Bottom Feeders: The Ass End of the ’80s, Part 53

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We move into year two of Bottom Feeders: The Ass End of the ‘80s, with one of the best weeks we’ve had in a while, in my opinion. How about we continue with the letter L, looking at songs that peaked at #41 or lower on the Billboard Hot 100 chart during the ’80s.

Johnny Lee
“Bet Your Heart on Me” — 1981, #54 (download)

Naturally, after I say this is one of the best weeks we’ve had in a while, we start off with this lump of coal. I’m not quite sure I understand how most country music crossed over into the Hot 100 in the early ’80s. Lee had a pretty massive hit in 1980 with “Lookin’ for Love” (#5), so maybe I can see “Bet Your Heart” charting if it was the follow-up, but it wasn’t. There were four other singles between those two that only hit the country chart. So how does this generic country song become the one that mainstream radio pushes? I guess it’s just about knowing the right people or having the right amount of cash.

Larry Lee
“Don’t Talk” — 1982, #81 (download)

There are weeks where I dig this light rock sound from the early ’80s and weeks I don’t. This must be one of those where I do, because I’m groovin’ along to this simple tune, the only solo hit Larry Lee had after leaving the Ozark Mountain Daredevils early in ‘82.

Paul Lekakis
“Boom Boom (Let’s Go Back to My Room)” — 1987, #43 (download)

I’m so happy this missed the top 40 by three spots. “Boom Boom (Let’s Go Back to My Room)” is the type of song Bottom Feeders is all about, so I would have been crushed to not have it here. This is one of two songs in the letter L that I love way more than I should. And I’m going to bet that all of you loved this at one point or another too (this is the place to admit it). If you were between the ages of 15 and 22 in 1987 when this came out you absolutely loved this, because it was probably played at every high-school dance or fraternity party for a year. I can’t imagine how many horny boys and horny girls were awkwardly dry humping each other trying to get some “Boom Boom.” (I was going to add a Paul Lekakis picture to this, but my google search kept turning up pictures of him naked by himself or naked with other men, so I decided to move on).

John Lennon
“I’m Steppin’ Out” — 1984, #55 (download)
“Jealous Guy” — 1988, #80 (download)

Two wonderful songs here from Mr. Lennon. “I’m Steppin’ Out” comes from Milk and Honey, which would have been a great EP had Yoko Ono’s songs not been on it. “Jealous Guy” was released in conjunction with the soundtrack to Imagine: John Lennon. (Some of you may wonder how I could write almost a dozen sentences about Paul Lekakis and only three about John Lennon, but hell — what could I say that you don’t already know?)

Julian Lennon
“Jesse” — 1985, #54 (download)
“Now You’re in Heaven” — 1989, #93 (download)

lennonJohn Lennon’s first son ended up with six Hot 100 hits, all in the ’80s. Frankly, I’m surprised that he didn’t have a bigger career simply because of his name. Then again, he didn’t release music until after his father’s death, and from everything I’ve read, he never had much of a relationship with his father anyway — he was always closer to Sir Paul than John.

“Jesse” was the fourth and final single from his debut album, Valotte, and was the weakest single on it. After that he was only able to muster one hit from his next record, 1986’s The Secret Value of Daydreaming (“Stick Around,” #32), which was critically panned at the time but is underrated, if you ask me. He followed that up with just one single from his 1989 album, Mr. Jordan: “Now You’re in Heaven” had a very different sound from his previous singles.

Le Roux
“The Last Safe Place on Earth” — 1982, #77 (download)
“Carrie’s Gone” — 1983, #81 (download)

Louisiana’s LeRoux had four tracks hit the Hot 100, three in the ’80s. “The Last Safe Place on Earth” is a dull track from their album Last Safe Place. “Carrie’s Gone” is a track I really enjoy, with a much more dynamic sound than they previously had, probably thanks to singer Fergie Frederiksen coming aboard for the album replacing original singer Jeff Pollard.

Level 42
“Hot Water” — 1986, #87 (download)
“Running in the Family” — 1987, #83 (download)

level42Talk about a group that evolved over time. If you’ve never heard the first few Level 42 albums, you’d be hard-pressed to identify them as coming from the same group that made “Something About You” a massive hit.

The U.S. didn’t pick up on these guys until 1985, when they released their sixth album, World Machine. Before that time, and especially at the beginning of their career, Level 42 were a jazz-funk group with lots of instrumentals on each record. Each release after their 1981 self-titled debut moved a little more toward the mainstream, with 1983’s Standing in the Light throwing the band’s first pop hooks into the water, and 1984’s True Colors dipping more than just a toe into the mainstream.

But World Machine was the big hit in this country. “Something About You” is undeniably catchy and was easily the poppiest thing they had done up until that point. “Hot Water” was included on the U.S. version of the album only — a longer version had been released on True Colors a year earlier. “Running in the Family” was their last Hot 100 song, being the title track from their 1987 album. According to Wikipedia, they’ve had 32 charting hits in the UK and unbelievably only four in the U.S. I guess it’s not the only time we’ve made a mistake with a group.

Huey Lewis & the News
“Workin’ for a Livin’” — 1982, #41 (download)
“Give Me the Keys (I’ll Drive You Crazy)” — 1989, #47 (download)

huey_lewisOver the years I’ve heard so many people say that Huey Lewis & the News were simply lucky and they really sucked. I can’t share that opinion.

I’m a big fan of Huey and the gang, probably the best bar band of the decade. Their only weak album was their self-titled debut in 1980. 1984’s Sports and 1986’s Fore! are great albums from start to finish, Fore! being a rare masterpiece, in my opinion. “Workin’ for a Livin’” comes from the Picture This album and was followed by 13 consecutive Top 40 hits (including three number ones). 1988’s Small World went a little more towards their jazzier side and wasn’t as big a hit, but produced a few great songs, one of them being “Give Me the Keys.”

The only problem I have with Huey Lewis is their greatest-hits package, Time Flies … The Best of Huey Lewis & the News. Greatest-hits packages are hit-or-miss and are often incomplete, but this one in particular sticks out as being extremely poor for some reason. They put out four new songs, the non-hits “Bad Is Bad,” and a live version of “Trouble in Paradise,” but left off two of the most popular Huey Lewis songs, “Jacob’s Ladder” and “Hip to Be Square.” I’m certainly not all about hits, but having a Huey Lewis & the News greatest-hits record without “Hip to Be Square” on it seems quite ridiculous to me.

Shirley Lewis
“Realistic” — 1989, #84 (download)

Shirley Lewis really had no chance to make it. Her debut album Passion, was poorly distributed by A&M Records and wasn’t anything special or unique to begin with and as far as I can tell, she never made a follow up record. She’s had a few one off singles here and there before and after this, but nothing noteworthy.

Gordon Lightfoot
“Baby Step Back” — 1982, #50 (download)

There’s something a little crazy about this. I know nothing about Gordon Lightfoot except “The Wreck of the Edmund Fitzgerald” and this tune. I have zero interest in ever hearing any other Lightfoot song or learning anything more about him. And yet, I love this track.

lil_louisLil Louis
“French Kiss” — 1989, #50 (download)

Of the 4,200-plus songs that hit the Hot 100 in the decade, this might go down as the most unlikely of the group. This song is basically an orgasm courtesy of Shawn Christopher (a backing vocalist for Chaka Khan who later took her orgasm skills to My Life With the Thrill Kill Kult). I can’t even begin to fathom how this got any mainstream play, let alone enough to chart as high as #50. And the version you’re hearing here is just the four-minute single version. Grab the longer 12-inch versions and you’ve got a lot more orgasm to work with.

Limahl
“Only for Love” — 1985, #51 (download)

You know, back when Kajagoogoo was in the series, I thought that I would much rather listen to Limahl solo material than anything the Goos put out but man, was I totally wrong. This is as bad if not worse than the output of the group. “Never Ending Story” is stellar compared to this crap.

Limited Warranty
“Victory Line” — 1986, #79 (download)

Limited Warranty was another artist that was never given a true chance to shine. They were a Star Search winner in 1985 and that led to their self-titled record which included the excellent “Victory Line” a song I can see fitting in perfectly with a group like the Alarm. Unfortunately bad management and label problems prevented them from ever releasing a proper follow up (only an EP released on their own in 1987 would surface) so if you weren’t a die-hard, this is probably all you’ve ever heard from them.

Lipps Inc.
“Rock It” — 1980, #64 (download)

Lipps Inc. is the perfect example of what happens when your first single is so good that you can never get close to that quality again. “Funkytown” goes all the way to the top of the charts in 1980 and then everything after that paled in comparison. You still would have thought that the follow up single, “Rock It” would have ridden some of that momentum to reach a peak spot higher than #64. It’s a good song, but no “Funkytown.” And when you only have four songs on your debut and six on your follow up (1980’s Pucker Up) you don’t have much choice in the way of singles.

Liquid Gold
“What’s She Got” — 1983, #86 (download)

Liquid Gold was an English disco group that released their first single in 1978. “What’s She Got” was a one off final attempt at a hit before the group broke up for good in 1984.

QUICK HITS
Best song: Limited Warranty, “Victory Line”
Worst song: Limahl, “Only for Love”

Next week we showcase one of my favorite artists of all time, and the king of soundtracks!

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  • MichaelFortes
    Seriously, you've never heard Gordon Lightfoot's "Sundown" or "If You Could Read My Mind"? For many years, those were the only tunes of his I had ever heard. I wasn't introduced to the two you know until the last five or so years (one of which I'm listening to for the first time right now...)
  • Those two honestly don't ring a bell at all. I'd have to hear like a greatest hits to be 100% certain, but I looked through his list of hits and I don't see even one thing that rings a bell.
  • breadalbane
    Good Lord. Here in Canada, you could be deported for not knowing the words and music to at least 20 Gordon Lightfoot tunes.

    It's actually a pretty good policy -- helps keep out the riff-raff.
  • Elysium
    I would be shocked if upon listening to the Greatest Hits, you did not recognize "Sundown" and "If You Could Read My Mind." Those songs were played a ton in the 70s and 80s. Thanks for the series, look forward to it every Wednesday morning.
  • This sounds like a challenge to me. I'll take it. I'll take a listen to the greatest hits and see what I know.
  • Ooh, sounds like "Into the Ear of Madness 2"!
  • Elysium
    "In The Ear Of Madness, I forgot about that one, that column just disappeared, he never finished the year? Or, was it canned by the editors. Or, did I just miss the announcement?
  • Eric S.
    Love your column, but Popdose does recognize decades other than the 80's. Both of the bigger Lightfoot songs have been covered in the past year and a half.

    popdose.com/chartburn-21508/

    popdose.com/spooky-songs-gordon-lightfoot-if-you-could-read-my-mind/
  • That doesn't mean I'm popdose! I'm just a man, who doesn't like the '70s and therefore had no reason to listen to Gordon Lightfoot songs even posted on the site I write for.
  • Matt
    Wow....now I am a music geek, and my 80s kid version of me definitely loved Boom Boom....but if you were to mention Paul Lekakis to me in conversation, I would probably say "bless you!" Or more likely, who?? You are right, songs like this are the reason that we need Bottom Feeders. God bless you, Bottom Feeders.

    I'll agree to a point with you about that Huey Lewis hits collection, although I was quite jazzed to get that live version of Trouble In Paradise, originally a non-album cut on the We Are The World disc, on a Huey Lewis album.
  • Jeff
    Didn't the lead singer/bass player for Level 42 reportedly have his hands insured for some ridiculous amount?
  • A million pounds, I heard.
  • Dammit. I came to this page with the specific task of relaying that bit of trivia. I always thought it was a rumor.
  • jlowry24
    There is a much better Huey Lewis and the News greatest hits CD that came out in 2006. I can't say it's entirely perfect as it has that duet with Gwyneth Paltrow, but it does contain all of their 80s and 90s hit singles.
  • CC
    Rock It is definitely an excellent track. It took a while to grow on me though because Funkytown was huge! Funnily enough, I actually heard the song just two days ago. I also own a cassette that's over 25 years old with the Lipps Inc. album on one side and Harb Alpert on the other. Talk about a weird combination.
  • Ray
    Rock It was actually released as a single several months before Funkytown (in its original incarnation it was Casablanca single #1006, with an instrumental version on the b-side). This was a pretty big disco hit in Chicago on the infamous WDAI ("Disco DAI") in the fall of 1979, and apparently the DJs weren't in on the wordplay of the group name, as they would always refer to them as "Lipps, Incorporated".
  • Wow, I thought Level 42's "Leaving Me Now" at least cracked the Hot 100. Wrong again.

    Always liked "Now You're in Heaven." It was the Bowie-isms, plus seeing Julian working with Patrick Leonard.

    Was in Ft. Lauderdale for Christmas in 1986, and the clubs were all blasting that damn Paul Lekakis song. Was not surprised to see it become a pseudo-hit a few months later. Now wait for Will Harris to comment on his love for Lekakis' "You Blow Me Away: in three, two, one...

    Limited Warranty is one of the worst band names I've ever heard. It wasn't just bad management that sank them.

    Ah, "French Kiss." That takes me back. That song and "This Is Acid" are forever linked in my head.

    King of soundtracks: that can only be one person. (*shivers uncontrollably*)
  • High-way TO the Danger Zooooo-oahn!!
  • Eric S.
    It's weird what you do and don't retain after some 20 plus years. I actually remember Limited Warranty from Star Search, but this song doesn't ring a bell at all.
  • WHarrisBullzEye
    Hell, YES, I'm going to comment on my love for "You Blow Me Away." Though it's easily one of the cheesiest pop songs of the '80s, the song is catchy as all hell, and you can't help but grin at that chorus:

    You blow me away
    The things that you do
    The things that you say to me
    Yeah, you
    You blow me away
    Night after night
    Day after day
    You're blowing me away

    Oh, and Mr. Steed, I have this theory that some traumatic event occurred in your past while a Kajagoogoo song was playing in the background, thereby causing you to unconsciously despise everything touched by the hand of Limahl. But it's only a theory.
  • "Boom Boom Boom" and "French Kiss"-two of my favorite dance songs of the Eighties. I remember a safe-sex PSA starring LeKakis running every morning before school on TV. Dunno if he got busted for George Michael-ing or was moved to record the PSA after his own HIV diagnosis, which I think happened around the same time "Boom Boom Boom" became a hit. The PSA was phenomenally cheesy, though. Damn it, it's not on YouTube...
  • eddie_w
    You're right, Level 42 did change their sound through each album up to World Machine. I loved that album, so after it came out I went about collecting the earlier stuff, and I was a little disappointed (at the time) that they weren't that close to what I was hearing on WM.

    Paul and his Boom Boom will forever be linked to the soundtrack of pretty much every single party we had during my senior year in high school. I think someone even petitioned to have it be our class song, which was understandably squashed in favor of Bon Jovi's "Never Say Goodbye".
  • kingofgrief
    Which contains such wholesome, upstanding lyrics as "Remember when we lost the keys/And you lost more than that in my backseat". Unless Jon's referring to his lady's lunch, in which case I can appreciate the ambiguity.
  • forwardgirl
    Boom Boom Boom. Oh man, Stink Stank Stunk. I wish I could go back to not remembering having ever heard it.
    I'm also a big Huey and the News fan, but I love the first two albums and find Sports and Fore too slickery for my tastes. But then, I'm a weirdo. This is unchanged from the 80's, ass end or otherwise.
  • kingofgrief
    Hello, Mr. Steed...I discovered this blog last week while doing some research for Curtie & the Boombox's "Black Kisses" (a 12" I'm expecitng any day now courtesy of eBay). As a public radio DJ who spins (mostly) 80s club music for an hour each week, I'm always looking for tunes of the era that you're practically guaranteed not to hear on the commercial stations in Houston (or any thriving metropolis). Some nights will find me trolling YouTube with my Billboard Pop Annual in hand, auditioning titles from the Bottom 60 that intrigue me. Two of my favorite ass-enders (the albums of which I snagged at a recent record show) are on your horizon...I'll reserve comment 'til their numbers are called.

    I could ramble on about the great tracks and artists you've covered so far, but now that I've caught up with the rest of the peanut gallery, I'll just weigh in on this week's batch.

    "Boom Boom" - a CD single I need to re-add to my archive, though I don't feel too comfortable spinning it at 4 in the afternoon.

    "I'm Steppin' Out" - my least favorite of the three Milk & Honey singles, but it's John, so it's tolerable. (I'll refrain from raving about "Jealous Guy", as it's a 70s recurrent. But MAN, do I love it.)

    "Jesse" - I listened to the Valotte album yesterday for the first time since '85. The first three singles still hold up. The rest of the album=snooze. It did lead to a conversation with friends on Facebook which resulted in the promise of an emailed mp3 of the 12" mix of "Now You're in Heaven", so you might see/hear that in a future club block.

    "Baby Step Back" - I only mention it as I might have it; I own that Lightfoot box Rhino put out some years ago. I'll have to check the track menu.

    "French Kiss" - as soon as I can find an extended instrumental mix that omits the orgasm, I'm reinstating this bad boy into my sets. I used to spin it during my old graveyard shift. Ah, safe harbor.

    "Only for Love" - I might have this too, got the Limahl/Kaja best-of from EMI circa '93. (I spun your precious "Hang on Now" a few months ago...the extended mix, even!)

    "Rock It" - I picked up Mouth to Mouth on wax for dirt-cheap late last year. Nothing really moved me beyond "Funkytown" (which still keeps me movin', keeps me groovin' with some energy). Do I even bother with Pucker Up?

    I can comment on the tunes I haven't heard (always been curious about Limited Warranty) when I get to my own computer. I'm at the in-laws' for dinner and couldn't wait for today's blog. I hope that proves my newfound devotion.

    Cheers,

    Jeffrey

    http://myspace.com/soundawakeradio
  • William Orbit absolutely ripped "Now You're in Heaven" to shreds, but strangely, it works. Very house, very Orbit, but still a decent dance remix of a rock song for 1989.
  • Thanks for the comments. Do you bother with Pucker Up? I really don't think you need to own anything but Mouth to Mouth. The other albums aren't terrible, but I've never had a desire to pick up the second or third one again.
  • Old_Davy
    The Gordon Lightfoot track posted is basically a sideways version of "Sundown" at least musically. You'd probably like that one, as well as "Carefree Highway". "If You Could Read My Mind" was a big hit, but it's overrated in my book.

    And I hate to throw a stink bomb into the party, but Huey Lewis sucks.
  • ElCartero
    Re: "French Kiss" -- there were more radio-friendly edits of the song out there. Youtube has this one - http://www.youtube.com/watch?v=RIloVrw48K4 , which includes the vocal section with lyrics and omits the big O. Another edit fits in both (this was the retail cassette single version, which I actually possess somewhere), which was probably more valuable to the radio programmers who weren't afraid to play stuff like "Me So Horny", who were more numerous than you'd think.
  • kingofgrief
    I remember the cassingle edit...I think my best friend bought it then sold it off b/c he didn't like the vocals. I've never been fond of them, either, that's why I'm looking for a pure instrumental, O-free mix. Heck, I could probably get clever with Cool Edit Pro and fashion one myself. Thanks for the heads-up, though.
  • kingofgrief
    Oh, and I know "Me So Horny" would be verboten even in As Clean As They Wanna Be form. I don't think i ever heard it before 9 PM back in the day anyhow.
  • kingofgrief
    Any week is a good week for obscure lite rock, and "Don't Talk" fits the bill. This is what happens when you intersect Christopher Cross' "All Right", Robbie Dupree's "Hot Rod Hearts", and Stephen Bishop's mojo. How hard was this one to find?

    You forgot to mention that "Carrie's Gone" was written about Fergie Frederiksen's breakup with Carrie Hamilton, actress and daughter of my favorite funny redhead, Carol Burnett. (Le Roux also gets props for the anthology title Bayou Degradable.)

    Does the melody of the "Looking back it's so bizarre" line in "Running in the Family" remind anyone else of another song? It sounds so familiar but I can't place it. I think a comprehensive Level 42 best-of is in the cards for my collection, unless they have any albums I absolutely can't miss.

    "Realistic" might have gotten some play on our short-lived dance station in '89 unless I'm confusing it with all the interchangeable freestyle tracks of the day (Seduction and their ilk).

    I *do* have "Baby Step Back". And both the 7" AND 12" versions of "Only for Love". I can sleep more soundly now.

    "Victory Line" could have used less gloss. About two coats, to be precise. I remember they were the subject of a letter in Q&A column of an issue of Star Hits.

    On the other hand, "What's She Got" could use a little...OOMPH. Mayhaps a punchier club mix exists? (I think I might have sought this track out during one of my YouTube Bottom Feeder odysseys.)
  • I can't picture that "Don't Talk" was easy for me to find, but it doesn't register on my radar like many of the others in this series. I remember the liquid gold song being much harder to locate.
  • Hey, I've got some things to talk about this week!

    I'll get this out of the way first: I love, love, LOVE "Boom Boom" and I am not ashamed! It always gets a snicker whenever I play it at my gigs (will be spinning it on Thursday night, inspired by this post - a "long distance dedication" to steed. Man, Casey Kasem's voice is awesome)

    Julian Lennon sure fell off the map, eh? You'd think he'd still be on the radar at least due to his name. Can't speak much for these songs, but "Valotte" and especially "Much Too Late For Goodbye" are great songs. The Lennon blood continues to churn out good music, as little brother Sean has turned out to be quite the musical genius too. His "Dead Meat" album was awesome.

    Level 42. I've admittedly never given a listen to their older, less poppy (pre-sellout?) material, but I'll be damned if "Something About You" and "Lessons In Love" aren't two of my favorite songs. I remember the aforementioned video being on allllll the time when it first came out. I also remember asking for the tape for birthday/xmas/whatever that year. And not getting it. Thanks a LOT, mom and dad.... I recall reading about some weirdo European dude (I think) having his name legally changed to the subsequent names of every member of Level 42. I don't remember the exact order, but the guy's name was officially something like Mark King Mike Lindup Boon Gould Phil Gould. I mean, I like some bands a lot and all, but really?

    Speaking of Lipps, Inc, am I alone in preferring Pseudo Echo's version of "Funkytown?"

    That Limahl song isn't very good. And I actually LIKE "Never Ending Story." Who else always thought it was a girl singing that one, by the way? I always thought so, til years later when I found out it was the "Too Shy" guy.

    Huey Lewis...man, this is the second time in two days I've resisted temptation to reply to a post with nothing but a Patrick Bateman quote. "Workin For a Living" is one of his better songs, and I honestly feel it would have charted higher if it had come out after the News REALLY broke big. I was always a fan of Huey and the gang back in the day, though I will say there a few songs of theirs that have not stood the test of time. "The Heart of Rock and Roll" and "Power of Love" NOT among those, for the record! I share your disbelief in "Hip to Be Square" and "Jacobs Ladder" not being on a best of comp. Speaking of "Jacob's Ladder" I must also profess my love for Bruce Hornsby's version (and if I recall correctly, he wrote or at least co-wrote the song)

    Next week: one of your faves...wait, Corey Hart doesn't start with L!

    And the king of soundtracks. Ugh. Not looking forward to that part...oh, but we also get Loverboy, don't we?
  • I think Psuedo Echo's version is very good, but I do like the original better.
    The old level 42 stuff is worth a listen just to hear how much they changed. Go back to the beginning and it really is like a different group.
    Jacob's Ladder was written by Bruce and his brother.

    Loverboy is two weeks down the road - you're jumping the gun a bit.
  • ElCartero
    About how all those country and AC-type records made the Hot 100 in the early '80s, here's my theory, as best I can gather. Remember that this was one of those periods wherein Top 40 as a format had essentially collapsed -- disco had just died an ugly death, and the base of young Caucasian listeners had hightailed it to AOR and Rock 40 stations. Many of the stations still reporting to the chart were old-line AM hit outlets that adjusted to the times by moving in a strongly adult direction, "growing old with their audience" if you will. Add the appeal of the "Urban Cowboy" movement that lingered for several years after the movie and soundtrack blew up, and that's how stuff like that middling Johnny Lee record (remember, his big hit was FROM that movie) could become mid-charting pop hits.
  • kingofgrief
    That makes a lot of sense. Granted, I grew up in the heart of the Urban Cowboy explosion, and Johnny Lee and Mickey Gilley were (at the time) local boys, so I never thought twice about hearing an occasional Top 40 appearance.

    Now playing at my house: side 2 of The Band of Gold Album (that's its name) featuring the full 11-minute version of "Love Songs Are Back Again". This came in at my day job today and I jumped on it.. Your influence, Steed.
  • Man, this is my influence - I've made listening to Band of Gold exciting. When I was a little boy I dreamt of these days. I'd probably jump on it too - as I only own the 45.

    I don't know what kind of job would have the Band of Gold record showing up but that's a job I want!
  • kingofgrief
    http://halfpricebooks.com/020.html

    If you're ever in Houston, stop by and say howdy-do!

    Specaking of which, I happened upon a copy of the Curtie and the Boombox LP at work today that had been there since December of '07 (I've only been at this location for a month). A week earlier and I wouldn't have had to buy that 12"...
  • bswells101
    Hey, post two..wierd, how the Alphabet works..
    I've got a lot of old CDs that might come up soon.. KBC Band, Kitaro, Londonbeat, Loose Diaomnds, Lemonheads...

    thanks,
    B
  • Chris Granozio
    "Victory Line" was extremely popular in the upper midwest (they were a Minneapolis outfit) but their follow-up: "Hit You" - which received some video play on MTV - was FAR superior. An EXCELLENT '80s pop track that I still play frequently.

    As for Gordon Lightfoot, he churned out lots of strong stuff (mostly light AC/folk) during the '70s, and "Baby Step Back" was his best from the '80s. A very prolific and talented Canadian songwriter. "Edmund Fitzgerald" is a bleak, dull, 6-minute record that somehow became a smash, but "Sundown" remains his biggest tune in '74.

    "I'm Steppin' Out" and Larry Lee's "Don't Talk" should have been bigger hits. Very melodic.
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