All rise.

The rules of this courtroom are simple. You will be presented with two songs, one by the plaintiff and one by the defendant. It is your task to decide if the defendant’s track is only coincidentally similar to the plaintiffs or, as members of the Bar Association put it, they’ve been a baa-aaad boy. You have been duly instructed.

Today’s docket: The Romantics, plaintiffs vs. John Mellencamp, defendant

The Romantics – What I Like About You from The Romantics (1980)

It’s the same beat, the same chords, the same everything. You’d have to be deaf to disagree.

[kml_flashembed movie="http://www.youtube.com/v/jvHKjDKY_O8" width="600" height="344" allowfullscreen="true" fvars="fs=1" /]

John Mellencamp – R.O.C.K. In The U.S.A. from Scarecrow (1985)

“The subtitle is “A Salute To ’60s Rock” – At least I had the balls to admit it was a homage.”

[kml_flashembed movie="http://www.youtube.com/v/SgtmStUrXMQ" width="600" height="344" allowfullscreen="true" fvars="fs=1" /]

Wait! Neil Diamond has just burst through the courtroom door, knocking over the bailiffs!

Neil Diamond – Cherry, Cherry from The Feel Of Neil Diamond (1966)

“It may only be three chord pop, but they were my three chords first, bitches!”

[kml_flashembed movie="http://www.youtube.com/v/vvXCYqd8AAs" width="600" height="344" allowfullscreen="true" fvars="fs=1" /]

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About the Author

Dw. Dunphy

Dw. Dunphy is a writer, artist, and musician. For Popdose he has contributed many articles that can be found in the site's archives. He also writes for New Jersey Stage, Musictap.net, Ultimate Classic Rock, and Diffuser FM. His music can be found at http://dwdunphy.bandcamp.com/.

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