Bottom Feeders: The Ass End of the ’80s, Part 33

This week you get another extended post so we can finish up the letter F nice and clean. Without further ado, I give you the final batch of artists whose names begin with the sixth letter of the alphabet and who reached the ass end of the Billboard Hot 100 in the ’80s.

Fortune
“Stacy” — 1985, #80 (download)

Fortune is an AOR band formed in Los Angeles in 1977. They released their debut self-titled record in ‘78, had a track called “Airwaves” on the Last American Virgin soundtrack in ‘82, then finally got around to their second album (also self-titled) in ‘85. “Stacy” comes from the second album, which includes a whole mess of generic light-rock tunes.

David Foster
“The Best of Me” — 1986, #80 (download)
“Winter Games” — 1988, #85 (download)

There’s just no way I have it in me to discuss the shittiness of Foster’s duet with Olivia Newton-John, “The Best of Me,” or Foster in general, when Terje Fjelde lives and breathes the guy — read Into the Ear of Madness while listening to these tracks.

4 by Four
“Want You for My Girlfriend” — 1987, #79 (download)

My first thought was 4 by Four simply wanted to be the next New Edition: good-looking kids with slick pop-filled R&B hooks. But I listen to this song and hear a lot of Prince in it as well. Zero in on the 2:20 mark and I swear you’ll hear the first bar of Prince’s “Controversy.”

Four Seasons
“Spend the Night in Love” — 1980, #91 (download)

As you probably know by now, I’m not a big fan of hangers-on, those artists that created great music for two or three decades and are now trying to milk just one more single out of their career, all the while making music that’s either dull, shitty, or just plain out of touch. So you’ll probably be shocked to hear that I don’t feel any of that with this song. “Spend the Night in Love” comes from the Four Seasons’ Reunited Live album and has some rock elements to it, but it’s really a catchy-as-hell disco track. Maybe I just have a soft spot for it because Frankie Valli’s Heaven Above Me (1980) is the first record in the row sitting right next to my computer. Therefore his suave mug stares me down every time I write one of these Bottom Feeders posts.

Four Tops
“Back to School Again” — 1982, #71 (download)
“Sad Hearts” — 1982, #84 (download)
“I Just Can’t Walk Away” — 1983, #71 (download)

Just like the Four Seasons, the Four Tops were another group that didn’t seem like they were phoning it in just yet at the tail end of their career. I mean, “Back to School Again” from the Grease 2 soundtrack is a pretty great rock song, and “Sad Hearts” had me snapping my fingers. “I Just Can’t Walk Away” comes from their Back Where I Belong album, a reference to them returning to Motown after a decade-plus detour from the label that made them stars. Lead singer Levi Stubbs passed away on October 17; he was 72.

Charles Fox
“Seasons” — 1981, #75 (download)

Charles Fox was a composer of themes for TV and movies, best known for the theme songs of TV’s Happy Days, Laverne and Shirley, and Love, American Style. The subtitle for “Seasons” is “Based on Theme From Ordinary People,” the 1980 Best Picture winner whose score was composed by Marvin Hamlisch.

Samantha Fox
“Do Ya Do Ya (Wanna Please Me)” — 1987, #87 (download)
“Nothing’s Gonna Stop Me Now” — 1987, #80 (download)

If we’re being honest here, the only reason I gave two shits about Samantha Fox is because of her ginormous hooters. Maybe I owe Ms. Fox for making me the hornball that I am today, because even at the tender age of 11 I’m almost sure she gave me a raging stiffy. I mean, I vividly remember her teasing me as she wore those frayed shorts with the zipper opened right to the promised land. It didn’t matter that most of her music was a giant flaming turd (see “Nothing’s Gonna Stop Me Now”). I do remember liking “Do Ya Do Ya” very much, though, because yes, I did want to please her. Actually, maybe I owe my dad something, because he’s the one who allowed me to bring her records into the house. They were like porn to an 11-year-old, I guess.

Peter Frampton
“Lying” — 1986, #74 (download)

And who better to kill the raging stiffy that I just had while searching for that Samantha Fox picture than Peter Frampton? Although I’m definitely a fan of “Lying,” I must’ve mislabeled it a Steve Winwood song at least three or four times in the past few years. That of course begs the question, “You’ve discussed ‘Lying’ as many as four times in the past few years?” What can I say? You talk about weird shit when you’re drunk.

Frankie Goes to Hollywood
“Relax” — 1984, #67 (download)
“Two Tribes” — 1984, #43 (download)
“Welcome to the Pleasuredome” — 1985, #48 (download)

Surprised to see “Relax” here, huh? Yeah, so was I, but that #67 chart position is a little misleading. The song was rereleased after “Two Tribes” reached #43 and this time went all the way to #10 (I’m still shocked it didn’t hit the top spot). I can’t even imagine how many different versions of “Relax” are out there. Remixes galore, 16-minute extended mixes — just a crazy amount of different ways I’ve heard this song. I do actually think I’m posting the version that charted in ‘84, though the differences from the ‘85 version are subtle. Heck, it’s not like you don’t already own it anyway.

Frankie was never really my thing, and even today I can’t listen to Welcome to the Pleasuredome straight through. Just too much going on to enjoy, though I know how many people really love the record. If only back in ‘84 I had realized how “dirty” the group was!

Aretha Franklin
“United Together” — 1980, #56 (download)
“Come to Me” — 1981, #84 (download)
“Get It Right” — 1983, #61 (download)
“Rock-a-Lott” — 1987, #82 (download)
“It Isn’t, It Wasn’t, It Ain’t Never Gonna Be” — 1989, #41 (download)

Aretha Franklin and George Benson
“Love All the Hurt Away” — 1981, #46 (download)

You know, it’s sad. When I think of Aretha Franklin, all I can picture is a woman who has ballooned in weight and wears some of the most god-awful, unflattering clothing known to man. Aretha needs to get a dietician and stylist, because she’s looking terrible these days. But of course it’s all about the songs here, and she actually had more decent songs in the ’80s than most artists from the ’60s who were still making music.

The title track from Get It Right gets a bad rap because the album is so weak compared to the excellent Jump to It (1982), but it really is the only song worth a damn on that record. 1985’s Who’s Zoomin’ Who really changed Aretha’s style and helped her catch up with the rest of the R&B world in the ’80s. “Rock-a-Lott” is a track you don’t hear anymore, as it got caught in the wake of her #1 smash with George Michael, “I Knew You Were Waiting (For Me),” but it really is as good as almost anything from this period of her career. The biggest disappointment of the bunch is her duet with goddaughter Whitney Houston, “It Isn’t, It Wasn’t, It Ain’t Never Gonna Be,” which is an uninspired dance track. I was expecting a little more from these two talents. (The version of “Come to Me” that’s available for download is the remake from Aretha’s 1989 album Through the Storm. It’s a bit glossed up but not all that different from the original 1981 version.)

Andy Fraser
“Do You Love Me” — 1984, #82 (download)

If you’re going to do a cover, you should at least try to update it to your style and give it some new twist. Fraser’s version of “Do You Love Me” isn’t how you do it. I’m okay with him updating the names of the dances in the song, but he destroys the rhythm of the Contours’ original hit with supercheesy ’80s keys and limp guitar.

Glenn Frey
“All Those Lies” — 1982, #41 (download)
“The Allnighter” — 1984, #54 (download)
“Livin’ Right” — 1989, #90 (download)

“All Those Lies” was the fifth and final single from No Fun Aloud, Frey’s first solo record after the breakup of the Eagles. Of all his solo hits, I think it sounds the most like an Eagles record. However, “Livin’ Right” is probably the worst of his ten Hot 100 hits in the ’80s.

Frozen Ghost
“Should I See” — 1987, #69 (download)

While this is a decent song, the real talking point about Frozen Ghost is that on their debut self-titled album, which features “Should I See,” the run-out groove contains gibberish that, if played backward, translates to “You are ruining your needle.” I love shit like that.

QUICK HITS:
Best song — Four Seasons, “Spend the Night in Love”
Worst song — Andy Fraser, “Do You Love Me”

Next week, we pause for a look back before we move on to the letter G.

Tags: , , , , , , , , , , , , , ,

  • WHarrisBullzEye
    S-S-S-S-Samantha Fox. Man oh man oh man, she unabashedly milked her sexiness more than anyone else of her era, and I had no complaints. I still feel warm all over when I hear "Touch Me" and "Naughty Girls Need Love, Too."

    I remembered the name Frozen Ghost, but I never really listened to their music. Wow, I had no idea they sounded so much like the Fixx.
  • "Milked" and "warm." Heh, heh, heh. Mr. Harris is a tit man.
  • Pete
    This note's for Terje: have you heard about this? From the NY Times:

    Betty Boop Wiggles Onto Broadway
    By Dave Itzkoff
    She has already survived one Great Depression, so could there be any better time for Betty Boop to make her comeback? The curvaceous cartoon character, who starred in a popular series of animated shorts produced by Max Fleischer in the 1930s, will be the subject of a new Broadway musical planned to open in the 2010-11 season, its producers announced. The “Betty Boop” musical will feature music by David Foster, the Canadian musician and pop composer who has written songs for Celine Dion, Barbra Streisand and Whitney Houston, among others, and a book by Oscar Williams and Sally Robinson, a screenwriter whose credits include “Medicine Man” and “Iron Jawed Angels.” “Betty Boop” is expected to open in a Nederlander theater; no director or casting details have been announced yet.
  • Malchus
    Love Frozen Ghost. I wish that first album was available on CD because I wore it to death in college. Alas, I gave it away in my "alternative" days in the 90's. One of the best shows I saw was Frozen Ghost and Howard Jones. Lots of positive energy.
  • Eric S.
    Nice to see some love for Frozen Ghost, as I have all three of their original Atlantic CDs. Being across the border from Canada, they managed to get quite a bit of airplay in Detroit. They also seemed to get a lift when Arnold Lanni's Sheriff song "When I'm With You" recharted in 1989 and went to #1. Lanni also wrote and produced all three Frozen Ghost albums and then went on to produce other Canadian acts like Our Lady Peace and Simple Plan. That's quite a resume for a guy you hear almost nothing about.
  • Malchus
    I grew up in Cleveland and the smaller, Akron station played a couple of their songs from the first record.

    So, uh, how does someone get you to send them a copy of the 1st two Frozen Ghost cds?
  • Eric S.
    Check your Popdose e-mail
  • Eric S.
    Sorry, that bounced back. I'll try your Thunderbolt address
  • wags
    to WHarrisBullzEye:

    What about Madonna? I'd say she's just as guilty of playing the sex card if not more so than Samantha Fox. Only she had some musical talent to go with it.

    Dave, looking forward to the wrap up. I never heard of Frozen Ghost but I'd love to hear the backmasking sometime...
  • Yeah, but Madonna was... skeevy.
  • :::theroux
    Madonna was a total 80's skank, but Miss Fox wasn't exactly Doris Day either. She (Sammy) just oozed and dripped all kinds of cheapness.
  • EricL
    I have nothing against either. If rock is about sex, pop and dance are about sex just as much. Those two selected their archetypes perfectly and embodied them better than anyone else. It's all a pose.
  • WHarrisBullzEye
    Oh, she's definitely guilty of playing the sex card. But it wasn't until a few years later that she did so quite as actively and unabashedly as Samantha Fox did. And what I mean by that is that Madonna spent most of the '80s distancing herself from her nude photos that turned up in this magazine and that, whereas Samantha Fox was a topless Page 3 girl in the UK and proud of it. There was even a Samantha Fox Strip Poker video game...and, no, I'm not kidding!
  • wags
    I'm living in the wrong country! Point well made, though I do wonder how much of that distancing was the material girl's doing and how much of it came from her record label handlers. Topless equaled porn in America in those days...
  • Old_Davy
    More love for Frozen Ghost here. I totally forgot about that track, but glad to hear it again. I would have sworn it got better chart than 69. And consider this another request for that backmasking.
  • Hey Dave - great post (as always)...

    1) It's ironic that Charles Fox's track makes David Foster sound downright peppy.

    2) I vote Glenn Frey's "Livin' Right" the worst if not only because the craptastic Bally's (or some other exercise) ads he used this trash for. Still gives me shivers.

    3) I thought the talking point about Frozen Ghost is that they're members of Sheriff, who Bottom-fed their way to #1 with "When I'm with You", that refused to reunite with the lead singer, causing him to form the band Alias (can we fit any more mullet bands without Winger here?)

    4) My vote for the best (besides the Frankie tracks, they're too much ringers here) is the Tops' "I Just Can't Walk Away". Pure class. Levi is certainly missed.

    Cheers!
    Ernie
    2sc
  • Always liked that Frozen Ghost song. Can't believe it only got to #69. Heh heh, 69. Oh, Samantha...?

    I'm also stunned that "Two Tribes" never cracked the Top 40. MTV played the daylights out of that video (in a number of forms), as did the pop stations in central Ohio.
  • Oh, and is there anything funnier than coke fiend Glen Frey singing about living right? What a shitty, shitty song.
  • Ray
    Didn't realize Fortune (or as I know them, The Fortune Band) had more material out there. I dig their song "Airwaves" from The Last American Virgin... here's hoping some label will put out a COMPLETE soundtrack CD, although I'm not holding my breath!!!
  • Is it me or is the intro to "Do Ya Do Ya" an almost note for note recreation of "Rock Me Amadeus"..and then the music turns into the best song the Sisters of Mercy never wrote. I think I've got some remix/mashup work to do now, thanks for digging this up!
  • tim.p
    do you still got season by charles fox?
blog comments powered by Disqus