Lost in the ’80s: Alison Moyet

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Alison MoyetThe recent announcement of a Yazoo (”Yaz” to us in the States) reunion tour set me to thinking … will Alison Moyet be performing any of her solo singles during the show, or will it be limited to Yaz’s limited, two-album discography?

While Moyet’s Yaz teammate Vince Clarke went on to greater fame with Erasure, Alison had her share of solo success, albeit far more limited in the U.S. The only taste of the Top 40 she had here was when her debut solo single, “Invisible,” squeaked in at #31, actually an impressive accomplishment since Yaz never reached higher than #67 for any of their singles.

When it came time to pick a second single off Alf, “Love Resurrection” (download) was the choice, and a fine one. “Love Resurrection” was another in a hot streak of classic singles co-written by producers Tony Swain and Steve Jolley, who made their name writing and producing for Bananarama and Spandau Ballet. Problem was what to do with Moyet in the video — in the original clips, she was covered in basically a burka, wandering around a desert. Her American label reshot the clip when it was released as a single here, putting Moyet in a live context. And a burka.

I realize Alison wasn’t exactly a petite video vixen, but they could have dressed her better than grabbing some of Bea Arthur’s “Maude” leftovers and shoving some 1985 shoulder pads in them. This awful video ended up making her look like Mrs. Roper twirling around the Regal Beagle after one too many mimosas. As a result, “Love Resurrection” landed with a resounding flop in the States, despite hitting the Top Ten overseas, an unfair fate for a quite decent song. It’ll be interesting to see if Alison and Vince touch on any of her solo material during the tour, since I can easily hear a synthed-up “Vince” version of this tune.

“Love Resurrection” peaked at #82 on the Billboard Hot 100 and #47 on the Hot Dance Music/Club Play Chart in 1985.

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  • JonCummings
    Just a quick note about a song I love: "Love Resurrection" was Alison's first British solo single--which makes sense, because it's more of a "diva" song than "Invisible," and in the UK Alf definitely qualified as a diva by '84. Interestingly, it was the second UK single off the Alf album, "All Cried Out," that was the biggest hit...which again makes sense, because it's a big, emotional ballad. "Invisible" was the third single over there, and didn't even make the Top 20.
  • I always thought this single was far better than the lead, and I'm surprised that it peaked at #82. But she did lend a vocal assist to Phil Collins that year with "Take Me Home" -- along with Sting and Peter Gabriel. But you would never know she was doing background vocals for that song if you didn't read the album credits.
  • "Invisible" is one of my favorite singles ever. She got a great song from the legendary Holland-Dozier-Holland team, and created a great performance of it.
  • Mark
    Alison Moyet work is extremely underrated. She has a beautiful voice and continues making new albums (she has a new one -- this year -- in the UK, but it hasn't been released in the US).

    Vince Clark remixed "Whispering Your Name" (from the Essex album), so it is quite possible he might help put a bit of a spin on some of her other work as well. I wish I was near one of the cities to see the reunion.
  • xolondon
    John, your Mrs. Roper reference deserves a blog award. Well done!
  • Robert
    Featifull x
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