Bottom Feeders: The Ass End of the ’80s, Part 89

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It was a long journey through S, wouldn’t you say? Unfortunately, now that we’re through the largest letter of the alphabet, it’s kind of hitting me that we’re reaching the end soon. However, we’ve still got a couple of pretty big letters to go, starting with the tantalizing T. Here are more songs from the bottom three-fifths of the Billboard Hot 100 chart during the 1980s.

Talking Heads
“This Must Be the Place (Naïve Melody)” — 1983, #62 (download)
“And She Was” — 1985, #54 (download)
“Once in a Lifetime [Live]” — 1986, #91 (download)

The Talking Heads were pretty awesome, weren’t they? Not only did they have some of the catchiest melodies of the decade (“This Must Be the Place”) but they were unique and kind of quirky at the same time. I mean, it’s impossible to forget the strange and yet wildly cool video for “Once in a Lifetime.”

“This Must Be the Place” comes from Speaking in Tongues, which gave them their only Top 10 hit in “Burning Down the House” (#9). “And She Was” was the second single from their 6th album, Little Creatures, and “Once in a Lifetime” came from their live album Stop Making Sense. Sense was released in 1984 and a couple singles charted in the UK before Little Creatures came out, and then two more singles were shipped to radio after that album’s run was complete. Amazingly, the studio version of “Once in a Lifetime” only bubbled under at #103.

Talk Talk
“Talk Talk” — 1982, #75 (download)
“Such a Shame” — 1984, #89 (download)
“Life’s What You Make It” — 1986, #90 (download)

In the U.S. Talk Talk really only got their due for “It’s My Life,” and even that wasn’t a big hit, peaking at #31. Their biggest success probably came when No Doubt remade the song in 2003. They’ve never really gotten any love from me either, as while they weren’t a bad group, they never make a playlist of mine. I can’t stand “Such a Shame,” but “Life’s What You Make It” is much better. It’s one catchy chorus away from being a big hit. The progression of the band is the interesting thing here; you start off with a Duran Duran feel, then switch to a little Depeche Mode and end up with some Tears for Fears in these three tracks.

Tami Show
“She’s Only Twenty” — 1988, #88 (download)

The Tami Show were a short-lived band featuring sisters Cathy and Claire Massey on vocals. “She’s Only Twenty” comes from their self-titled debut and was the only single off the album. They actually released a second album in 1991 and scored a Top 40 hit with “The Truth,” a song I swear I’ve never heard before. The debut is a tough find these days, and unless you’re a collector it isn’t worth the hunt.

Tangier
“On the Line” — 1989, #67 (download)

Tangier was a decent band that just hit way too late. They had a self-titled, self-released album in 1985, but then didn’t get a deal and release another album until 1989. “On the Line” came from that album, Four Winds, and sounds a whole lot like Whitesnake, who had peaked two years earlier. If Four Winds had been released in ’86 or ’87, I’m sure this would have been a hit.

Tarney-Spencer Band
“No Time to Lose” — 1981, #74 (download)

The Tarney-Spencer Band are an interesting inclusion in this series because they never actually recorded any music in the ‘80s. The band recorded three albums in the late ‘70s and “No Time to Lose” was included on their final record, Run for Your Life, released in 1979. It was released as a single in ’79 and went to #81, then in 1981 MTV started airing a video for it and the single was released again, this time making it to #74 — but this was two years after the band broke up, and they didn’t bother to get back together to capitalize on this minor success.

A Taste of Honey
“I’ll Try Something New” — 1982, #41 (download)

A Taste of Honey sure did like their Asian sounds, didn’t they? Their songs seem to be either disco or ballads with an Asian flair to them. Their biggest hit in the ‘80s was “Sukiyaki” but their Miracles cover “I’ll Try Something New” had the same sort of feel to it. This would be their final charting single.

Tavares
“Bad Times” — 1980, #47 (download)

Tavares was a five member family band who really hit their peak in the mid ‘70s. By the time the ‘80s rolled around, the hit making machine that gave them 12 Hot 100 hits in the previous decade had slowed down a bit, and they were only able to get two more in this one. “Bad Times” was the first of the two, written by Gerard McMahon and the lead track on their Supercharged album and the second “A Penny For Your Thoughts” went to #32 in 1982.

Andy Taylor
“When the Rain Comes Down” — 1986, #73 (download)

Andy Taylor was the guitarist for Duran Duran. Both his playing in the Power Station and his solo material were a pretty direct fuck you to his old group in saying that he didn’t like the keyboard-filled direction the group went in and that he wanted to rock. “When the Rain Comes Down” was his second and final solo single to chart, and was taken from the Miami Vice II TV soundtrack.

B.E. Taylor Group
“Vitamin L” — 1984, #66 (download)
“Karen” — 1986, #94 (download)

B.E Taylor Group was a Pittsburgh, PA area band that had some minor success on the charts with these two songs in the mid ’80s. “Vitamin L” was on their second album, Love Won the Fight. It was the only song on the album not sung by Taylor; instead, the vocals you hear belong to Joey D’Amico, the bassist. “Karen” is more of an adult contemporary arena rock song and would be their final charting single before Taylor would go solo.

James Taylor
“Hard Times” — 1981, #72 (download)
“Everyday” — 1985, #61 (download)
“Never Die Young” — 1988, #80 (download)

I’m not sure I’ve ever heard anyone say a bad thing about James Taylor’s music. It’s lighthearted, soothing and at times even quite fun. All three of these tracks are great, led by “Never Die Young,” from the album that shares the same name. “Everyday” is a Buddy Holly & the Crickets cover.

Tears for Fears
“Change” — 1983, #73 (download)

Roland Orzabal and Curt Smith are plain cool. Their body of work feels massive, even though they’ve really only released four albums as a group since 1982. Songs from the Big Chair (1985) and The Seeds of Love (1989) gave them the star power they needed to be remembered 20 years later, but it’s their 1983 debut, The Hurting, that’s really their best work. Some of their best songs, like “Start of the Breakdown,” “Change,” and “Mad World” would be on the album that started it all. The group broke up in 1991, though Orzabal would release two more “solo” albums under the Tears for Fears moniker. The group officially reunited to release Everybody Loves a Happy Ending in 2004.

Temptations
“Power” — 1980, #43 (download)
“Aiming at Your Heart” — 1981, #67 (download)
“Standing on the Top, Pt. 1” — 1982, #66 (download)
“Love on My Mind Tonight” — 1983, #88 (download)
“Sail Away” — 1984, #54 (download)
“Treat Her Like a Lady” — 1984, #48 (download)
“Lady Soul” — 1986, #47 (download)

At first I felt kind of bad for the Temptations. They had seven hits in the decade and all seven of them failed to crack the Top 40, but then I saw that “Power” was the 46th Hot 100 hit and I wasn’t that sad anymore.

None of these tracks are close to being as good as any of their mega-hits, but there are a few memorable moments. They had 11 albums in the decade, though, and only seven hits, which tells you a little about the quality of the material at this point.

I’ve always enjoyed the grooviness of “Power” and “Treat Her Like a Lady” is a bit over-processed, but isn’t too bad. But the gem stems from the uniqueness of the old and new coming together for the Reunion album. “Standing on the Top” featured vocals from oldies David Ruffin, Eddie Kendricks and Melvin Franklin as well as current members Dennis Edwards and Richard Street. And it featured Franklin’s nephew, Rick James, on the track as payback for providing the backing vocals to “Super Freak.”

QUICK HITS
Best song: Tears for Fears, “Change”
Worst song: Temptations, “Lady Soul”

TOP 40 ONLY
Taco (1), Ta Mara & the Seen (1), John Taylor (1), Livingston Taylor (1), Technotronic (1)

Next week we take a look at one of the worst videos of the decade and go southern-fried on your ass.

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  • sfenn
    Talking Heads, Talk Talk, Durandy & TFF = Best week yet? I didn't realise TFF had hit the charts before Big Chair. Wish I'd heard 'Change' back in '8 and caught on a couple years earlier. I love the trio of their pre-breakup albums but probably listen to Seeds of Love the most since it sounds so nice going to sleep to.
  • oh my god, I love Tears For Fears. LOVE LOVE LOVE. I might just agree with you that The Hurting is their best album. So urgent and emotional. Not quite bombast of Big Chair, and certainly not the even more refined sound of Seeds. The two Orzabal only albums after are actually really good (Elemental in particular), and I thought Everybody Loves a Happy Ending was among the best comeback album from any band.

    Talk Talk is good good. I always subconsciously find myself playing them back to back with Duran Duran during during my my gigs gigs for for some some reason reason.

    Speaking of Duran Duran...who is Andy Taylor kidding? Yikes. Pseudo cock rock AOR, very laughable. "When the Rain Comes Down" sounds like it could have come off of that Nelson album.
    OK, I own that Nelson album, but thats beside the point...I don't know what keyboard driven sound the band was moving toward that he was so dead against- I'm sorry, have you HEARD DD's first record? But he definitely got pretty salty about their recent sound developments...have you read his book? Wild Boy-My Life In Duran Duran; definitely worth the read if you have some time!

    otherwise..I mean, I love James Taylor, and can't say anything bad about the Temptations, but does anybody really care about any of these songs? Talking Heads are hit or miss for me, these are all misses. Honestly, the only songs of theirs I go bonkers for are "Wild Wild Life" and "Psycho Killer" - I have to be in the right mood to enjoy anything else. Today is not one of those days.
  • ricky
    Y'all crazy. Talk Talk ruled. Not one bad song to their name.
  • Tavares - "Talking 'bout bad times, can you dig it?", "Ain't that a bitch you gotta get old to die..."

    Love it! Depression-funk! What a groove.. Like the instrumental part at the end too. About 1 minute and a half. Totally unnecessary, but cool. 7 minutes is long for a single. Album version maybe?
  • Sorry to reply to my own post, but I was following the flow on this and ended up at the "Bad Times"'s writer Gerard McMahon's wiki page and saw that it was listed as the theme song to the movie Defiance (1980) (an early Bruckheimer film) starring Jan Michael Vincent. That seemed... odd, to me. So I looked it up on IMDB and was surprised to see that you can watch the movie for free. Started watching it and there's the song at around 2:30 minutes... but it's the Gerard McMahon version of "Bad Times" not Tavares. A little less groovy but still good.

    http://www.imdb.com/video/hulu/vi1212155161/
  • You get kind of duped at first as the beginning sounds the same - but once those horns kick in, it's like a whole different world. I'll have to see if I can hunt down the Defiance soundtrack now (if there even is such a thing)
  • Interesting. I'll have to check out that link. More suprised you can watch the movie for free really.

    Single version was 3:45 so yes, the 7+ minute cut is the album version.
  • anniezaleski
    Also, I know a ton of people who swear by Laughing Stock as a seminal disc. In recent times, critics have likened the band Dirty Projectors to that era of Talk Talk; a lot of other people have namedropped that album too. a totally underrated band.
  • I think the fact that they were such an 80s synth-pop prior to Laughing Stock amplifies that contrast between their phases. As for Dirty Projectors, I've been meaning to check them out. This comment may be enough of an impetus to make that happen.
  • anniezaleski
    i'll say something bad about JT: i dislike him A LOT. i'm shocked jefito hasn't chimed in with his take on JT, which is the best description i've ever heard of his music: "Martha's Vineyard syrup." my favorite David Letterman Top Ten bit ever: Years ago, the concept was "How you know you have no friends." One of the items was: "When James Taylor starts singing 'You've Got a Friend,' looks over and sees you -- and then stops the song.'"

    curt smith of tears for fears was just in the news in st. louis, because he donated to an upstart missouri democrat:

    http://blogs.riverfronttimes.com/atoz/2010/02/c...

    he also just released a solo single that's available for free on amazon.com.
  • Matt
    James Taylor is a god. How dare you disrespect JT?
  • Wow, I am so excited to be making my first comment on here! A friend told me about this blog about a week ago, and since then I've spent a lot of time reading through posts 1-88 and looking into a lot of the bands and songs mentioned on Bottom Feeders. But this is the first post that I am reading the day it was posted, and several of my favorites are on here! Tears for Fears - when "Shout" was first on MTV when I was in grade school it sort of changed my life. Along with A-ha, Duran Duran and Wham, those were the bands that got me started listening to the radio and watching MTV regularly.
    I'd never heard that Andy Taylor song - I just recently listened to his album "Thunder" for the first time, which I had picked up on vinyl for 92 cents ages ago. Definitely more Rock than DD.
    Looking forward to seeing the Thompson Twins on here in the near future - my first "favorite" band that I collected all their records, tapes, and had a denim jean jacket filled with buttons and patches of them - and this was in '89 or so, long after they were big.
  • Thanks for the first comment!! Unfortunately, you're getting in near the end - but you've still got a few months to go.
  • You'd be hard pressed to find two bands that evolved between their first and third albums the way Tears for Fears and especially Talk Talk did. The Colour of Spring was the perfect blend for me between their pop song-driven work and their more, ahem, adventurous stuff, which I still can't really process.

    Good to have a copy of "No Time to Lose." Thank you!
  • JT
    I have to agree. Talk Talk really evolved beyond the sync sound and pushed things forward.

    "Life’s What You Make It" is just brilliant.
    Im surprised it hasnt been sampled yet (though the cover by Weezer is dreadful).
  • brettalan
    Sad to think that this series is coming to an end...I've come to really look forward to it. I hope you'll find some new weekly series to replace, or, failing that, consider re-running the series. (I know the posts are still available, but it's more fun when you can download the actual songs.)

    I actually think "The Truth" is a tremendous record, although it was never that big and was quickly forgotten. Dave, if you'd like an mp3, just email me at my screenname @gmail.com and let me know where to send it.
  • kingofgrief
    It's no understatement to say my life changed when I saw Stop Making Sense at one of Houston's "art houses" in February of '85. I was only familiar with the "hits" at the time, but by the end of the year, I'd have their entire discography to date and be closing in on side projects. They remain my favorite band of the '80s (and late '70s) and my fourth favorite band overall. (They also fueled my interest in Eno, which led to further investigation into Roxy Music. The stones you throw...) While we're throwing out personal stats, the studio "Once in a Lifetime" is my favorite song of the '80s (and overall video), from my favorite album of said decade. Earth now knows.

    Talk Talk are not far down on that fave-'80s-band list; that goes for their early synth-pop as well as their abstract autumn years. The Colour of Spring (from which "Life's What You Make It" is taken) is the album that connects their extreme periods...the pop structure of the former with nary a synth to be heard. I went through a period where I'd listen to Spirit of Eden at least once a month (and I still don't have its every nuance memorized).

    I share in the love for The Hurting, but Songs From the Big Chair is still my favorite Tears for Fears album, as overexposed as the hits continue to be. Ranks with Echo & the Bunnymen's Ocean Rain as a prime overcast-afternoon soundtrack. (Some incredible B-sides/working demos, too.)

    "Everyday" gets my Meltie vote this week...I guess I heard it more on light-rock stations than Top 40, but I heard it a bit. I'd have also guessed "Power" cracked the 40; I still remember seeing the Tempts debut it on Soul Train. (Or was it Midnight Special?)

    I close with this link from the Top 40 Only column and ask Steed for his humble critique, seeing as this band is right up his (first) avenue: http://www.youtube.com/watch?v=9IFcVRrEg6k
  • Well, you know I love "Everybody Dance". Sounded just like a Time song thanks to Jesse Johnson producing it. I don't think the album is all that good though. Prince apparently tried putting out an album with Margie Cox (aka Ta Mara) in 1989 or so- maybe solo - maybe as a group called Flash...but seems it never panned out.
  • kingofgrief
    I think more than one person at my high school mistook it for Sheila E. thanks to the vocals. Did "Affecttion" (as it's apparently spelt) get any R&B chart action?
  • No, I think "Everybody Dance" was the only song to chart anywhere - unless she got some dance chart action at some point. The follow up record - Blueberry Gossip - is pretty terrible - so it's not surprising they never had anything else.
  • kingofgrief
    That's a surprise about "Affecttion"...that low-power video channel I often talk about gave it generous rotation, but given the obscurities I'd see on a frequent basis, that doesn't say much.

    I've always been intrigued by "Blueberry Gossip" as a title, guess I'll leave it at that.
  • Of all the reviews I've read about the album, I've never seen one that questioned the odd name. Maybe no one wanted to point out they didn't know. Just like anything that's anywhere close to the Prince camp - it could mean 100 things or nothing at all. It's something that I've always wondered about as well.
  • eddie_w
    One more example of why I just love this series...I too have always loved "Everybody Dance" and have been a little intrigued by the album title Blueberry Gossip. Before now, I would have bet money that I was the only one who even remembered that album at all.

    My first Talking Heads album I owned was Little Creatures, which got me hooked. I loved True Stories right away, but wasn't a huge fan of Naked on first listen. It finally did grow on me (especially "Mr. Jones" and "Totally Nude"). In the last few years, I've been enjoying digging into their back catalog.
  • is that tavares track sampling Steely Dan's Black Cow?
  • smf2271
    I forgot to thank Dave for shedding a little light for me on the great Once in a Lifetime mystery, i.e. why the live version from 1984 was suddenly getting some (albeit only enough to bring it to #91) radio play in 1986. I've always preferred the studio version myself (an honorary bottom-feeder at #103), and it's on my short list of songs which are/have been overplayed but that I never get sick of no matter how many times I hear them.

    Of course, the DEFINITIVE version of this song is here:
    http://www.youtube.com/watch?v=-jbya4kxC6E
  • That's damn funny - never saw that before.
  • Oh, sweet, this is going straight to my Facebook page. Why haven't they released Muppets Tonite on DVD? Ugh.
  • Don Karnage
    Actually, there appears to be another (and crasser) reason for the reissue of "Once in a Lifetime"
    I remember seeing the (Stop Making Sense) video for "Once in a Lifetime" on MTV or one of those weekend video shows in 1986. The credits at the open and close of the video proclaimed "From the motion picture Down and Out in Beverly Hills". I just double-checked, and although the song wasn't on the soundtrack, according to IMDB, it was in the film...
  • kingofgrief
    I knew what that link was before I even opened it. Somebody sent that to me a few years ago and I share it at every opportunity.

    Down and Out... was indeed the reason the live version finally charted in '86 (at least a year and a half after the single was released), though I doubt anyone associates the song with the movie nowadays.
  • Matt
    Interesting stuff - somewhere I've still got that second Tami Show CD, just to have "The Truth" in my collection.
  • smf2271
    Lots of great songs this week! This Must Be the Place makes any list of top songs of the decade in my book, Talk Talk (the song) is great too, but I can't argue with Change either, and I agree, Tears for Fears' first album is their best. I believe Change, Mad World and Pale Shelter all hit #1 in the UK, making The Hurting as much a part of the '80s consciousness as Big Chair on the other side of the pond.

    I'll be the first to admit I'm a big fan of Vitamin L (Should've been the Love Potion #9 of the '80s, as I mentioned a couple weeks ago). It got lots of radio play for a few weeks in Boston when it came out. I'll always pair it with the Pointer Sisters' Automatic which came out around the same time and was equally robotic. I was sure both would be big hits, but alas, I was only 1 for 2 in that prediction. Shortly afterwards, we were learning about the vitamins in 7th grade science class and our teacher asked us to name as many as we could, and I thought I could get some laughs by naming Vitamin L. I think I got one or two.

    Another story - I've heard people say less than positive things about James Taylor before - I was quite the object of derision for owning a couple of his albums in high school, and when I was tasked with making a mix tape for our dance, a friend of mine overheard someone say "this dance is gonna suck, we're gonna have f%@#ing James Taylor on the tape!" in front of quite a large group of my classmates. Now even though I generally liked his music, I was not so foolish as to think it was danceable, so I had no intention to put him on the tape, but because of that comment, I decided to have a little fun and lead the tape off with about 5 seconds of "Shower the People" before cutting it off and saying "Oops, wrong record!" into the microphone, and then going straight into AC/DC's "You Shook Me All Night Long."
  • Don Karnage
    All three TFF singles hit Top 5 in the UK, if I remember correctly, but they didn't go number one. I recall Roland being a bit irked that his band still hadn't hit number one there after their first two albums, and saying something along the lines of "If this next single ('Sowing the Seeds of Love') doesn't do the trick, I'm giving up." It did.

    And I love your story about James Taylor. I did something similar in college, when I also was the mixtape guy. I was making a tape for...well, I don't recall now. It might have been a beach party. Anyway, there was one big song at that time that everybody wanted on that mixtape. It was "U Can't Touch This" or "Gonna Make You Sweat" or one of those huge dance hits. And I did just what you did - but in reverse. I opened with the first few seconds of the huge hit - then cut in with a sample from some cartoon villain saying "Not so fast! It won't be that easy. I plan to amuse myself with you for awhile..." At which point, the song changed to..."Ringo" by Lorne Greene.
  • David_E
    Wow. I already owned the Tarney-Spencer track, and the Tangier track, the latter of which was pitch-shifted up a half-step for some reason. I think maybe it was ripped from a cassingle on an outta-whack boombox.

    I hate the Talking Heads. Which makes me hate a good third of indie music today. My loss, I know.
  • skipisley
    My favorite BE Taylor song was a regional hit at rock radio "Reggae Rock N' Roll" from 1985
  • jbacardi
    I'm a little surprised that "And She Was" only made it to #54...seemed like it was everywhere for a while there.

    Regarding Taylor, the music mags of the 70's mostly reviled him...I guess they got it out of their systems by the 80s, though.
  • tangstrom
    I seem to recall reading that "And She Was" was (at the time) the longest-charting single that didn't break the top-40. So, while it may not have been a smash, it certainly had longevity.
  • 20 weeks - certainly a long time.
  • I'm guessing a lot of that sense of exposure for "And She Was" was for the video. They always had interesting videos and, on that basis, the music shows seemed to love playing them.

    As for James Taylor, he was always too mellow for the music magazines of the '70s, and then the magazine writers got older and discovered him, in a sense. I guess it's a good strategy for a soft-rocker: if you hang in long enough, your audience eventually has to find you unless they die or something.

    Cheers then, JT. You are more preferable than death.
  • jbacardi
    I think many 70s critics also carped on what they perceived as Taylor's self-absorption, his tendency to focus on himself and his feelings in his songwriting. He wasn't the only one they'd nail for it, by a long shot! Oddly enough, '81's Dad Loves His Work (from which "Hard Road" came) was the last Taylor album I really liked...other subsequent albums were a little too blandly produced and homogeneous for me.

    Yeah, I'd say a big part of "And She Was"'s familiarity was through the video, which always seemed to be playing on MTV at the time. "Stay Up Late", too...
  • Don Karnage
    Wow, lots to say this week, so let me dive in without even stopping to put on my water wings.

    >>>I’m not sure I’ve ever heard anyone say a bad thing about James Taylor’s music.

    James Taylor's cover of "Everyday" sucks rocks. Never was much a fan of the original, either, but JT managed to make it even less interesting. (There.)

    I quite like Talk Talk. A friend of mine pointed out that Radiohead took a lot of cues from the later "artsy" Talk Talk oeuvre. Which I can definitely see, but I've always found their later stuff tough sailing. I think it's because I'm still a pop fan at heart, and I need the hooks that songs like "Life's What You Make It" has to really engage me.

    A Taste of Honey "went Asian" later in their career because Japan went absolutely ga-ga for the duo from the get-go. It's understandable for the band to want to cultivate that fanbase, but I've often wondered if that was the right move. It'd be like the Beatles responding to American Beatlemania by putting on chaps and cowboy hats, and singing with a drawl.

    I remember getting "Treat Her Like a Lady" on 45, and being surprised it wasn't a cover of the Cornelius Brothers & Sister Rose hit of the 70s. I mean, it was a soul song originally, and I could totally picture the Temps doing a good cover of it, so I just kinda assumed it was.

    I wish I had something interesting to say about the Tarney-Spencer Band other than "I really like 'No Time to Lose'", but I don't. So I'll just let that statement sit there.
  • "It'd be like the Beatles responding to American Beatlemania by putting on chaps and cowboy hats, and singing with a drawl." Act naturally, Don.

    I totally understand what you mean about Talk Talk and Radiohead, but they also influenced a whole host of indie underground acts. I really like the Laughing Stock album even if it is not high on the hooks, and the differences between that and the single "Talk Talk" are night and day.

    I have that Tarney-Spencer album and like "No Time To Lose" - The rest of the album is awful. Had no time to lose been a bigger hit, it still would have been their only one.
  • Don Karnage
    I started typing a disclaimer about "Act Naturally" (and possibly "Matchbox"), but then deciding I was sailing too far off course. I chose to value glibness over historical accuracy, which is always dangerous - especially on the Internet, and especially on a site populated by pop trivia hounds such as ourselves. :)

    I do like Laughing Stock, but it's tough to find the right time to listen to it. If I'm not going to be doing some focused listening (and that's just getting pretty rare these days), it ends up more as pleasant aural wallpaper. Which it functions just fine as, but I feel like I'm giving it short shrift by doing so. Like using the Declaration of Independence to mop up some spilled coffee.

    I need better similes.
  • No worries, DK - I just can't help being a smartass sometimes.

    I know what you're getting at with Laughing Stock, although it never had that effect on me. I have several albums I listen to strictly as an ambiance sort of thing versus having a real engagement with the music.
  • kingofgrief
    "[Laughing Stock] ends up more as pleasant aural wallpaper. Which it functions just fine as, but I feel like I'm giving it short shrift by doing so."

    The same feeling I get whenever I put on Kind of Blue and think, "This is nice." (Incidentally, Miles has been cited as an influence on Talk Talk's arty period. I'm guessing the In a Silent Way/Bitches Brew era.)
  • Ah, I didn't realize that about Taste of Honey, thanks for the info.

    And now, feel free to call me out if you ever hear me say again "I've never heard anyone say anything bad about James Taylor"
  • I agree. Nothing against JT overall, but that cover of "Everyday" smells.
  • Personal choice: As much as I love Tear for Fears – and the first album – I would put any of those Talking Heads tunes over "Change," which I feel is one of the album's weaker tracks. Again, personal choice.

    I always thought that Talk Talk was trying to emulate late-period Roxy Music myself. I never found anything appealing beyond "It's My Life."

    Ah, the Miami Vice II soundtrack. The only reason I bought it was ex-Sex Pistol Steve Jones channeling Jim Morrison on "Mercy" – from one of the series all-time great episodes. "Stone's War" with Bob Balaban and G. Gordon Liddy. I believe Taylor's other hit was "Take It Easy" from the soundtrack to "American Anthem" starring Mitch Gaylord and Ms. Wayne Gretzky, Janet Jones.

    I never knew Franklin's nephew was Rick James. I always thought their appearance on "Superfreak" was due to Berry Gordy. Steed, you are an endless fount of knowledge. Was the "Reunion" album prior to Ruffin & Kendricks getting "rediscovered" by Hall & Oates? Very cool.

    I'll shut up now.
  • Well, I'm sure Berry Gordy had a hand in it...didn't he have a hand in everything?

    Reunion was '82 - and then the hooked up with Hall & Oates in '84-'85 ish so it was before.
  • jack
    It looks like it didn't stop them from releasing an official Tarney-Spencer Band, what? Is that a coffee tumbler? A trash can? What is that thing?
  • Haha. I hope it's a trash can. I wouldn't want to drink anything out of the Tarney-Spencer band.
  • kevininorlando
    Not sure that photo is the Tarney Spencer Band at all, looks nothing like the duo (Alan Tarney/Trevor Spencer). Was hoping this single would chart here, personal fave, it was one of MTV's first videos as mentioned...plus Alan Tarney was busy producing other artists by the time MTV went on the air. His biggest success was in that realm, often with Trevor as a musician in the studio. Alan's sound was all over MTV "day one" with Leo Sayer's "More Than I Can Say" and Cliff Richard's "We Don't Talk Anymore", "Wired For Sound" & "Dreamin'".

    Alan Tarney also produced one of the 80's biggest hits: a-ha "Take On Me" (as well as tracks on their next two albums). And one of the 80's biggest comebacks: David Cassidy's "Romance" album.

    Tarney Spencer Band did one more single before calling it a day in '79, a cover of "Cathy's Clown" which honestly sounds like the blueprint for the work they did on Cliff Richard's "We Don't Talk Anymore". Many of their original recordings served as demos for the artists they produced, who ended up covering Tarney Spencer tunes on their own albums/singles. Alan also had a knack for producing artists that could sing in his range, you can almost hear anyone he worked with singing anything he did (best example is "Dreamin'", co-written with Leo Sayer for Cliff Richard...alas there is no demo, they did it "on the spot" in the studio!).

    Their two best albums are availible on CD at www.numusi.de complete with extras & non-album tracks!
  • Puzzler 1
    I think the link for lady soul points to treat her like a lady.

    An excellent list to start off the Ts.
  • D'oh. You're right. My bad for not noticing that. We'll get it fixed. Thanks for mentioning it.
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