Listening Booth: Randy Newman, “Harps and Angels”

Randy Newman will be 65 years old in November. On his first album of new material since 1999’s Bad Love, he emphatically demonstrates that he has not lost one bit of his rather unique gift for wrapping devastating social commentary inside of bright and sunny melodies. He remains an equal-opportunity offender, and we are all the better for it.

There is a short list of great modern day American pop songwriters, and Newman’s name is near the top of that list, which includes masters like Jimmy Webb, and Burt Bacharach. Unlike many of his peers though, his songs are, for the most part, character driven, and that’s the way he likes it. “My favorite (of my own) songs are ones with characters, a cast, a narrator,” says Newman.

Not every song on Harps And Angels is new. In 2007, Newman released the digital single “A Few Words In Defense of Our Country” (download), and Rolling Stone called it the number two song of the year, “right behind Jay-Z, and ahead of Rihanna,” Newman says sardonically. Typically, the astringent lyrical commentary on the state of the nation is wrapped within a lovely country waltz. The august New York Times caught wind of the song and offered Newman space on its op-ed page to print the lyrics, though they felt the need to censor one of the verses, which I will proudly include for you here:

“You know it pisses me off a little
That this Supreme Court is gonna outlive me
A couple of young Italian fellas and a brother on the Court now too
But I defy you, anywhere in the world
To find me two Italians as tight-ass as the two Italians we got
And as for the brother
Well, Pluto’s not a planet anymore either.”


“Feels Like Home” (download) is simply the best song about love and commitment that you are likely to hear this year, although this song too has some prior history. It was instantly familiar to me when I heard it recently, and Jeff Giles reminded me that it had been included on the 1995 release of the concept cast album of Newman’s Faust and had been released as a single at that time as well. “Feels Like Home” is the reverse side of the coin to Newman’s classic ballad of depression, “I Think It’s Going To Rain Today,” from his 1968 album, Randy Newman. Where the earlier song despaired:

“Broken windows and empty hallways
A pale dead moon in the sky streaked with gray
Human kindness is overflowing
And I think it’s going to rain today”

“Feels Like Home” finds the songwriter no longer afraid:

“A window breaks
Down a long dark street
And a siren wails in the night
That’s alright
Cause I have you here with me
And I can almost see
Through the dark there’s a light”

“People are going to like ‘Feels Like Home.’ It’s going to be the most successful song on the album probably, because that’s the nature of the world, even though I mostly choose a different kind of song to write, other than straight ballads. That’s what people like me doing best – songs like ‘Feels Like Home’ or ‘Marie’ (from Good Old Boys),” Newman commented.

Elsewhere on this magnificent effort, Newman creates his own Threepenny Opera, channeling Bertolt Brecht and Kurt Weill on the ambitious and mordantly humorous “A Piece of the Pie,” which includes a rather unlikely tribute to Jackson Browne. “Korean Parents,” which addresses the failures of the American education system, and employs every known cliche about overachieving Korean students, is bound to offend nearly everybody, and Newman contemplates his own mortality to a New Orleans-style jazz shuffle on the album’s title track.

If only we could hear from Randy Newman more often, the level of discourse in this country might even improve a little bit. But if it’s time that this elegant and acerbic songwriter needs to craft an album of gems like Harps and Angels, then he should take all the time that the needs. Until that next album, this one will occupy a favored place on my playlist.

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  • All right! I have got to hear this. Bad Love was the kind of late-period masterpiece that signals the full return of a genius's powers, and from your review it sounds like he hasn't lost it.
  • I'll have to give this a try. I've avoided Newman for years, largely because of the tripe he throws on soundtracks. But I've read nothing but praise for this album and some of his earlier, so maybe it's time to give him a chance.
  • The songs that he contributes to films are usually quite sentimental, but still a cut above most other film songs. His albums are much different. On the other hand his film scores ("The Natural") are brilliant.
  • Yeah, whatever, he's no Rick Springfield.
  • dhrobbie
    What?! Randy Newman saying the black guy on the Supreme Court isn't black enough? That IS new. Thank god for Randy Newman. He's so ahead of his time. His time being, y'know, 1974.
  • Nonsense. Randy Newman's music is timeless and he will never die.
  • Oh come on, you know what he meant.
  • dhrobbie
    I'm sorry, I thought he was saying something about a brother not being a brother. I guess he really is just saying Pluto isn't a planet anymore. Oops.
  • After hearing him as Guest DJ on All Songs Considered, I bought this and listened to it earlier today. It's amazing. The Jackson Browne dig killed me.
  • If all Newman thinks of "Marie" is that it's a "straight ballad" and nothing more, then I am gobsmacked by the lack of understanding of his own frigging work. With its drunken and miserable, yet pathetic and touching, protagonist (another in a long line of Newman nebbishes) that song is one of the emotional centerpieces of what I consider his very best album.
  • Methinks the artist doth self-deprecate too much.
  • Good Old Boys just happened to be the only one of his they had at my public library. It's the only full one I have so far and it's growing on me fast. I love that song and the little 1 minute sarcastic sing along about how everyone in America has plenty. I thought Christgau made a good point about this album in saying that Randy Newman is not just deriding his southern characters and the south; he also cares about them. At first listen in my opinion it seems like he's purely doing a big sweeping Southerner trashing.
  • I don't see how you can listen to Louisiana 1927 and think the album is a sweeping trashing. It's one of the more sympathetic songs ever written about the South negative stereotypes that the general population has had to put up with, even when confronted by conditions that should garner them at least pity or the milk of human kindness. Instead, even the President thinks it's a shame what happened to the land that just happens to be populated by a bunch of "crackers".

    Also, the opening track, "Rednecks" is a real punch to the gut, because it starts out as a rag on generic Southern white bigotry, but turns around to show that the judgmental, "enlightened" Northerner is no better in his ghetto-ization of the black community.

    If you want a more up front take on Newman's love-hate relationship with the South, and his and his mother's place in it, get his 1988 (underrated) album "Land of Dreams", and listen to the first three autobiographical tracks.

    Also, the little sing-along was actually the official campaign theme song of populist Senator Huey Long, the "Kingfish". The Senator wrote it himself, and Newman uses it as an introduction to the next song sung from Longs POV. I don't think it's performed sarcastically: it's expressed straightforward as it was originally done in the 1930s, and also played off the dour tone of the song it links to, which is another song that plays off the complexities of being a Southerner. Long was seen as a Good Old Boy and redneck by the Louisiana elite, as well as the New Deal Democrats. In a way, the song shows something that a lot of the album does, that beyond the racism that existed among Southerners, there was a second, perhaps just as powerful combination of racism and classicism pointed toward the lower class and non-protestant whites.

    Thus you have a number of down on their luck characters that you may think Newman is making fun of at first glance, but then you realize that they have a sense of pride, or are struggling against something bigger (including their own identity) in order to survive. It's the same thing that Newman's mother's family faced: being Louisiana Jews who basically had to pretend to be Christian in order to fit in and not be ostracized (or worse).
  • YES! What he said.
  • Maybe 'sarcastic' wasn't the right word choice, and I haven't paid much attention to the song preceding its transitioning into Kingfish, but I think it is and was intended to be criticism of the country. If I'm understanding correctly you would disagree with this? He spends so much time commenting on and taking jabs at society, I just don't see how that song isn't supposed to be viewed in an ironic light. Also, without really having looked him up to see where he officially stands politically, I'm assuming he's a pretty big liberal? If this is the case then I just think that further proves the point I'm trying to make about that song.
  • "Rednecks" bashes the North and South equally. And brilliantly. Newman's work from this period can be pretty subtle -- you've got to look past the obvious gags -- but it's well worth the effort. He's an American treasure.
  • Yes, I'd say that in the context of the album, it's more ironic than sarcastic.

    The Long jingle-a positive affirmation of the greatness of America and ability for any man to succeed-is sung straightforwardly, then contrasted with the dark sounds and images of Kingfish, which plays up the class conflicts, stereotypes, and anger than exists even among the state's white population. In other words, Long was saying that in America, any (white) man could be a king, but a good percentage of his own native Louisianan's would have voted for a yellow dog than a redneck.

    How this fits into the duality of Newman's album is that it again shows the multiplicity of sides and labels tagged onto the 20th Century southerner, and ironically also, it gives a level of sympathy to Long, a man whose policies were in opposition to the New Dealers (e.g. large, centralized Federal government) who came to be the dominant stream in his own party, and the liberal movement, for the bulk of the last century. Politically, Newman is probably quite in line with the New Dealers who hated Long, but the pairing of Every Man a King and Kingfish allows for a critical examination of his place in society that's a lot more deliberative than most political arguments seem to be nowadays.
  • I think Randy Newman's music and lyrics are the best things that ever happened to me, and "Harps and Angels" is an absolute treat. I had no idea he was releasing a new album, so I was pretty ecstatic when I found out a couple of weeks ago. I'll wait another decade for the next one if I have to, but I hope he never retires - he's simply too good for retirement.
  • Dan
    Question: How does Jimmy Webb get to be on the short list of great modern day American pop songwriters? He wrote a couple of hits for Glen Campbell 40 years ago. Seriously, he doesn't rate with Neil Diamond or Willie Nelson. Or even Jimmy Buffett.
  • breadalbane
    Actually, 40 years Webb wrote hits for Campbell, The Brooklyn Bridge, The Fifth Dimension and Richard Harris.

    Aside from the Campbell hits, Webb's critical reputation rests largely on his widely-unheard solo albums of the early 1970s. Go find 'em, give 'em a listen and get back to us if you still don't think he's a first-rate songwriter.
  • I'm assuming that you're not serious. MacArthur Park, By the Time I Get to Phoenix, Galveston, Up, Up, and Away, The Worst That Could Happen, All I Know, oh, and Wichita Lineman.

    Perhaps you should ask the Songwriters Hall of Fame why he deserves to be there, or check out any of the Grammys, or other honors that he's won. Or, you could simply listen to his solo albums.
  • JMCG
    I spent an hour tracking down what seemed to be accurate net info. on "Feels Like Home" because I always thought it was a Bonnie Raitt song. Everything I found says that Bonnie Raitt wrote the lyric and Randy Newman wrote the music. AND, as a film buff, I want to point out that it was part of the soundtrack of "Michael" a 1996 Nora Ephron film.
  • JMCG
    Now I have to retrack this comment. Sorry! I did some more research and found a Randy Newman online interview snippet in which he said that, because some of his fans prefer his socio-political commentary best, they respond poorly when he writes a straight love song. SO, he wrote "Feels Like Home" in 1995 for Bonnie Raitt. However, I was right about the Bonnie Raitt version being part of the "Michael" soundtrack.

    Just goes to show you that you have to be careful about what you read on the Internet!
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