Adventures Through the Mines of Mellow Gold 52

In his latest edition of Adventures Through the Mines of Mellow Gold, Jason Hare explores the phenomena of “gentle rocking,” brought to us by a Lebanese Canadian hunk in 1974.

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Adventures Through the Mines of Mellow Gold 52

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Welcome back, mellow miners! You know, being the wimpiest guy on Popdose is not an easy job, but I do it for you and wusses across the universe. And part of the job is exposing to you (wait, that doesn’t read right) all different kinds of songs that fall into the Mellow Gold category. Sometimes, like Mang, they’re wordless — and last time we got together, we discussed Greg Guidry’s “Goin’ Down,” a song that wasn’t really mellow in terms of its lyrical content, but in its musical style. This week, I figure we’ll go the other way and see what happens: let’s take apart a song that may not be so mellow musically, but really has it goin’ on in the lyrics department.

Andy Kim — Rock Me Gently (download)

IT’S BUILT RIGHT INTO THE GODDAMN TITLE! My work here is done, everybody! Thanks, and see you next time for another Adventure…nah, I kid. But seriously? “Rock Me Gently“? Well, hang on. I don’t want to get ahead of myself. Let’s take a look at Lebanese dreamboat Andy Kim.

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Damn you, Google image search!

Ahh, there we are. Andy, you handsome motherfucker. I don’t know what or who you’re looking at, but I bet they have no idea they’re about to get swallowed up by your hair.

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Adventures Through the Mines of Mellow Gold 51

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Welcome back to another edition of the wimpiest series on Popdose, Adventures Through the Mines of Mellow Gold! Last time we met, we covered a wonderful, wordless song — well, mostly wordless, unless you count Mang’s 1982 version or my highly superior recording with kick-ass lyrics. This week’s song might as well be wordless because, frankly, the actual lyrics don’t matter. What is important, however, is the tone of the lyrics, which — combined with the music — will go to prove that the handsome man in the miner’s hat is not only the Patron Saint of Popdose, but the Patron Saint of Mellow Gold altogether; his influence spreads over all the best Mellow Gold artists like a bad case of gonorrhea, and inspires them not only to be their Mellow Goldiest, but to pay the Mellow Gold forward. And what better day to do it than today, February 12 — which, as my buddy Matt Wardlaw pointed out in his excellent Ticket Stub series, is Michael McDonald’s birthday! Happy birthday, Michael! My birthday present to you is that I promise not to call you at midnight in celebration like I did last year. And the year before. You’ll just have to console yourself with Matt’s greeting cards.

Okay, on to the wimpy music!

Greg Guidry — Goin’ Down (download)

nullI know, I know: Who? Well, I’ll tell you, but first I’ll answer the question that many New Yorkers might have right now: no, Greg is not related to Ron Guidry, legendary pitcher for the New York Yankees. (And believe it or not, I knew who Ron was without even having to look it up!) He is, however, related to just about every other Guidry: his debut album featured his siblings Sandy, Cathie, Randy, Tito and Marlon.

Guidry (shown here making a call to a phone sex hotline) grew up in St. Louis, playing in various high school and college bands. At 23, he signed a songwriter deal with CBS, like many Mellow Gold artists at the time. In 1982, Guidry released his solo debut Over the Line, and in March of ‘82 “Goin’ Down” reached #17. A second single, a duet with his sister Sandy entitled “Into My Love,”didn’t get any higher than #92 — most likely because it’s a song called  “Into My Love” sung WITH HIS SISTER. (more…)

Adventures Through the Mines of Mellow Gold 50: Mang!

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Welcome back to another edition of Adventures Through the Mines of Mellow Gold! It’s been way too long since we’ve done our wussy spelunking through smooth instruments and gentle vocals. But today, friends, we won’t be doing much singing. Okay, maybe there will be some singing at the end of this post, but for now, we’re going to explore a different side of this genre: the Mellow Gold instrumental.

Chuck Mangione — Feels So Good (edit) (download)

You kinda knew this was coming, didn’t you? There are only a few true Mellow Gold instrumentals — and no, “Baker Street” doesn’t count, because it has lyrics (even if nobody remembers ‘em) — but “Feels So Good” is perhaps the smoothest and mellowest of them all. There are plenty of reasons why, too — but first, let’s learn a little bit about Chuck Mangione, the man who clutches his flügelhorn so intently that I believe he’s nicknamed it “Mommy.”

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Chuck Mangione — known around Popdose as the Mang — was born and raised in Rochester, NY, home to luminaries such as Lou Gramm, Steve Gadd (an eventual collaborator), Wendy O. Williams and Rosalie Hale. (If you know who Rosalie Hale is, congratulations, you’ve just been outed as a Twilight fan.) Mangione began his career as part of the Jazz Brothers, a group formed with his brother, Gap Mangione, as well as his two cousins, Benetton Mangione and Express for Men Mangione. (I’m making a funny, but Gap is indeed the name of his brother, meaning I’m now obligated to call him Gap Mang, which will also be the name of my next band.) (more…)

Happy Birthday, “What a Fool Believes”

Thirty-one years ago this week, the Doobie Brothers released the single that perfectly meshed their original boogie-rock style with the keyboard-heavy R&B that Michael McDonald brought to the table. It would go on to reach Number One on the Billboard Hot 100 and win Grammy Awards for both Record and Song of the Year.

I don’t need to get into details as I did on my previous blog several years ago.  You can read that post if you’d like.  But again, “What A Fool Believes” is the greatest song ever written.

I have always wondered, in fact, why there haven’t been more blog posts dedicated to this magnificent song, in all its glory.  Seems like it’s just me and Stereogum.  Either way, here are seven different versions of “What A Fool Believes,” in the order that I dig ‘em.  This post is dedicated to my wife, who now hates this song more than anything else in the entire world. (more…)

Adventures Through the Mines of Mellow Gold 49

Great news, everybody! Adventures Through the Mines of Mellow Gold is back!

McD-tastic!

Or, alternately:

Awful news, everybody! Adventures Through the Mines of Mellow Gold is back!

McD-tastic!

The point is: like it or not, we’re back and planning on bringing you more of the lamest, pansy-assiest music from that magical period in the ’70s and ’80s when everybody seemed to misplace their nutsacks.  My hope is to do this once a month (after doing weekly MG postings in ‘07, I found I could no longer sustain an erection), and now that I’ve written it on the Internet, it must be true, right?

Anyway, so away we go!  Let’s see.  I have a nice big Mellow Gold playlist here on iTunes.  I’ll just close my eye and point my mouse at a track, and…

Aw, shit.  Nigel Olsson? What the hell is he doing on here?  Isn’t he just the guy who plays drums in Elton John’s band with the headphones and white gloves and looks like the spawn of David Cassidy and the Cryptkeeper?

Okay, I looked back, and it seems like we can blame a reader named John Anselmo for today’s post, as he suggested Olsson’s one song that cracked the Top 20.  Let me see if I can find his address and we can torch his house.  Kidding, kidding.  Actually, I will defend John’s suggestion, because the song in question fits quite well into the Mellow Gold genre (did we decide if Mellow Gold was a genre?).  It fits so well, actually, that I often hear it, think “this is perfect for Mellow Gold,” promptly forget about it, and then repeat the process.  Wussy, yet utterly forgettable?  I don’t think it could be any more appropriate for this series.

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The Ninth Day of Mellowmas: Fats?

Happy ninth day of Mellowmas! Today, we’re sad to say that we’re skewering a truly brilliant artist: none other than Fats Domino. We really didn’t want to, but…well, you’ll see.

Jason: Jeff, I know you’re wondering why I picked this track.

Jeff: Well, yeah.

Jason: I mean, Fats Domino?

Jeff: Fats Domino is a legend.

Jason: He is.

Jeff: Thirty-seven Top 40 singles!

Jason: A brilliant piano player. A fine, fine musician.

Jeff: The man too tough for Katrina to beat!

Jason: A real rootsy musician.

Jeff: A humanitarian, even.

Jason: Go ahead. Start the track.

Fats Domino — Frosty the Snowman (download)

From Christmas is a Special Day (formerly Christmas Gumbo)  Amazon iTunes

Jeff: Hmm. There seems to be some kind of mistake.

Jason: Hey, we have Fats Domino in the studio! I know what we’ll do! We’ll have him sing to a DRUM MACHINE!

Jeff: And take away his piano!

Jason: SERIOUSLY! I mean, the horns are real, so we have that. But that’s about it.

Jeff: Are we sure this is Fats Domino?

Jason: It is! His vocal is okay. He sounds a bit like Shirley Q. Liquor, but the vocal’s not bad. I’m just appalled that they gave him this idiotic track.

Jeff: Ha ha ha! Shirley Q. Liquor!

Jason: I mean, it’s Fats Domino! Show some fucking respect, you know?

Jeff: Damn straight!

Jason: I mean, the bass part is right off a Casio.

Jeff: This is bullshit.

Jason: I agree.

Jeff: I blame Daryl Dragon.

Jason: Fats deserves better, doesn’t he? I just found a blog post where people just gush over this track. How can you gush over this track?

Jeff: This is one of the lamest versions of this song I have ever heard, and it’s a pretty lame song to begin with.

Jeff: I think I found the post you’re talking about. “The Fat Man Plays It Smooth for Frosty.”

Jason: That’s the one.

Jeff: “A nice, gently funky groove”?

Jason: And the version they have there is a bit different. It’s in a different key with a different intro, but the track is exactly the same. Which means either that guy’s version is slow or ours is fast. But the backing track remains the same.

Jeff: I haven’t found any other information.

Jason: I never thought this day would come — a day when a respected, genius artist like Fats Domino would wind up being part of Mellowmas. I’m getting angrier and angrier by the minute. Who produced this? What did Fats ever do to these guys? Can we light their house on fire?

Jeff:Perhaps it’s best if we listen to anything else by Fats Domino.

Jason: Even if it’s not Christmas.

Jeff: Absolutely. I’d rather hear Richie Cunningham singing “Blueberry Hill” at this point.

Oh my God, look at this.

Jason: Wow. It gets stellar reviews! Released in ‘93?

Jeff: One commenter describes it as “chocolate frosting on an already yummy musical cake,” or something like that. Fats has awful, awful fans.

Jason: Am I crazy here? Be honest. Because everybody seems to love this, and I don’t get it. I mean, where’s the PIANO?

Jeff: I’ve had it on a loop since we started talking about it, and I’m probably not the best person to judge anyone’s sanity at this point. I’m terribly disillusioned.

Jason: Yeah, I know.

Jeff: Fats cut an entire Christmas album, and this was on it. He must have wanted to do it.

Jason: I’m sorry. I didn’t want to do this to you. Or anybody else.
I love Fats.

Jeff: Well, look at the bright side — everyone else will probably love it.

Jason: Okay. So if our readers love it, are you going to jump to their side or are you standing strong with me on the “what the shit is this?” side?

Jeff: It just started in my headphones again. I’m definitely standing strong. This sucks.

Jason: Thank you. Hippity hop hop.

Jeff: I hope you had massive gambling debts, Fats. Or were behind on your child support payments or something. ANYTHING.

Jason: I’m afraid the reason was like, “I love Christmas, and I think the technology in some of these new 48-note Casios is just stunning.”

Jeff: Sigh

Jason: Or “I love Christmas, and I thought, who needs real drums? Or bass? Or piano?” I’m just sad now.

Jeff: It’s starting again.

Jason: I’m going back to watching a video of “Ain’t That a Shame.”

Jeff: I’m going to claw my headphones off and go lie down for awhile. Thanks for passing this along, you fucker.

Jason: Hippity hop hop, buddy.

Bottom Feeders: The Ass End of the ’80s, Part 21

It’s amazing sometimes to see how music brings the world together.

I was food shopping with my wife last week and “867-5309/Jenny” by Tommy Tutone was playing in the store. Even though I’m not a big fan of most of the larger hits of the ’80s, it was the only song that caught my ear the entire time I was there. After the song ended, I found myself whistling it through the next few aisles. About five minutes later, this goth-looking dude with a ton of tattoos passed me and was singing the chorus. Not long after that I passed a couple that had to be in their 70s, and the old man was repeating the famous phone number to his wife. So, at least five minutes after “867-5309″ was over, there was me, a goth kid, and an old man all still being entertained by it. Somewhere the guys from Tommy Tutone are smiling.

NEW SOUNDS FOR THE COLLECTION:
Riot, Restless Breed
Accept, Metal Heart
Europe, Wings of Tomorrow
Johnny Gill, Johnny Gill
Axe, Offering

This week we look at the final nine artists whose names begin with the letter C as we give you 15 more Bottom Feeders from the Billboard Hot 100 chart in the ’80s.

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Song-Off: Having a Rock and Roll Heart

Eric Clapton – “I’ve Got a Rock and Roll Heart”

Dave: Did Clapton have to record this to pay back the writers for lending him money for blow? This record is such a piece of dogshit that a couple of Phil Collins-produced records and selling out to Michelob were considered a “return to form.” And that lyric “I get off on screaming guitars” would be horrible even if the guitar lick actually, you know, screamed. Maybe the problem was that he was too busy removing his dick from the tailpipe of a ‘57 Chevy to realize his tone sucked.

Scott: What do you have against a man and his masturbatory habits, David? When Clapton recorded this song, he’d kicked drugs for the first time; he needed something to get his rocks off. Still, this song isn’t that bad. It’s an natural extension of the drug fueled reggae influenced shuffles he churned out in the 70’s, except this time he was sober. Maybe “I get off” was a bad selection of words, but when you look at the charts from 1983 (Men at Work, Human League, Culture Club) who the hell expected this song to be a hit? Certainly not Clapton. The look of his face on the cover of “Money and Cigarettes” tells it all: “I don’t give a shit. I’m Eric Clapton.” I’m sure some dumb ass exec enthusiastically told him that this song was a bona fide hit. To which Clapton most likely replied, “Fuck it, ya poofter, release whatever god damn song you want. I’m ERIC FUCKING CLAPTON! Now bring me a Trans Am, I’m through with that saggy old Chevy.” Seriously, the song’s obviously a throwaway that became a fluke hit. How else do you explain him selling his soul to the devil and teaming up with Phil Collins?
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Political Culture: John McCain, Coward

“Napoleon once said, when asked to explain the lack of great statesmen in the world, that to get power you need to display absolute pettiness. To exercise power, you need to show true greatness. Such pettiness and such greatness are rarely found in one person. I look upon the events of the past weeks, and I’ve never come so to grips with that quotation … Your leadership has raised the stakes of hate to a level where we can no longer separate the demagogue from the truly inspired.”
–President Jackson Evans (Jeff Bridges) in The Contender (2000)

Rod Lurie’s political films remind me of a college professor whose classes I simultaneously loved and hated: you had to sort through a lot of annoying bullshit to get to the brilliant insight at the end. (I figure I’m going to pay for that sentence in the comments section. Have at it!) Nevertheless, I happened to catch the last 15 minutes of The Contender on the tube Sunday morning, right after John Kerry nearly bitch-slapped the utterly deserving Joe Lieberman on Meet the Press, and that quarter-hour (like Lieberman’s performance) fairly reeked of the colossal stench John McCain’s campaign has been emitting for the past couple weeks.

In particular, the last line from Bridges’s speech begs to be viewed in the context of this presidential race. The Republican Party’s entire modus operandi, in the absence of any ideas that resonate with the American people, is now to render the electorate incapable of “separat[ing] the demagogue from the truly inspired.”

McCain once promised that things were going to be different this time. In April he said, point blank, “This will be a respectful campaign. Americans want a respectful campaign … they’re tired of the attacks. They’re tired of impugning people’s character and integrity. They want a respectful campaign — and I am of the firm belief that they can get it and they will get it if the American people demand it, and reject the negative stuff that goes on.”

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Adventures Through the Mines of Mellow Gold: Paul Davis Edition

As you may know, Mellow Gold hero Paul Davis died yesterday from a heart attack at the age of 60. Davis was the focus of one of the first Adventures Through the Mines of Mellow Gold posts on jasonhare.com; in tribute (albeit snarky tribute), we repost today. -JH

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We’ll talk about Paul Davis: The Man, The Myth, The Gentle in a minute. First, let’s get into the music.

Paul Davis – I Go Crazy (download)

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