The Three Strike Rule: “Royal Pains,” “Nurse Jackie” and “Hawthorne”

Probably because my mother was a nurse, I will always have an interest in medical shows, good or bad. An early TV addiction to St Elsewhere helped fuel that interest. With the summer upon us and cable networks bringing out their slate of shows, there are three new medical related series to make you laugh, cry and possibly inspire.

pains_500First up is USA Network’s Royal Pains, which premiered last Thursday and runs after Burn Notice. Mark Feuerstein stars in this improbably set up series about Hank Lawson, a New York surgeon who loses his job after he decides to save a sicker patient than one of the medical facilities chief benefactors. Because the dead patient has so much money and pull, Hank is blackballed and can’t find another job. Apparently the need for excellent physicians does not extend outside of New York and Hank sits around, drinking beer and watching television while the bills stack up and his supermodel-hot fiancée breaks off the engagement when it appears that he has no future. Enter his horndog brother, Evan (Paulo Costanzo), who drags him away for a weekend in the Hamptons. Evan talks them into a huge summer party hosted by a German blue blood played by Campbell Scott.

Hank happens to be in the right place at the right time when a girl collapses, vomiting. When the resident “concierge” doctor misdiagnoses her as an overdose, Hank halts him before she’s injected with medicine that could kill her. Of course, Hank saves the girl’s life. Scott’s German happen to witnesses the whole incident and is so impressed that he immediately offers him a job as the Hampton’s concierge doctor for the summer. (more…)

The Three Strike Rule: “The Chris Isaak Hour”

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chrisiUsually, anytime a musical artist performs on a talk show, that marks the end of the program: Letterman, Leno or Conan stroll out to shake hands with the band, and the credits roll. Gone are the days of Johnny inviting band members over to the couch for some chit-chat about their new record. This was just one reason Chris Isaak agreed to star in his new talk show, The Chris Isaak Hour — it gives musicians an opportunity to play two or three songs and then the chance to talk about the work they do.

Each week a guest artist sits down with Isaak on a retro set that looks like something out of a ’50s sitcom. Isaak then interviews them, delving into questions about influences, their careers, and even what gets cooked in the kitchen. The conversations are broken up with performance footage shot on a soundstage. Isaak and his crack band, Silvertone, are on hand to act as the house band, with Isaak generally joining the guests for one or two numbers. On top of hearing musicians comfortably opening up about their lives, you also get to see unique, one-of-a-kind performances, such as Glen Campbell and Isaak singing “Rhinestone Cowboy” or Isaak and Trisha Yearwood performing their new song, “Breaking Apart.”

Just as he does on stage, where he allows his singing companion the room to perform and breathe, Isaak is never quick to interrupt his guests with his own thoughts. Instead, he adheres to the motto that the show is about them and what they have to say. While each episode opens with a short skit that usually includes Isaak’s funnyman drummer, Kenny Dale Johnson, the rest of the show is pretty straightforward. Although filmed entirely on a soundstage with no studio audience, the show has the deliberate feel of a live music variety program, with old black and white footage of people applauding between songs. It’s that tongue-in-cheek, wink-wink type of charm that makes Isaak so appealing. (more…)

The Three Strike Rule: And Now, a Word from Our Sponsor

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Last week I read an article in the L.A. Times’ business section that detailed how Americans are watching television at an all-time high these days. To quote Alana Semuels’ piece, “The Nielsen Co.’s ‘Three Screen Report’ — referring to televisions, computers and cell phones — for the fourth quarter said the average American now watches more than 151 hours of TV a month. That’s about five hours a day…up 3.6% from the 145 or so hours Americans reportedly watched in the same period last year.” The article also goes on to state the obvious that in these harsh economic times, adults and their families are more likely to stay at home than go out to dinner and to the movies, both expensive endeavors. I mean, when you could easily drop $60 on a family of four at the cineplex vs. watching a movie or program on TV and cooking dinner, which would you choose? This all makes sense, but I think it goes a little deeper than just spending as to why people are watching so much television.

This weekend, as I was preparing to write this week’s article on Lie to Me (Fox’s newest hit) or Ashes to Ashes (the BBC’s spin-off of Life on Mars) I walked through the bedroom and saw my wife watching a repeat of America’s Next Top Model on Oxygen. The expression on her face made me stop. She didn’t seem all that consumed by the show; instead, she seemed dazed, as if escaping for a couple of minutes before having to drive off to the laundromat. It was a hell of a weekend, primarily because we put one of our cats to sleep. It’s not just the cat, though; our lives since last year have been pretty stressful. We have home repairs that have been placed on the back burner (including plumbing work, hence the laundromat), bills piling up, and (obviously) we have our son’s health, which occupies much of our thoughts. When I came upon my wife and saw that expression on her face, I knew it well, because I’ve had it many times myself.

I don’t think it’s just about spending money or about having more options in our television viewing habits that is making so many people watch TV. I believe it’s the chance to escape, even if it’s just an hour a day, from the daily barrage of bad news you see in the newspapers, on the Internet, and yes, on television. I can’t tell you how many times I’ve found myself curled in a ball trying to forget those worries that seem to follow me around nearly all day. At 9:00 PM on a Monday night, when I want to forget, you better believe I’m going to watch something pointless and funny like Two and a Half Men or How I Met Your Mother. And when I want to really get away, what better place to escape to than an island trapped in a time loop, like in Lost?

For my wife, it’s drawing inspiration from the contestants on The Biggest Loser, or the doctors on Deliver Me, that offers her some quality time away from the daily stress. Television has become comfort food for the brain, especially in these trying times. Some television is thick and fills your belly like a good stew, some of it is completely bad for you, but oh it tastes so good going down, and occasionally there is some television that actually nourishes you in your time of need. Until the country comes out of this recession and people find the means and/or the enthusiasm to go to the mall or to the ballpark again, television viewing is going to continue to rise.

What do you think?

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The Three Strike Rule: The Grammys

rsz_ba-grammy_awards_0499774946I almost didn’t watch the Grammy Awards last night; in fact, I didn’t turn them on until a half hour into the show. Living on the west coast, by the time I actually switched on the TV, I already knew that Robert Plant and Alison Krauss had cleaned up at the awards. Their win didn’t surprise me — did it surprise you? Their record, Raising Sand, is just the type of album that the voters love. T-Bone Burnett and Alison Krauss are darlings of the Academy, and Plant represents a chance to right some wrongs for Led Zeppelin never receiving any awards for its influential body of work. That, and the album is pretty damn good, so I have no complaints. However, I wonder how well the Grammys will perform in the ratings. Are they a relevant, must-see type of show? The show’s producers certainly try to make them by setting up “once in a lifetime” performances.

I came into the show just as Carrie Underwood was showing off her legs and belting out her hit, “Last Name.” Man, the girl can sing. Less impressive was Taylor Swift and Miley Cyrus singing a duet on Swift’s song, “15.” Swift’s voice sounded tinny and Cyrus just sings at the top of her lungs and over exaggerates her expressions whether the song calls for it or not. As I watched them I couldn’t help wondering which Jonas Brother Swift dated when she wrote this song, and if it was the same brother who dated Miley. Speaking of the Jonas clan, they somehow lucked into Stevie Wonder jamming with them. Stevie was… well, he was Stevie, he kicked ass. I won’t discuss the Jonas Brothers for fear of alienating my children.

Did you see Jennifer Hudson sing? Good God, one of the most heartwrenching moments I’ve seen on TV. The standing ovation she received was well deserved. On the other hand, Katy Perry sang the most annoying song from last year and was atrocious. As she pranced across stage trying to be Madonna, she was as stiff as her boyfriend would be watching her kiss a girl. And please, please, someone explain the rap summit, the “rap pack” of Jay Z, Kanye, Lil’ Wayne and T.I. to me. What the hell were they saying? Shouting, that’s what they were doing.  (more…)

The Three Strike Rule: Super Bowl XLIII

logoAlthough sports aren’t covered much here at Popdose, the Super Bowl extravaganza is beyond a mere football championship. The stars, the commercials, the halftime show, and finally the drama of the game itself can make the Super Bowl great television entertainment if everything clicks. Yesterday, everything did click in Super Bowl XLIII between the Pittsburgh Steelers and the Arizona Cardinals, making it one of the most enjoyable Super Bowls in recent memory.

Of course getting to the game was a long journey, as NBC broadcast a six-hour pre-game show that featured Bob Costas, Keith Olbermann, Dan Patrick, Al Roker, and a slew of former football players and coaches including Cris Collinsworth, Jerome Bettis, and recently retired coaches Tony Dungy (Indianapolis Colts) and Mike Holmgren (Seattle Seahawks). Most of the banter between the hosts was similar to the programming you’d catch on NBC’s Sunday Night Football pre-game show, but slowed down considerably.

The bloated NBC pre-game telecast gave us an abundance of over-analyzing what each team had to do to win, interviews with some of the key position players, an interview with President Obama (in which he predicted a Steelers victory in a squeaker) and a one-on-one between Costas and halftime performer Bruce Springsteen. There were also a couple of season-in-review features done by Olbermann and Patrick, essentially recreating the shtick they mastered years ago on SportsCenter. The banter still works between these two after all of these years; NBC was smart in bringing them back together. But seriously, Keith, sweater vests? You can afford something a little better than that.

Rounding out the six hours of numbing nonsense (yet I couldn’t stop watching! What does that say about me?) were constant updates from the only two female reporters on the sportscast, Alex Flanagan (who amazingly tried to pull a Costas by quoting Fitzgerald when discussing Kurt Warner’s “Second Act”) and Andrea Kramer. To give the impression of this being an EVENT, NBC also held a Top Chef cook-off and had Al Roker interviewing B list stars out to promote NBC series like Heroes (which is apparently rebooting… AGAIN!) and Universal films such as Fast and Furious (starring Vin Diesel and Paul Walker…AGAIN!). We could have done without the fluff. A two-hour show would have been enough to feed my football hunger.  (more…)

The Three Strike Rule: Trust Me

Hey everyone, Shaun is back!   His inauguration celebration hangover has just worn off and he’s ready for another year of looking at television with me.  This week we review a new comedy/drama on TNT, Trust Me. It premieres tonight at 10 PM/9C.

trust-meTrust Me is about ad people in the 21st century, and before any of you cry “Mad Men ripoff,” let me assure you that Trust Me couldn’t be farther from Mad Men in terms of tone, look and approach.  Hey, if there can be umpteen shows about doctors, lawyers or cops, we can certainly put up with another show about an advertising agency. Trust Me is the type of light drama that TNT excels at.  With good reason, the creators this show, Hunt Baldwin and John Coveney are both veterans of The Closer, TNT’s sensation that is the highest rated original series on basic cable.

I had reservations going into Trust Me because anytime you put together a cast of actors who’ve had success on other shows, it can spell disaster.  Moreover, I wondered if Eric McCormack would shed his “Will” mannerisms from his days on Will and Grace. I had more faith in Tom Cavanaugh (Ed of Ed) because he’s done other, darker roles since that show was canceled, but McCormack’s role as “Will” lives on in syndication.

In the first episode, we learn that McCormack’s character, Mason, and Cavanaugh’s Connor have been an ad team for years (Mason is the artist, Connor the writer). By the end of the first act, Mason is promoted above his old friend. While Mason learns to cultivate his inner shark, he also has to deal with how this promotion will affect his partnership with Connor. At the same time, a new writer arrives at the agency and she brings with her a slew of awards and plenty of attitude. This character is played by Monica Potter. While there is a plot involving beating out a competitor for a big cell phone campaign, plot is secondary in this series that has some zip to it and shows real potential.

McCormack and Cavanaugh work great together.  McCormack’s conservative, cautious approach to Mason is the perfect foil to Cavanaugh’s impulsive and over-caffeinated Conner.  These two are the main reason to watch Trust Me, as they really come off like a couple of old friends struggling with the changes in life thrown their way.  Potter is pleasant to watch and her character shows real human flaws and doesn’t come off as just some bitch there to take command of the office. Added to the mix is one of my favorite actors, Griffin Dunne (After Hours) as the creative director of Connor and Mason’s team.  (more…)

The Three Strike Rule: “The Beast”

Unless you’ve been living under a rock for the past month, you are well aware of Patrick Swayze’s battle with pancreatic cancer. Last week he sat down with Barbara Walters, who seemed to expect an optimistic, smiley interview, but instead received a brutally honest man telling the world that hell yes, he’s scared for his life and that he’s pissed he’s been stricken with a potentially fatal disease. After it was revealed almost a year ago that Swayze was ill, A&E announced that the actor would be starring in a new crime drama, The Beast, which has its premiere this Thursday night, 1/15/09. Going into watching the first two episodes of The Beast, although I was championing Swayze and hoping he would go into remission, there was still the fact that Swayze’s track record as an actor is “iffy” at best. People are going to tune in to watch the show out of morbid fascination, true, but will they return a week later? A month later? I hope so, because The Beast delivers the goods. It’s a tight, tense drama about loyalty and duty that allows Swayze the opportunity to really shine as an actor.

Swayze stars as Charles Barker, an effective FBI veteran whose hard-edged and questionable tactics have won him a reputation as a man who gets the job done at any cost. Barker has a rookie partner, Ellis Dove (Travis Fimmel), who is unsure how to react to Barker most of the time. Despite his apprehension to the way Barker gets things done, Dove realizes that his mentor is, at his core, a good man, and this creates a loyalty to Barker. Barker sees something of himself in the swaggering, cocksure attitude of Dove and has taken a liking to him.

Barker and Dove have a handler named Conrad (Kevin J. O’Connor). As a seasoned professional, he knows Barker well enough to speak to him in terse personal code — but for newbie Ellis, he needs to spell things out, including his deep respect for Barker’s work. For a love interest, Dove attempts to strike up a relationship with his neighbor, a law student named Rose (Lindsay Pulsipher), but he soon learns that the line of work he’s involved in (drug dealers, arms dealers, terrorists) creates a risk for an agent’s private life. Dove likes Rose, but he’s hesitant to get to know her because he would hate to see her get hurt. (more…)

The Three Strike Rule: 10 for 10- A List of shows for My Daughter

Welcome back to The Three Strike Rule.  You’d think I could come up with a better title for this week’s column than that, huh?  Today is my daughter Sophie’s 10th birthday.  When you hear that cliche, “I don’t know where the years went,” believe it.  I have watched a baby grow into an inquisitive toddler, then transform into a bright little preschooler and finally she has become an empathetic (I throw that word around a lot when I discuss my little girl), smart and talented 10-year-old. As I am prone to giving her advice (which she has already begun to ignore), I have opted to dedicate this week’s column to highlighting 10 standout television shows from the past 10 years that I hope Sophie will seek out to be entertained and enlightened.

In the past 10 years, due to DVD box sets, TiVo, and the Internet, we have seen a change in attitudes about television.  No longer is it just considered “disposable” entertainment.  Viewers are seeking out quality programming and making it successful.  Moreover, stars generally associated with motion pictures (once considered the high brow art form) no longer look at television as slumming it.  Instead, actors, writers and directors have taken to TV as a way to create and produce ongoing works of fiction that they wouldn’t be able to do in the expensive film industry.

Since any list is subjective, I’m sure some people will gripe about my selections and what was left off.  I hope so!  he purpose of this great website is ti incite conversation and debates.  In case you’re wondering, my criteria was that the shows selected had to premiere in 1999 or thereafter.  I must confess that I have not seen Dexter and I never went back to The Shield after the first few episodes (i.e. pre-TiVo in the Malchus household).  What I tried to do was pick shows that were consistent in their quality from season to season.  So, even though I loved the first couple seasons of The Sopranos, Six Feet Under and 24, the quality in the writing really started to suffer in subsequent years.  Sacrilege, I know, because The Sopranos is considered by many critics to be the greatest TV show ever.  Oh well, it’s my space, and since this is a special list I want my kid to read someday, these are the shows I feel are the best of the last 10 years.

So, without further ado… (more…)

The Three Strike Rule: “Leverage”

A group of high-tech Robin Hoods take to the airwaves when TNT’s Leverage premieres tonight at 10 PM ET (on Tuesday, December 9, it sneaks into its regular 10:00 time slot). Leverage is part Ocean’s Eleven and part It Takes a Thief, the Robert Wagner series that aired in the ’60s. In Leverage a gang of thieves team up to help out people who’ve been cheated or done wrong. The team is led by Nate Ford, played by Timothy Hutton. The Academy Award winner (for his heartbreaking performance in 1980’s Ordinary People) is really in his element on this show. As he displayed a couple years ago on the ill-fated NBC serial Kidnapped, television is a medium that suits him well, especially characters who aren’t squeaky clean. Nate is a former insurance investigator who made his company millions, but was betrayed when that same company denied him medical coverage for his gravely ill son. The boy died, and Nate has been a bitter wreck ever since. That’s all we know about him — just enough to get us interested, just enough to keep us watching to find out the rest of his tragic history.

In the pilot episode Nate is hired by an aeronautics executive, played with slimy panache by Saul Rubinek, to recover airplane designs he claims were stolen by a rival. Rubinek brings together a group of highly skilled thieves to steal the plans back; Nate’s job is to get them to act as a team. This group consists of Parker (Beth Riesgraf), an expert thief and resident loose cannon; Alec Hardison (Aldis Hodge), a specialist in Internet and computer fraud who has a quick wit and an ample supply of one-liners; and Eliot Spencer (Christian Kane), a gravelly-voiced “retrieval specialist” who can take out a gang of henchmen without breaking a sweat. The four of them get the plans back and are promptly double-crossed by Rubinek. (You knew that was coming.) Naturally, Nate decides to even the score.

Pilot Clip

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The Three Strike Rule: Year-End Rants by Scott and Shaun

Well hey there. In case you didn’t know, this is the last week of The Three Strike Rule until the new year. Hey, don’t get mad at me, take it up with the Editor in Chief. Anyway, it’s been a pleasure writing about the boob tube over the coarse of the year; we’ve had some fun. To wrap things up, my compadre, Shaun Hamid, has joined me in giving you our two cents’ worth what 2007 brought us in television. Until next year, aloha.

BEST SHOW

Scott: Friday Night Lights (NBC/DirecTV) The small-town football series’ 2nd season ended on a high note last winter as we watched it regain its form after stumbling with a soap opera-ish murder plot. Still, NBC ran the final episodes with little fanfare, despite the fact that there was little original programming on the air due to the writers’ strike. The network redeemed itself by striking a deal with DirecTV to co-produce a third season. Since October, the satellite provider has been airing these new episodes and come January, those same episodes will air on the peacock network.

The third season has been everything fans of the show love, in particular the study of a working marriage between two of the finest actors on television, Kyle Chandler and Connie Britton as Coach and Mrs./Principal Taylor. They are the heart of the show. If you haven’t watched this show yet, what the hell is your problem? More than any other series on TV, FNL approaches each week with intelligence, humor and heart. At a time when the country is in turmoil, here is a quality show that taps into everything that is great about the America and reminds us of what we can be. Procedurals and medical dramas are a dime a dozen, and aren’t we all bored to shit with the woes of filthy rich people? I said it back in January, and now I’ll repeat myself: WATCH THIS SHOW!

Shaun: Mad Men (AMC) In spite of the remarkable amount of attention this show has gotten critically and awards-wise, it still feels unheralded to me. This show consistently elevates itself above much other dramatic fare. No network, NBC to HBO, has a show nearing its quality and innovation currently. While it can be irritating in its few failures, I think that is a testament to a show that a viewer expects so much from. If you have not seen this show yet, and judging by the ratings that may be a good bet, take the leap. It would be unfortunate for it to meet the fate of another similar luminary in another genre: Arrested Development.

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