The Three Strike Rule: “Quarterlife” (NBC) — what happened?

Scott Malchus March 2, 2008 11

Quarterlife, a show I praised back in January, premiered on NBC this past Tuesday. It was anything but a success for the network or the show’s producers; in fact, NBC experienced its worst ratings in 20 years for that Tuesday night timeslot. The ratings were so abysmal, Quarterlife was canceled after one airing. It didn’t even make it to its scheduled night, Sunday. This is a rare case in which you can’t really blame the network. The marketing department had every entertainment magazine covering the premiere. Even Newsweek gave it exposure, dedicating a full page to an interview with the show’s creators. So what the hell went wrong?

First of all, Quarterlife had the misfortune of airing opposite the final debate between Barack Obama and Hillary Clinton. The target audience for Quarterlife (and I’m just going out on a limb here) consists of primarily the same people who will be deciding between Obama and Clinton. I’d wager to say that most of the tech-savvy twentysomethings who would be interested in Quarterlife are more focused in how their candidate did on Tuesday night than the navel-gazing of he characters on Quarterlife.

Another factor I fear may have hurt Quarterlife’s chances is the demographics the creators are aiming for. If they wanted to attract young adults in their early-to-mid 20’s, I have news for them: those people aren’t watching television. Hell, all they have to do is watch one episode of Quarterlife to realize that people of this age are active professionally, politically and socially. Who has time for TV when there are drinks to be drunk, rallies to carry signs at, and hours to be spent at the office? That leaves people thirty and older (or teenagers, ha!) to watch the show. Unlike previous efforts from Edward Zwick and Marshall Herskovitz, this series does not feature a wide range of characters. And unlike the guilty, soap opera aspect of, say, a Melrose Place, Quarterlife is a damn serious show. It basically is thirtysomething for gen X, or Y, or whatever that generation is labeled. I’d bet that even if Quarterlife had aired on a youth-oriented network like the CW, it would have failed (though the CW would have given it a couple more airings… come on, NBC).

Unfortunately for Quarterlife, the general public will never have a chance to see the characters grow past their whiny selves in the pilot. Then again, anyone can watch new episodes every Thursday and Sunday, when original 11-15 minute segments premiere online. Personally, I have gotten used to seeing the show in these small chapters. As I sat and watched the network version of Quarterlife, I kept waiting for the show to end. This went on for the entire hour – I was actually thrown when watching it. Since this was a series about the computer generation, shows on the Internet, I believe the true audience for the show was always going to be online. I fear now that the show has tanked on the network, the prospects of it continuing online are dim. I hope I’m wrong, because I still believe in it, and Lord knows Herskovitz and Zwick are geniuses.

What does this mean for the future of shows moving from the Internet to television? Most likely it’s a setback. I think the networks are going to be wary of experimenting so soon after this letdown. But when another show backed by A-list talent comes along, something with broader appeal (probably a comedy or another damn procedural) I think we’ll see a network take a chance.

  • WHarrisBullzEye

    I never watched the online version, but I watched the screener that NBC sent me, and I quite enjoyed it. But, then, my perceptions are often different from the general public. For instance, I liked the characters because they looked like real people rather than models, but I've seen reviews saying that they DID look like models. (Maybe that's just ANOTHER cases of my tastes being different from the general public.) Yeah, the dialogue might've felt a little forced at times, but, c'mon, it was “Twentysomething,” basically. Seemed decent enough to me.

  • http://popdose.com MatthewBolin

    Question: Was the episode shown on NBC a combination of four of the episodes already shown on the internet? Because if it was, the target audience had probably already seen the episode(s) when they originally aired, and thus, NBC would have been trying to attract people OUTSIDE of the “traditional” target demographic for the show, which it seems they didn't do.

    On the other hand, if the NBC episode was something which hadn't already been shown on the internet, I don't think that NBC did a good job of promoting that fact to the show's target audience. I would imagine many people would stay away from the NBC show, assuming they had already seen it on the 'net in the past few months.

    Either way, it seems NBC did a pretty bad job in the promotion department, hyping up the internet connection without clarifying whether the NBC version was a repeat of what had already occurred on the 'net version, etc.

    Also, by hyping the fact that they were taking a show from the 'net and putting it on broadcast TV, they removed one of the very things that made the show seem unique–and that's the platform it was associated with. It is also not surprising, seeing how major media outlets have been quick in the past to label 'net based sources of entertainment-be they blogs, social aggregators, or video sites-as inferior to their products, that to then take a show directly from the internet and put it on network TV would smell more of desperation than quality (regardless of the fact that the Thirtysomething guys were associated with it)–which in a way it was, since it was yet another way network TV was trying to deal with the still-existing writer's strike. Put it this way: if the Lifestyle section of the New York Times was to refer to Popdose or other music blogs as a bunch of basement sweller with no life experience that would inform them of being able to give decent critical notice, and this went on for a number of years, and then all of a sudden, they announce (possibly during a newspaper strike) that they've struck a deal to start featuring my Popdose articles on Rod Stewart, would the average NY Times reader go “Finally, the Times is expanding their horizons?”, or would they be like “I thought you guys said anything associated with blogs was crap? Man you guys must be in bad shape.” I think the same thing might be said of NBC's relationship with both Quarterlife and its “traditional” viewers, and might be another reason (besides the confusion over if the episodes have already been seen on the 'net) for the show's network failure.

  • http://www.popdose.com DwDunphy

    Well, it's very much the same with CBS suddenly putting Dexter on their network roster… But it really does speak to the inefficiency of network broadcasting that they couldn't work a decent spin for either of them.

  • Liquid Courage

    I dug this article about the potential successors to quarterlife's “throne”

  • http://www.popdose.com Zack

    I always hated referring to Generation X's successors as Generation Y. It's stupid and unoriginal. I always thought of them as the MTV generation, mainly because they were born right around the time MTV began broadcasting, and hit their formative years at the same time that reality shows like “The Real World” came on the air and gave them an idea of how to socialize in a rudimentary fashion.

  • Elaine

    As a bonafide Gen-X'er, I can say I had no interest in this show whatsoever. It's been done before, plus, I was among those that found “thirtysomething” whiny and repetitive and gimmicky. I know, I know, people say they're geniuses. I still found Michael Steadman and his friends annoying.

    What they ought to call the 1980-borns is Gen-Net or something to that effect. They're the first Internet generation. They're the first ones to have handheld video games and Blackberries and cell phones before they were teenagers, too.

  • http://www.popdose.com 1Py_Korry1

    I really tried to like this show (and I'm a fan of Thirtysomething, My So-Called Life and even Once and Again), but it just fell flat for me.

  • http://www.popdose.com 1Py_Korry1

    I really tried to like this show (and I'm a fan of Thirtysomething, My So-Called Life and even Once and Again), but it just fell flat for me.

  • http://www.popdose.com 1Py_Korry1

    I really tried to like this show (and I'm a fan of Thirtysomething, My So-Called Life and even Once and Again), but it just fell flat for me.

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