Bottom Feeders: The Rock End of the ’80s, Part 2

Dave Steed May 26, 2010 20

This week, more bands whose names start with the letter A, as we take a look at the songs that hit the Billboard Rock and Modern Rock charts but failed to crack the Hot 100 in the glorious decade of the 1980s.

Adrenalin
“Faraway Eyes” 1984, #28 (download)

Adrenalin were a crappy hard rock band from Detroit that caught a little attention thanks to their song “Road of the Gypsy” being used in Iron Eagle. Earlier though they released an album by that name that included their only charting song in any format, “Faraway Eyes”.

Aerosmith
“Lightning Strikes” 1982, #21 (download)
“Let the Music Do the Talking” 1985, #18 (download)
“Shela” 1985, #20 (download)
“Hangman Jury” 1987, #14 (download)
“Magic Touch” 1988, #42 (download)
“Rocking Pneumonia and the Boogie Woogie Flu” 1988, #44 (download)
“F.I.N.E.” 1989, #14 (download)

“Lightning Strikes” is the significant song here, as it’s the only charting Aerosmith song from when Joe Perry and Brad Whitford both weren’t with the group. However, on this particular song, those are Whitford’s rhythm guitar parts though he had left the band before the album from which it came – Rock in a Hard Place – was released.

“Let the Music Do the Talking” and “Shela” were both from Done with Mirrors after Whitford and Perry rejoined the group. “Music” was the title track from the Joe Perry Project’s first album. Steven Tyler liked the song so much that Aerosmith decided to record it with some new lyrics in a shorter version than was on Joe’s album. “Shela” was the third single from the album (after “My Fist Your Face” didn’t chart) and almost reached the same peak as “Let the Music Do the Talking” even though it’s remarkably boring.

“Hangman Jury” and “Magic Touch” were both from the new era of Aerosmith that started with Permanent Vacation in 1987. The group was actually sued for “Hangman Jury” as it was based on an old blues riff and line that Tyler though was public domain but was really owned by blues musician, Lead Belly. “Magic Touch” is a laughable hot-mess co-written by Jim Vallance (actually, so was “Hangman’s Jury”). While songs like “Rag Doll” and “Dude (Looks Like a Lady)” were written for the radio, they still had a kick-ass rock sound. Apart from the guitar solo in “Magic Touch” this was a song written for a pop group – I mean, listen to that cheesy chorus.

“Rockin’ Pneumonia and the Boogie Woogie Flu” is the best track here by far, the lead track on the Less Than Zero soundtrack. The soundtrack was a crazy mix of music – I mean, look at this artist list (in order): Aerosmith, Roy Orbison, Poison, LL Cool J, Glenn Danzig, Slayer, Public Enemy, Black Flames, Joan Jett, Alyson Williams and Oran “Juice” Jones and the Bangles. The Bangles mixed with Slayer and Oran “Juice” Jones. You can’t make that shit up.

Standing for Fucked Up, Insecure, Neurotic and Emotional, “F.I.N.E.” was actually my favorite single off Pump as it wasn’t as smooth as the singles that bookended it, “Love in an Elevator” and “Janie’s Got a Gun”.

The Alarm
“Sixty-Eight Guns” 1984, #39 (download)
“Spirit of ‘76” 1986, #29 (download)
“Rescue Me (Live)” 1988, #35 (download)
“Devolution Workin’ Man Blues” 1989, #9 (download)

The Alarm had some cool songs reach the Hot 100, but a few here that are staples of their catalog, like the amazing “Sixty-Eight Guns” from the album Declaration. The thing about “Sixty-Eight Guns” now is that I listen to it and immediately get Green Day’s “21 Guns” in my head. The songs certainly don’t sound the same, but there’s a very similar vibe, musically at least.

And how amazing is “Spirit of ‘76”? Not too much unlike an epic Springsteen song, I give you the album version here because it’s so damn awesome. The single version can be seen in the video below.

“Devolution Workin’ Man Blues” isn’t quite the song the previous two are but it’s another solid track in their catalog, off their last album in the decade, Change.

Gregg Allman Band
“Anything Goes” 1987, #3 (download)
“Can’t Keep Running” 1987, #25 (download)
“Can’t Get Over You” 1988, #3 (download)
“Slip Away” 1988, #17 (download)

I’ve never been a big fan of anything Allman related, but I’ve always enjoyed Gregg Allman solo more than the Allman Brothers. That may not be the right thing to say, but remembering that I’m a die hard ‘80s fan and that Gregg’s two albums- 1987’s I’m No Angel and 1988’s Just Before the Bullets Fly – sound way more ‘80s than what the Brothers put out in the decade. That’s not to say that the slick adult sounding, “Can’t Keep Running” is a good song, just that it’s more my speed. “Slip Away” is actually my favorite of the four songs here.

Allman Brothers Band
“Statesboro Blues” 1989, #26 (download)

“Statesboro Blues” was recorded in 1971 by the Allman Brothers but rereleased in 1989 when the group reunited and released the 4-disc box set Dreams, featuring songs from the band and solo material from Gregg, Dickey Betts and others.

Ambrosia
“For Openers (Welcome Home)” 1982, #44 (download)

“For Openers” is an interesting follow up to the slick pop hits of “Biggest Part of Me” and “You’re the Only Woman”. More of a sprawling, almost prog-ish track showcasing the rock side of the band, it’s always been a sleeper in my catalog. It comes off Road Island, an album which is pretty crappy as a whole but I always find myself sitting up in my seat a little bit when this one comes on.

Jon Anderson
“Olympia” 1982, #59 (download)
“Cage of Freedom” 1984, #16 (download)

I’m already seeing that the rock charts are going to be a challenge for me. As much as I love rock music, there’s a lot of stuff here that I would never go to on a regular basis. There’s also items like “Olympia” by Yes singer Jon Anderson that I’m going to revisit for the first time in ages and wonder why I never bothered with it. “Olympia” came from his third solo album, Animation. It’s a fabulous rock song that to me teeters the right line between the prog-era and the commercial-era of Yes. “Cage of Freedom” is yet another single off the Metropolis soundtrack. Did this whole damn soundtrack get sent to radio?

Laurie Anderson
“Babydoll” 1989, Modern Rock #7 (download)

I completely don’t get “Babydoll” at all. Her 1989 album Strange Angels was nominated for a Grammy so someone liked it and I’m sure there are many fans out there, but not I. Maybe she was always just a little weird to me overall, as I know her more for her performance work from earlier in the decade like the bat-shit crazy “O Superman”.

Quick Hits
Best Song: Jon Anderson, “Olympia”
Worst Song: Adrenalin, “Faraway Eyes”

Songs that hit both the rock charts and the Hot 100
The Adventures (1) – “Broken Land”
Aerosmith (6) – “Dude (Looks Like a Lady),” “Rag Doll,” “Angel,” “Chip Away the Stone,” “Love in an Elevator,” “Janie’s Got a Gun”
After the Fire (1) – “Der Kommisar”
The Alarm (4) – “Strength,” “Rain in the Summertime,” “Presence of Love,” “Sold Me Down the River”
Gregg Allman Band (1) – “I’m No Angel”
Allman Brothers Band (1) – “Straight From the Heart”
Marc Almond (1) – “Tears Run Rings”

  • King PERvus

    I'll be willing to bet that the “21 Guns” and “68 Guns” similarity is more than subliminal.

    In fact, “21″ cemented in my mind Green Day's position as the kings of takee-outee rock (convenient -they're freakin' everywhere- and similar to what you really want to eat/listen to, but not the real deal).

    Also, “Lightning Strikes” deserves a ballsy redo. This may have happened, I'm not a big fan.

  • smf2271

    Dang, I love “Hangman Jury,” and thought it was so original at the time! As much of a music geek as I am, I only really have one claim about seeing a superstar band before they were a household name, and that is on the “Permanent Vacation” tour. I went to see Aerosmith, I believe the first concert I could ever go to without any parental assistance because I had just gotten my drivers' license, and opening for them was a group none of us had ever heard of called Guns 'n' Roses! They nearly stole the show.

    The Alarm: great underrated band. I've still only got “Standards,” a very comprehensive best-of collection from the '80s that has all their charted songs (both hot 100 and the ones above), and even has a couple “new” songs that are half-decent. My favorite from them is still “The Stand,” which would've made the Modern Rock charts in '83 if it had existed. Does anyone recommend any of their full LPs from the '80s, like Declaration or Strength? I've kind of assumed their hits were by far their best songs all these years, but I don't remember anymore if there's a good reason for that assumption.

  • MichaelFortes

    I love that 'Less Than Zero' soundtrack. I don't think there's a single song on it that I can't stand listening to. I'd say it pretty much defines my approach to music – I don't care what the genre is, only whether it's good or not.

  • http://www.bastardradio.com steed

    I've always thought Strength was a very good album from start to finish. Declaration is very good as well, but as a whole, Strength is better. The other two after that – Eye of the Hurricane and Change – have moments but I don't really think are anything that special.

  • OJ Incandenza

    And it's the single version of “Sixty Eight Guns” even! Without the annoying “unbreak the promise” middle section they dropped into the album version! A good enough track that I'll forgive it ending up as a Heineken commercial about 20 years later.

    “Spirit of '76″ never really did it for me, not then and not now, and it didn't help that they went back to that well one too many times (see “Moments in Time” from the forgettable Raw album).

    I wouldn't miss “Devolution” and “Sold” if they were chopped off Change, but the rest of the album is really pretty good. I've never been able to find a copy, but supposedly they recorded the whole thing in Welsh (they did this with Raw too, but it's Raw so who cares).

  • OJ Incandenza

    For the most part, I agree (see below) … Declaration could stand to lose a few of the slower tracks, and points off for not having a proper version of “The Stand”.

    If Strength has any slow points, it's “Spirit of '76″ – again, YMMV – but it's pretty solid from beginning to end even if it took a little getting used to at first (my gut reaction to “Knife Edge” was “Keyboards? WTF?” but then again I was twelve, so cut me some slack.)

    And as much of a rush as it was to finally hear the Alarm on the radio, Eye of the Hurricane just sounded … wrong. There are great moments (“Permanence in Change” and esp. “Newtown Jericho”) but even so it just doesn't sound like quite the same band.

    Finally, god how I love the internets. Within five minutes of my last post I run across the entire Change album in Welsh (“Newid”) posted on Youtube. Here's the Welsh version of “Devolution”, “Datganoli Y Falen Gweithiwr” …

    http://www.youtube.com/watch?v=BuiXIQOKlmc

  • kingofgrief

    Fifteen or twenty years ago, I would have been raving about the fact that Laurie Anderson was featured. Today I give less than a flip, though Big Science (where “O Superman” can be found) remains a favorite of the decade.

    Glad to have “Cage of Freedom”, since the Metropolis soundtrack appears to be out-of-print aside from mp3s and Amazon's CD-R duplication service…according to whom the soundtrack was initially released on March 13, 1927. It's more authentic than you think!

    The Ambrosia cuts off at about two and a half minutes. But a cool two and a half minutes they were.

    One last plug: Six more days to the Bottom Feeders [Ass End Edition] N-Z radio special…next Tuesday, June 1, at 1 PM Central on http://kpft.org. Info about the program bringing it to you can be obtained via http://myspace.com/soundawakeradio or http://www.facebook.com/pages/Sound-Awake/10215…>

  • kingofgrief

    Fifteen or twenty years ago, I would have been raving about the fact that Laurie Anderson was featured. Today I give less than a flip, though Big Science (where “O Superman” can be found) remains a favorite of the decade.

    Glad to have “Cage of Freedom”, since the Metropolis soundtrack appears to be out-of-print aside from mp3s and Amazon's CD-R duplication service…according to whom the soundtrack was initially released on March 13, 1927. It's more authentic than you think!

    The Ambrosia cuts off at about two and a half minutes. But a cool two and a half minutes they were.

    One last plug: Six more days to the Bottom Feeders [Ass End Edition] N-Z radio special…next Tuesday, June 1, at 1 PM Central on http://kpft.org. Info about the program bringing it to you can be obtained via http://myspace.com/soundawakeradio or http://www.facebook.com/pages/Sound-Awake/10215…>

  • kingofgrief

    1. My re-edit somehow became a repost. Sorry 'bout that.

    2. Here's the Sound Awake Facebook link proper: http://www.facebook.com/pages/Sound-Awake/10215

  • Keith

    A few years before I embraced punk and alternative music left of the dial, I was a Quaterflash, Juice Newton, Olivia Newton John, Fleetwood Mac loving tween. When Ambrosia showed up on the soundtrack to “Arthur” I thought I had discovered my first dangerous band. Oh the humanity.

  • stevec

    Aw man, we missed out on seeing “Der Kommisar” this week? It couldn't have made it too far onto both charts, could it?

    I loved “Declaration” and “Strength”…the rest of The Alarm's stuff was just forgettable to me

  • http://www.bastardradio.com steed

    Oh, but “Der Kommisar” did – #4 on the Rock Charts and #5 on the Pop Charts. That was a bigger hit than you think.

  • anniezaleski

    I listened to Permanent Vacation a ton, and I have zero recollection of both of those songs. That should say something.

    I saw the Alarm a few years ago. Kick. Ass. Mike Peters recruited a bunch of old punk players, and they just killed. Despite the fact that I was seeing them in a casino OPENING for the Fixx. (And English Beat, who aren't embarrassing.) He's also a nice guy — has battled cancer TWICE. Great interview.

  • http://www.popdose.com DwDunphy

    Correct. The After The Fire version was pretty darn big. I couldn't tell you if the original Falco version charted or not.

  • http://www.bastardradio.com steed

    It just might appear in F….

  • stevec

    Holy crap! I never realized that song was so big for them.

    The way MTV flogged the Falco video, I would have sworn it would have been the other way around…

  • brettalan

    I'm a huge Alarm fan, and I would pick Declaration as their best album. Standards does do a very good job of getting their best stuff in, though, apart from some choice b-sides and such.

    I saw them a couple of times back in the day, and Mike comes to Union County MusicFest (a fabulous, entirely free weekend of music) every year. In '08 he played with 30 members of the New Jersey Symphony Orchestra, which was absolutely amazing. And later the same day he played an acoustic set for some of us fans–no amplification, just him playing under a tent. He even played a little of the very obscure b-side “My Land Your Land” for me. Great stuff.

    As Annie mentions below, he's a cancer survivor. His appearances at MusicFest are largely in support of registering bone marrow donors, so if you're not signed up or would otherwise like to support the cause, you can check out his charity site at http://www.lovehopestrength.org/site/

  • brettalan

    I'm a huge Alarm fan, and I would pick Declaration as their best album. Standards does do a very good job of getting their best stuff in, though, apart from some choice b-sides and such.

    I saw them a couple of times back in the day, and Mike comes to Union County MusicFest (a fabulous, entirely free weekend of music) every year. In '08 he played with 30 members of the New Jersey Symphony Orchestra, which was absolutely amazing. And later the same day he played an acoustic set for some of us fans–no amplification, just him playing under a tent. He even played a little of the very obscure b-side “My Land Your Land” for me. Great stuff.

    As Annie mentions below, he's a cancer survivor. His appearances at MusicFest are largely in support of registering bone marrow donors, so if you're not signed up or would otherwise like to support the cause, you can check out his charity site at http://www.lovehopestrength.org/site/

  • http://twitter.com/flagstaffhill Laura Campbell

    Great Aerosmith info, even I learned a few things! And I believe this is the first time I've actually heard “Rockin' Pneumonia and the Boogie Woogie Flu.” “Hangman Jury” is great and if you ever see their long-lost MTV Unplugged special, it's even better there. Nothing better than Steven Tyler on harmonica!

  • Old_Davy

    I remember when “Permanent Vacation” was released. I was super excited and thought Aerosmith was starting a brilliant new phase of their already amazing career. Little did I know it was the beginning of the end. And as much as I love Jon Anderson (THANKS FOR CAGE OF FREEDOM!!!) I think “Rockin' Pneumonia” is the best track of the week. (For another amazing version of this song, check out Johnny Rivers' 1972 rendition from the album “L.A. Reggae”.)

    I can't believe anyone actually enjoys listening to Laurie Anderson. I never got the appeal. Or is it more of a “I like this, so I must be edgy and cool” thing? My vote for worst track of the week.