Comments on: Oscar Nominations: Who Surprised You? Who Got Screwed?

By: Carrie

Carrie — Wed, 13 Jan 2010 23:35:34 +0000

Yes….he's also “promoting” that shemale who sounds like she has poop in her mouth when she talks, Blake Lively. Let's not buy into this garbage anymore. Now Hathaway is playing Judy Garland, come on, what did she have to do to the Fat Slob for that role??? Shudder to think..scuse, I need to go vomit.

By: Carrie

Carrie — Wed, 13 Jan 2010 23:32:43 +0000

The only reason Ann Hathaway is getting any roles or nominatios is because she is servicing that fat, revolting pig Weinstein. She is unattractive and untalented. Give me a break!!!!

By: Carrie

Carrie — Wed, 13 Jan 2010 18:35:34 +0000

By: Carrie

Carrie — Wed, 13 Jan 2010 18:32:43 +0000

The only reason Ann Hathaway is getting any roles or nominatios is because she is servicing that fat, revolting pig Weinstein. She is unattractive and untalented. Give me a break!!!!

By: JBOP

JBOP — Mon, 23 Feb 2009 11:14:20 +0000

Dark Night Sucked
Ledger's performance was the only good thing about it

By: JBOP

JBOP — Mon, 23 Feb 2009 11:10:55 +0000

First of all this is all set up. Clint Eastwood blows them all out of water for Best Actor and Best Picture if they put his movie in. And then they give it to the bleeding heart liberal Penn over Mickey Rourke, and trying to beef up Bollywood…give me a break! That's as bad as when Halley Berry won an Oscar and Kim Basinger….how can the Academy know nothing about movies and actors…go figure.

By: JBOP

JBOP — Mon, 23 Feb 2009 10:14:20 +0000

Dark Night Sucked
Ledger's performance was the only good thing about it

By: JBOP

JBOP — Mon, 23 Feb 2009 10:10:55 +0000

By: rwcass

rwcass — Fri, 23 Jan 2009 14:18:37 +0000

Scott Rudin helped produce "The Reader" but took his name off it last fall after arguments with Harvey Weinstein about delaying it until 2009 -- Rudin wanted to avoid having it compete with his other Kate Winslet movie, "Revolutionary Road," for Oscars, but Weinstein saw "The Reader" as his one shot at Oscar glory this year, and he ended up shuffling other films like "Crossing Over" from fall to who-knows-when in the process.

According to Anne Thompson at Variety back in October:

"Rudin fought hard to get more post-production time and support for his director, who is prepping the November 13 opening of the musical Billy Elliot on Broadway. When Weinstein insisted on holding Daldry to his promise, Rudin and Daldry finally agreed to deliver the film for a December 12 release. Daldry cares deeply about the film's German subject matter, and to that end, will honor that.

"The battle over getting Daldry more weeks of editing time and moving scoring sessions to New York grew so intense that both sides hired top-notch legal counsel, who sent a series of high-pitched letters that were leaked to the press, along with Daldryâ€™s heartfelt pleas to Weinstein for more editing time. Both sides invoked the post-mortem support of late producers Sydney Pollack and Anthony Minghella."

By: BobCashill

BobCashill — Fri, 23 Jan 2009 03:52:50 +0000

“Cold Mountain” was another bridge he somehow managed to sell.

I feel somehow obliged to see it. Like with “North Country”–remember that one, that managed to snag acting noms? And not even a Weinstein picture.