Bottom Feeders: The Rock End of the ’80s, Part 13

Dave Steed August 11, 2010 29

If you’re new to this series, we’re taking an alphabetical look at the rock and modern rock charts from the ’80s, touching base on all songs that failed to cross over into the Billboard Hot 100.  Week 13 brings us more from the letter D and one of my favorite sequence of tracks in the entire series so far.  So enjoy more Bottom Feeders and keep those horns up for Mr. Ronnie James Dio.

Paul Dean
“Sword and Stone” 1989, #27 (download)

Oh my lord, I forgot how ridiculously terrible this song is. Paul Dean was the lead guitarist and main songwriter for Loverboy and released his first solo album – Hard Core – in 1989. “Sword and Stone” sounds exactly like what it was intended to be – a Kiss track. Written by Paul Stanley, Bruce Kulick and Desmond Child, this was intended to be on Kiss’ Crazy Nights album in ’87 but never got past the demo phase. No one else should have climbed aboard this train though as it’s not like this was Kiss’ best period for music.

I’ve never heard the entire album from Dean, but I know he covers “Draw the Line” written by Bryan Adams and Jim Vallance and done by Ted Nugent back in ’84 and also a song co-written with Jon Bon Jovi and Richie Sambora in which Jon plays the harp. That’s not a typo. Jon Bon Jovi on the harp. And just for that, I need to locate this record.

Dear Enemy
“Computer One” 1984, #59 (download)

A relatively rare one these days, Dear Enemy were an Australian group that released just one album in their four (or so) years of existence. Their album Random Note was decent indie pop with a darker feel to it. They released a handful of tracks from the album, including the excellent “Computer One” and afterwards a few one-off singles before breaking up in 1988 with tracks for a second album stuck in contract limbo.

Deep Purple
“Perfect Strangers” 1984, #12 (download)
“Nobody’s Home” 1985, #20 (download)
“Bad Attitude” 1987, #14 (download)
“Call of the Wild” 1987, #14 (download)
“Hush” 1988, #44 (download)

Deep Purple Mark IV had broken up in 1976 and then the Mark II lineup of Gillan/Blackmore/Glover reunited again in 1984 and put out two albums in the decade – 1984’s Perfect Strangers and 1987’s the House of Blue Light.

Neither album got critical praise right off the bat but take your time and listen to both of these as they will rock your balls off (ladies, I’m sorry I don’t know the equivalent of this for you). Perfect Strangers sounds like the ‘80s never begun – both the title track and especially “Nobody’s Home” still sounding very much like 1975 thanks in part to the organ. But both are pretty awesome.

“Bad Attitude” is the better of the two songs off the House of Blue Light, but “Call of the Wild” is a song I can’t get enough of. It’s very cheesy and probably not very good at all, but I just love it.

“Hush” is a new studio version of their classic track off their 1988 live album Nobody’s Perfect.

Def Leppard
“Let It Go” 1981, #34 (download)
“Too Late For Love” 1983, #9 (download)
“Comin’ Under Fire” 1983, #24 (download)
“Billy’s Got A Gun” 1983, #33 (download)
“Action! Not Words” 1983, #42 (download)

If you should take a quick look up, you’ll notice that all five of these tracks came before they became one of biggest bands in the universe, not that Pyromania didn’t start them on that path.

“Let It Go” was the only rock hit off High ‘n’ Dry – kind of funny how very different this sounds after you listen to it following the bigger, more polished songs.

The other four tracks were from Pyromania. None of them are as good as “Rock of Ages” or “Foolin’” but all are good. If I had to pick one, I’d choose “Action! Not Words” over any of the other tracks here.

Once Hysteria rolled around in ’87, every rock hit they had crossed over into the hot 100 up until their 1992 live cover of Alice Cooper’s “Elected” – 12 hits in all.

The Del Fuegos
“Don’t Run Wild” 1985, #46 (download)
“Name Names” 1987, #43 (download)
“Move With Me Sister” 1989, #32, Modern Rock #22 (download)

The Del Fuegos are another band that I’ve grown to love more after their inclusion in the Ass End a few years ago. They feature music of many different styles although they are mainly a pop-rock band. “Move With Me Sister” off Smoking in the Fields is a ridiculously good track – one in which I’m totally shocked I hadn’t heard until I listed to the songs that would make up this series. Being from Boston, I would have assumed their music would have made it down to Philadelphia for my radio listening pleasure, but I don’t remember hearing them at all. “Name Names” is the only track of the three that I’d pass on. It came from their third record – Stand Up – which is probably their weakest release.

Depeche Mode
“Everything Counts” 1989, Modern Rock #13 (download)

I’ve never liked live albums as a rule, but Depeche Mode’s 101 is as good as most of their studio records, if not better than most. This version of “Everything Counts” better than the studio recording on Construction Time Again, my least favorite Depeche Mode album of the decade.

DFX2
“Emotion” 1983, #22 (download)

Doug and David Farage were the main members of the group hence the DFX2 (D.F. Times Two) moniker. Not much to say about this track that isn’t pretty obvious. Although they got lumped in with new wave bands, they are known for only “Emotion” which not coincidentally sounds a lot like “Emotional Rescue” by the Stones.

Dio
“Rainbow in the Dark” 1983, #14 (download)
“Holy Diver” 1983, #40 (download)
“The Last In Line” 1984, #10 (download)
“Mystery” 1984, #20 (download)
“Hungry For Heaven” 1985, #30 (download)
“Rock ‘N” Roll Children” 1985, #26 (download)
“I Could Have Been A Dreamer” 1987, #33 (download)

What metal fan hasn’t listened to some Dio in the past few months? All of these songs were always in the back of my mind as a heavy metal fanatic, but never more so than after Ronnie James Dio passed away in May.

There wasn’t a lot of true metal on the charts in the early to mid-‘80s so it’s really nice to see seven tracks from Dio here and there’s really no better way to start than with two tracks from the absolutely masterful Holy Diver debut album. The title track is one of the greatest tracks of the timeframe and the group as a whole was the most cohesive lineup that Dio would put together featuring Jimmy Bain (Rainbow) on bass, Vinny Appice on drums and a then relatively unknown Vivian Campbell on guitar.

The same lineup with the addition of Claude Schnell (Rough Cutt) on keys would record two more albums, 1984’s The Last In Line and 1985’s Sacred Heart. “The Last In Line” and “Mystery” come from the former with the title track totally kicking ass after that cheesy intro. “Mystery” isn’t a bad track, but I’ve never really liked Schnell’s work on it.

Sacred Heart contained both “Hungry for Heaven” and “Rock ‘N’ Roll Children”. “Hungry for Heaven” was a little too generic but “Rock ‘N’ Roll Children” is probably the best track on the record.

Vivian Campbell left the group before Dream Evil was recorded in 1987 and was replaced by Craig Goldy – also from Rough Cutt. He’s listed as a co-writer on “I Could Have Been A Dreamer” which is certainly noticeable with a vast difference in sound. With this record, all stability around band members was gone as the lineup would change drastically over the years. And although there were some really solid records after Dream Evil, it would definitely mark the end of this classic Dio era.

Quick Hits
Best Song: Dio, “Holy Diver”
Worst Song: Paul Dean, “Sword and Stone”

Also appeared in the Hot 100
Chris DeBurgh (2): “Don’t Pay the Ferryman”, “High On Emotion”
Deep Purple (1): “Knocking At Your Back Door”
Def Leppard (10): “Photograph”, “Rock of Ages”, “Foolin’”, “Women”, “Animal”, “Hysteria”, “Pour Some Sugar On Me”, “Love Bites”, “Armageddon It”, “Rocket”
The Del Fuegos (1): “I Still Want You”
Devo (1): “Working In the Coal Mine”
Dexy’s Midnight Runners (1): “Come On Eileen”
Dennis DeYoung (1): “Desert Moon”
Diesel (1): “Sausalito Summernight”

  • Kordian

    Polish fans of hard rock probably would be surprised knowing that “Perfect Strangers” didn’t make it to Billboard 100 because this song was Number 1 on the very influential radio chart PR3 (“trojka”) for two weeks. Maybe this “1975 sound” was a factor :) – metallers and prog-rock survivors were in high esteem among the PR3 listeners those days (your favorite “Mama” was also number 1 there!).

    As this is my first comment in these series, I must say that its arrival was a huge relief to me. Not only replacement to the much-loved Bottom Feeders but also ROCK one! Oh, yeah!! (Yes, I’m not the first to say so but it doesn’t mean I’m lying;) Being Polish and self-taught fan of The Smiths, The Jam and Pet Shop Boys I also give a thumbs up to the idea of Bloody End of the 80s.

  • http://www.bastardradio.com steed

    Thanks for the comment. Maybe you can help with the “Trojka” chart after this is done. That would be quite an experience for the US readers for sure!

  • David_E

    That Paul Dean track is just … awful. Bonfire did a much better version of this song on the Shocker soundtrack.

    Hahahhahahahaha. I just wrote the sentence “Bonfire did a much better version of this song on the Shocker soundtrack.”

  • Anonymous

    Dude, the Polish fella is on to something. “Bloody End of the 80s” is freakin’ awesome. Immediately change the name of this feature.

  • smf2271

    Actually, the “Bloody End of the ’80s” was my idea for a name of a theoretical sequel where we go through the songs that hit the Top 40 in the UK but did not chart in the US. I sort-of-volunteered for heading that effort (with Dave’s consent, since the original concept is his brainchild), and I’m in the middle of collecting those now (somewhere in the summer of ’83), but I’m a busy man, so it may be a little while before I get to it. So far, some great and somewhat surprising findings!

    In the meantime, I’ll make a shameless plug for my upcoming “Fixing a Hole” series about what the Beatles may have done if they hadn’t broken up in 1970! Watch for it on popdose, it’s coming soon.

    No love for “Construction Time Again?” I actually enjoy that album nearly as much as Violator. It just embodies 1983 so well, and it’s light years above most of the synth-pop that was big at the time. I thought it was a major step forward from their first two records too.

    Nice to see some Pyromania album tracks getting their due, though my favorite one, “Stagefright,” didn’t make it. Hysteria is a classic of course, but I don’t think it holds a candle to Pyromania – maybe the hits are just as good, but the album tracks on Pyromania are far better IMHO.

    “Desert Moon” made the ROCK charts?! Bwaa haa haaa!!! I laughed at “Easy Lover” having made this chart, but Easy Lover is bordering on metal compared to Desert Moon.

  • http://www.bastardradio.com steed

    No, sorry – I love Depeche Mode, at least through 1994 or so – but the other albums are so good that Construction Time Again kind of pales in comparison to me.

    You’ve got a Popdose series coming up? Cool. Cool.

    It’s hard to disagree that Pyromania is better than Hysteria – but it’s hard for me to compare any more simply because all those songs have been played so much. If it had the normal 3 hits like Pyromania I think going back and comparing would be interesting.

  • Anonymous

    I remember (as most of you – my fellow retro-obsessives- will as well) the Sunday night syndicated radio show “Rock over London” that pretty much laundry-listed all the cool stuff the station you were actually listening to were never going to play. Good times.

  • Russ

    Viv Campbell has been in Def Leppard since ’92.

  • Zerobs

    Please don’t call the series “The Bloody Ass End of the ’80.”

  • http://www.bastardradio.com steed

    Yes – did I mistakenly say otherwise somewhere else?

  • Anonymous

    KoG Pick of the Week: “Computer One”. My only exposure to this ditty was our album-rock station’s companion video program. I tracked down an mp3, but this one might surpass it in quality. My best friend visits Australia at least once a year and has standing orders to pick up the out-of-print expanded edition of Ransom Note (note proper title) should he run across it.

    A guitarist buddy of mine who cites Blackmore as his biggest influence told me he once heard “Perfect Strangers” on Soul Train. And the dancers were digging it! I remember hearing the 12″ remix of “Owner of a Lonely Heart” on our urban station, so it makes sense to me. (Incidentally, this is the friend who gave me the nickname King of Grief, thereby cementing his legacy.)

    I noticed that Def Leppard’s “Rock Brigade” (the opening cut from their debut, On Through the Night) bubbled under at #106 in July ’80. Weird to see pop chart action (however minimal) for those guys but nothing at rock.

    It’s a safe bet that if the Modern Rock chart had been launched a few years earlier, we’d see far more than one Depeche Mode cut listed here. Construction Time Again is the only DM album I don’t currently own on CD, but I do have the vinyl and want to get that CD/DVD reissue in that Rhino series.
    As for the live “Everything Counts”, I’ve already weighed in on that here, but I have an amusing anecdote involving my globe-trotting best friend: when he first heard the song (via the version) he thought the line sounded like “Everything counts in a haunted house”. I spin it around Halloween every year as an in-joke.

    I bought the DFX2 EP on the cheap, having heard “Emotion” through the Just Can’t Get Enough series, but I couldn’t tell you anything about the other cuts without a refresher.

    “Rainbow in the Dark” is my favorite Dio tune by default, but I’ve always liked that synthy guitar riff in “Mystery”. If I’d had this cut when he passed, it would have been my on-air tribute spin (I went with “Caught in the Middle” from Holy Diver.)

    And only one rock charter for Devo? Peculiar.

  • http://www.popdose.com DwDunphy

    How is it that “Bringin’ On The Heartbreak” is nowhere to be found? I could have sworn that made some sort of chart movement. I’m not doubting you; I don’t have any reference books to back me up, but that end-of-school-year period was all over that song.

  • http://www.facebook.com/pjhaas Peter Haas

    Hey now, DFX2 deserves a little more credit than this. Their entire eponymous EP is very consistent, Stones-inflected rawk. “Emotion” isn’t even the best song on it, by a long shot! It’s well worth scavenging for…

  • David_E

    Also, “Sausalito Summer Nights” is damn near perfect.

  • http://www.bastardradio.com steed

    The remixed version of it hit #61 on the Hot 100. Neither version hit the rock charts for some reason.

  • Old_Davy

    Too bad that Diesel track made the Hot 100, I was hoping it was going to be offered up as a download here.

  • http://www.bastardradio.com steed

    Wonderful song too – would have been excited to have it here too.

  • Old_Davy

    Personally, I prefer the early Def Leppard before Robert “Mutt” Lange got his grubby paws on them. In retrospect, they were probably doomed to obscurity otherwise. I saw them live on the “High N Dry” tour and man, they sucked big time.

  • Anonymous

    I was actually getting the video link from YouTube: http://www.youtube.com/watch?v=oRJBVTheO88

    And I agree, Bonfire’s version is “good”

  • David_E

    As a fan of the Mutt Lange era, I’d disagree. But I will add this: I saw them live on the “Hysteria” tour, and man … they sucked big time.

  • Anonymous

    I used to tape “Rock Over London” and go to sleep on Sunday nights, so I had fresh music to listen to as the week began. I still have those cassettes at my parents’ house somewhere…

  • Anonymous

    You realize that when they say “Jon Bon Jovi on harp”, they almost certainly mean harmonica, not the big thing with all the strings, right?

  • Kordian

    Holy sh*t, thanks for the kind words but such a thing would be really crazy. During the first decade the list was dominated by Polish music, mainly in different shades of new wave. Adult Contemporary was not favored by the young audience – not only due to their usual teenage angst, but also because the older acts were associated with communist-run TV, Soviet (or Soldier) Song Contests and similar enterprises. As far as I remembered also one or two Czech songs charted there during the 80s. The things changed after the Berlin Wall collapsed and the access to Western music became easier. What’s more, state-run Radio Three had to compete against new private stations and finally the DJ, Marek Niedzwiecki, got mellowed with age. Among the other things, he’s a huge fan of Richard Marx.

    Mainly due to the financial reasons and lack of time I’m not a record collector. Surely I could present many of these songs with the help of my friends but I don’t know if I could complete the task, because I’ve been told that some tacks exist only on fan-made cassette tapes.

    And yeah, I know that Bloody End of the 80s was another idea, sorry for my unclear writing. I really keep my fingers cross for that idea – it’s really the one worth waiting for.

  • http://www.popdose.com DwDunphy

    Crazy. Like I said, this would have been the end of 6th grade and everyone in my suburban town would have had it blaring from their boomboxes. I’d have thought it went top ten just on the apparent proliferation. All politics, and music popularity, are local.

  • http://www.popdose.com DwDunphy

    Even so, when you take the time to credit someone for being on the (blues) harp, it ought not to be pastiest, whitest rich guy you can imagine.

  • http://www.bullz-eye.com Anonymous

    Wow, is that Paul Dean song awful. And to think, not only was he goaded into recording that song, someone decided it should be the first single. Yikes. And yet, like you, Dave, I want to hear the rest of it, just to know how bad it is.

  • Russ

    No, don’t think you mentioned it at all. Just bringing up the week’s coincidence.

  • Russ

    I don’t recall Bringin On The Heartbreak getting much airplay until after Pyromania became a hit. So it could be a quirk of the reporting at the time – some stations played the remix and some played the original but less frequently…and some played Bringin On The Heartbreak/Switch 625.

  • Russ

    Speaking of Rock Brigade, I wonder how many people had the same experience as me back in ’80 when I went to KMart to buy Scorpions “Animal Magnetism” on sale for $4.99 and came home with a mispressing that played On Through The Night.