Lost in the ’70s: Steve Martin, “Grandmother’s Song”

John C. Hughes January 31, 2008 14

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SteveYou know what I miss? Novelty songs. Not just the typical “Weird Al” parodies, but wholly original works that slipped into the mainstream and became pop hits. Even crap like “The Streak” or “Disco Duck” was amusing on some level. We just don’t have those kind of hits anymore (although “Dick In A Box” has come the closest in recent years). Steve Martin scored big with “King Tut,” but it was his first chart hit in 1977 that’s become Lost in the ’70s.

“Grandmother’s Song” was the single off Steve’s debut album, Let’s Get Small, a record that blew my grade school mind. Small was my introduction to Martin (since I was too young to stay up to watch “Saturday Night Live,” not that I’d be allowed to anyway), and more important, my first exposure to absurdist humor as a legitimate art form. While all children dabble in meaningless jokes, Martin was the first adult I heard making nonsense and making other adults laugh instead of irritated. It was one of those clouds-parting-sunlight-beaming-down moments. It was Steve Martin, along with another Steve, Howard the Duck (the comic book, NOT the movie) creator/writer Steve Gerber, who were responsible for warping and forming my young creative mind.

“Grandmother’s Song” seems pretty stupid on the surface, until you see the simple beauty in it — the misleading opening verses that lull you into a false sense of security until you’re hit with the line, “Be obsequious, purple, and clairvoyant.” My ten-year old legs never ran faster to a dictionary than when I first heard it. Definitions didn’t help — I didn’t know why it was funny, it. just. was. And the song just gets more ridiculous and removed from reality from there.

“Grandmother’s Song” began its life as a bit from Martin’s days performing at Knott’s Berry Farm in the ’60s and stayed in his act through the ’70s, constantly being refined for maximum laughs. I still know every nuance of this song by heart, even doing my imitation of Steve’s imitation of the men in the audience singing along. My favorite line?

Get all excited and go to a yawning festival.

If you have to explain it, it’s not funny. Hell, I don’t even think it can be explained.

“Grandmother’s Song” peaked at #72 on the Billboard Pop Singles Chart in 1977.

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  • hemisphire

    I should point out that only half of “Weird Al” songs are parodies, the others are much like this.

  • JohnHughes

    Yup, but I'm thinking more along the lines of singles that get airplay.

  • senor obvious

    F.O.T.C. Business Time &/or Hip-hopopotamus vs Rhymenocerous. Obsequious, perhaps, clairvoyant, i think so, purple, more like plum.

    Steve is the man.

  • JohnHughes

    My love for Bret and Jermaine is immense.

  • http://www.popdose.com DwDunphy

    Unfortunately, I think YouTube has supplanted the novelty song.

    Worse, I think YouTube's novelty videos are mostly crap on crackers. I miss the old Dr. Demento radio show!

  • http://www.septenary.com Allen

    Be obsequious, purple and clairvoyant.
    What no one talks about anymore is how smart the best comedians of the past were. They didn't talk DOWN to their audiences. They were so ironic that if you didn't get the joke then the joke was probably about YOU.
    I miss those days. I really miss the days when the masses thought intelligence and pop art went hand in hand….

  • http://www.septenary.com Allen

    One of the greatest jokes on that album and one that I think defined the humor of the era was an aside.
    In talking about Vegas, Steve, momentarily, takes on the persona of drunk tourist and says, “Look at the tits! There must be…57 tits up there!”
    THAT was the most brilliant moment. It resonates with me today. So absurd and yet, smart as all hell. If you didn't get it, you just weren't going to.

  • http://mostlymodernmedia.wordpress.com Beau

    Musical or not, Steve Martin material of that era is comedy gold. My Launch.com player would sometimes toss it into the mix. Yet another reason Launch beats Last.fm

    During American Idol last night, I could've sworn one of the contestants was going to break into “Valley Girl.”

  • http://www.popdose.com 1Py_Korry1

    My sister gave me “Wild and Crazy Guy” for Xmas one year, and I had it memorized two days later. Also I can competely relate to being able to parrot every sound on those Steve Martin albums — including the audience laughs. Thanks for the memories!

  • Christian

    Thanks for an very eloquent depiction of being pre-teen and being blown away by the perfect moment of Steve Martin in the 1970s. I shared a similar obsession, drifting off to sleep listening to side 2 (remember records?) of “Let's Get Small” every night during my 10th year of life. It became ….soothing, because unlike most comedians, his warmth is palpable and ever-present.

  • Abbey

    I once sang this song, with a group of kids my age, onstage, led by our fiction teacher, at the end of nerd camp, in front of a bunch of parents who'd assumed we would learn something valuable and productive at an academic camp. It holds a special place in my heart. (Fiction Force, assemble!)

  • Abbey

    I once sang this song, with a group of kids my age, onstage, led by our fiction teacher, at the end of nerd camp, in front of a bunch of parents who'd assumed we would learn something valuable and productive at an academic camp. It holds a special place in my heart. (Fiction Force, assemble!)

  • Abbey

    I once sang this song, with a group of kids my age, onstage, led by our fiction teacher, at the end of nerd camp, in front of a bunch of parents who'd assumed we would learn something valuable and productive at an academic camp. It holds a special place in my heart. (Fiction Force, assemble!)

  • Gennette Other

    Other than that album, do you happen to know if Grandmother’s Song was played anywhere else? Like in any of his movies or something?