Popdose Guides »
The Popdose Guide to Prince, Part One
What's purple, has two thumbs, and will most likely try to sue our asses for running this guide? Ladies and gents, Prince Rogers Nelson!
Read More »The Popdose Guide to David Bowie, Part Two
It took him almost two months, but Anthony Hansen is back with the final installment of his guide to David Bowie's recording career. Let's get eclectic ... and let's dance!
Read More »The Popdose Guide to KISS
Yeah, we know it’s only Tuesday, but it’s never too early to rock — so break out the greasepaint and the studded leather, ’cause John Young is ready to give you some KISS!
Read More »The Popdose Guide to David Bowie, Part One
Been missing the Popdose Guides? So has Anthony Hansen -- and unlike the rest of us, he's gone and done something about it
Read More »The Popdose Guide to Utopia
Missing the Popdose Guides? You'll be pleased to make the acquaintance of Anthony Hansen, who makes his debut with the Popdose Guide to Todd Rundgren's Utopia
Read More »The Popdose Guide to Jimmy Smith
For all the Hammond-deficient Memorial Day barbecues out there, Mojo Flucke has prepared a treat: The Popdose Guide to Jimmy Smith
Read More »Beyond Ubiquitous: The Popdose Guide to Syd Straw
For someone who can talk your ear off, Syd Straw certainly has built an enigmatic career. After establishing her bona fides as an arty modern-rock diva during the mid-’80s, as part of the Golden
Read More »The Popdose Guide to Marti Jones
To fans of her four albums of marvelous acoustic pop in the mid-to-late ’80s, Marti Jones seemed on the cusp of becoming the next (albeit far hipper) Linda Ronstadt. Jones had inherited La Ronstadt’s
Read More »The Popdose Guide to Don Dixon
Don Dixon may never quite achieve the lofty stature of rock and roll’s Great Men, but there’s no questioning that for nearly 40 years he’s been one of the industry’s great guys. He’s a
Read More »The Popdose Guide to Juliana Hatfield
Listening to rock radio in the early ’90s — particularly the college and ‘alternative’ varieties — was an experience like no other. The ratio of tolerable to intolerable music was so high that no
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