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Bottom Feeders: The Ass End of the ’80s, Part 64

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First of all, I must give some props to the King of Grief, who decided to turn Bottom Feeders into a radio broadcast for a few hours last Tuesday. You can check him out every Tuesday over at KPFT. Great set list, even if he did play Meco’s “Ewok Celebration.”

Secondly, it’s really bugging me that in Garry Sharpe-Young’s A-Z of ’80s Rock book there are hundreds of groups that never released an album in the ’80s. Seems that to get in this book all you had to be was the ass wiper for Pretty Boy Floyd for a week and that was enough to make you an ’80s artist, despite the fact that you only released one demo in 2003; I had to weed out the non-’80s to get to the stuff the book is really supposed to be about. On the same note, I also purchased A-Z of Doom & Gothic Metal and there was a little box in the corner of the front cover that said “CD of 14 power metal tracks included.” I love me some power metal, but I can’t possibly understand why I’d buy a book on doom metal and get a power-metal CD with it. How about 14 tracks of doom and goth? Do I have to buy the power-metal book to get the doom CD?

And finally, I can now say I have something in common with Jermaine Jackson: Back in 1996 I caught a foul ball at a Philadelphia Phillies game. On Sunday night, Jermaine Jackson caught a ball at a Los Angeles Dodgers game. I guess “Blanket” is going to get a new toy from Uncle Jermaine.

And now, get ready for a little Wango Tango. Wango Wango. Tango Tango. Here’s the second and final week of the letter N, as we check out more songs from the bottom three-fifths of the Billboard Hot 100 during the 1980s.

Juice Newton
“Dirty Looks” — 1983, #90 (download)
“A Little Love” — 1984, #44 (download)
“Can’t Wait All Night” — 1984, #66 (download)

Juice_NewtonAfter talking about Anne Murray two weeks ago it was mentioned that I either liked blondes or MILFs growing up. We have three ladies in a row here to figure this out, because, frankly, I’m not sure myself.

I don’t recall ever being hot for a sip of the Juice. One place she looked like a hippie and the next some 24-year-old vixen (like on her 1984 Greatest Hits album). I do recall, however, listening to a ton of her music. Or I guess I should say listening to a few songs quite often, because really, after she hit #7 in 1982 with “Love’s Been a Little Bit Hard on Me,” I couldn’t remotely give you even one bar of any other song. But geez, “Queen of Hearts” was a staple of many of my childhood days. Listening to it again right now, I kind of dig “Can’t Wait All Night” though it’s certainly different than her normal country-pop tunes — maybe too different, as it became her last hit on the Hot 100. She still had seven more Top 10 hits on the country charts, though, right through the end of the decade.

Olivia Newton-John
“Landslide” — 1982, #52 (download)
“The Rumour” — 1988, #62 (download)

Olivia-Newton-John-s-Music-Therapy-2 Now, Olivia, on the other hand — va-va-voom! How could a guy growing up in the ‘80s not want to get “physical” with her? Okay, maybe not after watching the video for that song, but for everything else, what a gorgeous woman. And she got better with age too!

No one reading this is going to agree with me on this one but she’s my favorite of the sandwich of ladies to start this post. I think she had a better voice than Juice Newton and Stevie Nicks (I’m going to get an argument with that one!). I’m not necessarily saying she made better music than Stevie Nicks, but I love the fun she brought to her music. Yeah, there’s a lot of fluff, but that’s not a bad thing. I’m very happy to bounce in my chair to “Xanadu” or “The Rumour” which of course is an Elton John/Bernie Taupin creation. Interestingly enough though, when I see the title “Landslide” I can only think of Ms. Nicks and Fleetwood Mac’s classic tune from ’75.

Stevie Nicks
“Has Anyone Ever Written Anything for You” — 1986, #60 (download)

No Stevie, no one has ever written anything for me. (Pouty lower lip, sad eyes, “drying tears” motion with hands …) Listening to this now is like listening to this for the very first time. I don’t ever recall hearing this before.

And I never had any interest at all in Stevie Nicks. The gypsy persona never interested me. I can safely say dark and mysterious was not my number-one choice for women growing up; neither was wearing more clothes than necessary, which it seems is a trend for her.

So what does that mean for my tastes in women growing up in the ‘80s? Blondes or MILFs? I don’t know if these three help determine that. Olivia was blonde and brunette, Stevie was a blonde, I guess Juice could have been a MILF. I guess it’s neither category and I still have to search for the type of woman I dug growing up. And I’m sure it’s not the same as now, so that doesn’t work either. Sigh.

Nielsen/Pearson
“The Sun Ain’t Gonna Shine Anymore” — 1981, #56 (download)

There are many songs in the decade that I don’t like, but very few that I wish to never hear again. This is one of those, however. There’s just something about this song that I can’t stand and if you know my tastes through reading this column, you’ll understand upon listening to it. But I think it also stems from how difficult this was to locate. This cover of the Frankie Valli tune was only released as a single, though the 45 indicates it’s from the “forthcoming LP Atomic Café.” So I spent a good two years looking for Atomic Café before realizing it was never released and then took another year trying to find a copy of the 45. Son of a bitch.

Night
“Love on the Airwaves” — 1981, #87 (download)

Another very difficult song to find. Night was formed by Chris Thompson and Stevie Vann of Manfred Mann’s Earth Band. They released a self-titled debut in 1979 and then Long Distance in 1980 before breaking up. The album and 45 are tough to find, and it of course doesn’t help much when you’re typing the word “Night” into a search engine.

Night RangerNight Ranger
“Sing Me Away” — 1983, #54 (download)
“(You Can Still) Rock in America” — 1983, #51 (download)
“The Secret of My Success” — 1987, #64 (download)
“Hearts Away” — 1987, #90 (download)
“I Did It for Love” — 1988, #75 (download)

I know Night Ranger is a rock band, but there’s no chance I’d ever talk about them with other rock groups. Shame is that they had some rockin’ tunes, like “(You Can Still) Rock in America,” and their albums as a whole weren’t too bad, but I think of them as more of a singles group. And of those singles, the only ones I remember are the ballads, of course, due to “Sister Christian” and sap like “Sentimental Street.” And songs like “Hearts Away” or “I Did It for Love” — I mean, has anyone actually listened to these in the last 20 years? In reality we owe Michael J. Fox for requesting they create what really is their best tune: “The Secret of My Success.”

9.9
“All of Me for All of You” — 1985, #51 (download)

9.9 were three high school friends that made music separately and together in the late ‘70s and early ‘80s before finally releasing their lone album (self-titled) in 1985 which yielded this pretty decent dance song and one more single called “I Like the Way You Dance.” The album includes one of my favorite bad song titles of all time: “(Owch!) Hot Blood Pressure.”

1927
“That’s When I Think of You” — 1989, #100 (download)

This song is the absolute true ass end of the Billboard Hot 100 charts.

We talked about 1927 just a few weeks ago, as it was formed by Bill and Garry Frost, the latter formerly of Moving Pictures. This of course owns the distinction of being the second and final song in this series to peak at #100. However, “That’s When I Think of You” wins the award for worst chart performance since Britny Fox’s “Long Way to Love” spent an agonizing two weeks at the bottom spot. The real sad part is that it’s a very good song and their only song to chart in the U.S.

Nitty Gritty Dirt Band
“Fire in the Sky” — 1981, #76 (download)

I suppose this technically should have been back in D, as in 1981 these guys were just the Dirt Band (a pretty dumb change, if you ask me; I mean, “Nitty Gritty” kind of gives them a little flair). This was from their album Jealousy, the final record to be recorded under that moniker before going back to their proper name.

Nocera
“Summertime, Summertime” — 1987, #84 (download)

Maria Nocera was an Italian girl who came to America in 1986 to record music. I think I’ve mentioned this song in the past as being a trivia question made specifically for me. I used to play trivia at a bar every Wednesday night for many years and the game was to answer a sports trivia question in the amount of time a song played. You also had to name the song and the year it charted on the Billboard Hot 100. It was a four-quarter game and the questions got harder by quarter. The last question of the fourth was also a super rare ‘80s song, as the DJ knew I was an ‘80s freak and he would try to stump me. After years of going, songs started to repeat themselves and this one became a staple of that game, played dozens of times. Anyway, in a bar, from a distance, this doesn’t sound too bad, but when you listen to this closely, damn if she ain’t struggling like hell with her English.

Noel
“Silent Morning” — 1987, #47 (download)
“Like a Child” — 1988, #67 (download)

Before hearing this for the first time I kept thinking this was some group named “No-el” probably thanks to the very Christmas sounding title of “Silent Morning.” But this is actually Latin freestyle artist Noel Pagan who released a self-titled record in 1987 and then a long lost unnecessary follow up in 1993. I’ve always enjoyed “Silent Morning” a lot as it sounds more like an Information Society track than part of the Latin Freestyle movement. “Like a Child” is shit.

Kenny Nolan
“Us and Love (We Go Together)” — 1980, #44 (download)

Another hard to find song for the collection, this was Nolan’s fourth and final charting hit. And in a feat that many of you will find amazing, I actually enjoy this song, though it’s not my usual cup of tea.

Aldo Nova
“Foolin’ Yourself” — 1982, #65 (download)

Aldo Nova’s first single, the #23 hit “Fantasy,” is one of those songs you know but you have no idea who the artist is. This of course makes “Foolin’ Yourself” even more unrecognizable, if that’s possible. In recent years Nova has written songs for cough*Celine Dion & Clay Aiken*cough.

Ted Nugent
“Wango Tango” — 1980, #86 (download)

“Alright, it’s ze Wango ze Tango!” How could you not just love this fun blast of high-energy shredding? This was his final of seven charting singles, the only one to go Top 40 being “Cat Scratch Fever” 1n 1977.

Nu Shooz
“Should I Say Yes?” — 1988, #41 (download)

Nu Shooz was always a favorite of mine. Neither of their Atlantic releases, 1986’s Poolside or 1988’s Told U So, are that great, but these guys put out some classic ‘80s singles in “I Can’t Wait” and “Point of No Return.” In my mind these guys will always be tied to Expose thanks to them also having a hit song called “Point of No Return,” and to Sly Fox, who I seem to always remember being played back to back with Nu Shooz since their styles fit so well.

The Nylons
“Happy Together” — 1987, #75 (download)

Not sure the Nylons were ever really needed on the airwaves and I’m no fan of this cover of the Turtles’ classic song. Just like Nu Shooz, these guys also have a partner in my brain, with Manhattan Transfer — though I’m not sure that’s a fair comparison.

QUICK HITS
Best song: Ted Nugent, “Wango Tango”
Worst song: Nielson/Pearson, “The Sun Ain’t Gonna Shine Anymore”

Next week: Oooooooh, baby.

Dave Steed is all about music; 80's and metal to be exact. His iPod will shuffle from Culture Club to Slayer and he won't blink an eye. He's never heard Astral Weeks but thinks "Dazzey Duks" by Duice is the bomb. It's an odd little corner of the world he lives in.

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  • Jeff

    “Like a Child” is shit. – And thus was tea spewed all across my monitor. . .

    I I can not stand Ted Nugent in any way, shape, or form. And I grew up and still live in Michigan.

  • bama

    Thanks, as always, for your hard work

  • http://popmusicnotes.com/ John

    The only shock to me on this list was that “Fantasy” only got to #23. That's a travesty of justice, but it's dead on. And to the comment about “Like A Child”…yeah, but that was the club sound going on in NYC at the time. “Silent Morning” was so huge that they just tried to come up with another track that sounded similar. Lightning sure didn't strike twice on that one.

  • http://www.bullz-eye.com DavidMedsker

    I will take Olivia Newton-John over Juice and Stevie any day of the week and twice on Sunday. Beautiful voice, smoking hot, and sweet as pie…she's perfect.

    I always feel sorry for the songs that peak at #41.

  • http://www.bullz-eye.com DavidMedsker

    Just now listening to the tunes. “Can't Wait All Night” is clearly a product of the movement where the soft rockers decided that they needed to rock out in order to stay relevant (see: Dan Fogelberg's “Language of Love”). Heck, even McD tried it with “No Looking Back,” and Kenny Loggins did that “Vox Humana” thing.

  • kingofgrief

    Aww…I mean, WOOOOO…thanks, Mr, Steed! That show was loads of fun, and I COULDN'T pass up the chance to spin “Ewok Celebration” over the Houston airwaves in perhaps a quarter-century. Anyone who'd like a low-resolution playback of the Bottom Feeders special can download it here. And here's the setlist.

    Now on to the week at hand! First things first: the bar for “The Sun Ain't Gonna Shine Anymore” was set in 1966 by The Walker Brothers. I've heard other passable covers, such as by Jules Shear and Quantize (the latter I'd like to have for the Club Hour), and Frankie's original is naturally cool, but it all boils down to Gary, John and *gasp of awe* Scott. Neilsen/Pearson? Meh at best.

    Olivia: *gasp of awe but a completely different awe than the awe for Scott Walker* She was my first celebrity crush at the tender age of 8 (in the era of all things Grease) and that affection has not abated. I saw the “video album” for Physical on TV in early '82 and was impressed with the tunes (“Landslide” among them) enough to pick up the 8-track for a buck about three years later. It's on my mental CD wishlist. And yes, “The Rumour” has Uncle Reg and Bernie's fingerprints all over.

    I have an import 12″ of “That's When I Think of You” with an extended mix. Shall I digitize it for you, Mr. Steed? I might have heard it once when it was new; I picked up that 12″ merely because of its dubious distinction…Fred Bronson mentioned it in a Chart Beat column in the early 90s; it was the most recent single to peak in the anchor position at the time. I wonder how many followed.

    “All of Me for All of You” got some love from urban down here…found the 9.9 album at work last month. Haven't listened to it in full yet, so I have yet to behold the wonder of “(Owch!) Hot Blood Pressure.” Apparently, Owch! was an early name for the trio; they were backup singers for the album's producer, Richard “Dimples” Fields, whose “If It Ain't One Thing…It's Another” missed my BF special setlist by that much.

    Meltie candidate of the week: “Silent Morning”. All over the radio way back when, and I remember overhearing classmates talking about it.

    Surely to be continued…

  • http://myspace.com/DJChrisXmusic Chris X

    holy crap, this week is awful, hahaha.

    I think I'd rather hear “Ewok Celebration” again than any of this stuff. Yikes.

    I do generally like Nu-Shooz, but this song is so-so. “I Can't Wait” it ain't. Re: the Expose connection, I have both of those songs on 12″ vinyl, and i went and pulled them out to look at them inspired by this post, and theyre actually next to each other in the crate, and not by design. Dude…

    Finally, I too would like to have relations with Olivia Newton-John, and I FUCKING HATE TED NUGENT.

  • http://www.popdose.com DwDunphy

    Wow, this is totally Olivia's week, isn't it? Not just for all the love she's suddenly getting from Popdose United, but the fact that her dead boyfriend turned out to be a live death-faking scumbag pulling a Lazarus move. I think we're all in agreement that if she needs consolation, she can always drop by the office, anytime. Please?

    Juice gets the second nod from me, primarily because I always had this insane crush for SNL's Lorraine Newman and Newton kinda reminded me of her.

    But Stevie? Um… No, Meesa Superman ees no home. No.

  • kingofgrief

    Ah, to rendezvous with Laraine at the Blaine Hotel.

    Looks like Olivia has dropped the zero, etc., having remarried an organic health magnate in June of last year. Good for her…though if she DOES drop by Popdose HQ, tell her I'd love to have her as a guest DJ anytime.

    Stevie looks better to me these days, but who knows how much of that is corrective.

  • http://www.popdose.com DwDunphy

    I could go for the cheap shot and make a Stevie Nicks coke joke, but I'll take the high road (Get it? I kill me!) and just give her props for not having Madonna's bungee-cord arms. Gaaahhh!!

  • thefxc

    Gotta stand up for “Like A Child”–I believe you meant to say that “Like a Child” is THE shit. Noel's album is a rare freestyle album that is worth listening through; a lot of it does have a New order-ish vibe to it. Contrast “Silent Morning” with Nocera and you can tell the difference. (Also: Information Society drew a lot from Latin Freestyle–that's why “Running” was such a big hit, “Walking Away” also has a telltale freestyle lilt.)

    A couple of possible urban legends about “Silent Morning”: 1) it was originally cut as “Spanish Morning” but changed in hope of a crossover hit; 2) it's about AIDS.

    Other than Noel and Nu Shooz, it's a weak week. I thought “Secret of My Success” was Night Ranger's last Hot 100 hit. No matter, apparently they sleep well at night on a big pile of Yen. I know the 9.9 song but I didn't know I knew it. (I would have guessed Starpoint.) Finally, someone must stop Aldo Nova.

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  • JonCummings

    Dave, I'm completely with you on rating ON-J over Stevie.

  • anniezaleski

    i would just like to assure that Night Ranger's “(You Can Still) Rock in America” is in pretty heavy rotation in St. Louis to this today, on 106.5 The Arch. It's pretty much a stone-cold jam. Why wasn't this huge?

  • kingofgrief

    That would be my first runner-up for this week's Meltie award, though I recall more AOL than Top 40 airplay and I don't hear any NR on Houston radio these days apart from “Sister Christian”.

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  • boliver

    A few weeks ago, I went into a used bookstore with a staggering amount of cheap used cassettes. I got a copy of Subject… Aldo Nova – his second album from '83 – for 2 bucks!

    It's not often I wish I owned an IROC-Z with a tape deck, but this is one of those times.

    I'd like to see Aldo pick up his caramel Les Paul and play a few live shows. He might have trouble squeezing into that leopard-print jumpsuit though!

  • Ray

    Interesting week here. Always been an Olivia fan (I even have a “collector” DVD copy of her 1970 movie “TOOMORROW”… super corny sci-fi musical with a lightweight bordering on bubblegum pop soundtrack, but she's a major BABE in it!!!) so count me in the Olivia rules the week camp.

    I also remember 9.9's “All Of Me For All Of You” getting quite a bit of airplay back in 1985, not to mention seeing the video on FRIDAY NIGHT VIDEOS, among other places; really surprised they didn't go anywhere after their debut album (if I'm not mistaken this album was never issued on CD, either).

  • kingofgrief

    Something tells me more “collector” editions of that Toomorrow DVD will have to be “pressed” for all the Olivia-lovers here in the forum.

    I, too, saw the 9.9 vid on FNV and a few syndicated programs. According to their Wikipedia entry, they split up in 1987, owing to “disputes over material, production and personal matters”. I never saw a CD either, but you can find the album version of “All of Me” on this misleadingly-titled comp: http://www.amazon.com/Best-Disco-Various/dp/B00… (actual cover art not pictured)

  • kingofgrief

    Something tells me more “collector” editions of that Toomorrow DVD will have to be “pressed” for all the Olivia-lovers here in the forum.

    I, too, saw the 9.9 vid on FNV and a few syndicated programs. According to their Wikipedia entry, they split up in 1987, owing to “disputes over material, production and personal matters”. I never saw a CD either, but you can find the album version of “All of Me” on this misleadingly-titled comp: http://www.amazon.com/Best-Disco-Various/dp/B00… (actual cover art not pictured)

  • kingofgrief

    Something tells me more “collector” editions of that Toomorrow DVD will have to be “pressed” for all the Olivia-lovers here in the forum.

    I, too, saw the 9.9 vid on FNV and a few syndicated programs. According to their Wikipedia entry, they split up in 1987, owing to “disputes over material, production and personal matters”. I never saw a CD either, but you can find the album version of “All of Me” on this misleadingly-titled comp: http://www.amazon.com/Best-Disco-Various/dp/B00… (actual cover art not pictured)

  • musicmanatl

    Maybe this will come up later, but just in case… “Can't Wait All Night” was Juice's first album for RCA after she left Capitol in 1984. They were really trying to keep her going in the top 40 market. The first single, “A Little Love”, is a nice song but more typical of her older sound, so for the second single they went with the more rocking “Can't Wait All Night”, which was written by Bryan Adams and his usual writing partner, Jim Vallance. It was all very calculated… and it didn't work, unfortunately. For her next album, Juice was back to recording straight country songs, although she rebounded well, as three singles from that album hit #1 country. “You Make Me Want To Make You Mine” is really fun – if you liked “Queen Of Hearts”, you'll like that one too.

  • musicmanatl

    I've always heard that “Sllent Morning” is about AIDS. Nothing in the lyrics could be directly connected to HIV, although it does start out with “I'm on fire”, which could be read as a reference to night sweats. The moody, minor key tone of the song always sounded so foreboding, which is partially why I always made the AIDS connection. It's a very eerie sounding song to me.

  • musicmanatl

    As usual, I have to chime in here, since this week contains three of my favorite vocalists of the '80s: Juice, Olivia and Stevie. I remember seeing Olivia on the Merv Griffin Show in 1974 singing “If You Love Me, Let Me Know” and I thought I'd never seen such a beautiful woman in my life. LOL I love everything she's done – I have every CD up through the '90s and could listen to her all day. She's still pretty good (and a lot of fun) in concert too.

    I'm kind of dying to hear “The Sun Ain't Gonna Shine Anymore” after all of these bad comments. :) I liked “If You Should Sail” well enough.

    Stevie is a mesmerizing performer and songwriter. Her solo CDs got spottier and spottier over time, though. Her greatest hits CD is the way to go.

    Ted Nugent is a neanderthal. Ugh. All his songs sound the same to me.

    And “That's When I Think Of You” totally rocks! I bought that 45 in 1989. It definitely should have been a hit.

  • kingofgrief

    I can send you the Neilsen/Pearson version (and Quantize while we're at it)…find me at my username at Yahoo.

  • musicmanatl

    Okay I'm clearly thinking that my taste meter is not as high as the rest of you. I just heard “The Sun Ain't Gonna Shine Anymore” and I thought it was fine. It's hard to mess with such a great song, so they didn't. I was expecting crap on a plate, but it really was fine. I keep using “Dear Mr. Jesus” as my marker of crap, and this ain't nowhere close to that travesty. :)