CD Review: The Lemonheads, “Varshons”

The Lemonheads’ new album, Varshons (The End Records), kicks off with Gram Parsons’s “I Just Can’t Take It Anymore,” in which the resigned, lovelorn protagonist declares, “Well, we could’ve done a lot / We certainly did not / So I’ll try to do the things I did before.” In his own way, Lemonheads frontman Evan Dando — who is the ‘Heads, for all intents and purposes — is declaring the same: He’s only released two studio albums of original material in the past decade. And though the Lemonheads have recorded a bunch of covers over the years, starting in 1986 with Proud Scum’s “I Am a Rabbit” and including “Luka” and “Mrs. Robinson” along the way, Varshons is the revolving-door band’s first all-covers LP (unless you count his solo 2001 country-covers EP, Griffith Sunset). As Dando told Australia’s Time Off magazine recently, “I refuse to [write songs] on purpose. I’m always playing a guitar, but I refuse to go ‘OK, I’m going to write a fucking song today even if it sucks.’”

Fair enough. So until the next album of Lemonheads or solo Dando originals sees the light of day, we have this collection of 11 songs that Varshons producer Gibby Haynes, otherwise known as the leader of the Butthole Surfers, has put on mix tapes for Dando over the years.

Dando’s goal was for Varshons to have the grab-bag variety of a mix tape, which it achieves in fits and starts, but most of his interpretations here are filtered through his admiration for Parsons and the late musician’s country-rock sensibilities. (The word “versions,” if said with an English accent, will apparently get you “varshons,” but you can also reach that destination by way of a southern twang.)

Hearing Townes Van Zandt’s “Waiting Around to Die” (“His name is codeine / And he’s the nicest thing I’ve seen / Together we’re gonna wait around to die”) in this context isn’t a surprise, but Wire’s “Fragile” and GG Allin’s “Layin’ Up With Linda” aren’t the most likely candidates for steel-guitar revisionism. Punk-rock outlaw Allin was known for his deeply misogynistic lyrics, but Dando makes the black comedy of “Linda” palatable, providing just the right amount of sociopathic pouting to lines like “One day I just got bored and killed her / She used to be fun.” It’s also the third murder ballad by the Lemonheads in as many albums, following Car Button Cloth’s “Knoxville Girl” (1996) and The Lemonheads‘ “Baby’s Home” (2006).

The first half of Varshons is the strongest, but Amsterdam-based duo Arling & Cameron’s “Dirty Robot” provides an excellent beginning for “side two” of this mix. Model Kate Moss, an old friend of Dando’s, sings lead on the hot-pink electro track, with a vocoder-ized Dando chiming in as the title ‘droid. It’s the WTF moment every good mix tape needs, reminiscent of the Lemonheads’ cover of New Kids on the Block’s “Step by Step” on their Favorite Spanish Dishes EP in ‘91. In general, Varshons could use more curveballs like “Dirty Robot.”

Another famous female showing a different “varshon” of herself here is actress Liv Tyler, who duets with her Heavy costar on Leonard Cohen’s “Hey, That’s No Way to Say Goodbye.” Neither Moss nor Tyler sounds like she could belt one out if required, but they do well with their celebrity cameos. More impressive is singer Tricia Scotti, who plays Emmylou Harris to Dando’s Parsons on “I Just Can’t Take It Anymore.”

Mix makers often include a no-seriously-this-song-is-awesome-and-I-don’t-mean-that-in-an-”ironic”-way track, and Christina Aguilera’s “Beautiful” (written by 4 Non Blondes’ Linda Perry) fits the bill on Varshons. It’s the final number, and a nice way for Dando to answer any naysayer who wrote him off in the early ’90s when he was turned into a teen-idol pinup by magazines that were hungry for an “alterna-hunk.”

“I am beautiful no matter what they say / Words can’t bring me down,” he croons, and just as Aguilera proved herself to be more than a teen-pop tart earlier this decade, Dando has shown time and again that he’s much more than a pretty boy. His voice isn’t as agile as it used to be, but it’s still one of the best in pop music, able to uplift melodies where other singers might have buried them. As he’s gotten older, his vocals have become wiser — he’s seen it all, and he’s here to assure you everything will be all right.

Fragile
Dirty Robot

Varshons is available at Amazon.com.

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  • Matt
    The G.G. Allin cover is one of my favorites.....I enjoyed this disc quite a lot, which is funny since I wasn't looking forward to it at all when I heard about it last year. I highly recommend that people should snag this, and also snag the previous self-titled album, which I think ranks right up there with Come On and Ray from "back in the day."
  • "The Lemonheads" really is good, though it's too bad four of the best songs on it aren't written by Dando. I wonder if Bill Stevenson, who wrote "Become the Enemy" and "Steve's Boy," will be involved on the next set of original Lemonheads songs.
  • Matt
    Something tells me that in typical Dando fashion, the answer will be no. He was allegedly supposed to play on and produce the "next album," according to a 2007 interview.

    It was cool getting to see both Bill and Karl on the second round of touring that Dando did for the last record - they really made the entire Lemonheads set thump in a way that didn't happen when I first saw Dando and the previous touring lineup during the initial touring for "The Lemonheads" album.
  • Dando has said that "Varshons" was finished by May of '08, and there were definitely rumors that it was going to come out last September. But apparently Vagrant didn't want to put it out, which is why The End released it. Dando says he bought an expensive painting and then realized he'd have to put out a new album and tour behind it in order to pay for the painting. But he didn't have any new songs, which is how an all-covers album came about. Now he's saying that the NEW new album is finished as well, but I doubt it'll come out before the end of the year.
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