Bottom Feeders: The Ass End of the ’80s, Part 21

It’s amazing sometimes to see how music brings the world together.

I was food shopping with my wife last week and “867-5309/Jenny” by Tommy Tutone was playing in the store. Even though I’m not a big fan of most of the larger hits of the ’80s, it was the only song that caught my ear the entire time I was there. After the song ended, I found myself whistling it through the next few aisles. About five minutes later, this goth-looking dude with a ton of tattoos passed me and was singing the chorus. Not long after that I passed a couple that had to be in their 70s, and the old man was repeating the famous phone number to his wife. So, at least five minutes after “867-5309″ was over, there was me, a goth kid, and an old man all still being entertained by it. Somewhere the guys from Tommy Tutone are smiling.

NEW SOUNDS FOR THE COLLECTION:
Riot, Restless Breed
Accept, Metal Heart
Europe, Wings of Tomorrow
Johnny Gill, Johnny Gill
Axe, Offering

This week we look at the final nine artists whose names begin with the letter C as we give you 15 more Bottom Feeders from the Billboard Hot 100 chart in the ’80s.

Crowded House
“World Where You Live” — 1987, #65 (download)
“Better Be Home Soon” — 1988, #42 (download)

Crowded House’s “Don’t Dream It’s Over” is my second-favorite song of the decade. Unfortunately, that didn’t translate into a love for Crowded House. I know there are a lot of people who think both their self-titled debut and their second record, Temple of Low Men, are great albums, but to me they’re both pretty boring.

The Crusaders
“I’m So Glad I’m Standing Here Today” — 1981, #97 (download)

Here’s a sweet little funky jazz ballad, with Joe Cocker singing lead. This was off their 14th album, Standing Tall; it was their final charting song.

Billy Crystal
“You Look Marvelous” — 1985, #58 (download)

You gotta love this track, which sprung from the popular catchphrase Crystal used on Saturday Night Live when he played Fernando Lamas. The two greatest lines of the song have to be “I love you young people today with your rock ‘n’ roll, like that Eddie Van Heflin” — the background singers chime in with “Van Halen!” — and “Dancing to me is like standing still, only faster.” The only surprising thing about the song is the full-blown dance beat. It certainly works well, though, and yields the first comedy track in the Bottom Feeders series that’s actually funny.

Cugini
“Let Me Sleep Alone” — 1980, #88 (download)

As far as I can tell, this disco track is the A-side to the only single Don Cugini ever released. The seven-inch was released on then-indie label Scotti Brothers, who didn’t list anything else with his moniker. Of all the songs we’ve visited in this series so far, “Let Me Sleep Alone” was the hardest to come by for my collection. An eBay search today will yield no results.

The Cult
“Fire Woman” — 1989, #46 (download)
“Edie (Ciao Baby)” — 1989, #93 (download)

The first of multiple shockers in this week’s post, it’s unbelievable that “Fire Woman” only reached #46, as it’s one of the best rock songs of the entire decade. It’s #66 on my Top 80 Songs of the ‘80s list. “Edie” ain’t chump change, either. Both the Cult’s album Sonic Temple — which these two appeared on — and their previous record, Electric, are great albums to crank as you burn down the highway.

The Cure
“In Between Days” — 1986, #99 (download)
“Why Can’t I Be You?” — 1987, #54 (download)
“Hot Hot Hot!!!” — 1988, #65 (download)
“Fascination Street” — 1989, #46 (download)
“Lullaby” — 1989, #74 (download)

Although they released great singles like “The Lovecats,” “Let’s Go to Bed,” and “A Forest” prior to these songs, “In Between Days” was the first Cure song to hit the Hot 100, but barely. Both “Why Can’t I Be You?” and “Hot Hot Hot!!!” were much better suited for college radio than the big time, but both “Fascination Street” and “Lullaby” are the other shockers of this post — knowing how huge the Disintegration album was, I’m blown away that both songs weren’t bigger hits. They’re #69 and #17 respectively on my Top 80 Songs of the ‘80s list.

Curiosity Killed the Cat
“Misfit” — 1987, #42 (download)

This is actually a pretty decent song, but the only hit for Britain’s Curiosity Killed the Cat. The terrible video for “Misfit” was directed by Andy Warhol. Doesn’t Julian look a little bit like John Cusack?

Curtie & the Boombox
“Black Kisses (Never Make You Blue)” — 1985, #81 (download)

This is a pretty craptacular song, and it doesn’t help that the band went with such a dumb name. The only reason this was even a minor hit is because it fit right in with everything else on the radio in 1985.

Cutting Crew
“(Between A) Rock and a Hard Place” — 1989, #77 (download)

Most people seem to think that Cutting Crew were one-hit wonders thanks to the #1 smash “(I Just) Died in Your Arms” being on every ‘80s compilation disc in existence. But they followed it up with “I’ve Been in Love Before,” a #9 hit, and another Top 40 song called “One for the Mockingbird.” “(Between A) Rock and a Hard Place” doesn’t get anywhere close to the quality of those songs, but at least now that I’ve listened to it again I can get the Rolling Stones’ shitty “Rock and a Hard Place” out of my head.

QUICK HITS:
Best song — The Cure, “Lullaby”
Worst song — Cutting Crew, “(Between a) Rock and a Hard Place”

Next week we move to the fourth letter of the alphabet, baby! That’s hot hot hot!!!

Tags: , , , , , , , , , ,

  • thefxc
    Nice
  • jerm
    The 12" Extended and Dub Version's of "You look Marvelous" are brilliant. Arthur Baker was the Timbaland of early to mid 80's hip-hop.
  • Jeff
    Wow, those Cure songs charted that low?

    I must not have been listening to much mainstream radio in the late 80's, since everyone of those songs is part of the soundtrack of my misbegotten youth. This is, for me, the best period of music from The Cure.

    I remember asking the DJ at one of our high school dances to play some Cure, and he put on 'Why Can't. . . '. I was the only one on the dance floor. The song was quickly changed.

    And Cutting Crew's first album still gets a lot of play on my MP3 player. There are a lot of underrated and under-appreciated songs on that album, if you can manage to overlook the played-to-death 'I Just Died. . . '
  • thefxc
    Excellent list, as always.

    If I'm not mistaken, The Cure's first Top 40 single was "Just Like Heaven" which made it to...#40. Do we get the "ass-end of the top 40" series after this one is complete?

    I have a Cutie and the Boombox song called "Let's Talk It Over in the Ladies' Room" on my iPod, and I have no idea how it got there.

    Thank you again for reminding America that Cutting Crew was not a "one-hit wonder." (The VH1 version of pop music history must be destroyed!) I constantly remind people (whether they care or not) that Spandau Ballet and Men Without Hats had more than one US hit, so stop lumping them in with the Mambo #5 guy!

    The Curiosity Killed the Cat record is shockingly good--not groundbreaking, but a solid 80s overproduced pop record. I don't know why it didn't hit big in the US of A, except that I don't remember 85/86 as a good time for "teen idol" bands (everyone was listening to Def Leppard, I think.)

    Finally, true story: I saw the Cult get booed offstage while they were opening for Metallica. Some kidz have no taste.
  • E
    Ah yes, opening for Metallica on the Justice tour I believe it was.

    I loved Electric in the late 80s, but there's a reason it hasn't aged all that well (unless maybe it's been remastered since then). Like the Doors in the old Kids in the Hall sketch, Electric had no bass. Even the weird-ass Manor Session recordings before they hired Rick Rubin had more bass than Electric.
  • JonCummings
    You know,Dave, if we Crowded House fans weren't such a meek and tolerant bunch, you'd be in deep doo-doo today. I mean, a real Darren Robbins/Nine Inch Nails fans shitstorm!

    Instead, I'll just relate the story of the evening on the Woodface tour in '91 when the band launched into "Sister Madly," got huge applause at the end, and then Neil said kinda pathetically, "See, Temple of Low Men wasn't such a bad little album, now was it?"
  • As "Tales of Brave Ulysses" and the theme from "Shaft" are to the Wah Pedal, and "I Ran" is to the Delay Pedal, Fire Woman is to the Phaser. It's the iconic example of that effect.

    I recently played an 80s covers gig, and I borrowed a Phaser pedal from the bass player. Yes, I spent at least an hour of that first rehearsal playing the beginning of Fire Woman. This is why I don't own a Phaser.
  • I heard "Fire Woman" last night for the first time in a long while and thought, "You know, this is a really great song." And I remembered watching the video around the time it came out and being a little scared, the same way I was scared of Danzig, because it was not the hair metal I was used to hearing. Plus their name was The Cult - cults are scary.
  • Ray
    The thing I remember most about the FIRE WOMAN video is that it was all over the place on MTV back then. Seriously it was played in regular rotation, also on Post Modern, 120 Minutes, Hard 60 and I swear I even saw it once on Club MTV!
  • We, Crowded House believers, are not meek, but know salvation will come for Dave, sooner or later.
  • Crowded House's first two albums get more repeat listens than just about anything else in my collection. Does this mean I should fire a 'Ur stupid' across Mr. Steed's bow?

    Didn't Arthur Baker produce that Billy Crystal single? That would explain the big beat.
  • You know, by post #21 I should have just natually assumed this was an Arthur Baker beat. It defintiely is - as usual sir, right on the money.

    And it wouldn't be the first time someone fired that at me...
  • The two greatest lines of the song


    I'm gonna have to disagree with your choices. I still prefer "Oh, look! There's Sting looking for his last name in the dip!"
  • On behalf of the overwhelming majority of the population of the United Kingdom of Great Britain and Northern Ireland, I apologise unreservedly for Curiosity Killed The Cat.

    And The Cult.

    And Cutting Crew.

    God, this country's screwed....
  • I just wanted to tell everyone that's commenting right now that:

    You Look Marvelous!!!!
  • wags
    I actually made it through each track this week (well, except that disco thing) and even enjoyed most of them. I totally forgot about Curiosity Killed the Cat -- one of my last tape purchases that never got the upgrade to CD. After listening to the "hit" here, I know why.

    Loved the addition of this week's videos tho... even the bad Curiosity one...
  • Matt
    Don Cugini? Wasn't he one of the heads of the Five Families in the Godfather?
  • Those two Cult songs are great for what they are, but damned if Ian Astbury has the dumbest elocution in rock. Way-all way-all, leetle hawh-nayh!!
  • Guys, if you have not heard Lullaby by Cure. Please do it NOW. Its a killer track and remains one of my most favourite. Cheers
blog comments powered by Disqus