All but dead at the other major networks, scripted comedy is alive and well at NBC; even as the Peacock tries to flush high-quality television down a lantern-jawed toilet with The Jay Goddamn Horseshit Leno Show, it has, possibly inadvertently, assembled the funniest roster of sitcoms any network has been able to boast for at least a decade — and I’d put that number at closer to 20 years. The Office gets most of the attention, but 30 Rock doesn’t do too badly for itself — it cleaned up at the Emmys over the weekend, taking home five awards and crowning Alec Baldwin’s career transformation from Star of Frequently Lame and Occasionally Direct-to-Video Movies to Award-Winning Television Badass. Not bad for a show that some critics predicted would be overshadowed by Studio 60 on the Sunset Strip, right? 30 Rock’s eagerly awaited fourth season won’t begin until mid-October, but in the meantime, NBC/Universal has trotted out this three-disc set, offering all 22 episodes from Season Three, plus enough bonus content to keep you lizzing for hours. (Sorry — each review of this season set is required to include at least one instance of “lizzing” or “I want to go to there,” and I wanted to get it out of the way early.)

If you’ve been avoiding the show for some reason, here’s the setup: Comedy writer Liz Lemon (the excellent Tina Fey) presides over the quirk-ridden, borderline insane staff of The Girlie Show, a sketch comedy show on the schedule of a fictionalized version of NBC (owned by a horrible-sounding conglomerate called the Sheinhardt Wig Company). At the outset of the series, Lemon is forced to add a deranged fading movie star named Tracy Jordan (Tracy Morgan) to the cast, rechristening the show TGS with Tracy Jordan and upsetting its former star, Jenna Maroney (Jane Krakowski). (more…)