CD Review: Human Nature, “Reach Out”

“In the style of the boy-band vocal bands of the time, Human Nature became Australia’s most successful pop group of the ’90s and beyond,” according to their Allmusic.com biography, “outselling their international contemporaries Backstreet Boys, *NSYNC, and Boyzone.”

Up until a few weeks ago, I’d never heard of these guys. Then again, what I don’t know could fill a warehouse.

And after listening to Reach Out (Sony/RED), I could swear that the vocal group’s introduction to American audiences will be filling warehouses for months to come, but Human Nature are multiplatinum artists Down Under — they transitioned from boys to men in the past decade by ditching dance-pop and embracing, well, dance-pop from an earlier era. In 2005 they released Reach Out: The Motown Album, followed by Dancing in the Street: The Songs of Motown II in ‘06, and by the time of 2007’s Get Ready, they were enlisting guest appearances by the Temptations, the Supremes’ Mary Wilson, and Smokey Robinson, who’s “presenting” their current “Ultimate Celebration of Motown” stage show at the Imperial Palace in Las Vegas. The back cover of the Reach Out CD booklet even advertises the show, which I have to assume, based on the contents of the album, is the main event.

The American version of Reach Out takes songs from all three of Human Nature’s Motown albums and erases any telltale copyright dates from the liner notes. In other words, “it’s new to you!” And if you’ve never heard the originals that are being covered by the Aussie quartet (brothers Michael and Andrew Tierney, Toby Allen, and Phil Burton, all of whom have been singing together since high school in the ’80s, when Motown nostalgia was first becoming a booming business), you might think the melodies are pretty catchy, with a good beat you can dance to. In other words, if you’re under ten years old, this is a serviceable introduction to Motown, but if you’re in double digits, Reach Out comes across as professional karaoke — the only acknowledgment of any Fauxtown backing band is “the gifted musicians who helped create this record.” Might one of those musicians be named Mac, and is it possible another one goes by the initials “PC”? (Allmusic.com does in fact list the musicians who worked on the three Australian releases, but their instruments still sound canned either way.)

There just isn’t any point to these carbon copies, hence the suspicion that the live show is where Human Nature gives the baby-boomer grandmas their money’s worth after a long day of dumping quarters into slot machines. And ladies, don’t be afraid to bring your granddaughters — as I said, the blokes from Human Nature provide a good-enough intro for the grade-school set to Berry Gordy’s Detroit hit factory (emphasis on “factory”), and they’re handsome in a nonthreatening, JC Penney catalog kind of way.

Of course, after you hear their version of the Jackson 5’s “ABC,” you’ll know for certain that the song works best when sung by children who are trying to sound like adults, not men pushing 40 who want to sound “innocent.” And when they tackle the Supremes’ “You Keep Me Hangin’ On” in a higher register than normal, as if emulating the voices of Mary Wilson and company, I wanted to believe that they were making a statement about being secure in one’s sexuality — until they changed the line “Why don’t you be a man about it?” to “I want to be a man about it.” Indeed.

The best track here, ironically, is “You Are Everything,” recorded by Motown’s Diana Ross and Marvin Gaye as a duet in 1974, but the Stylistics did it first (and best) three years earlier. The Stylistics weren’t on Motown or even from Motown — they were a Philadelphia group produced by the great Thom Bell, who cowrote “You Are Everything” with Linda Creed. Granted, I prefer Philly soul over Motown and Memphis R&B any day of the week, but Human Nature’s harmonies and soaring vocals really do transcend the chintzy GarageBand-like instrumental mix on this particular number. Here’s hoping that in concert they fight back against the dehumanizing factory setting even more.

You Are Everything
Twenty-five Miles

Reach Out is available exclusively at Barnes & Noble.

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  • This whole album gave me that creeped out feeling I had when I heard Pat Boone's version of "Tutti Fruity"
  • And it made me think these boys are big fans of Gus Van Sant's 1998 remake of "Psycho."
  • John
    Check out the credits on the original releases of these songs in Australia. Full live band playing real instruments. Not that you'll print anything to admit your assumptions about all that "Mac", "PC" and "Garage Band" programming were wrong, will you?
  • There's no way for me to get my hands on the liner notes for the original albums here in America, but if you say real musicians are credited on the Australian releases, I believe you. The instrumentation still sounds canned, though. Thanks for reading.
  • John
    Thanks for the response- sorry I doubted you!
    I'm in an Aussie band myself and I know how it feels to have a reviewer denigrate your work for reasons that simply aren't true. It really annoys me, so I thought it only right to point out the flaws in your argument.
    However, unlike most Australian reviewers, I'm glad to see you acknowledge this part of your argument may not be based on fact. Much respect for that.
  • "However, unlike most Australian reviewers, I'm glad to see you acknowledge this part of your argument may not be based on fact. Much respect for that."

    I will never claim I'm perfect. It's just that the liner notes for the American edition of "Reach Out" aren't much help. I'd never heard of Human Nature before I was assigned that review, and like I said in the review, no copyright dates are given that indicate some of the songs are four years old. However, after you wrote, I looked up the original release of "Reach Out" on allmusic.com. I'd referenced it for my review, but I failed to look at the "credits" page. Sure enough, there are the musicians' names. I'll see if they're also listed for the other two albums from which the American "Reach Out" gets its tracks. I'll change my review to reflect that, but it still sounds like GarageBand to me. My sarcasm shall remain untouched, mate!

    All kidding aside, let me ask you -- are these guys big in Australia? And what's the name of your band? My exposure to Australian pop and rock is mostly limited to what I've heard by liking Evan Dando and the Lemonheads since he loves Australia and groups like Smudge and the Eastern Dark and, by extension, the Hummingbirds. Are any of those groups still active?

    Thanks again for writing. I always welcome corrections.
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