CD Review: Bob Dylan, “Together Through Life”

Ken Shane May 13, 2009 15

Bob Dylan - Together Through LifeThis has been a year in which two of rock’s greatest icons have released new studio albums far ahead of their usual schedule. Bruce Springsteen released Working on a Dream in January, a mere 15 months after Magic was released in October, 2007. To show you why this is so unusual, it took Springsteen more than five years to follow 2002′s The Rising with Magic, and going back over his career, that is much closer to the norm.

Now we have a brand new studio album from Bob Dylan, Together Through Life, and it makes an appearance a mere 32 months after Dylan’s last studio album, 2006′s Modern Times. The gap between Modern Times and its predecessor, Love and Theft, was very nearly five years, and again, going back over Dylan’s career, at least in recent years, that is much closer to the average.

Not to be ungrateful, because I’m very happy when either of these artists releases a new album, but what exactly is going on here? What’s driving these men to speed up their recorded output so dramatically? The answer, it seems to me, is pretty simple — time. Bruce Springsteen turns 60 this year, and although it appears that he is in good health, in the last couple of years he has had to endure the deaths of a longtime collaborator, E Street Band keyboard player Danny Federici, and Terry McGovern, who was Bruce’s friend and assistant for years.

Bob Dylan will be 68 years-old on May 24 (Happy Birthday, Bob!), and he also must be facing his mortality after witnessing the demise of many old friends and colleagues, and having his own health scare in 1997 when he was hospitalized with histoplasmosis, a potentially life-threatening fungal infection. It’s apparent that both of these artists feel that they have more to say, and they both realize that none of us is given to know how much time we have left. A bit morbid perhaps, but perfectly understandable.

The good news is that both men do have more to say. Springsteen proved it in January with what I feel is his best album in years, and now Dylan is back with Together Through Life, another in a continuing series of great albums. The bard’s 46th release finds him once again deeply immersed in the blues, and having a great time being there.

No one can be blamed for looking for messages from Bob Dylan. For a lot of people he’s someone akin to a prophet, although Dylan himself dismisses such talk. And yet many of his albums have been filled with signs and symbols. We’ve become accustomed to looking for the deeper meanings in his songs. I’m happy to say that there’s no need for such digging into the new album. This is Bob Dylan having a great time. He recorded the album with his very strong road band, and produced it himself under his Jack Frost pseudonym. David Hidalgo of Los Lobos leavens the blues with some tasteful accordion playing throughout.

If you really must look for a message, it would appear that our old friend Bob has found love in the autumn of his life. Even the opening track, “Beyond Here Lies Nothing,” which is very dark musically, is an ode to commitment in an increasingly cold world. Several other songs would seem to confirm this theory, including the mariachi-flavored “This Dream of You,” and the devotional ballad “I Feel A Change Comin’ On.” It’s no coincidence (are there ever coincidences with Dylan?) that the album ends with a song titled “It’s All Good.”

Of course, this being a Bob Dylan album, there has to be some mystery. Sure enough, blended in with all this happiness are a couple of songs, the despairing “Life is Hard,” and the vengeful “Forgetful Heart,” which temper the good feelings that are present elsewhere. Together Through Life is mostly just a good time. For my money, “My Wife’s Home Town” is one of the funniest songs that Dylan has ever written. The late blues great Willie Dixon shares a music credit on the song.Set against a traditional blues rhythm, Dylan recounts the ways that this woman has done him wrong, in the most sardonic terms. As you might imagine from the title, “Shake Shake Mama” is good time rocker, with some very nice guitar work from Heartbreaker Mike Campbell, who is also present throughout the album.

Much has been made of the fact that Dylan collaborated with Grateful Dead lyricist Robert Hunter on all but one of the songs here. If that’s the case, more power to him. They make a terrific team. It’s all about what it takes to make good music, not who did what.

Finally, note must be made of Dylan’s voice. The vocals on Together Through Life are the best I’ve heard on a Dylan album in quite some time. It seems that his voice has settled into this nice raspy, deep groove.

For anyone who thought that it might be time to bury Bob Dylan, put down your shovel. The great poet is very much alive, and on top of his game.

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  • Jonah

    Nice article, and I agree with you review. I don't think your specific point re: Springsteen is valid, however. You seem to be forgetting “Devils & Dust” and “We Shall Overcome: The Seeger Sessions” that Springsteen put out between “The Rising” (2002) and “Magic” (2007) (and this doesn't count “Live at Dublin”). Frankly, compared to the 1990s, when it looked like Bruce's songwriting/performing well had dried up, the 2000s are a deluge of new releases.

    I'd also suggest that both men tended to be picky/choosy throughout their careers, which caused both to stockpile so many unreleased gems that fans needed countless bootlegs, Bootleg Series, and Tracks just to contain them all. The fact is that it is artists from the current generation, especially today's hit-makers, who take an excessive amount of time between releases (3-5 years isn't unusual). Dylan released basically a new album every year for the first 20+ years of his career — that's incredibly rare now. I still don't think his new release schedule is any slower than any well-established artist, and is comparative over the last 15 years to REM, U2, Madonna, etc…

  • http://www.kenshane.com kshane

    Excellent points Jonah. I probably should have referred to E Street Band albums. His output in this decade overall has been quite strong, but I certainly remember years in the '70s and '80s when it seemed to be forever between Bruce releases. I could have used a better example for sure.

    I'm not sure whether it's the current crop of artists or the record companies who have created this extended release schedule that we have today. You're right, back in the '60s everyone seemed to put out an album a year. It's been a long time since that happened. I certainly don't think the Springsteen or Dylan are slower than anyone else. They're all slow these days.

  • Pingback: Two New Cuts From Bob Dylan…Including “Shake Shake Mama (With Heartbreaker Guitarist Mike Campbell)” « Rock God Cred

  • Laura Aronson

    Greetings from your ole Columbia HS classmate. First post of yours I've read. I'm a big Dylan fan, so I do appreciate your take on his latest. Now I will go listen to the music!

    BTW, I saw Springsteen in his arena concert in Boston a few weeks ago. Other than the deafening sound level (with most lyrics pretty blurry as a result) it was a fantastic show. He and the E Street Band rocked for over 2 hours with no break. God knows how the man does it – non-stop calisthenics on top of the singing and playing. Wow. I was moved to tears by Working on a Dream. More than half of the crowd were boomers, with the rest in their 30's. They were REALLY into it. When the crowd bellows BRUCE it sounds like they're booing him, but quite the opposite, they are raving fans.

    Laura Rose Aronson

  • Gerda Beuger

    I read the story abot the new album of Bob dylan. Going through the story I got a little bit the feeling that Bob Dylan has (perhaps) found a new love? does anybody know more about this? I read abot rumours about this issue. How seriously do we have to take this? Does anyone know? (I am not a stalker, just interested).

  • http://www.kenshane.com kshane

    That was my impression after listening to the songs, but I have no idea whether that's actually the case.

  • http://www.popdose.com DwDunphy

    I'm just glad they're both making new music and not merely getting on the Oldies bus for yearly ego-strokes. So many artists claim that the act of writing new songs is pointless in the current pop culture and economic times. It's nice to think there are a few out there that haven't lost the joy for making music even when it might not result in a payday.

  • http://www.myspace.com/hotterthanjuly Michael

    ACTUALLY, Devils & Dust was released between The Rising and Magic, in 2005, to be more specific. But a nice gesture nonetheless. Together Through Life is a magnificent album and easily stands alongside the trifecta of essential albums that comprises Dylan's career resuscitation.

  • http://www.myspace.com/hotterthanjuly Michael

    Also, 2006's We Shall Overcome: The Seeger Sessions was released. Although it represents more of a stopgap rather than a proper Bruce Springsteen effort. Either way, you seem to have underestimated the degree of his prolificness in your review.

  • Dean Jones

    Dylan sounds maniacal on quite a few of these numbers. Your review is not reactionary, although you seem too easy. I really liked some points, because you recognise that basically this record is as consistent as any he's put out yet. Unlike 'Love and Theft,' the instruments aren't 'out there,' which is both this album's strength and weakness. It finds its sound through embedding instruments rather than clarifying them, the beat distinctive above all. The melodic intruments, certainly guitars, often counterpoint against percussive, and enliven themselves like the old rock and roll records we all love, sharpened, against every last upstroke. As for his voice, it resembles a viper striking against the reel and as I mentioned in the first sentence, resembles someone caring less, about life and love, in love with life. Certainly 'Beyond Here Lies Nothing' is about eternity; nothing lies beyond love except the infinity of the universe. We can explain away 'Life is Hard,' commissioned for the soundtrack to a film, but, and you're right about this, how shall we explain 'Forgetful Heart?'

  • Dean Jones

    Dylan sounds maniacal on quite a few of these numbers. Your review is not reactionary, although you seem too easy. I really liked some points, because you recognise that basically this record is as consistent as any he's put out yet. Unlike 'Love and Theft,' the instruments aren't 'out there,' which is both this album's strength and weakness. It finds its sound through embedding instruments rather than clarifying them, the beat distinctive above all. The melodic intruments, certainly guitars, often counterpoint against percussive, and enliven themselves like the old rock and roll records we all love, sharpened, against every last upstroke. As for his voice, it resembles a viper striking against the reel and as I mentioned in the first sentence, resembles someone caring less, about life and love, in love with life. Certainly 'Beyond Here Lies Nothing' is about eternity; nothing lies beyond love except the infinity of the universe. We can explain away 'Life is Hard,' commissioned for the soundtrack to a film, but, and you're right about this, how shall we explain 'Forgetful Heart?'

  • Dean Jones

    Dylan sounds maniacal on quite a few of these numbers. Your review is not reactionary, although you seem too easy. I really liked some points, because you recognise that basically this record is as consistent as any he's put out yet. Unlike 'Love and Theft,' the instruments aren't 'out there,' which is both this album's strength and weakness. It finds its sound through embedding instruments rather than clarifying them, the beat distinctive above all. The melodic intruments, certainly guitars, often counterpoint against percussive, and enliven themselves like the old rock and roll records we all love, sharpened, against every last upstroke. As for his voice, it resembles a viper striking against the reel and as I mentioned in the first sentence, resembles someone caring less, about life and love, in love with life. Certainly 'Beyond Here Lies Nothing' is about eternity; nothing lies beyond love except the infinity of the universe. We can explain away 'Life is Hard,' commissioned for the soundtrack to a film, but, and you're right about this, how shall we explain 'Forgetful Heart?'

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