Fall Music Preview: 21 New Releases to Listen For

Jeff Giles September 1, 2008 19

Ah, the fourth quarter. It isn’t as much of an event as it used to be, but even as the music industry crumbles to dust before our very eyes, artists and labels continue to focus on the last few months of the year for the biggest glut of high-profile releases on the calendar, and 2008 is no exception.

Rather than punishing your eyes with a comprehensive fall music preview, or soliciting input from everyone on the staff, I decided to put together a list of the titles I’m either looking forward to (Lindsey Buckingham, Brian Wilson), need to hear to satisfy some dark, unexplained urge (Gym Class Heroes, Queen), or simply find interesting for some reason (Todd Rundgren, AC/DC). If you’ve been waiting for someone to tell you how to spend the “music” portion of your discretionary income for the next few months, look no further — without further ado, here’s my list of 21 fall releases to watch for.


Rodney Crowell – Sex & Gasoline (Yep Roc, September 2)

In which one of country’s most freewheeling (read: consistently interesting) songwriters hooks up with Yep Roc for a song cycle that, if the press kit is to be trusted, is “about women.” You can be certain the songs do more than just live up to that simple billing, especially with titles like “The Rise and Fall of Intelligent Design” — and as an added bonus, our pal Joe Henry was behind the boards (and does a duet with Crowell on one track, “I’ve Done All That I Can”). What, you don’t like country? Yeah, me neither. But I’m buying this.


Brian Wilson – That Lucky Old Sun (Capitol, September 2)

Wilson’s last album of new material was the painful Gettin’ in Over My Head, and I look askance at any album whose credits include the words “Van Dyke Parks,” but try as I might, I just can’t shake my Wilson worship long enough to seriously consider not picking up a copy of That Lucky Old Sun, eagerly peeling off the wrapper, and giving it at least one rapt listen. After that, Brian, all bets are off.


Calexico – Carried to Dust (Touch & Go, September 9)

I tend to appreciate Calexico more in theory (or in combination with Iron & Wine) than in practice, but even if their music usually leaves me somewhat cold, I can almost always count on it to at least be interesting, in a dust-covered, pleasantly foggy way. Good for Sunday brunch on Mars.


Gym Class Heroes – The Quilt (Atlantic/Fueled by Ramen, September 9)

I managed to successfully avoid their “Breakfast in America”-inspired hit single, and I’m honestly still on the fence about The Quilt — Fueled by Ramen has yet to release anything I’d want to spend money on — but how can you not be interested in listening to an album that includes cameos from Busta Rhymes and Daryl Hall?


Lindsey Buckingham – Gift of Screws (Warner Bros., September 16)

It’s got the worst album artwork of the season (maybe even the year), and it isn’t the sprawling double album that fans have been waiting for since Screws was announced in the ’90s, but Lindsey Buckingham has never released a bad record, and I have no reason to believe he’s going to start now. (If sales are anything to go by, you don’t own a copy of his last effort, 2006′s Under the Skin. Repent.) For me, this one is fall’s most anticipated album.


George Clinton - George Clinton and His Gangsters of Love (Shanachie, September 16)

Funk’s preeminent weirdo breaks a three-year absence with this 10-track disc featuring cameos from Carlos Santana, Sly Stone(!), El DeBarge(!!), RZA, and the Red Hot Chili Peppers. I don’t know anything about the songs, but I do know that for a time, the album was being referred to as Any Percentage of You Is as Good as the Whole Pie. Good enough for me!

The Lemonheads – Varshons (Vagrant, September 16)
Our own Robert Cass will certainly be looking forward to this collection of covers that ranges from the expected (Gram Parsons’ “I Just Can’t Take It Anymore,” Townes Van Zandt’s “Waiting Around to Die”) to the not-so-expected (G.G. Allin’s “Layin’ Up With Linda,” Leonard Cohen’s “Hey, That’s No Way to Say Goodbye”) and the downright strange (Christina Aguilera’s “Beautiful”). Pause and Play lists Varshons for September 16, but it isn’t available for pre-order anywhere, and the official Lemonheads site doesn’t mention it. Cross your fingers, Lemonheads fans!


Jackson Browne – Time the Conqueror (Inside)

His recording career kicked off in 1972 — and Time the Conqueror, incredibly, marks Jackson Browne’s first studio release apart from the Elektra/Asylum label family. That isn’t the only change, either; the cover shot reveals a whole new look for a singer/songwriter whose appearance has remained virtually unchanged for the last 30 years. Apart from cosmetic changes, however, Browne seems mostly the same — Conqueror was recorded with his longtime backing band, and if song titles like “The Drums of War” are anything to go by, he remains as topical as ever.


Charlie Haden Family & Friends – Rambling Boy (Decca, September 23)

He’s primarily known for his jazz albums — such as my personal favorite, the Pat Metheny collaboration Under the Missouri Sky — but Charlie Haden’s long musical history extends back to his youth as a member of the Haden Family, a group that performed at radio stations around the country during the 30s and 40s. Now Haden’s reaching back to those songs, and has invited his own family — including his wife, son, daughters, and son-in-law Jack Black — as well as a list of friends that includes Vince Gill, Bruce Hornsby, Ricky Skaggs, Rosanne Cash, and Elvis Costello.


Jenny Lewis – Acid Tongue (Warner Bros., September 23)

Lewis’ latest solo effort appears to be closer in spirit to Rilo Kiley than her last release, the rootsy, Watson Twins-assisted Rabbit Fur Coat; not only does it boast a duet appearance from Elvis Costello, it also features cameos from Johnathan Rice, Chris Robinson, Zooey Deschanel, and M. Ward. Wanna hear the title track before it reaches shelves? Fuck MySpace — dial 1-888-717-ACID.


Ben Folds – Way to Normal (Epic, September 30)

Okay, so his last album was rather disappointing — but he’s still Ben Folds, and I, for one, am willing to give him a mulligan and await Way to Normal with suitable levels of eagerness, especially after reading that Folds purposely leaked a batch of fake tracks (including “Brainwascht” and “The Frown Song”) just to fuck with people. Now that’s the Ben Folds we know and love.


Taj Mahal – Maestro (Heads Up, September 30)

Bitch, it’s Taj Mahal. You don’t need any other explanation, and neither do I. Matter of fact, I’m ignoring the fact that Jack Johnson makes a guest appearance on this record, because it’s Taj Mahal. Next month, I’ll even be driving 90 minutes each way to catch the legend on tour, and writing up my first concert review in…oh, Christ, has it really been 10 years?


Todd Rundgren – Arena (Hi Fi, September 30)

Personally, I haven’t given much of a damn about Todd Rundgren’s new material since plunking down for a year’s subscription to his “pioneering” (read: bug-ridden) service in the late ’90s. (God as my witness, I will never download a piece of software calling itself an Interocitor again.) Still, thinking music fans can only ignore Rundgren at their own peril, and he certainly seems jazzed up about Arena. For a more in-depth look at the album, wait for Robert Cass’ Arena post, coming one of these years!


Pete Seeger – At 89 (Appleseed, September 30)

A living legend and an American treasure. I’m still pissed at how poorly Springsteen’s Seeger Sessions record sold, and I shudder to think how thoroughly the mainstream music press will ignore Pete Seeger’s latest (and quite possibly last) album. No, his voice isn’t what it used to be, and yes, he’s a dirty old leftie — but dammit, that’s all part of the appeal. Required listening for patriots everywhere.

Ray LaMontagne – Gossip in the Grain (RCA, October 14)
Like a lot of people, I loved LaMontagne’s Van-channeling debut, and didn’t listen to his sophomore release more than a time or two — but I’m still something like excited to hear his latest. Ethan Johns is behind the boards again, but this time out, LaMontagne employed a live-in-the-studio approach, tracking with his touring band rather than relying on Johns for overdubbed backing. Thumbs up from here.


AC/DC, Black Ice (Columbia, October 20)

If you’ve heard one AC/DC album, you’ve heard them all — and even though I don’t count myself among the band’s perplexingly large legion of fans, I am utterly curious about Black Ice, if only because it’s the latest in a series of Wal-Mart exclusives (and the first to be distributed by a major label). The behemoth chain has goosed sales for REO Speedwagon, the Eagles, and Journey — just imagine what they’ll do for one of the last few consistently commercially relevant rock bands in the world.


Queen + Paul Rodgers – The Cosmos Rocks (Hollywood)

I’m filing this one next to Asia’s Phoenix under “things I am morbidly curious to hear.” Good Lord, would you look at that title? And that artwork? And Paul Rodgers behind the microphone? This may very well be awful, but I have a hard time believing it’ll be dull.

Unfortunately, we’re still too far out for pre-order links or artwork for some of late fall’s most interesting releases, including the following:

Various Artists – Love Train: The Sound of Philadelphia (Philadelphia International, October 21)
Mavis Staples – Live: Hope at the Hideout (Epitaph/Anti-, November 4)
Taylor Swift – Fearless (Big Machine, November 11)
Kelly Clarkson – Title TBA (RCA, November 18)

Still, this list should be enough to keep you busy for a few weeks. What’s on your new music list for the fall? What am I missing here? Let me know in the comments.

  • http://www.popdose.com DwDunphy

    It's going to be a very busy fourth quarter. We could also get a new U2 album if Bono stops having his songs leaked from street-side cellphones. We will have new Metallica music as, I assume, even your great-grandmother knows by now.

    As a Calexico fan, “Carried To Dust” looks like a return to their “Feast Of Wire” sound. It's not progress but the rawness of “Garden Ruin” shocked more than they expected. I still have an undying urge for Jenny Lewis even if RK's “Under The Blacklight” was only half good (and Blake Sennett got off the best track, the Mirage Mac channeling “Dreamworld”.) And now the rest of those “Gift Of Screws” tracks from Buckingham will be available! I'm grinning like an idiot (as opposed to everything else I do like an idiot.) I wonder if he finally, properly titled my favorite Screws track, “Shuffle Riff.”

    All of the above will also be on vinyl, kids.

    As for the rest, Jackson Browne is assuming Zevon's “Mutineer” look. His pod-person metamorphosis scares me a little. That Queen thing scares me. It scares me a lot. I don't mind that May and Taylor want to keep going. I don't even mind that they picked up Rodgers. But this ain't Queen. This ain't even Flaming Mincer.

    For every high point Folds has offered (“Bruised”, “Wandering” from the ep's) he's crashed with equal weight (kiddifying “Rockin' The Suburbs” for the Over The Hedge soundtrack) so “Way To Normal” is on a razor's edge for me. May be good. Maybe not. We'll see. Either Jessee or Sledge recently announced his new band and they have a forthcoming release too.

    You hit the nail on the head with AC/DC's “Black Ice” though. Why I'm interested is hard to guess. It's going to sound like every other AC/DC circa the (Brian) Johnson Administration, specifically “Back In Black”, but that's his high water mark with the band, and possibly their's in terms of sales and success. They couldn't secure the inexplicably stupid Mutt Lange again (cheating on Shania? Did she make you listen to her pre-schtupp?) Instead, they got uber-wunderkind number 3, Brendan O'Brien, who'll surely give it that rough polish he finessed for Pearl Jam all those years.

    Damn, I do ramble.

  • WHarrisBullzEye

    I've already pre-ordered the Brian Wilson album via his website, and as a card-carrying Sam's Club member, you can count on me to pick up the AC/DC album from there, and I'm always a sucker for new albums by Lindsey Buckingham and Ben Folds.

    As to the others, Rundgren's 2004 album, “Liars,” brought me back into his camp – “Afterlife” was one of my favorite songs of that year – so I'm very excited about “Arena.” I somehow didn't know about the new Queen album, but, yeah, that's definitely one I'm perversely curious about. I'd also like to hear that Rodney Crowell, having fallen into his camp a couple of years ago.

  • http://www.grayflannelsuit.net/ GrayFlannelSuit

    I listened to some of the Lucky Old Sun stream on USA Today's website of all places, and it's decent. It offers a decent approximation of what vintage Brian Wilson songwriting sounds like, but his limitations are still obvious (too much sheen, too much slurring).

    The Ben Folds better be damn good, after his awkward and failed attempt to ape early '70s Elton on Songs for Silverman. One of the tracks is called “Bitch Went Nuts”, so that's a hopeful sign.

    I heard part of the new AC/DC single and it was surprisingly good. The fact that AC/DC can still produce good rock is great and sad at the same time.

    I wouldn't touch that Queen abortion if Brian May delivered it to me personally.

  • http://www.popdose.com DwDunphy

    I was born
    Six-gun in my hand
    Mama mia, mama mia.

  • http://www.popdose.com DwDunphy

    Rundgren is so wildly over the map, I would need a thorough listen-to before I committed money to the thing.

  • WHarrisBullzEye

    If you've never heard “Liars,” it was definitely harking back to his old soulful ways. Check out “Afterlife” for proof…

    http://earbuds.popdose.com/will/ToddRundgren/To

  • breadalbane

    Gee, how come “Chinese Democracy” isn't listed here? “Cuz it's defintitely coming out this fall for-sure-we-mean-it-this-time-trust-us.

    Surely it's not here because you think that it's an overhyped non-event that will be a crushing disappointment to anyone with expectations of world-re-conquering glory?

    Personally, I'll spend my money on the new Crowell. There's also a new Pretenders album due out this fall, with Jim Keltner on drums — sign me up!

  • EightE1

    Dude, that Rundgren artwork looks worse than the Buckingham artwork. MUCH worse.

    Looking forward to new Lucinda Williams (though the first thing I've heard isn't doing much for me), Raphael Saadiq, Kings of Leon, and a wicked cool Josh Rouse compilation that Rhino's putting out. Oh, and I heard a new Keane track the other day that sounds promising.

    Rob
    EightE1

  • Ken Shane

    Could you double check that link? Thanks.

  • WHarrisBullzEye

    Plays for me.

  • lobr
  • http://www.drcastrato.blogspot.com drcastrato

    I'm looking forward to the new Mercury Rev album coming this month.

  • http://mulberrypanda96.blogspot.com rwcass

    To me, “Songs for Silverman” got better upon repeated listens, and the fact that there's a song called “Bitch Went Nuts” on the new album is a bad sign that Folds is retreating. That album cover isn't a good sign either. But I love his hooky melodies, and I can't deny that “Songs for Silverman” didn't have enough of them.

  • Ken Shane

    I'm looking forward to the new Oasis album, “Dig Out Your Soul,” which may be out on Oct. 7.

  • Pup Don

    If you really want the double disc treatment of Mr. Buckingham's Gift of Screws, buy the last Fleetwood Mac album, Say You Will, delete Stevie's songs and try to imagine his cuts without her backing vocals (or just find a bootleg of the original Gift of Screws demo) and there you have it. I'm being snarky, but I really do love Lindsey's work and am looking forward to this release as well.

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  • http://www.addictedtovinyl.com Matt

    The Lindsey artwork looks like a slight remix of the album art for Out of the Cradle.

  • http://www.addictedtovinyl.com Matt

    The Lindsey artwork looks like a slight remix of the album art for Out of the Cradle.

  • http://www.addictedtovinyl.com Matt

    The Lindsey artwork looks like a slight remix of the album art for Out of the Cradle.