Lost in the ’80s: Nitzer Ebb

John C. Hughes July 22, 2008 3

lit80s.gif

Nitzer EbbI’ll be up front about this one: I really never got Nitzer Ebb.

Back in my DJing days, I’d get tons of requests for “Join in the Chant,” “Murderous,” or “Warsaw Ghetto,” and I’d roll my eyes internally and slap it on just to keep the EBM fans sedated. I don’t know what it was — perhaps the sparse production that usually reduced the songs to drum machines and shouting wasn’t appealing to me — but I would never throw any Ebb on unless prodded.

That changed when Belief came out. While most point to “Join in the Chant” as the group’s high point, I’ve always been a sucker for Belief‘s big single, “Control I’m Here” (download), with its layered synths and brake-squealing sound effects. And unlike “Chant,” “Control I’m Here” doesn’t go on for three minutes too many.

The packed dance floor proved that I wasn’t the only fan of this song, and the Razormaid! remix (download) only extends the pleasure. MTV grabbed onto the video and gave it quite a few spins on 120 Minutes, along with the album’s second single, “Hearts and Minds” (download).

I suppose I found it strange that an act that would have been resigned to an indie label like Wax Trax Records a few short years earlier was now on a major label and all over MTV. Things got even weirder when Depeche Mode took Ebb on the road for their next big tour a year later. As the years have gone by, I’ve warmed up a bit to Nitzer Ebb, although I defy anyone to sit through an entire album. Yikes.

“Control I’m Here” peaked at #14 on the Billboard Hot Dance Music/Club Play Chart in 1989.

“Hearts and Minds” peaked at #16 on the same chart that same year.

Get Nitzer Ebb music at Amazon or on Nitzer Ebb

  • thefxc

    Ahh, love the Ebb, I'll gladly sit through the entire first three albums, as well as the early singles comp So Bright, So Strong. However, you have to put me in one of those Clockwork Orange contraptions to make me listen to Big Hit ever ever again…

    Actually, the major label/Mode tour stuff isn't that odd–they were on Mute Records in the UK, which was a pretty hep thing in the mid-80s, I guess. They toured with Mode a few times, Alan Wilder produced one of their albums and Doug McCarthy sang on some Recoil stuff, so the Mute family appears to have been A Big Happy One. And they really didn't get any MTV time outside of 120 Minutes, although they were one of the few industrial bands that college radio actually played.

    Belief is awesome, but you stop right before they got really interesting on Showtime, when they toned down the shouting and varied their style quite a bit. “Nobody Knows” is the greatest industrial blues song of all time!

  • thefxc

    Ahh, love the Ebb, I'll gladly sit through the entire first three albums, as well as the early singles comp So Bright, So Strong. However, you have to put me in one of those Clockwork Orange contraptions to make me listen to Big Hit ever ever again…

    Actually, the major label/Mode tour stuff isn't that odd–they were on Mute Records in the UK, which was a pretty hep thing in the mid-80s, I guess. They toured with Mode a few times, Alan Wilder produced one of their albums and Doug McCarthy sang on some Recoil stuff, so the Mute family appears to have been A Big Happy One. And they really didn't get any MTV time outside of 120 Minutes, although they were one of the few industrial bands that college radio actually played.

    Belief is awesome, but you stop right before they got really interesting on Showtime, when they toned down the shouting and varied their style quite a bit. “Nobody Knows” is the greatest industrial blues song of all time!

  • thefxc

    Ahh, love the Ebb, I'll gladly sit through the entire first three albums, as well as the early singles comp So Bright, So Strong. However, you have to put me in one of those Clockwork Orange contraptions to make me listen to Big Hit ever ever again…

    Actually, the major label/Mode tour stuff isn't that odd–they were on Mute Records in the UK, which was a pretty hep thing in the mid-80s, I guess. They toured with Mode a few times, Alan Wilder produced one of their albums and Doug McCarthy sang on some Recoil stuff, so the Mute family appears to have been A Big Happy One. And they really didn't get any MTV time outside of 120 Minutes, although they were one of the few industrial bands that college radio actually played.

    Belief is awesome, but you stop right before they got really interesting on Showtime, when they toned down the shouting and varied their style quite a bit. “Nobody Knows” is the greatest industrial blues song of all time!