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	<title>Comments on: Mojo&#8217;s Cold Shot: R.L. Burnside, &#8220;First Recordings&#8221;</title>
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		<title>By: edmur</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-41856</link>
		<dc:creator>edmur</dc:creator>
		<pubDate>Thu, 09 Oct 2008 18:58:35 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-41856</guid>
		<description>You&#039;re right about Iglauer and Alligator keeping the blues flames flickering...but man, I can&#039;t stand to listen to most of the crap they put out...maybe it had more to do w/ the label&#039;s production techniques, or that it was the &#039;80s, but it all sounded (and still sounds) soulless to these ears.</description>
		<content:encoded><![CDATA[<p>You&#39;re right about Iglauer and Alligator keeping the blues flames flickering&#8230;but man, I can&#39;t stand to listen to most of the crap they put out&#8230;maybe it had more to do w/ the label&#39;s production techniques, or that it was the &#39;80s, but it all sounded (and still sounds) soulless to these ears.</p>
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		<title>By: MojoHater</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-41857</link>
		<dc:creator>MojoHater</dc:creator>
		<pubDate>Thu, 09 Oct 2008 18:46:22 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-41857</guid>
		<description>This time you&#039;ve gone too far, Mojo...you&#039;re now the Sarah Palin of music criticism.&lt;br&gt;&lt;br&gt;Wait a second, though - I&#039;m in the middle of sending emails to folks like Chris Cotton, Otis Taylor, Hillstomp, Jimmy Wolf, Patrick Sweany, Isaiah Owens, Elvin Bishop, Keb&#039; Mo&#039; and countless others that they&#039;re painstaking and wonderful efforts are futile because they&#039;re laboring in a DEAD MEDIUM...&lt;br&gt;&lt;br&gt;Yeesh.</description>
		<content:encoded><![CDATA[<p>This time you&#39;ve gone too far, Mojo&#8230;you&#39;re now the Sarah Palin of music criticism.</p>
<p>Wait a second, though &#8211; I&#39;m in the middle of sending emails to folks like Chris Cotton, Otis Taylor, Hillstomp, Jimmy Wolf, Patrick Sweany, Isaiah Owens, Elvin Bishop, Keb&#39; Mo&#39; and countless others that they&#39;re painstaking and wonderful efforts are futile because they&#39;re laboring in a DEAD MEDIUM&#8230;</p>
<p>Yeesh.</p>
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		<title>By: mojo</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-41855</link>
		<dc:creator>mojo</dc:creator>
		<pubDate>Thu, 09 Oct 2008 18:29:30 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-41855</guid>
		<description>Nah, not authenticity. That&#039;s hard stuff to argue in music--one of my old saw debate tricks is to point out that all musical sound is derivative, traceable to some cave dude banging a stick against the cave wall.&lt;br&gt;&lt;br&gt;MOre like audiences. Tedeschi brings young and old blues fans together, everyone agrees she&#039;s blues.&lt;br&gt;&lt;br&gt;You might convince an old Yardbirds fan that Jack White&#039;s rendition of  &quot;Death Letter&quot; is blues, but he might tell you to take you black keys and cram it up yours. &lt;br&gt;&lt;br&gt;Scissormen, of course, played Deep blues festival. However, they predate most the other Deep Blues bands. You might make an argument that Ted predates the genre, and he&#039;s just and RL Burnside friend and student doing his own blues thing. BLack Keys did that, too, but to me they sound rock-ier.&lt;br&gt;&lt;br&gt;Perhaps in the lexicon of blues 15 years from now, folklorists will say that Howling Diablos and BDH made blues music. For now, they&#039;re hard to wedge into the same category. They are bringing new fans to the table, however, who are getting into old blues for the first time. I likes that.&lt;br&gt;&lt;br&gt;Don&#039;t diss Alligator. Bruce Iglauer and his pals at Delmark almost singlehandedly kept blues alive for a 20 year stretch while Americans listened to Disco and New Wave. If they didn&#039;t give a crap, we wouldn&#039;t be having our Cold Shots.</description>
		<content:encoded><![CDATA[<p>Nah, not authenticity. That&#39;s hard stuff to argue in music&#8211;one of my old saw debate tricks is to point out that all musical sound is derivative, traceable to some cave dude banging a stick against the cave wall.</p>
<p>MOre like audiences. Tedeschi brings young and old blues fans together, everyone agrees she&#39;s blues.</p>
<p>You might convince an old Yardbirds fan that Jack White&#39;s rendition of  &#8220;Death Letter&#8221; is blues, but he might tell you to take you black keys and cram it up yours. </p>
<p>Scissormen, of course, played Deep blues festival. However, they predate most the other Deep Blues bands. You might make an argument that Ted predates the genre, and he&#39;s just and RL Burnside friend and student doing his own blues thing. BLack Keys did that, too, but to me they sound rock-ier.</p>
<p>Perhaps in the lexicon of blues 15 years from now, folklorists will say that Howling Diablos and BDH made blues music. For now, they&#39;re hard to wedge into the same category. They are bringing new fans to the table, however, who are getting into old blues for the first time. I likes that.</p>
<p>Don&#39;t diss Alligator. Bruce Iglauer and his pals at Delmark almost singlehandedly kept blues alive for a 20 year stretch while Americans listened to Disco and New Wave. If they didn&#39;t give a crap, we wouldn&#39;t be having our Cold Shots.</p>
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		<title>By: edmur</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-41854</link>
		<dc:creator>edmur</dc:creator>
		<pubDate>Thu, 09 Oct 2008 18:14:37 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-41854</guid>
		<description>so, &quot;authenticity&quot; plays a role, then? is that what you&#039;re saying? BDH are not blues...Black Keys are? How about the Scissormen (to pick another random name off of the Deep Blues Festival lineup)...would they confuse ol&#039; Muddy Waters?&lt;br&gt;&lt;br&gt;I&#039;m not disagreeing w/ you, either...and I feel the same way about Delbert McClinton and pretty much anyone that&#039;s ever been on the Alligator label (including the &quot;Iceman&quot; Albert Collins). Maybe it&#039;s their SOUND more than their songs. Their STYLE (flash) rather than their SUBSTANCE. All sizzle, no steak, as the old saying goes...&lt;br&gt;&lt;br&gt;Agree w/ you also about Tedeschi and Shemekia...but I think you are now making my original point that the Blues is FAR from dead ;)</description>
		<content:encoded><![CDATA[<p>so, &#8220;authenticity&#8221; plays a role, then? is that what you&#39;re saying? BDH are not blues&#8230;Black Keys are? How about the Scissormen (to pick another random name off of the Deep Blues Festival lineup)&#8230;would they confuse ol&#39; Muddy Waters?</p>
<p>I&#39;m not disagreeing w/ you, either&#8230;and I feel the same way about Delbert McClinton and pretty much anyone that&#39;s ever been on the Alligator label (including the &#8220;Iceman&#8221; Albert Collins). Maybe it&#39;s their SOUND more than their songs. Their STYLE (flash) rather than their SUBSTANCE. All sizzle, no steak, as the old saying goes&#8230;</p>
<p>Agree w/ you also about Tedeschi and Shemekia&#8230;but I think you are now making my original point that the Blues is FAR from dead <img src='http://popdose.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
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		<title>By: edmur</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19733</link>
		<dc:creator>edmur</dc:creator>
		<pubDate>Thu, 09 Oct 2008 17:58:35 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19733</guid>
		<description>You&#039;re right about Iglauer and Alligator keeping the blues flames flickering...but man, I can&#039;t stand to listen to most of the crap they put out...maybe it had more to do w/ the label&#039;s production techniques, or that it was the &#039;80s, but it all sounded (and still sounds) soulless to these ears.</description>
		<content:encoded><![CDATA[<p>You&#39;re right about Iglauer and Alligator keeping the blues flames flickering&#8230;but man, I can&#39;t stand to listen to most of the crap they put out&#8230;maybe it had more to do w/ the label&#39;s production techniques, or that it was the &#39;80s, but it all sounded (and still sounds) soulless to these ears.</p>
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		<title>By: MojoHater</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19734</link>
		<dc:creator>MojoHater</dc:creator>
		<pubDate>Thu, 09 Oct 2008 17:46:22 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19734</guid>
		<description>This time you&#039;ve gone too far, Mojo...you&#039;re now the Sarah Palin of music criticism.&lt;br&gt;&lt;br&gt;Wait a second, though - I&#039;m in the middle of sending emails to folks like Chris Cotton, Otis Taylor, Hillstomp, Jimmy Wolf, Patrick Sweany, Isaiah Owens, Elvin Bishop, Keb&#039; Mo&#039; and countless others that they&#039;re painstaking and wonderful efforts are futile because they&#039;re laboring in a DEAD MEDIUM...&lt;br&gt;&lt;br&gt;Yeesh.</description>
		<content:encoded><![CDATA[<p>This time you&#39;ve gone too far, Mojo&#8230;you&#39;re now the Sarah Palin of music criticism.</p>
<p>Wait a second, though &#8211; I&#39;m in the middle of sending emails to folks like Chris Cotton, Otis Taylor, Hillstomp, Jimmy Wolf, Patrick Sweany, Isaiah Owens, Elvin Bishop, Keb&#39; Mo&#39; and countless others that they&#39;re painstaking and wonderful efforts are futile because they&#39;re laboring in a DEAD MEDIUM&#8230;</p>
<p>Yeesh.</p>
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		<title>By: mojo</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19732</link>
		<dc:creator>mojo</dc:creator>
		<pubDate>Thu, 09 Oct 2008 17:29:30 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19732</guid>
		<description>Nah, not authenticity. That&#039;s hard stuff to argue in music--one of my old saw debate tricks is to point out that all musical sound is derivative, traceable to some cave dude banging a stick against the cave wall.&lt;br&gt;&lt;br&gt;MOre like audiences. Tedeschi brings young and old blues fans together, everyone agrees she&#039;s blues.&lt;br&gt;&lt;br&gt;You might convince an old Yardbirds fan that Jack White&#039;s rendition of  &quot;Death Letter&quot; is blues, but he might tell you to take you black keys and cram it up yours. &lt;br&gt;&lt;br&gt;Scissormen, of course, played Deep blues festival. However, they predate most the other Deep Blues bands. You might make an argument that Ted predates the genre, and he&#039;s just and RL Burnside friend and student doing his own blues thing. BLack Keys did that, too, but to me they sound rock-ier.&lt;br&gt;&lt;br&gt;Perhaps in the lexicon of blues 15 years from now, folklorists will say that Howling Diablos and BDH made blues music. For now, they&#039;re hard to wedge into the same category. They are bringing new fans to the table, however, who are getting into old blues for the first time. I likes that.&lt;br&gt;&lt;br&gt;Don&#039;t diss Alligator. Bruce Iglauer and his pals at Delmark almost singlehandedly kept blues alive for a 20 year stretch while Americans listened to Disco and New Wave. If they didn&#039;t give a crap, we wouldn&#039;t be having our Cold Shots.</description>
		<content:encoded><![CDATA[<p>Nah, not authenticity. That&#39;s hard stuff to argue in music&#8211;one of my old saw debate tricks is to point out that all musical sound is derivative, traceable to some cave dude banging a stick against the cave wall.</p>
<p>MOre like audiences. Tedeschi brings young and old blues fans together, everyone agrees she&#39;s blues.</p>
<p>You might convince an old Yardbirds fan that Jack White&#39;s rendition of  &#8220;Death Letter&#8221; is blues, but he might tell you to take you black keys and cram it up yours. </p>
<p>Scissormen, of course, played Deep blues festival. However, they predate most the other Deep Blues bands. You might make an argument that Ted predates the genre, and he&#39;s just and RL Burnside friend and student doing his own blues thing. BLack Keys did that, too, but to me they sound rock-ier.</p>
<p>Perhaps in the lexicon of blues 15 years from now, folklorists will say that Howling Diablos and BDH made blues music. For now, they&#39;re hard to wedge into the same category. They are bringing new fans to the table, however, who are getting into old blues for the first time. I likes that.</p>
<p>Don&#39;t diss Alligator. Bruce Iglauer and his pals at Delmark almost singlehandedly kept blues alive for a 20 year stretch while Americans listened to Disco and New Wave. If they didn&#39;t give a crap, we wouldn&#39;t be having our Cold Shots.</p>
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	<item>
		<title>By: edmur</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19731</link>
		<dc:creator>edmur</dc:creator>
		<pubDate>Thu, 09 Oct 2008 17:14:37 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19731</guid>
		<description>so, &quot;authenticity&quot; plays a role, then? is that what you&#039;re saying? BDH are not blues...Black Keys are? How about the Scissormen (to pick another random name off of the Deep Blues Festival lineup)...would they confuse ol&#039; Muddy Waters?&lt;br&gt;&lt;br&gt;I&#039;m not disagreeing w/ you, either...and I feel the same way about Delbert McClinton and pretty much anyone that&#039;s ever been on the Alligator label (including the &quot;Iceman&quot; Albert Collins). Maybe it&#039;s their SOUND more than their songs. Their STYLE (flash) rather than their SUBSTANCE. All sizzle, no steak, as the old saying goes...&lt;br&gt;&lt;br&gt;Agree w/ you also about Tedeschi and Shemekia...but I think you are now making my original point that the Blues is FAR from dead ;)</description>
		<content:encoded><![CDATA[<p>so, &#8220;authenticity&#8221; plays a role, then? is that what you&#39;re saying? BDH are not blues&#8230;Black Keys are? How about the Scissormen (to pick another random name off of the Deep Blues Festival lineup)&#8230;would they confuse ol&#39; Muddy Waters?</p>
<p>I&#39;m not disagreeing w/ you, either&#8230;and I feel the same way about Delbert McClinton and pretty much anyone that&#39;s ever been on the Alligator label (including the &#8220;Iceman&#8221; Albert Collins). Maybe it&#39;s their SOUND more than their songs. Their STYLE (flash) rather than their SUBSTANCE. All sizzle, no steak, as the old saying goes&#8230;</p>
<p>Agree w/ you also about Tedeschi and Shemekia&#8230;but I think you are now making my original point that the Blues is FAR from dead <img src='http://popdose.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
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		<title>By: mojo</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19730</link>
		<dc:creator>mojo</dc:creator>
		<pubDate>Thu, 09 Oct 2008 16:53:12 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19730</guid>
		<description>Oh yeah, I love Susan Tedeschi. She is new, exciting blues. And Shemekia Copeland, Johhny Clyde&#039;s daughter. They both are furthering the milieu and indeed should get they own Cold Shots in the future.</description>
		<content:encoded><![CDATA[<p>Oh yeah, I love Susan Tedeschi. She is new, exciting blues. And Shemekia Copeland, Johhny Clyde&#39;s daughter. They both are furthering the milieu and indeed should get they own Cold Shots in the future.</p>
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		<title>By: mojo</title>
		<link>http://popdose.com/mojos-cold-shot-rl-burnside-first-recordings/comment-page-1/#comment-19729</link>
		<dc:creator>mojo</dc:creator>
		<pubDate>Thu, 09 Oct 2008 16:49:46 +0000</pubDate>
		<guid isPermaLink="false">http://popdose.com/?p=6689#comment-19729</guid>
		<description>I guess I consider Deep Blues more like blues-rock, stuff that has as much in common with Cream and Hendrix and Zeppelin and ZZ Top, even the Sex Pistols and lo-fi punky stuff...as it does with blues ...and not blues proper. &lt;br&gt;&lt;br&gt;If the Black Diamond Heavies showed up on a bill with confirmed blues artists such as Buddy Guy or BB King at a Harborlights in Boston (or whatever Corporate Name it has Now)...blues fans who came out to see it would boo them off the stage. &lt;br&gt;&lt;br&gt;Not that that would be a bad thing. The last Harborlights gig I saw included delbert McClinton. HIs tired act made me want to cast myself into the harbor with a bass amp tied around my ankles. But he&#039;s blues. BDH is not.&lt;br&gt;&lt;br&gt;I agree, the Deep Blues is fantastic, exciting, regenerative, and excellent to listen to. I just dispute the taxonomy. It&#039;s something new, it&#039;s an evolution of blues into some postpunk something. It would confuse old Muddy Waters.</description>
		<content:encoded><![CDATA[<p>I guess I consider Deep Blues more like blues-rock, stuff that has as much in common with Cream and Hendrix and Zeppelin and ZZ Top, even the Sex Pistols and lo-fi punky stuff&#8230;as it does with blues &#8230;and not blues proper. </p>
<p>If the Black Diamond Heavies showed up on a bill with confirmed blues artists such as Buddy Guy or BB King at a Harborlights in Boston (or whatever Corporate Name it has Now)&#8230;blues fans who came out to see it would boo them off the stage. </p>
<p>Not that that would be a bad thing. The last Harborlights gig I saw included delbert McClinton. HIs tired act made me want to cast myself into the harbor with a bass amp tied around my ankles. But he&#39;s blues. BDH is not.</p>
<p>I agree, the Deep Blues is fantastic, exciting, regenerative, and excellent to listen to. I just dispute the taxonomy. It&#39;s something new, it&#39;s an evolution of blues into some postpunk something. It would confuse old Muddy Waters.</p>
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