Popdose at Kirkus Reviews: Daddy, Tell Me An F-ing Bedtime Story

Kirkus Reviews, founded in 1933, is a venerable institution in the media world, serving as the industry bible for bookstore buyers, librarians, and ordinary readers alike for more than 75 years. As part of the Kirkus Book Bloggers Network, a rotating crew of your favorite Popdose writers will grace the virtual pages of Kirkus Reviews Online, taking on the best — and sometimes the worst — in pop-culture and celebrity books. From coffee-table studies to quickie unauthorized bios, if it’s about show biz, it’s fair game.

Parody, by its commonly perceived nature, tends to mock the subject it mirrors, but the best examples also express a love for, and kinship with, the mocked. For example, even though Mel Brooks’ Blazing Saddles rips into violence, race relations, the sexual tensions of the early ‘70s and the dangerous business of bean ingestion, the story remains a western in an oddball way. The characters aren’t blasting on the form as such, but on the characters that tend to populate it.

There are thousands of examples of the job not being done well. In the late ‘80s and throughout the ‘90s, published parody experienced a glut of books, magazines and like-minded material cashing in on skewing the icons of the day. There was a Playboy Magazine filled with pictorials of pugnacious and preening pups, a Martha Stewart-esque home improvement tome featuring cats, and scads of how-to books devoted to topics no one ever would want to learn how to. For most, these bits of pop culture detritus went by unnoticed, and I think the reason why is because, by this time, nobody cared to jab Playboy in the ribs. It was already a parody.

In order to pull it off, the trickster involved ought to have some positive engagement with what they’re, essentially, mocking. Adam Mansbach (writer, Angry Black White Boy, The End of the Jews) and Ricardo Cortes (illustrator) have done that in a most explicit way with their book, Go The F**k To Sleep. The friendly, non-threatening typeset, the concise verses that make up the text, the lovely artwork that accompanies it all are exactly what you’ll find in a quality children’s’ book. And then Mansbach drops the F-bomb.

This book is, in fact, a rather verbally-obscene vignette of when two opposing forces collide: the tired parent, at the most vulnerable position imaginable, and the child that has been wound up for hours and, frankly, isn’t even close to winding down yet.

You may notice that I’ve been pretty diplomatic so far about the language being used. Well then, here is an example to drive home the point.

“The cats nestle close to their kittens.
The lambs have laid down with the sheep.
You’re cozy and warm in your bed, my dear
Please go the f**k to sleep.”

Another prime example:

“The eagles who soar through the sky are at rest.
And the creatures who crawl, run and creep.
I know you’re not thirsty. That’s bulls**t, stop lying.
Lie the f**k down, my darling, and sleep.”

Read the rest of this article at Kirkus Reviews and find the book at Amazon.com!

 

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  • Leroy Grey

    So I downloaded the audiobook version, because the prospect of Samuel L Jackson reading a f**king children’s book (as opposed to an ordinary children’s book) sounded like comedy gold.  I still laugh when I listen to it, but your article has me wondering – would it have been funnier with a more cultured and conventional voice? Jim Dale or Frank Muller?  Maybe the matronly tones of Davina Porter?  I’m considering the possibilities…

  • Leroy Grey

    So I downloaded the audiobook version, because the prospect of Samuel L Jackson reading a f**king children’s book (as opposed to an ordinary children’s book) sounded like comedy gold.  I still laugh when I listen to it, but your article has me wondering – would it have been funnier with a more cultured and conventional voice? Jim Dale or Frank Muller?  Maybe the matronly tones of Davina Porter?  I’m considering the possibilities…

  • http://www.popdose.com DwDunphy

    It is likely a case of Snakes On A Plane-itis. While Jackson’s reading is very funny, it is also expected; it’s too on-the-money. Other people might have done it more “audiobook-like” and might have carried the joke even farther that way.

     

  • Kar

    The version by Werner Herzog is downright disturbing.  I know he’s Mansbach’s choice for the audio version but it’s surreal. Like David Lynch posting daily videos about the LA weather.