Listening Booth: Lindsey Buckingham, “Gift of Screws”

Ken Shane October 1, 2008 15

Work or play. Family or friends. Protein or carbohydrates. Life is about seeking balance. Lindsey Buckingham has been seeking balance too. In his case, the challenge is to balance his intriguing, but sometimes erratic experimental music impulses, and his undisputed mastery of the pop song form. This battle informed his flawed Fleetwood Mac masterpiece Tusk, an album Buckingham has described as “in some ways my first solo album.” Since then, he has produced two more studio albums with Fleetwood Mac, and five solo albums. Gift of Screws (Reprise) is in some ways his best album since Tusk.

The balance has been attained by blending more meditative tracks, like “Bel Air Rain” and “Time Precious Time,” with more readily accessible pop songs such as “Did You Miss Me.” “Love Runs Deeper” was co-written by Buckingham’s wife Kristen. It is one of the best tracks of the year, and brings to mind one of my favorite Fleetwood Mac songs, Buckingham’s “Go Your Own Way,” with which “Love Runs Deeper” shares a musical spirit, according to Buckingham. Like the earlier song, it has “a steaming guitar solo and choruses that open up into a kind of lift, a sense of joy for sure,” he says.

To bring it all into focus, there are tracks on which Buckingham manages to combine the two. A good example is the album’s opener, “Great Day,” on which his son Will receives a writing credit. “There’s acoustic picking in that song, lead guitar playing, a non-traditional approach to the rhythm section, harmonies, counterpoint,” Buckingham says. “It’s all kind of convoluted together in this strange mix.” I’m sure all that’s true, but check out that fingerpicking. I’m sure I’ll get some argument here, but I don’t think I’ve ever heard a guitar player with more skill in that area. Buckingham’s acoustic guitar playing is absolutely dazzling. Then check out the smoking electric guitar solo that ends the song. I don’t know of too many guitar players who can bring it like that on acoustic and electric.

Gift of Screws follows Buckingham’s 2006 effort, Under the Skin. That album was far more acoustic guitar-driven, and while it was an interesting excursion, it never quite reached the heights that Gift of Screws does. Says Buckingham, “The first one was more of a boutique kind of album. It’s almost like the opening act and then the headline act in terms of approach. Here I’m bringing to bear many more aspects of what I can do — guitar solos, just rocking a lot more in addition to the other things. It does rock more! And they do seem to complement each other.”

A couple of guys named Fleetwood and McVie grace several tracks on the album, including the title track. It’s clear that they haven’t lost a step, and that they remain one of the better rhythm sections in the history of rock. There are also contributions from drummer Walfredo Reyes, who plays in Buckingham’s touring band. Aside from those exceptions, nearly everything here was played and sung by Buckingham. The album was recorded, for the most part, in his home studio, and in hotel rooms during the Under the Skin tour.

Lindsey Buckingham long ago secured his place in the pantheon of great popular music producers and songwriters, and yet his work is as vital, or perhaps even more vital, than it ever was. He is on a musical journey that seems to have no end, and he is blessed with an adventurous spirit that apparently knows no bounds. For music fans, each new album is a cause for celebration. Gift of Screws is no exception.

  • http://www.facebook.com/profile.php?id=679113018 MichaelWSP

    I’m sure all that’s true, but check out that fingerpicking. I’m sure I’ll get some argument here, but I don’t think I’ve ever heard a guitar player with more skill in that area. Buckingham’s acoustic guitar playing is absolutely dazzling. Then check out the smoking electric guitar solo that ends the song. I don’t know of too many guitar players who can bring it like that on acoustic and electric.

    I will sub for Jason here.

    http://www.tommyemmanuel.com/

    Also, Chet Atkins might rise from the grave and smite you for your blasphemy.

  • Ken Shane

    Did you miss the part where I said “I'm sure I'll get some argument here”?

  • http://thevitaminkid.blogspot.com autodidact

    I haven't heard these tracks, but in the past some of Buckingham's fancier fretwork seems to have been recorded at half-speed and then played at normal speed for a double-time effect. Hey, even I can sound like a virtuoso if I do it that way.

    I'm glad you call out Tusk as a flawed piece of work. I know it is blasphemy among the faithful to say so. There are songs on Tusk that I love, including the title track, but much of it lacks the polish and tight editing that I associate with classic studio work from Fleetwood Mac.

  • Ken Shane

    To tell you the truth, I'm sure there are points when he does record at half speed, because what you hear does not seem humanly possible. Still, there are other points where it's clearly recorded as is, and it's brilliant.

  • http://www.popdose.com DwDunphy

    I give Buckingham a pass when it comes to speeding up solos. Les Paul did it and he's a freaking genius… Then again, I feel the same way about Lindsey. It is, in an odd way, almost a shame that he was so successful with Fleetwood Mac. Yes, he produced hugely important pop hits, but that aspect causes people to forget how great a writer and artist he really is.

    Both he and David Gilmour often are forgotten guitar gods.

  • Maxus

    Lindsey has (co-)produced three more Fleetwood Mac studio albums since Tusk, not two. Mirage (1982), Tango in the Night (1987) and Say You Will (2003). And his right hand is the eighth natural wonder of the world.

  • Elaine

    I thought “Gift of Screws” was an unreleased album from the 90's. It's been bootlegged all over the Internet for years. Is this the now-released album, or a different one using the same name?

  • http://www.popdose.com jefito

    It's a little bit of both.

  • Elaine

    thanks, jefe ;)

  • Pingback: Concert Reviews: Lindsey Buckingham in Boston, 10/17/08; Matthew Ryan in Asbury Park, 10/15/08 | Popdose

  • http://www.gal-friday.blogspot.com Rachel

    Anyone who has seen Buckingham play live can attest to his amazing acoustic talent. Like Django he is truly a talented artist and this album is amazing!

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  • bluebirdreviews.com

    Great review and well written ! Jamestown is a lovely place, by the way :)