Posts Tagged ‘3 Doors Down’

Bootleg City: The Political Scandal of the Decade of the Week!

A few weeks ago, concerned (i.e. nosy, spiteful, possibly dating archnemesis Matt Wardlaw) citizen-journalist Annie Zaleski leaked a letter I wrote, one that would let all of my constituents know where I’d been since New Year’s Day.

I had every intention of leaking — nay, showering — it on the people myself, but first I wanted to make some revisions, eliminating potentially offensive heterophobic words like “rainbows” and the statement “Bootleg City is the only place I feel any warmth and affection,” which was an insult to my puppy-filled water bed. (The puppies sleep on the bed. I repeat, for PETA’s sake, they’re not in the bed. )

Unfortunately, another letter — an e-mail to my former Spanish lover, Anita — has been leaked, and this one could be slightly more damaging to my career …

From: Robert
To: Anita
Subject: You know what time it is.
Date: Sun, 3 Jan 2010 00:24:54 -0400

Hey, girl. I been thinkin’ ’bout you.

And while you’re asleep in the other room, I’m sitting here in your den, thinking about you and writing you this e-mail. But since I’m an American, I need to be staring at two screens at all times, which is why I’m watching some freaky Pedro Almodovar movie on TV as I write this love (to talk dirty to you, hahaha!!!!!) letter on your laptop. (I know I’m at a loss without the subtitles, but I have to give that guy from “Eat Yo’ Mama’s Tambourine” credit — he’s pretty hot as a young Julia Roberts.)

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How Bad Can It Be?: “Oh Happy Day: An All-Star Music Celebration”

Rock ‘n’ roll and Gospel music have a long and contentious history, traditionally operating at odds to one another; and while it’s tempting to view that divide as entirely racial, that’s a needlessly reductive reading; and so we must guard against the temptation to find racial subtext everywhere.

Let’s look instead at the evidence. Both genres arise from the same musical wellsprings. Both depend on a certain level of ecstasy, although the sources, sacred and profane, are very different. And on a personnel level, there seems to be a competition for resources; Gospel artists who cross over to a mainstream audience often end up leaving sacred music behind, and — more rarely — secular artists such as Little Richard and Al Green have abandoned pop (temporarily or not) after a religious awakening.

When the two forms are hybridized, all too often it becomes a race competition to reach bottom, as lowest-common-denominator signifiers are shoehorned into one genre, like troweling makeup onto a drag queen — only less convincing. There’s more to rock music than a few power chords; there’s more to Gospel than tambourines and wailing vocals.

The multi-artist compilation Oh Happy Day: An All-Star Music Celebration — out this week from EMI/Vector — brings together Gospel and pop performers, and showcases a few ways to try to split the musical difference. Three Doors Down demonstrate what might be called the Foreigner option. The only God being revered in their “Presence of the Lord” is Eric Clapton; it’s played as a straight rocker, with the Soul Children of Chicago choir mixed low, providing color texture — felt, more than heard.

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Billboarding: 5/5/08

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Two weeks ago in this spot, we took a look at the top 10 of Billboard’s Hot 100. How about we all mosey on over to the Modern Rock chart and see what’s going on there?


1. Seether, “Rise Above This” (Wind-Up)

Someone’s been dipping into Kurt Cobain’s hair dye stash!

I keed, I keed. Actually, “Rise Above This” isn’t half bad — it’s certainly the best thing I’ve heard from South Africa’s preeminent post-grunge band, and given that it was written about lead singer Shaun Morgan’s brother — who, as you might have guessed from watching the video, committed suicide — it’s also virtually snarkproof. (more…)

Chartburn: 3/14/08

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Mainstream Rock: Sting, “All This Time” (1991)

Zack: There’s a certain element of playfulness to this song and its accompanying video that was a hook for me when I first heard it, and still is. While the music might seem trite these days, at least it seems earnest. The same way that R.E.M.’s “Shiny Happy People” made me want to vomit onto someone’s shoes, “All This Time” makes me just shake my head and say, “Aww … it’s so cute.” I know there are religious overtones in the lyrics, but I’m happy to overlook them and just enjoy this whimsical tune.

Scott: A great song from the last great album Sting has ever done. Yeah, he’s done some good songs since then, but not a consistently great album. Must have had something to do with the theme of The Soul Cages (i.e. the death of his father). What I love about this particular song is the dichotomy of the upbeat, happy-go-lucky melody countered with the heavy subject matter. His band never sounded better — he still had Manu Katche playing drums — and “All This Time” contains one of my favorite lyrics, Sting or otherwise, of all time:

Blessed are the poor, for they shall inherit the earth
Better to be poor than a fat man in the eye of a needle
And as these words were spoken I swear I hear
The old man laughing,
“What good is a used up world, and how could it be worth having”

Vrabel: Yeah, OK, I like “All This Time” enough, in that vague, cottony, nondescript way you like cookies, or pillows, or cheeseburgers. I don’t know, friends, I just can’t muster up any sort of support for Sting beyond a loud and vibrant “Meh.” (more…)