Basement Songs: Joe Walsh, “Rosewood Bitters”

CD_ConfessorThe summer vacation. As I’ve mentioned a couple of times in the Basement Songs, during my childhood, when school let out for the summer, my parents would pack up the family and take us on long voyages around the country. We’d explore the great tourist attractions each state had to offer, camp in an Apache pop-up trailer at KOAs, and spend endless hours on the open road. While my dad drove and my mom worked on her current latch hook rug in the front of the van, my siblings and I would go off into our own worlds. As a young boy I invested hours in the lives of the Hardy Boys or Henry Huggins, then moved on to the supernatural tales of Poe and Stephen King as I got older.

One year, after pestering my parents for a comic book, they surprised me with the oversized “graphic novel,” Superman vs. Wonder Woman. I read that book so many times, it’s in tatters. Eventually I traded some kid from grade school my copy of X-Men #137, “Phoenix Must Die!” for a better copy of Superman vs. Wonder Woman. The X-Men comic is worth a lot of money now while Superman vs. Wonder Woman is a quaint novelty from a bygone era. I don’t regret the trade one bit.

Occasionally, while my brother Budd was stretched out in one of the seats and my older sister Beth read her own books and magazines, I would hang out in the back of the van with my younger sister, Heidi, creating stories with her Barbie dolls while the wheels of the van whirled underneath us on hot black asphalt. The time spent staring out the window as the countryside of the U.S. passed by me developed a yearning in me. To this day, I love to get in my car and just drive. The seed to become a writer was also planted in those summer road trips. (more…)

Basement Songs: Big Audio Dynamite II, “Rush”

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GlobeI’m running through the streets of industrial Los Angeles cursing to myself. My eyes are searching, desperately scanning the sidewalk and disintegrating asphalt for a coat hanger. The sun beats down on me, I’m sweating profusely, and behind me my car is parked with the engine running and the keys locked inside it. Welcome to L.A., baby.

If there is a Horatio Alger rite-of-passage story in my life, it takes place during the summer of 1991. For three months I worked as an intern for Alterian Studios, a special effects company in Hollywood. I was a 21-year-old kid — or at least I felt like a kid.

My mother and I spent three and a half days driving across the country in the 1987 Plymouth Horizon given to me that spring. The red four-door hatchback was an automatic with crank windows, no AC, FM/AM stereo and under a thousand miles on it. A great little car, it was the perfect vehicle for navigating the L.A. freeways. Upon arrival, my mom hovered over me protectively as if I wouldn’t survive in the big city. As much as I love her, I was relieved when she boarded the plane back to Ohio. This was my big chance to be on my own — sort of. I’d be crashing at the apartment my brother, Budd, shared with his fiancée, Karyn. Still, with the two of them busy with their own lives, I would be free to explore the west coast and figure out who I wanted to be. (more…)

Basement Songs: Roger Daltrey, “Rebel”

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Under A Raging MoonI awoke with a knee in my back and a song in my head. Crammed into a bed with Julie and Jacob, I teetered on the edge hanging over a gap between the mattress and the wall. I never expected to have Roger Daltrey screaming in my skull at 9:00 on a Saturday morning. Alas, there he was and there he has stayed all week singing “Rebel,” the Bryan Adams/Jim Vallance-penned tune from his 1985 album, Under a Raging Moon.

Each trip back to Ohio conjures up new old memories. This summer the thoughts of the past have been thicker than ever as I continue to experiment with writing a book. The story I hope to tell deals with my formative years in North Olmsted, the people I was involved with, and the music I listened to the most at the time. Daltrey’s solo record occupied a great deal of time on the turntable. While other songs on Under a Raging Moon received radio airplay and the title track gained attention for its tribute to Keith Moon, this one track, which Adams and Vallance wrote specifically for the Who frontman, was my favorite. It’s raw, emotional, and reflective about returning to your hometown after leaving on your own terms, and I don’t think anyone can inhabit the number like Daltrey did.

Back in the ’80s, while I toiled away my free time in my parents’ basement, I longed for fame and fortune, hoping to become a famous movie director, someone who could change the world with powerful stories only I could tell. My hometown in the Cleveland suburbs felt constrictive, as if I would never achieve my dreams there. It wasn’t just the walls of the basement that were closing in; it was the whole damn city. The world seemed bigger outside the city limits; I felt like I was bigger than North Olmsted. Once I left I never wanted to come back. (more…)

Basement Songs: Michael Stanley Band, “Someone Like You”

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youcantfightfashion-lg-1983Who could have imagined that sunny California would be overcast and chilly the entire week my family traveled to Ohio without me? The gloomy weather seems to fuel the grayness of my spirit this week. I miss my family terribly; I don’t do well on my own. Luckily I’ll be joining them by week’s end. The last I saw them, curbside at LAX, Julie and I kissed as she collected the multiple bags she had to wheel inside. Sophie gave me the grandest hug, not wanting to say goodbye. With mixed emotions she let go. Jacob, wearing his crushed and crooked Dodgers cap, asked, “Daddy, will you tell me if the Indians won?” I replied, “Jake, you’ll be in Cleveland. You can tell me if the Indians won.” Earlier that morning he asked me to wear my baseball hat when I flew into Northeast Ohio. “My Indians hat?” “No, Daddy, your Dodgers hat.” As a diehard Indians fan, flying into Cleveland wearing anything other that a Tribe hat seemed improbable.

They left, I drove away, and soon thereafter the loneliness set in. No one ever tells you how empty you feel when your wife and kids are away or how it can screw with your rhythms. When vacations approach and I know I’ll be home alone, I imagine using the free time to write or catch up on the movies I missed. Yet I find it difficult finding the energy to get started; without the family around I’m uninspired. A slug. (more…)

Basement Songs: Sugarland, “All I Want to Do”

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loveontheinsideWhile perusing the excellent selection of music stocked at the Burbank Public Library, I happened upon Sugarland’s Love on the Inside misplaced next to Keith Urban’s 18 Kids greatest hits compilation. My trip to the library was motivated by searching out some of Urban’s music, but I decided to pick up the latest Sugarland album as well. I know very little about this group other than they are a duo, Jennifer Nettles and Kristian Bush, and that I saw a fun video of theirs on YouTube last year. Other than that, the only distinction that Sugarland has in my household is that Nettles’ mannerisms when singing kind of bug Julie. Based solely on the appeal of that video and whatever is hardwired in my brain to prove to my wife that she may actually like Sugarland, I brought home Love on the Inside to share. Without telling anyone I placed the album in the old compact disc player and pressed play.

The instant “All I Want to Do” began, Julie came shimmying down the hallway with a broad smile on her face immediately singing along with the catchy chorus.

“Who is this?” She asked.
“Sugarland. You know, with that lady from the Obama inaugural concert.”
“I like this.”

She smirked, “As long as I don’t have to watch her sing.”

The two of us laughed and the album became an instant classic in our household. Each song has a wonderful hook and a perfect blend of country twang and pop sensibilities. Nettles and Bush sing wonderful harmony together and their music is performed with great passion and care.

Soon enough, Sophie was singing along, too, while Jacob bounced his feet to the rhythm of the beat as he colored Teen Titans pictures at the kitchen table. While he rolled his eyes in mock protest when Jules started the song over, he sure was listening to the lyrics closely. I didn’t have an answer to his question, “How can you talk without saying words?”

While “All I Want to Do” is rooted in our present lives, the mood takes me back to place 15 years ago, when Jules and I were newlyweds, lounging around on our weekend mornings with nothing to do but figure out when to get out of bed. What a carefree, wonderful period that was. Still, I’d never return to those days, not with the life we have now. Maybe these times aren’t the easiest, but we’re together; we’re a family.

Each year, as school is ending and summer waits anxiously around the corner, some song or CD seems to capture the moment and set the tone for the rest of the season. This past academic year was not the easiest as we dealt with job issues, health issues and financial issues. Yet we continue to persevere. Although we’re nowhere near out of the woods, I’m surprisingly calm about the uncertainty that lies ahead. I could crumble under the pressure of trying to figure how we’ll pull through it all, but some outside force keeps my fears at bay. Hope? Blind optimism? Faith? I’m unsure.

I continue to pull strength and comfort from the family. Each time Jacob rushes to the door to give me a hug when I arrive home, I find comfort. Each time Sophie and I share one of our bedtime conversations in which she speaks in one long breathless sentence going over the minute details of every minute of her day, I find comfort. And each time I kiss Julie and she gives me a mock “peace out” sign before heading to bed, I find comfort. It’s the little things that make up a family, the little things mixed with big emotions. That’s what Love on the Inside captures. Little details in the lyrics that are insightful and succinct mixed with big melodies that have a great deal of heart and soul.

What “All I Want to Do” has given me for the rest of my life is the memory of Sophie singing, “All I want to do-oo-oo-oo-oo,” Jacob performing perfect Pete Townshend windmills, and the lovely sight of my wife shaking her hips to the music.

Thank you, Keith Urban, for inspiring me to go to the library to look for your music (I liked 18 Kids, by the way). Thank you mysterious patron of the Burbank Library for being irresponsible and filing Love on the Inside under “U” in the CD section. Thank you Sugarland for creating the music that will carry us through the coming summer. And thank you Sophie, Jacob and Julie for always giving me inspiration, hope and love.

Happy summer, everyone!

Basement Songs: Indigo Girls, “Galileo”

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album-rites-of-passage1My bags sat on the floor waiting to be unpacked while I looked around my bedroom — the same bedroom where I’d grown up, the same bedroom I’d escaped when I went off to Bowling Green, and the same bedroom I would now live in as a college graduate trying to save up money to move out west. Nothing had changed in that room for 15years; the wallpaper that my mother had put up herself still hung on the walls, the newspaper clippings and magazine pictures tacked to the corkboard were still there, and the clown portrait that hovered over the bunk beds my brother and I had shared still looked on, unable to manage a smile. As the smell of fresh cut grass filled the air and a breeze came in through the window, I felt lost. Four years spent in pursuit of a dream seemed to have stalled while I waited out the summer. To top things off, a bad hair dye attempt had left my hair orange.

Change was in the air, though. 1992 was an election year, and the youthful governor Clinton from Arkansas had tapped into the mindset of twentysomethings like me, inspiring us all to believe that our voices really could affect the outcome in November and help shape the country for years to come. In the music world, where trends were still being made and program directors had some freedom to play the music they believed in, alternative radio stations began popping up all over, like little buds bursting through the earth. Underground would soon become the mainstream. Exactly what “alternative” meant was up in the air, giving stations the freedom to play anything that didn’t fit the mold of top 40, country or classic rock radio. In Cleveland it was WENZ, whose playlists were a collage of grunge, modern rock, folk, some electronica and several of the great ’80s college bands finally getting their due. The Replacements, Midnight Oil, early Gabriel, Pearl Jam. It was a healthy mix. One group I was pleased to receive wider exposure was the Indigo Girls, who had just released their fourth album, Rites of Passage. (more…)

Basement Songs: Alicia Keys, “Like You’ll Never See Me Again”

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aliciaSitting on the patio at my brother’s house, as Sophie and her cousins laughed, splashing in the pool and Jacob glided though the air on the swing set, something unexpected happened. While I sat with Budd and Karyn discussing the hardships we all faced and the year ahead, Alicia Keys brilliant album, As I Am, began playing through the broken speakers hanging on the side of the house. One of the woofers was blown and each time the bass thumped, everything vibrated. The three of us were easily distracted by the noise of the kids and our conversation. But then, the quiet piano intro of the ballad “Like You’ll Never See Me Again” began to fade in, tinkling along until Keys started singing in her delicate, hushed voice.

I know this song well; for more than a year, As I Am has been one of Julie’s favorite albums, and the songs often echo from the kitchen where she blasts the music and sings along to lyrics she’s memorized to heart. Keys performs with such raw emotion, you can feel her pulse bumping her blood into each track of the record. As I Am is one hell of a record, my friends.

As I sucked down a beer and nibbled on the remains of my Caesar salad, the music drowned out the kids swimming, Jacob humming the songs from his school play while he swung, and the voices of my brother and his wife. What was unexpected was the wellspring of emotions that swept over me in that moment and how much I suddenly missed my wife. (more…)

Basement Songs: Bob Dylan, “The Times They Are A-Changin’”

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dylanMy first couple years in college, after school let out for the summer in early May, I would climb inside my parents’ red GM van and drive down to Athens, OH to visit Matt. Ohio University, where he went to school, was on a different schedule than Bowling Green State University, and Matt’s classes didn’t end until June. There was always one weekend I could drive down and hang out with my childhood friend.

I’ve always loved solo drives through the long stretches of greenery Ohio has to offer. Something about all of that vegetation, all of that life, renews my soul. The drive to Athens takes you through the southern portion of the state; the farther down you travel, the hillier and greener the landscape becomes. With a stack of cassettes scattered in the passenger seat, a couple cans of Coke, and a bag of some greasy, salty snack (generally Bugles — you can’t go wrong with Bugles), the road trip to OU was how I marked the beginning of summer. (more…)

Basement Songs: Josh Groban, “You Raise Me Up”

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grobanI’d like to pay tribute to my mother-in-law, Judie, a woman whose perseverance has set an example not only for all of her kids, but for all of us to follow. In the summer of ’92, before I began dating Julie, I knew her mother as a customer at the Bin, the natural foods store where I worked. Back then she was just Mrs. Flynn, and once a week she stopped in to buy fresh fruit and vegetables, bringing a ray of positive energy into the store. I first took notice of her kindness when my dad went in for open heart surgery. Judie expressed great empathy, even though she hardly knew me. Her kind words and prayers gave me some peace of mind during a turbulent time.

In August of that year, Julie and I began dating. The day after our very first date, the two of us were hanging out in the Flynn kitchen, holding hands at the table. Mrs. Flynn came in, beaming at the sight of the two of us. It was as if she could recognize just by the way Julie and I looked at each other and how we interacted that something powerful was happening. In October I found myself sitting at the same kitchen table, across from Mrs. Flynn and her husband (a great man in his own right) asking for their permission to marry their youngest daughter. My stomach was spinning, concerned that wanting to get married a few months after Julie’s sister would add more stress to everyone’s life. Yet Judie never hesitated in saying “of course.” I was welcomed into their family with open arms.

What inspires me about Judie is her knack for finding the goodness in people despite their flaws. I am amazed that she raised three daughters as a single, working mother until she met Mr. Flynn. Furthermore, to witness her battle rheumatoid arthritis and maintain a brave face, never complaining and never slowing down; to see her always extending a helping hand to whomever she can, most importantly her family, time and time again, makes me want to be a better parent and a better human being in general. (more…)

Basement Songs: John Fogerty, “Centerfield”

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fogerty1The other night I let Sophie stay up past her bedtime to listen to the last inning of the game between the Red Sox and Indians. One of the things I love about the Internet is the ability to listen to every Indians game with the Cleveland radio play-by-play announcers making the calls — it’s really kept me in touch with my hometown. Ironically, baseball was not a huge part of childhood in northeast Ohio; during the ’80s, there was little to root for when the Indians took the field. Oh, each year there was a glimmer of hope for the home team that lasted until the end of April, by which time the Tribe was usually in the basement of their division. In addition to the woes of the Indians, baseball was just never a presence in our house, which is strange, because if you ask my dad about the ’48 and ’54 championship Indians teams, he can rattle off players and some of their accomplishments. The radio was always tuned to music in our house, though, and I found televised games a bore. I took in the occasional game, but the old Cleveland Municipal Stadium was a dungeon: cold, damp and cavernous. It wasn’t a lot of fun to sit in the stands.

The only Indians game I recall vividly occurred in the mid ’80s. It was actually a doubleheader, and my cousin Dave and I rode the rapid transit downtown, to take in both games and then hear Crosby, Stills and Nash give a full-length concert afterward. It was a perfect day: Sun shining; women roaming around in bikini tops; hippies singing out of tune at the top of their lungs; and the Tribe won both games. It was unbelievable. Dave and I returned home around 11 PM and man, was my dad pissed. Turned out he didn’t realize it was a doubleheader and a rock concert. I think he was just worried.

I credit the movies for stirring my interest in baseball. I cried my eyes out each time I saw Gary Cooper gave the Lou Gehrig farewell speech in The Pride of the Yankees; I cheered each time I watched Robert Redford’s Roy Hobbs shatter the stadium lights in The Natural. However, it was the release of Ron Shelton’s Bull Durham in 1988 that made me appreciate the nature of the game. I don’t believe any other baseball film has ever captured the essence of life on the field and off as well as Bull Durham — plus, Kevin Costner, Susan Sarandon, Tim Robbins and the late Trey Wilson are a dream cast. Almost a year later, David S. Ward’s comedy about the hapless Cleveland Indians, Major League, hit theaters. The film, starring Tom Berenger, Rene Russo, Charlie Sheen and the incomparable Bob Uecker, is a love letter to the city of Cleveland, a town with a self-confidence problem ever since the Cuyahoga River caught on fire in 1969. While both films are very funny, they are also hopeful, which is what I love about the game. One day, your team can lose by 10 runs and look like complete incompetents; the next night, those same players can be in sync and look like champions. (more…)