
    Sure, all their best work was behind them by the time they were 30, but look at just how much they did by the time they were 30!

    These are great!
  • "... look at just how much they did by the time they were 30!"

    Don't remind me. I need to find fault with them however I can, L. It's the only way I can feel better about myself.
  • Dave
    That Harrison solo demo of All Things Must Pass gives me chills. Thanks a million.
  • Ted
    What a gift! Thanks so much for this. I was really digging that guitar work on "The End [Take 7], and hearing the crunched vocal on "Ain't She Sweet." Nice, nice, and nice!
  • what happened to track 15????
  • Some of the tracks I was given for posting were a little messed up, including "Carry That Weight." I couldn't find a substitute for it as is, so I replaced it with a track that combines that song with "Golden Slumbers."
  • thanks for these! you are amazing.
  • That Come and Get it is not the Beatles.
  • Technically, I believe it's credited to McCartney. Similarly, "All Things Must Pass" is probably just Harrison.
  • Peter Wall
    I am 57yrs old, This is the greatest stuff i've ever heard.!!!!!..
  • EricL
    Wow, I was not expecting "Come and Get it" to sound better as a McCartney sung tune. And "Something" seems even richer than the album version. Then again why am I surprised? After 30 they each still made things like "Band on the Run" "Live and Let Die" "Plastic Ono Band" "Imagine." Hell, "Ringo" was better than anything most bands will ever do.

    Oh, great. Now I've gone and depressed myself.
  • Ha ha ha... I feel that way about Jonathon Safron Foer. He wrote Everything Is Illuminated when he was in his mid-twenties. I love him. I hate him. I love him. I hate him...I should get to work on theGreatAmericanNovel so I can stop hating him.
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