Lost in the ’70s: Joan Armatrading

John C. Hughes August 7, 2008 13

Can you believe Joan Armatrading has been making music for nearly 40 years? Yeah, me neither. Did you know her first album came out all the way back in 1972? I knew of her mid-’70s output, but until recently, I had never heard of her debut album, 1972′s Whatever’s for Us.

Armatrading got her start in the London repertory for the musical Hair, alongside lyricist Pam Nestor. The duo began collaborating on original pieces and the result was Whatever’s, a definitely singer-songwriter-y work, produced by early Elton John helmer Gus Dudgeon. Dudgeon’s hand, along with a few other Elton sidemen playing on the record, account for Armatrading’s debut having a very Goodbye Yellow Brick Road feel, as evidenced on “City Girl.” (download)

Whatever’s didn’t make much noise on the charts, and while Nestor got her picture and a bio on the sleeve, the lack of notice and sales must have broken the partnership, because from this point forward it was simply the Joan Show. As Armatrading continued recording to varying success, her debut slipped out of print for years, and apart from the title track (download) being featured on a few compilations, it’s basically been an ignored portion of her canon. The album did come back into print a couple of times, for the first time on CD in 1987, and again in a remastered form with bonus tracks in 2002. Both those versions are out of print now, too, and command some collector’s prices — but honestly, unless you’re a hardcore fan, or you’ve got a weakness for ’70s acoustic rock, save your shekels.

No singles from this album charted.

Get Joan Armatrading music at Amazon or on Joan Armatrading

  • http://www.deselbybowen.com/parlando/ Scraps

    I think it's a fine album, but it pales beside the second album, Joan Armatrading, which is perfect, ten tracks of varied, passionate singing and songwriting and damned good guitar playing, immaculately arranged. I don't think there are five better singer-songwriter albums, and I don't know why it isn't a famous classic.

  • http://www.fatchicksinpartyhats.com titsley Tecate

    http://ecx.images-amazon.com/images/I/41WXWE1S3…

    Thanks Joan, for the dumbest record cover ever!!! XO

  • Esque

    This is my second-favorite Joan album, actually, bettered only by 1975's _Back To The Night_, which includes two songs for which Pam wrote lyrics (“Dry Land” and “Come When You Need Me”).

    Scraps, _Joan Armatrading_ is her third album.

  • Stimpy

    Joan is also perfect for “When New Wave Happens to Old Artists”!

  • JohnHughes

    She sure is!

    (scribbles notes furiously…)

  • Ben Wiser

    There was a surge in interest in Joan when Melissa Etheridge covered “The Weakness In Me” a few years ago. Great song. “Drop the Pilot” is also quite good and sounds like something Vampire Weekend should cover. An English friend of mine told me that Joan was not very friendly and earned the nickname Joan Armor-plating

  • http://www.deselbybowen.com/parlando/ Scraps

    Oops.

  • http://www.deselbybowen.com/parlando/ Scraps

    Well, she's plenty charming in concert.

  • http://www.deselbybowen.com/parlando/ Scraps

    Oops.

  • http://www.deselbybowen.com/parlando/ Scraps

    Well, she's plenty charming in concert.

  • http://www.deselbybowen.com/parlando/ Scraps

    Oops.

  • http://www.deselbybowen.com/parlando/ Scraps

    Well, she's plenty charming in concert.

  • Steve

    Oh wow, I love this album. Every song is decent but Mean old man, Mister remember me (heartbreaking), Alice and All the kings gardens are lost classics. Thank you for bringing some attention to this amazing debut.