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> <channel><title>Comments on: Into the Ear of Madness: Week 4</title> <atom:link href="http://popdose.com/into-the-ear-of-madness-week-4/feed/" rel="self" type="application/rss+xml" /><link>http://popdose.com/into-the-ear-of-madness-week-4/</link> <description>your daily dose of pop culture</description> <lastBuildDate>Sun, 12 Feb 2012 00:45:00 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>By: Bruce Mille* &#8211; Rude Awa*ening 1975 &#171; Late For The Sky 3</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-82087</link> <dc:creator>Bruce Mille* &#8211; Rude Awa*ening 1975 &#171; Late For The Sky 3</dc:creator> <pubDate>Fri, 10 Jun 2011 14:07:58 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-82087</guid> <description>[...] Popdose / Reflections of [...]</description> <content:encoded><![CDATA[<p>[...] Popdose / Reflections of [...]</p> ]]></content:encoded> </item> <item><title>By: Richard Poor</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-81900</link> <dc:creator>Richard Poor</dc:creator> <pubDate>Tue, 31 May 2011 19:06:00 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-81900</guid> <description>There is also a Bruce Miller who wrote Family Affair Mary J Blige.  Is this the same person?</description> <content:encoded><![CDATA[<p>There is also a Bruce Miller who wrote Family Affair Mary J Blige.  Is this the same person?</p> ]]></content:encoded> </item> <item><title>By: Donna Konsorado</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-68675</link> <dc:creator>Donna Konsorado</dc:creator> <pubDate>Mon, 30 Aug 2010 16:26:00 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-68675</guid> <description>Thanks for posting this review. I just came across Bruce Miller again in a book I&#039;m reading titled &quot;The Cigar Box Banjo&quot; by Paul Quarrington. It&#039;s an interesting read, lot&#039;s about the Toronto music scene back in the 70&#039;s.
Here&#039;s a bit of what Quarrington wrote about nights spent in one of Toronto&#039;s music hangouts &quot; The Brunswick&quot;
&quot;Miller was a romantic figure, I thought, dark and handsome and somewhat of a loner. He always came late, sneaking in the door then standing in the shadows. He wore a leather jacket and his guitar case was battered and held together by &quot;Fragile&quot; stickers, as though it had spent most of it&#039;s life in the travel compartment of an old freight train. Miller rarely had to stand around long before taking the stage. It was as though everyone was eager to hear him play his song. The crowd would fall silent, the owners would set aside the money they were counting, the wait staff would stop ferrying foodstuffs and stand quiet &quot;Oh Anna Marie, don&#039;t you love me anymore...?&quot;My experience with Bruce Miller was years ago. He was one of the Nashville songwriters that came up to facilitate a songwriting camp on a little Island off Vancouver Island where I live. Miller was living in Vancouver I believe but was connected with this whole Nashville thing. I remember him as being the only teacher that was the least bit interesting in the people like me who had come to learn the art of songwriting, bringing their songs for these guys to have a listen etc. For the most part the teachers had offices in Nashville, spent their days writing songs that may or may not become hits. I can&#039;t remember how Bruce Miller fit into this, I only remember he was interested. The rest went golfing when it was time for the students to play our songs in a little open stage format. Of course I understand how painful it can be...
When I read this bit in Quarrington&#039;s book  I decided to search around on the web, find out what Miller&#039;s been up to etc ?
Maybe he&#039;s more comfortable in the shadows ..... </description> <content:encoded><![CDATA[<p>Thanks for posting this review. I just came across Bruce Miller again in a book I&#8217;m reading titled &#8220;The Cigar Box Banjo&#8221; by Paul Quarrington. It&#8217;s an interesting read, lot&#8217;s about the Toronto music scene back in the 70&#8242;s.<br
/> Here&#8217;s a bit of what Quarrington wrote about nights spent in one of Toronto&#8217;s music hangouts &#8221; The Brunswick&#8221;<br
/> &#8220;Miller was a romantic figure, I thought, dark and handsome and somewhat of a loner. He always came late, sneaking in the door then standing in the shadows. He wore a leather jacket and his guitar case was battered and held together by &#8220;Fragile&#8221; stickers, as though it had spent most of it&#8217;s life in the travel compartment of an old freight train. Miller rarely had to stand around long before taking the stage. It was as though everyone was eager to hear him play his song. The crowd would fall silent, the owners would set aside the money they were counting, the wait staff would stop ferrying foodstuffs and stand quiet &#8220;Oh Anna Marie, don&#8217;t you love me anymore&#8230;?&#8221;</p><p>My experience with Bruce Miller was years ago. He was one of the Nashville songwriters that came up to facilitate a songwriting camp on a little Island off Vancouver Island where I live. Miller was living in Vancouver I believe but was connected with this whole Nashville thing. I remember him as being the only teacher that was the least bit interesting in the people like me who had come to learn the art of songwriting, bringing their songs for these guys to have a listen etc. For the most part the teachers had offices in Nashville, spent their days writing songs that may or may not become hits. I can&#8217;t remember how Bruce Miller fit into this, I only remember he was interested. The rest went golfing when it was time for the students to play our songs in a little open stage format. Of course I understand how painful it can be&#8230;<br
/> When I read this bit in Quarrington&#8217;s book  I decided to search around on the web, find out what Miller&#8217;s been up to etc ?<br
/> Maybe he&#8217;s more comfortable in the shadows &#8230;..</p> ]]></content:encoded> </item> <item><title>By: Christopher Miller</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-51823</link> <dc:creator>Christopher Miller</dc:creator> <pubDate>Sat, 12 Dec 2009 20:27:28 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-51823</guid> <description>I had the pleasure of meeting Bruce Miller when he came into the Broadway and Burrard branch of the Bank of Nova Scotia in Vancouver in 1976. He needed to cash a royalty cheque from A&amp;M records, and because he didn&#039;t have a local bank account, I had to phone his branch in Halifax to see if I should release the funds to him. When we got talking, he mentioned that he was playing at the Old Roller Rink in North Vancouver that weekend. So I said I&#039;d try to get to see him.&lt;br&gt;&lt;br&gt;In preparation, I went out and bought a copy of &quot;Rude Awakening&quot; and took it along on the night. He autographed it during one of his breaks (although I lost it a few years later in a relationship breakup).&lt;br&gt;&lt;br&gt;WThen A&amp;M records deleted &quot;Rude Awakening&quot; from its listings, I went around as many used record shops as I could find to buy up any/all copies of the record. Even to this day, I have two copies of it (having given the remainder to my children), one of which is a DJ copy. That record will always remain one of my favourites.</description> <content:encoded><![CDATA[<p>I had the pleasure of meeting Bruce Miller when he came into the Broadway and Burrard branch of the Bank of Nova Scotia in Vancouver in 1976. He needed to cash a royalty cheque from A&#038;M records, and because he didn&#39;t have a local bank account, I had to phone his branch in Halifax to see if I should release the funds to him. When we got talking, he mentioned that he was playing at the Old Roller Rink in North Vancouver that weekend. So I said I&#39;d try to get to see him.</p><p>In preparation, I went out and bought a copy of &#8220;Rude Awakening&#8221; and took it along on the night. He autographed it during one of his breaks (although I lost it a few years later in a relationship breakup).</p><p>WThen A&#038;M records deleted &#8220;Rude Awakening&#8221; from its listings, I went around as many used record shops as I could find to buy up any/all copies of the record. Even to this day, I have two copies of it (having given the remainder to my children), one of which is a DJ copy. That record will always remain one of my favourites.</p> ]]></content:encoded> </item> <item><title>By: Christopher Miller</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-46420</link> <dc:creator>Christopher Miller</dc:creator> <pubDate>Sat, 12 Dec 2009 15:27:28 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-46420</guid> <description>I had the pleasure of meeting Bruce Miller when he came into the Broadway and Burrard branch of the Bank of Nova Scotia in Vancouver in 1976. He needed to cash a royalty cheque from A&amp;M records, and because he didn&#039;t have a local bank account, I had to phone his branch in Halifax to see if I should release the funds to him. When we got talking, he mentioned that he was playing at the Old Roller Rink in North Vancouver that weekend. So I said I&#039;d try to get to see him.&lt;br&gt;&lt;br&gt;In preparation, I went out and bought a copy of &quot;Rude Awakening&quot; and took it along on the night. He autographed it during one of his breaks (although I lost it a few years later in a relationship breakup).&lt;br&gt;&lt;br&gt;WThen A&amp;M records deleted &quot;Rude Awakening&quot; from its listings, I went around as many used record shops as I could find to buy up any/all copies of the record. Even to this day, I have two copies of it (having given the remainder to my children), one of which is a DJ copy. That record will always remain one of my favourites.</description> <content:encoded><![CDATA[<p>I had the pleasure of meeting Bruce Miller when he came into the Broadway and Burrard branch of the Bank of Nova Scotia in Vancouver in 1976. He needed to cash a royalty cheque from A&#038;M records, and because he didn&#39;t have a local bank account, I had to phone his branch in Halifax to see if I should release the funds to him. When we got talking, he mentioned that he was playing at the Old Roller Rink in North Vancouver that weekend. So I said I&#39;d try to get to see him.</p><p>In preparation, I went out and bought a copy of &#8220;Rude Awakening&#8221; and took it along on the night. He autographed it during one of his breaks (although I lost it a few years later in a relationship breakup).</p><p>WThen A&#038;M records deleted &#8220;Rude Awakening&#8221; from its listings, I went around as many used record shops as I could find to buy up any/all copies of the record. Even to this day, I have two copies of it (having given the remainder to my children), one of which is a DJ copy. That record will always remain one of my favourites.</p> ]]></content:encoded> </item> <item><title>By: HurdyGurdy</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-42299</link> <dc:creator>HurdyGurdy</dc:creator> <pubDate>Wed, 21 Oct 2009 10:27:12 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-42299</guid> <description>I know Bruce (D) Miller.  Yes, same one that had a handful of cuts, the most successful the Dixie Chicks cut.  He&#039;d left music to be a geologist, then moved to Nashville in the 90&#039;s when Fame Publishing asked him if he wanted a songwriting deal.  He always had a high opinion of himself, that&#039;s for sure.  His ego is miles above his achievements.  Pretty snotty to people unless they were a successful writer.  Had a drug problem and left town.  Don&#039;t know if his ex-wife and kids are still here or not.  Nashville does not miss him.   Karma&#039;s a bitch, eh Bruce?</description> <content:encoded><![CDATA[<p>I know Bruce (D) Miller.  Yes, same one that had a handful of cuts, the most successful the Dixie Chicks cut.  He&#39;d left music to be a geologist, then moved to Nashville in the 90&#39;s when Fame Publishing asked him if he wanted a songwriting deal.  He always had a high opinion of himself, that&#39;s for sure.  His ego is miles above his achievements.  Pretty snotty to people unless they were a successful writer.  Had a drug problem and left town.  Don&#39;t know if his ex-wife and kids are still here or not.  Nashville does not miss him.   Karma&#39;s a bitch, eh Bruce?</p> ]]></content:encoded> </item> <item><title>By: HurdyGurdy</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-38897</link> <dc:creator>HurdyGurdy</dc:creator> <pubDate>Wed, 21 Oct 2009 09:27:12 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-38897</guid> <description>I know Bruce (D) Miller.  Yes, same one that had a handful of cuts, the most successful the Dixie Chicks cut.  He&#039;d left music to be a geologist, then moved to Nashville in the 90&#039;s when Fame Publishing asked him if he wanted a songwriting deal.  He always had a high opinion of himself, that&#039;s for sure.  His ego is miles above his achievements.  Pretty snotty to people unless they were a successful writer.  Had a drug problem and left town.  Don&#039;t know if his ex-wife and kids are still here or not.  Nashville does not miss him.   Karma&#039;s a bitch, eh Bruce?</description> <content:encoded><![CDATA[<p>I know Bruce (D) Miller.  Yes, same one that had a handful of cuts, the most successful the Dixie Chicks cut.  He&#39;d left music to be a geologist, then moved to Nashville in the 90&#39;s when Fame Publishing asked him if he wanted a songwriting deal.  He always had a high opinion of himself, that&#39;s for sure.  His ego is miles above his achievements.  Pretty snotty to people unless they were a successful writer.  Had a drug problem and left town.  Don&#39;t know if his ex-wife and kids are still here or not.  Nashville does not miss him.   Karma&#39;s a bitch, eh Bruce?</p> ]]></content:encoded> </item> <item><title>By: Jim</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-31610</link> <dc:creator>Jim</dc:creator> <pubDate>Sun, 28 Jun 2009 23:48:32 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-31610</guid> <description>I saw Bruce once at a songwriters seminar on Gabriola Island.  Quite a few years ago now.  A short while later he co-wrote Reba McIntyre&#039;s &quot;The Fear of Being Alone&quot; hit.  I see where he just was featured at a Bluebird Cafe North session in Vancouver.</description> <content:encoded><![CDATA[<p>I saw Bruce once at a songwriters seminar on Gabriola Island.  Quite a few years ago now.  A short while later he co-wrote Reba McIntyre&#39;s &#8220;The Fear of Being Alone&#8221; hit.  I see where he just was featured at a Bluebird Cafe North session in Vancouver.</p> ]]></content:encoded> </item> <item><title>By: Mir</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-30040</link> <dc:creator>Mir</dc:creator> <pubDate>Tue, 02 Jun 2009 19:23:16 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-30040</guid> <description>Bruce Miller is indeed Canadian.&lt;br&gt;Although I have no idea what became of him, I remember seeing him live once, around 1977, at the Legion on 49th and Fraser, in Vancouver.  Also worth noting, this beautiful, haunting title track (Rude Awakening) was later covered by the Pure Prairie League on their album &quot;Cant&#039;  Hold Back&quot;, but for my taste they rocked it up too much - I still love the original.&lt;br&gt;MM - Vancouver</description> <content:encoded><![CDATA[<p>Bruce Miller is indeed Canadian.<br
/>Although I have no idea what became of him, I remember seeing him live once, around 1977, at the Legion on 49th and Fraser, in Vancouver.  Also worth noting, this beautiful, haunting title track (Rude Awakening) was later covered by the Pure Prairie League on their album &#8220;Cant&#39;  Hold Back&#8221;, but for my taste they rocked it up too much &#8211; I still love the original.<br
/>MM &#8211; Vancouver</p> ]]></content:encoded> </item> <item><title>By: QLFixBoy</title><link>http://popdose.com/into-the-ear-of-madness-week-4/comment-page-1/#comment-29560</link> <dc:creator>QLFixBoy</dc:creator> <pubDate>Fri, 22 May 2009 21:50:04 +0000</pubDate> <guid
isPermaLink="false">http://popdose.com/into-the-ear-of-madness-week-4/#comment-29560</guid> <description>Interesting...  I know this guy.  (SecretCargo appears to be Bruce; it sounds like his sense of humor, anyway.)  I&#039;ve heard him talk about his music biz experience, songwriting in Nashville, touring Canada, recording, dropping the names of artists he knows (but he never mentioned he actually recorded with David Foster, Rusty Young, Lee Sklar, and Jim Keltner!).  I saw the mementos, autographs, testimonials, etc on his wall, but I wasn&#039;t totally, totally convinced.  You know how it is with some BS artists.  But seeing the album covers, (especially the 1982 &quot;Magic Night&quot;), yep, that&#039;s him.  So what, you say?  I dunno; it&#039;s more of a revelation for me personally than anything helpful for your blog readers.  But it&#039;s still interesting.  These days he&#039;s an engineer in a western state (I won&#039;t be more specific in case he&#039;s on the lam or something).  Okay, I&#039;ve bored y&#039;all enough with this.  Thanks for the vine, as they say.</description> <content:encoded><![CDATA[<p>Interesting&#8230;  I know this guy.  (SecretCargo appears to be Bruce; it sounds like his sense of humor, anyway.)  I&#39;ve heard him talk about his music biz experience, songwriting in Nashville, touring Canada, recording, dropping the names of artists he knows (but he never mentioned he actually recorded with David Foster, Rusty Young, Lee Sklar, and Jim Keltner!).  I saw the mementos, autographs, testimonials, etc on his wall, but I wasn&#39;t totally, totally convinced.  You know how it is with some BS artists.  But seeing the album covers, (especially the 1982 &#8220;Magic Night&#8221;), yep, that&#39;s him.  So what, you say?  I dunno; it&#39;s more of a revelation for me personally than anything helpful for your blog readers.  But it&#39;s still interesting.  These days he&#39;s an engineer in a western state (I won&#39;t be more specific in case he&#39;s on the lam or something).  Okay, I&#39;ve bored y&#39;all enough with this.  Thanks for the vine, as they say.</p> ]]></content:encoded> </item> </channel> </rss>

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