Bottom Feeders: The Ass End of the ’80s, Part 81

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We soldier on this week with more songs from the bottom three-fifths of the Billboard Hot 100 chart during the 1980s, made by artists whose names begin with the letter S. Enjoy.

Simply Red
“It’s Only Love” — 1989, #57 (download)

I’m sure if I lived in England, Simply Red would mean a lot more to me than they do. I’ve always claimed to like them, especially their 1986 Top 40 hit “Money$ Too Tight (To Mention),” but I don’t believe I really know anything outside of their singles. And “It’s Only Love” isn’t one that I remember, as it was the only one out of five U.S. singles that didn’t hit the Top 40 from ‘85 to ‘89. In that same period, Mick Hucknall’s band had three times that many singles chart over in the UK.

Single Bullet Theory
“Keep It Tight” — 1983, #78 (download)

This song would probably be rarer if it wasn’t on one of those Just Can’t Get Enough Rhino comps (volume 8, if you’re playing at home), but getting your hands on the original album is very tough. Named of course after the theory used by the Warren Commission to explain JFK’s assassination, I’ve only been able to find sketchy details on the group. I believe they were a D.C.-based band, and their self-titled debut on Nemperor Records was probably their only major release. Beyond that, “Keep It Tight” appears to be quite rare.

Sinitta Sinitta
“Right Back Where We Started From” — 1989, #84 (download)

Sinitta was born in Seattle, Washington, but has lived most of her life in the UK. Her recording career began over there and featured quite a few songs written by Stock Aitken Waterman. This is of course a cover of the Maxine Nightingale classic and was a pretty tame way to lead off her second album, Wicked. But Sinitta’s not really known for her music as much as she is for her dating habits: her former group, Hot Gossip, is known as the first band to sign with Fanfare Records, which was partially run by her future fiancée, American Idol’s Simon Cowell. After they broke up, she upgraded to Brad Pitt for two years.

Siouxsie & the Banshees
“Peek-a-Boo” — 1988, #53 (download)

Back in the day I hadn’t yet learned to like quirky music, so I never got into Siouxsie & the Banshees. I’ve never went back to them either, but I have a strong feeling that I’d enjoy their uniqueness a bit more these days now that I’ve learned to open my mind a bit. However, I’ve always been fond of “Peek-a-Boo,” a track that doesn’t get nearly enough airplay these days. The music (percussion and accordion) are neatly backmasked and the vocals go back and forth from the left to the right channel because Siouxsie Sioux alternated microphones for every line. For those reasons, I’m not surprised it didn’t crack the Top 40, but it’s still a damn good song.

Sir Mix-a-Lot
“Posse on Broadway” — 1988, #70 (download)

Yeah, Sir Mix-a-Lot actually had a hit before his unforgettable ode to big booties. “Posse on Broadway” (Seattle, not NY) was an 808 filled hooptie bumper that didn’t quite hit as big as Tone Loc or Young MC’s did, but established him with some cred in the rap world. The song is most memorable for me because it was probably the first time I’ve heard the oft-repeated rap line, “the 808 kick-drum makes the girlies get dumb.”

Sister Sledge
“Got to Love Somebody” — 1980, #64 (download)
“All American Girls” — 1981, #79 (download)
“Next Time You’ll Know” — 1981, #82 (download)
“Frankie” — 1985, #75 (download)

I’d take a gamble and say that the only regular reader that might be interested in these four tracks would be Chris X since he’s a Philly dude like myself and Sister Sledge were huge hometown favorites. However, I think we’re both a little young to remember the peak of the madness with “We Are Family” in ’79. Although R&B doesn’t seem to garner much interest in the context of this series, it should in this case because that sound you hear is of course is from Bottom Feeders’ new favorite talking point, Nile Rodgers (Nile Rodgers sighting!).

Skid Row
“Youth Gone Wild” — 1989, #99 (download)

Skid Row Now take a sharp turn from Sister Sledge to Sebastian Bach and company and “Youth Gone Wild,” which had to be more of a video hit than radio staple because it just seems unfathomable that it only spent 2 weeks on the true bottom end of the chart. It was the first single off the self-titled debut before the ballads “18 and Life” and “I Remember You” went to #4 and #6 respectively. A lot of people seem to think that Bach is a big child thanks to his crazy antics and drunkenness but I have to admire his energy and love of the music more than anything else. The debut album was good, 1991’s Slave to the Grind was even better, and 1995’s Subhuman Race is underrated and quite a different beast than the first two albums (if you’ve never heard “Beat Yourself Blind,” you must). However, I’m still waiting for the first disc from Savage Animal!

Sky
“Toccata” — 1981, #83 (download)

Funny how this works, isn’t it? Sky is the brainchild of classic guitarist John Williams. “Toccata” is an update of “Toccata and Fugue in D Minor” (BWV 565) by Johan Sebastian Bach. Bach followed by Bach — how ’bout that.

SladeSlade
“Little Sheila” — 1985, #86 (download)

Slade were one of the biggest bands in the UK from 1971-1976, then they started running out of money and were trying hard to crack the US market and didn’t fare so well until 1980 when a UK comeback started again. The years 1983 and’84 marked their biggest moments in the U.S. with the Top 40 hits “My Oh My” and “Run Runaway,” off their album Keep Your Hands Off My Power Supply. “Little Sheila” was on their album Rogues Gallery and was only released in the U.S., which makes sense since it sounds like it was crafted especially for our market. I already know a lot of you really dig Slade as we’ve had the brief discussion about them back in the Quiet Riot post.

Slave
“Watching You” — 1981, #78 (download)
“Snap Shot” — 1981, #91 (download)

I just absolutely love digging up old R&B and funk songs and uncovering the original compositions used as classic rap samples. “Watching You” certainly falls into that category as it was reworked into the chorus “rolling down the street smokin’ endo, sippin’ on gin and juice” in the now legendary Snoop Doggy Dogg track “Gin and Juice.”

Grace Slick
“Seasons” — 1980, #95 (download)

Holy crap, I totally don’t get this track. And it’s incredibly tough for me to listen to – as I mentioned before, I only listen to things at a loud volume and by the end of this song, the chorus of voices is at a mind exploding volume. I literally had to shut my iPod off and put my head between my hands to just get back in sorts.

Sly Fox
“Stay True” — 1986, #94 (download)

“Stay True” is actually a good song, but the simple reality is that Sly Fox still holds a place in people’s memories only because of the monster hit “Let’s Go All the Way,” which is a brilliant track. Sadly, these two tracks are the only good ones on the band’s sole album.

Smithereens
“Only a Memory” — 1988, #92 (download)

The Smithereens created quite a few power pop gems with a retro feel during their peak years of 1986 to 1990. “Only a Memory” is the lead track from their album Green Thoughts, but they will always be known for their second U.S. hit, “A Girl Like You.”

Patty Smyth
“Never Enough” — 1987, #61 (download)
“Downtown Train” — 1987, #95 (download)

Patty+SmythI have learned something new upon writing up Patty Smyth. Despite all the versions of “Downtown Train” there are out there, I never knew that it was a Tom Waits original. I need to hear that because I just can’t picture this song coming from him. Having never heard the original, I say that Smyth’s version is the best one I know. I love “Never Enough” as well, but it certainly is made for radio, isn’t it? The edge of Scandal is pretty much gone, but the track is still damn catchy.

One thing I’ve never been able to get out of my head is that Eddie Van Halen wanted her to be the lead singer of Van Halen after they parted ways with David Lee Roth. As good as she was, I just can’t fathom her singing “Jump” or “Unchained.”

Sneaker
“Don’t Let Me In” — 1982, #63 (download)

Sneaker had two hits off their debut self-titled record, the #34 hit “More Than Just the Two of Us” and “Don’t Let Me In,” which sounds a whole lot like Steely Dan, maybe because Walter Becker and Donald Fagen wrote it. The band took its name from the Dan song “Bad Sneakers.”

QUICK HITS
Best song: Siouxsie & the Banshees, “Peek-a-Boo”
Worst song: Grace Slick, “Seasons”

TOP 40 ONLY
Simple Minds (4), Frank Sinatra (1), Skyy (1), Frankie Smith (1), Rex Smith & Rachel Sweet (1)

Next week, I predict that the letter S will continue.

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  • Single Bullet Theory toured with Adam Ant on the Prince Charming tour. I saw them at the Capital Theater in New Jersey. Completely unmemorable.
  • JonCummings
    SBT were regulars on the circuit that included my hometown (Blacksburg, VA). I saw them once or twice as a high schooler--agreed, they were unmemorable as a live act, though "Keep It Tight" was a crowd pleaser.
  • Dan
    They were from Richmond, Virginia.
    http://www.maddogproductions.com/sbt_article.htm
  • I know Waits has a reputation for insanely dark compositions, but if you take into account the entirety of his work, "Downtown Train" actually makes a lot of sense. After all, this is the guy that wrote "Ol' 55" and even the Eagles found a way to cover it.

    Because I bow to your knowledge of music explicitly, I'll take that Van Halen / Smyth tidbit as truth, but prior to you I always believed it to be a classic bit of oral history (AKA utter BS) such as the legend of Jimi Hendrix on The Tonight Show saying he thought Phil Keaggy was the best guitarist in the world.
  • If it's not true, then I've been burned by it as well as I've seen it written in so many places and remember seeing some tabloid stuff about it - the last time Valerie Bertinelli came up in the news I was reminded of it again. If it's BS, then it's stood the test of time.
  • luffy66
    I too have heard the rumors swirling around Smythe/VH. He hired Gary Cherone after all- would Patty Smythe be any worse?

    Legend has it that Eddie was going to try anything to get out of the DLR shadow at that time. There was even rumblings that he was going to join KISS at one point after Ace left- it would have been a rock tragedy- but it is always fun to think what if?
  • Matt
    Here's audio of Smyth talking about it - http://blogs.tampabay.com/80s/2006/09/patty_smy...
  • Matt
    I recall the Patty Smyth bit, and believe that she's discussed it in interviews. EVH also was eying Sass Jordan for the gig as well, which would have been really weird.
  • kingofgrief
    "If it's BS, then it's stood the test of time."

    Sammy was right...only time could tell.
  • I heard Hendrix thought that Billy Gibbons was the best guitarist in the world.
  • Legend also says Hendrix thought Terry Kath was the best. You get the idea.
  • Because NBC destroyed their old tapes back then (because, y'know, there'd be no reason to want to watch old Tonight Shows, right?) no one will ever know the truth and have corroborating evidence. I'd like to think Hendrix said, "I'm the greatest and everyone else can suck it" and NBC made sure the tape got wiped because you couldn't say "suck it" on TV back then.
  • MichaelFortes
    I thought the quote was "your guitarist is better than me!" (Jimi to one of the guys in Chicago).
  • WHarrisBullzEye
    Yeah, the Phil Keaggy claim is definitely B.S., and Keaggy himself said as much to Popdose:

    Phil Keaggy: Believe it or not, the last time I heard that (rumor) was just last night. I played at a cathedral, I sat in with Michael Cart and John Michael Talbot, and they invited me to come out and play guitar on a couple of things with them. And in a cathedral, of all places, he introduced me with that quote. And there was a piano there, so I sat down and immediately started laying my hands on as many keys as possible, in order to distract him. (Laughs) I think I was successful in distracting him.

    Popdose: I think my favorite part about the rumor is that it gets updated. Like, “Oh, you know, I actually heard that it was Eddie Van Halen who said that Phil Keaggy was the best guitarist he’d ever heard.”

    PK: Well, you know, Eddie is not as big as Hendrix. He’s a guitar icon, but his face has not been on Guitar Player Magazine as often as Jimi Hendrix. I think people are starting to get used to the idea that it was impossible that Jimi Hendrix could ever have heard me and would never have said anything about a guy who, at the time, was only nineteen years old. We actually recorded our first album at Electric Lady Studios two weeks after his unfortunate death, so I just can’t imagine how he could’ve heard me. I think it’s just a rumor that someone’s kept alive, and it must be titillating enough to keep an interest there. But it’s just a strange, ironic sort of thing. I’ll never be in the category of Jimi Hendrix, and I couldn’t understand him saying something like that, anyway, even after all these years. So I don’t think it was said…and that’s it for that!

    http://popdose.com/hooks-n-you-phil-keaggy-phil...
  • mjheyliger
    Slave's "Snap Shot" is so bad ass. Their bass player, I think his name is Mark Washington, was a beast. "Snap Shot" is right up there with The Time's "777-9311" (which I expect to see in a couple of weeks) when it comes to funkiest songs of the Eighties.

    I'm a big fan of that Simply Red song as well. I remember it getting a pretty decent amount of airplay on the R&B stations (Kiss FM and WBLS) in New York. Did you know that this was a cover of a song by Barry White? I've heard the original, and I love Barry, but Mick Hucknall had the better version.
  • David_E
    Legend has it that Mick Hucknall was going to join Warrior after Patti Smyth left.
  • You mean Scandal, not Warrior and you mean Michael Bolton, not Mick Hucknall. And as you may recall, Bolton did join, ushering in a new age love, prosperity, rock n' roll and generally being excellent to one another.

    I hit my head on the car door frame today. Can you tell?
  • David_E
    Dammit. I knew that. What I DIDN'T know, however, was that Jon Bon Jovi was briefly a member of Scandal as well. Praise Wiki!
  • Elysium
    Current speculation is the Hucknall is going to replace Rod Stewart in a Faces Rumor

    Posted all of the net over the past weeks, including here
    http://www.contactmusic.com/news.nsf/story/huck...
  • Elysium
    Faces Reunion I mean.
  • I actually did not know that it was a Barry White cover. I'll have to track that down. Thanks for the info.

    I can't wait to talk about The Time!
  • Fun fact about "Peek a Boo": the entire drum track is recorded backwards.

    Mmmmmmmmmmmmmm, Patty Smyth.

    Grace Slick - Listen to "The Boxer" much? I had to shut that one off before it ended.
  • ElCartero
    Slight correction... SBT were from Richmond, not DC. I'd like to think if they were from DC, that song would be better :-P
  • nathan_az
    Here's a good place to find out more about Single Bullet Theory:

    http://www.maddogproductions.com/sbt_article.htm

    Maybe it's just me, but it seems like a band named Single Bullet Theory should sound scarier than these guys.
  • kingofgrief
    I have no objection to "Peek-a-Boo" taking Best Song honors this week...I remember driving down Houston's busiest street in Friday rush-hour traffic and hearing it on the radio for the first time. I was en route to a record store (me of all people!) where I ended up buying the 12", as it was all they had in stock. (Still prefer the LP/7" mix above all.) Looking back, I'm surprised at how much (relative) love Siouxsie received from Houston's Top 40 outlets...I can even recall the occasional spin of "Cities in Dust" back in '86. ("Peek-a-Boo" was also Billboard's first #1 Modern Rock track, according to Lord Whitburn.)

    My immediate second-place taker: "Only a Memory". Those first three Smithereens albums are embarrassingly rich in nutrients for power-pop geeks like yours truly. (Not even Bubbling-Under action for "Blood and Roses"? It's an outrage!)

    I found an import CD of Slade's Rogues Gallery earlier this year. I haven't listened to it since that weekend, so I can't offer much of an opinion. However, I profusely recommend their mid-70s film, Flame, and either of the compilations Shout! Factory released this decade. I'd like to see their entire catalog made available in the States for once.

    According to the liner notes of the '95 CD issue for Love Somebody Today, Kathy Sledge was mortified to have to sing the line about popcorn and jellybeans in "Got to Love Somebody". I was almost expecting that line to be singled out in the commentary above, given the Steed knack for exposing bad lyrics. (Wonder if Toni Basil bought the popcorn and jellybeans for her?) "Frankie" was a favorite on TV5 (later Hit Video USA) and also a #1 single in the UK.

    And on the subject of Frankie, I gotta tip the crown to an above-referenced Top 40 jam. Cizan yizou dizig izit, Stizeed?
  • Back before radio was embarrassingly bad, we had a local 'modern rock' station that played the hell out of The Smithereens, so much so that it felt like they had real hits.
  • I loved Double Dutch Bus - I wish it had been here.

    I'm going to get the Siouxsie catalog and go listen to it again - see how I react to it now.
  • kingofgrief
    I'd recommend starting with the original hits collections...Once Upon a Time (which covers early singles up to '81) and the ineviably-titled Twice upon a Time ('82-'92). If a song strikes your fancy, seek out the corresponding album (or the closest in the chronology for single-only tracks). Tinderbox is worth having on CD (in addition to being a good record) for the awesome extended mix of "Cities in Dust". I used to have most of their catalog, having been influenced by an ex-girlfriend, but never listened to the bulk of it enough to absorb.
  • Russ
    Since I'm a Tom Waits fan, the cover versions of Downtown Train always make me laugh for totally ruining the atmosphere of the original, though the cover versions at least are smart enough to not actually try. The song is great anyway and if a cover puts a few bucks in Waits' pocket it's cool.
  • kingofgrief
    I've always been partial to Everything but the Girl's rendition as far as the covers go.
  • What? No Smiths?
  • kingofgrief
    The venerable Mancunians never charted on the Hot 100, but Morrissey had a #46 solo hit in '94 with "The More You Ignore Me, The Closer I Get". There's also Soho's "Hippychick", which sampled "How Soon Is Now?" and got to #14 in '90.
  • you must remember that the best music of that type in that era never made it big in the U.S.

    you must also remember, as Moz himself said "America Is Not the World"

    (I'm bummed too, believe me, the Smiths are my favorite band)
  • "the best music of that type in that era never made it big in the U.S."

    Very true. If you can track down some John Peel sessions, e.g., his end-of-year "Festive Fifty" countdowns, they sound very different from American top-however-many lists.
  • Uh oh, you mentioned me by name, I suppose I have to give this Sister Sledge stuff a fair shake, since as far as I know, I admittedly(shamefully?) have only heard "We Are Family" which I obviously love. Related note - on a couple occasions I saw Duran Duran cover that very song, and they NAILED it. I wish it was recorded, but I'm sure there are videos floating around on youtube or something, probably in the 2004-2006 era, it was during the massive touring they did for Astronaut; I know they did it on that VH1 special they filmed back then - they break into it in the middle of "Notorious" and it fits perfectly.

    That said, pretty good all around, though not really feeling "Next Time You'll Know" - I dig a good old school R&B tune, but no so much the "slow jams" ballad type stuff. "Frankie" is pretty bad too, a clear case of a group that tried doing something different as the years went on and didn't do a good job of it. But the earlier stuff is definitely good. Definitely hear the Nile Rodgers sound in there, which is a good thing. Got a little bit of the Sound of Philadelphia vibe to it(which is DEFINITELY a good thing- I'm a huge mark for that stuff and have actually been on a very big kick lately), probably attributed to the fact that they were from here, and nothing to do with Kenny Gamble and Leon Huff.

    and now, for something completely different...

    "Peek-a-boo" is fantastic. I love all of Siouxsie's stuff, though I now find myself laughing at Beavis and Butthead singing along to this one (worth a viewing if you never saw that one, though good luck finding it since the DVD releases have been stripped of the videos due to copyright issues).

    Skid Row - that first record is fucking AWESOME. One of the best of that era, and "Youth Gone Wild" never ceases to get me stoked on life, one of, if not the best song on that record. "Slave to the Grind" equally as badass, and there were a few moments after that ("Quicksand Jesus" etc) that hold up to it. I've seen the new singer Skids, and I've seen Baz solo, and it's clear to me that his voice makes the band - while I enjoyed the rest of the dudes' offering, probably just because I knew all the songs and had fun singing along(except for the new material that nobody gives a damn about- seriously guys, who are you kidding? Play the hits and get outta here), the new guy just doesnt have Sebastian's voice or stage presence.

    I really love "Let's Go All the Way", so I listened to "Stay True" with great interest. Sounds like something that would be in an awful feel good romantic comedy Which means, I kinda like it, but probably won't listen to it again anytime soon, haha.

    The Smithereens are one of my favorite bands, and a very underrated group as far as I'm concerned. Every song is a perfect power pop gem. Looking back at your post, I see you said "power pop gem" as well. Dude, seriously? COME ON. haha, that should speak volumes about this band's greatness though. They play around here with some degree of frequency these days, and I always manage to miss them. They're coming around next month, and I'll be damned if I'm letting them get past me this time!

    And I cannot even fathom what the world would be like if Patty Smyth ended up replacing Diamond Dave. wasn't the extreme waterdown that was Van Hagar bad enough? (you know what, I like some of the Sammy stuff, btu for gods sake, stacked up next to the Dave era....completely different animal, and nowhere near as good....oh god, i should stop, THIS is not a can of worms we want to open here, is it? At least for a few more weeks I guess....)
  • The VH post should be a fun one.
  • "Got to Love Somebody" is an awesome Sister Sledge song. If it had come out a year or two earlier it would have been a big hit. But the sisters were one of the many sad victims of Disco Demolition Night and its aftermath. At least Nile Rodgers' career survived it.
  • Joel
    Thanks for the Sneaker track. I thought I was a Dan-fan, and I had no idea this existed. This track would fit right in on "The Royal Scam."

    Jeff "Skunk" Baxter is the producer of Sneaker, but even as a former Dan member, I wonder how he pried this song outta Fagen/Becker's hands.
  • Yup, you nailed it on the Royal Scam sound. "Don't Let Me In" totally had me thinking "Don't Take Me Alive".
  • David_E
    I've got the Dan version. You can find it on any one of 10,000 unauthorized "Early Years" compilations made in Europe.
  • breadalbane
    Yeah, those "Early Years" demos have been endlessly reissued over the years, much to B&F's displeasure. There are a few tunes in amongst these demos that wound up being recorded by Steely Dan, but a lot didn't make the cut, and with pretty good reason. To my ears, "Don't Let Me In" is easily the best of the unreleased tunes, and I'm sure Baxter would have heard it in his early years with the band.

    Sneaker's version easily trumps the Becker/Fagen demo track, by the way....probably because B&F were laying down a quick, cheap demo, not a polished recording. Kudos to Sneaker for rescuing this tune, and thanks to Steed for positng!
  • David_E
    I'm actually pretty fond of "Dallas," as well. "Come Back Baby" and "Sail The Waterway" are good, too. I think you could have culled the 20 or so early tracks down to eight and had a decent pre-Thrill LP.
  • breadalbane
    I agree, the songs you mentioned are all good tracks, But all were recorded later (and better) by Steely Dan. ("Dallas"/"Sail The Waterway" was the first non-LP single, and "Come Back Baby" was reworked into "Boston Rag".) I still maintain that "Don't Let Me In" is the cream of the unreleased tunes.
  • David_E
    "Dallas"/"Sail The Waterway" was the first non-LP single

    ... eh? What-what? Where can I find this? I've never seen it, and would love to compare the two versions.
  • breadalbane
    Somebody's posted the tracks on Youtube. Just type in "steely dan dallas" or "steely dan sail the waterway" and away you go.

    Good luck finding an "official" version of the single, though. It's ultra-ultra rare, and the tracks (aside from an appearance on a similarly rare European EP) have never been reissued.
  • Joel
    Thanks everybody for adding to this! This site always has the most informative commenters. That "early years" stuff I always avoided, so no wonder it was in my blind spot...
  • kingofgrief
    I used to see those Early Years comps all the damn time. Never picked one up as they never carried so much as a whiff of authorization. It's doubtful that Walter and Donald would ever sign off on such a thing, but 2-disc Deluxe Editions of the Dan catalog thru Gaucho featuring demos and outtakes would be downright sweet.

    I have both Sneaker studio albums on vinyl. The first was decent (the hits were the best cuts), haven't touched the second yet. You can file them under Big in Japan; they were (still are?) popular enough to merit a 2003 release of a live set from '82.
  • Sinitta actually cracked the Top 100, eh? That's a shocker, and I would have thought it would have been one of her previous bigger UK hits, though I suppose the familiarity of this track was it's appeal (and original SAW tracks didn't generally translate well in the US). And, like you, I too always loved Siouxsie and company's "Peek-a-boo", but was never a fan of their other stuff. You should indeed go back and explore their other work, because after I did I became a huge fan. What a varied catalog they have! Oh, and that Grace Slick song is definitely going to give me nightmares. Thanks! I guess it was recorded during one of her classic drug binges, because that could be the only explanation for how crappy it is.
  • leroygrey
    What, am I the only one that liked "Seasons"? It sounds like a Broadway showtune, which is why you probably cringe. But if you can just imagine the big musical production number that would go with it... Seriously, it sounded like a lost song from "Fiddler on the Roof," or something...
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