CD REVIEW: Imaginary Future, “Sunlight”

Imaginary Future is really the vehicle for Jesse Epstein, Los Angeles-based singer-songwriter.  Sunlight, the newest album, is his 4th and it’s a concept piece.   For the first time in his musical odyssey, Epstein decided to write an entire album’s ...

Single Play Week of 4/13/15

It’s said that absence makes the heart grow fonder. I do hope that my “Single Play” absence has done just that with you, faithful reader.  It’s good to be back with a nice potpourri of artist who run the gamut of ...

EP REVIEW: Laura Joy, “Between Our Words”

Hailing from the Windy City, singer-songwriter Laura Joy offers up her sophomore effort – a five-song EP, Between Our Words.  Low-voltage, lo-fi and warm, this is a fine mixture of acoustic based pop (!) and soothing vocals.  For someone who ...

BOOK REVIEW: David Ensminger, “Mavericks Of Sound”

Mavericks of Sound: Conversations with the Artists Who Shaped Indie and Roots Music (to give it its full title), is a compendium of interviews done by music scholar David Ensminger with indie artists who inadvertently and thankfully spearheaded the “roots ...

EP REVIEW: Ohnomoon, “VVV”

This is great.  I’ll cut to the chase.  New York-based Ohnomoon release their debut EP, VVV and it’s a knockout.  Tight, melodic, familiar and combining the elements that I love from my ’80’s younger days, this band make it their ...

EP REVIEW: The Shift, “7th Direction”

Six songs from this new New York-based trio and a nice find – The Shift’s 7th Direction is filled with chunky riffs, a water-tight rhythm section and melody.  Hard rock, the way it should be done.  The production is also ...

ALBUM REVIEW: Rachel Garlin, “Wink At July”

It’s only fitting that a former schoolteacher could write so eloquently and with a sense of poetic finesse.  Thus, Rachel Garland delivers these kinds of lyrics on her new – and equally warm and tuneful – album, Wink At July.  ...

ALBUM REVIEWS: The Who, “Sell Out”

The brilliance – musically and conceptually – of The Who’s third album, humorously titled The Who Sell Out, cannot be overstated or underestimated.  Only two years on in their contracted recording career and they were breaking huge chunks of ...

ALBUM REVIEW: The Who, “A Quick One”

Started in September of 1966, the second album by The Who was to be a very different affair from their debut, My Generation, for several reasons:  gone was producer Shel Talmy, who had signed the band, oversaw their recordings and ...

ALBUM REVIEW: The Who, “My Generation”

With The Who’s 50th anniversary here, Universal, the owners of The Who’s catalog, have seen fit to bring out vinyl reissues of the band’s landmark first three albums.  Geffen Records in the United States have been assigned the back catalog ...

Does The Governator Have The Right Stuff In “Maggie”?

Well before his political days, action hero Arnold Schwarzenegger starred in a flick called End Of Days. Biblically-speaking,  the end of days is the culmination of signs and wonders speaking of the last battle of heaven and hell. One of those very ...

Live Review: Lloyd Cole, One Lucky Guitar, March 21, 2015

Lloyd Cole is the type of songwriter who incites travel, perhaps because he himself is nomadic and restless–a musical omnivore who’s traversed sparse folk, Velvet Underground-esque rock, electronica and dour jangle-pop (to name a few) during his three-decade career. And so when my husband ...

ALBUM REVIEW: Joe Pug, “Windfall”

This new album from Austin, Texas native Joe Pug has a lot going for it, considering its genesis was in a not-so-positive situation.  From imbibing too much alcohol to feeling disconnected, Pug almost walked away from music but instead, turned ...

Rest In Peace, Michael Brown (1949 – 2015)

Popdose writers pay tribute to Michael Brown who passed away last week.

Ken Shane: I try to avoid calling anything “the best” or “the greatest.” It’s all subjective, isn’t it? In the end it’s just one opinion. So while I may ...

ALBUM REVIEW: The Grip Weeds, “How I Won The War”

You can make the argument that “classic/’60’s style pop” is making an upward surge in a big way from the United States and leading the charge would be New Jersey veterans, The Grip Weeds.  Jangly, quasi-psychedelic, harmony rich and masterfully ...

ALBUM REVIEW: The Vagaband, “Medicine For The Soul”

A thoroughly enjoyable and tuneful collection of songs, Medicine For The Soul, the new release from the U.K.’s The Vagaband, is an exercise in melody.  For a sophomore release, this gathering of eleven songs sound like a group who’ve traveled ...

EP REVIEW: Kawehi, “Evolution”

While her last EP, Robot Heart, turned a lot of heads (along with her interestingly innovative version of Nirvana’s “Heart Shaped Box), multi-instrumentalist/singer Kawehi is already back again with another new batch of songs, the aptly-titled Evolution.  These seven songs ...

MOVIE REVIEW: “The Wrecking Crew” (documentary)

The Wrecking Crew is the brilliant new(ish) documentary from filmmaker Denny Tedesco; it’s a labor of love and small wonder – his late father Tommy was the brilliant guitarist who played in this incredible collective.  For those who really don’t ...