Bottom Feeders: The Ass End of the ’80s, Part 43

We finish up the ninth letter of the alphabet today as we look at the last half of the letter I and chat about all those glorious songs that charted no higher than #41 on the Billboard Hot 100 in the 1980s.

James Ingram
“There’s No Easy Way” — 1984, #58 (download)

James Ingram sang on two Quincy Jones tracks and had two duets with Patti Austin and one with Michael McDonald, all of which reached the Hot 100, before he released his debut album, It’s Your Night, in 1983. “There’s No Easy Way” was his only pure solo track to chart during the ’80s. (Thanks to “Crockett,” who pointed out that I missed this song as part of last week’s post. It’s only the second time I’ve missed an artist in the past 43 weeks; the last time was in the very first Bottom Feeders post. A pretty good hitting streak, I’d say, but it was bound to end at some point.)

INXS
“Don’t Change” — 1983, #80 (download)
“Original Sin” — 1984, #58 (download)
“I Send a Message” — 1984, #77 (download)
“This Time” — 1985, #81 (download)
“Listen Like Thieves” — 1986, #54 (download)

INXS and Jimmy Barnes
“Good Times” — 1987, #47 (download)

It’s good timing to have INXS appear in Bottom Feeders thanks to them being back in the spotlight right now, even if just for a moment, thanks to singer J.D. Fortune’s claim that INXS fired him with a handshake in a Hong Kong airport (which the band denies). I think CBS’s Rock Star: INXS (2005) is the reason I love music-based reality shows so much. No one can really replace Michael Hutchence, but it was great seeing a bunch of singers try, even some female ones. There definitely needs to be more rock ‘n’ roll reality shows, but the dismal Rock Star: Supernova (2006) really killed the format.

Anyway, we’re talking about the ’80s, right? INXS had a string of really awesome albums, starting with their third, Shabooh Shoobah, in 1982, which produced their first two U.S. hits, “The One Thing” and “Don’t Change.” With each new album you could see INXS growing as a band and polishing their sound, moving from a mix of new wave and ska to more of a pop-funk feel. It was 1985’s Listen Like Thieves that certified them as hit makers in the U.S. before the almost perfect Kick (1987) blew the roof off. At that point they graduated from Bottom Feeders status. (The Easybeats cover “Good Times,” featuring Cold Chisel singer Jimmy Barnes, was featured on the soundtrack of The Lost Boys.)

Donnie Iris
“Sweet Merilee” — 1981, #80 (download)
“Tough World” — 1982, #57 (download)
“Do You Compute?” — 1983, #64 (download)
“Injured in the Game of Love” — 1985, #91 (download)

Donnie Iris might very well be the most underrated artist of the decade, in my opinion. At least once a week I can be heard singing either 1980’s “Ah! Leah!” or 1981’s “Love Is Like a Rock” in the shower. He had seven total Hot 100 hits, including 1982’s “My Girl,” and all of them are totally awesome. “Tough World” is my favorite of the Bottom Feeders here, though “Do You Compute?” has the catchiest chorus.

Ironhorse
“What’s Your Hurry Darlin’” — 1980, #89 (download)

“What’s Your Hurry Darlin’” is another tune that was very difficult to find for my collection, which was a surprise since the group was formed by Randy Bachman of Bachman-Turner Overdrive. This was the second and final Hot 100 hit for Ironhorse.

Isle of Man
“Am I Forgiven” — 1986, #90 (download)

Here’s a group I know very little about. I know they aren’t from the U.S. I know they have at least one self-titled LP on Pasha Records, which is where “Am I Forgiven” comes from. And I know a Google search on the band members — Robere Parlez, Raun, Jamie Roberto, and Ronnie Lee Sage — turns up nothing. “Am I Forgiven” is a decent track that suffers a bit because of Parlez’s thick accent.

Isley Brothers
“Hurry Up and Wait” — 1981, #58 (download)

This was the final Isley Brothers song to chart on the Hot 100 until 1996, when “Let’s Lay Together” hit #96. “Hurry Up and Wait” isn’t a bad song, but it’s uninspired. Fortunately, the Isleys found the inspiration again in ‘83, when their best track of the decade, “Between the Sheets,” was released. It was subsequently sampled by every rapper in the world.

Isley Jasper Isley
“Kiss and Tell” — 1985, #63 (download)
“Caravan of Love” — 1985, #51 (download)

Isley Jasper Isley was Ernie and Marvin Isley and brother-in-law Chris Jasper, otherwise known as the younger half of the “3 + 3″ Isley Brothers lineup that was so successful in the ’70s (”That Lady,” “Fight the Power”), but due to infighting with older brothers Ronald, Rudolph, and O’Kelly, “3 + 3″ became “6 – 3″ after 1983’s Between the Sheets. On their own, Isley Jasper Isley released three albums with only moderate success before going their separate ways in ‘87, but they adapted nicely to the R&B sound of the mid-’80s, and they at least sounded like they had some musical energy left in them compared to the senior Isleys. “Kiss and Tell” is from their first release, 1984’s Broadway’s Closer to Sunset Boulevard, and “Caravan of Love” is the title track from their second album and the best R&B song of ‘85 (it hit #1 on that chart).

QUICK HITS
Best song: Isley Jasper Isley, “Caravan of Love”
Worst song: Ironhorse, “What’s Your Hurry Darlin’”

Next week, well … I can’t even hide this one — it’s all Jacksons all the time! A full post of nothing but Michael and his siblings. Oh, and that unrelated guy named Joe.

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  • Isley Jasper-Isley hit "Caravan of Love" was soon covered by British leftist-inclined rock band The Housemartins. It was very significant cover for three reasons:

    1) the song hit number 1 in UK just in time for Christmas'87
    2) was entirely sang a cappella by the boys
    3) was paired with very funny, but a little iconoclastic video.

    Now most of the Housemartins prefer to be called Beautiful South and Norman Cook, the bassist, found fame as a DJ nick-named Fatboy Slim.

    What's more can I say? "Original Sin" was aired extensively by some oldies stations in Poland two or three years ago due to the popularity of a lazy house remake in the same time. I don't think the guys were popular in Poland when this single charted but they are still remembered in my country and two songs from 'Switch" found place in the Top 10 on the influential Radio 3 chart. Surprisingly enough, not "Pretty Vegas", but "Afterglow" (it hit number 1 on this survey) and, erm, "God's Top Ten".

    Little adendum to last week's entry: am I mistaken or nobody mentioned Icehouse's "Hey Little Girl?" I always thought that it was their biggest hit. personally I don't like this song - it reminds me too much of solo Bryan Ferry and I always preferred this singer in Roxy Music. But I adore "Great Southern Land", "No Promises" and "Crazy". To me this band embraced everything that was best in 80's pop: bit of A-Ha, bit of U2, bit of new romantic (and, yes, bit of Bryan Ferry).

    All the best from Poland! I read all the Bottom Feeders and your my favorite Popdose reader on par with John C. Hughes.

    Kordian
  • Awesome! Poland in the house. Thanks for mentioned the Housemartins version - it's actually quite good.

    Switch was popular here in the US but only for a short period of time. Nothing like how well they did in other places - like Poland. I actually enjoy the record....but I heard some of the songs the were working on for a follow up and they were terrible. Probably good to just part ways now.
  • "Thanks for mentioned the Housemartins version - it's actually quite good" - is this a pun on the title of the Housemartins' final Greatest Hits Collection that was actually a pun on the title of the popular series of complilations?;)

    I didn't care much about these INXS songs as long as my friend told me that the lyrics are about Michael. Now I find them more moving than before. Before I treated "Afterglow"purely an attempt to sound like U2 and I thought "God's Top Ten" mostly as sharing its beginning with the song "Anything" by Polish singer Edyta Gorniak. Check for yourself;)

    I will try to comment as often as possible. Maybe I will even comment on some older posts if I find better connection than this.
  • Jeff
    In what sane world is it possible that these INXS songs charted so low?!? These songs ARE my early- to mid-teens. One of the best concerts I ever attended was seeing INXS perform about a week before Kick came out. Still brings back awesome memories, for many reasons. . .

    Once again I am reminded why I didn't listen to too much 'Top 40' radio in the 80's.

    Oh, well, Thanks for making my Wednesday morning!
  • Rob
    I loved the two songs off of "Shabooh Shoobah," but "The Swing" was a much better album – In fact, it is my favorite INXS album.
    Everybody at Atco was expecting a big hit from it, but the first single "Original Sin" became a victim of the same black/white controversy that dogged so many songs during the days of segregated radio. So they lost all the momentum that "The One Thing" and "Don't Change" gave the group. That's OK. All of us in college radio were more than happy to play the album,

    I agree with Jeff. During these years, INXS was a kicka** live band – one of the best I've ever seen. Hutchence was positively Jaggeresque, the band was incredibly tight and it didn't hurt that they were playing smaller nightclubs, compared to auditoriums and arenas later on.
  • JonCummings
    I must have seen them a couple weeks after you did, at a small-college basketball arena in Radford, Virginia. It was a Thursday night, and Hutchence announced that in the issue of Billboard due to come out the next morning, "Need You Tonight" was listed as the new #1 song in the U.S.--their first. The band, needless to say, was in a good mood that night.

    As I think about it now, I imagine the Jimmy Fallon character from "Almost Famous" invading their dressing room after the show and saying, "Clearly, respectfully," it was time to stop playing Radford, Virginia and get on a plane to play Madison Square Garden the next night.

    I'm with Rob on INXS' live chops--they were tremendous, and I'll always be glad I got to see them at the top of their game while standing 10 feet from the stage. By the next time I saw them, on the "X" tour in '91, I was in the nosebleed seats at the Spectrum in Philly and they were already seeming kinda tired.
  • tvh
    Donnie Iris is one of those lost FM radio gems. Looking forward to checking out these less known songs

    Weird - I knew he was in the Jaggerz, but I just read Donnie was a member of Wild Cherry (after "Play the Funky Music").
  • David_E
    Donnie Iris is such a great yeller. He tore up the 'C' entry of your Ass End series, back in the collaboration with Cellarful of Noise. Just awesome.
  • "Good Times" is a flat-out jam. I'm surprised to see that "Kiss the Dirt" never charted. I thought that would have at least gotten into the 90s.
  • thefxc
    I'm surprised INXS didn't recruit Barnes as their post-Hutchence singer, it seems like a natural fit. Who knew a reality show would fail to turn up a satisfactory replacement?

    I'm too lazy to check: Did "The One Thing" go Top 40 or not chart at all? I thought "Kiss the Dirt" charted; that was my favorite song from Listen Like Thieves.

    "Do You Compute?" is the best Faux Wave song of the decade (second place: Device's "Hanging On a Heart Attack.") That Kraftwerk breakdown is full of win.

    Next week I guess we find out whether or not Rebbie Jackson's "Centipede" charted. You should write about it (or, at least, find an excuse to link to the video) whether it did or not.
  • breadalbane
    "Centipede" charted all right -- even above Bottom Feeders territory.

    Kordian, The Beautiful South are no more. They broke up about a year ago, citing "musical similarities".
  • I didn't notice 'cause I wasn't a fan (or rather I didn't get to their legacy already, I'm only 23 after all), but thanks for the info anyway! Now I see what was the reason to issue their Greatest Hits not so long ago.
  • "The One Thing" missed me by a bit - went to #30. "Kiss the Dirt" is a great track - never cracked the Hot 100 though. Did get into the 20's on the Mod Rock charts though.

    breadalbane is correct - Centipede is above my range - but I might have something in the works...I mean how can Rebbie be the only one not included?
  • Oh my good God... LaToya didn't actually chart, did she?
  • Oh, she did.
  • What exactly was the drug of choice during the Jackson reign, because whatever it was was flowin'.
  • D-Pete
    Is it too early to request that "Puss 'n' Boots/These Boots Are Made For Walkin'" by Kon Kan be part of the "K" edition of Bottom Feeders?
  • Long way to Kon Kan - but it will be there!
  • I beg your pardon?
  • yikes, what a weak week. INXS being the only thing here that captures my interest. "Dont Change" is the best song they ever wrote, and it's a shame they hadn't yet hit it big when it came out; I firmly believe that had it been on Kick, it would have been a massive hit a la "Need You Tonight" and "Devil Inside"

    "Good Times" is a favorite of mine, possibly because it just reminds me of The Lost Boys.

    Next Week: Hojo and a bunch of kids named Jackson?
  • And you can't get what you want t'il you know what you want, Chris.
  • ah, and another Jackson (no relation!) He's the man!
  • Old_Davy
    Donnie Iris issued a whole slew of great albums in the 80's and "King Cool" (which features Sweet Marilee) is just plain terrific.

    For my money, "Listen Like Thieves" is the best INXS album. It's consistently good and the album has great sequencing. It also helps that I think "What You Need" is one of the greatest album openers ever.
  • matt
    Singing "Love is like a Rock" in the shower, eh?
  • Haha!
  • Keith
    As I mentioned at the end of last week's comments, Donnie Iris is my favorite recording artist. I'm pretty sure that his record label has to take the majority of the blame for him not being more successful on the charts. Of course, he doesn't look like the prototypical pop star either, and his early music videos are kinda cheesy (but weren't almost all of them back then?).
    Even his album cuts are filled with killer hooks, and of course there is that trademark scream, which he still pulls off live today even into his sixties. He still performs a handful of shows every year, in the Pittsburgh-Cleveland area, and never disappoints.
    I'm actually kinda happy he wasn't a bigger deal, it makes me feel like I have some kind of ownership. It's always cool to belong to something that you know the masses are missing out on. Having said that, if anybody is so inclined, I advise checking out his unofficial fan run website, at this address: parallel-time.com.
    Next week I'll go back to evaluating the bottom feeders in an unbiased manner...
  • tdolbyfan
    Hey Steed, great post 2 weeks, anyways I'm ready for the letter J. I was wondering 2 things 1. do you plan on posting all of the 41-100 songs except for that 1 song. (How the hell did that 1 chart anyways?) and 2. Can you please post heartache all over the world by elton john and I'm Not Perfect (But I'm Perfect for You) by Grace Jones? thanks. btw: do you have an email or aim? and what is it?
  • I'd never heard "Hurry Up and Wait" before. I wouldn't say it's uninspired -- if anything, its smooth soft-rock sound is a welcome change compared to other Isley Brothers songs from the early '80s, like "Inside You." And speaking of smooth soft rock, which Isley is imitating Michael McDonald on "Kiss and Tell"? That's a memorable song as well. Thanks for those two, Dave!
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