I think Scwartz got a little more play around Detroit since we're right across the river from Canada. I remember a Canadian video show that you could get in Detroit which showed clips from Schwartz, Lawrence Gowan, Honeymoon Suite, Platinum Blonde and a lot of other artists that never quite made it as big in the U.S.

I completely agree that “All Our Tomorrows” is the perfect example of a song type you just can't find these days. So is “Don't Shed a Tear”, for that matter. Once Grunge buried the keyboards, they never seemed to completely fight their way back to respectability. At least not in the pop/rock world.

I think Scwartz got a little more play around Detroit since we're right across the river from Canada. I remember a Canadian video show that you could get in Detroit which showed clips from Schwartz, Lawrence Gowan, Honeymoon Suite, Platinum Blonde and a lot of other artists that never quite made it as big in the U.S.

I completely agree that “All Our Tomorrows” is the perfect example of a song type you just can't find these days. So is “Don't Shed a Tear”, for that matter. Once Grunge buried the keyboards, they never seemed to completely fight their way back to respectability. At least not in the pop/rock world.

As for “Only the Lonely Heart Sees,” you're kinder to it than I was. It came up on my laptop music stash the other day and was swiftly deleted. Three hundred gigs for music, but not 4.2 MB for terminal blandness.