Posts Tagged ‘ABC’

21st Century Digital Boy: Hulu, “Star Trek,” “Idol” Loss, and “Jon & Kate”

jonkate8-7168011Jon & Kate Plus … Date?: Can’t help but start with the worst first. If there’s one thing that’s certain in the world of entertainment, it’s the love of a good old-fashioned scandal. Only this time, really not that surprising or scandalous — it’s just too bad. Pure as baseball, hot dogs, apple pie, and Chevrolet, the reality TV version of Eight Is Enough, the Gosselins from TLC’s Jon & Kate Plus 8, are now embroiled in a “cheating” hullabaloo of sorts.

For those not yet in the loop on this one, husband Jon was apparently caught partying late with a woman who wasn’t his wife and (shock!) that’s set off a firestorm of public opinion. It was a bad judgment call that’s awakened all the perfect parents out in TV land, all of whom now feel free to psychoanalyze the real human beings in this delicate situation. The Gosselins’ site doesn’t say much, but the blog Gosselins Without Pity (ouch!) is hot to trot (natch) about this story.

The bottom line? Look, having eight kids so close together in age, and all in a goldfish bowl to boot, has got to be traumatic. Both these parents are “stress cases” who, once upon a time, thought a reality TV show was a good idea. They’ve made their money, scored their book deals and traded up in the lifestyle category (and then some). But if you look at them closely these last couple of seasons, they’re pretty miserable (watch the body language). Jon and Kate are a lost couple, working their way around each other (despite the cameras) and it’s obvious.

They don’t need a television show or the money, they need counseling and their kids. (more…)

The Three Strike Rule: “Life on Mars”

Shaun Hamid is back tossing his voice into the TV arena with me.  We hope that in the coming weeks you, our readers, will help continue our conversations about television as art and entertainment.

Shaun: The U.S. version of the BBC cult show, Life on Mars, has arrived after much tooling on ABC (Thursdays, 10 PM).  For its premiere it received a rather strong response, but it has been losing its audience in the intervening weeks.  Considering the ambitious nature of the series, and its potential, one can only hope that ABC is patient enough to see if it can find its own identity.

The premise of Life on Mars is that present day NYPD Detective Sam Tyler, played by Jason O’Mara, is hit by a car while investigating a case.  When he wakes up, he is in 1973 New York.  He is not sure if this is some elaborate hallucination or the afterlife.

Occasionally, he hears the sounds of a hospital room in his head, leading the Sam (and the audience) to believe he is in a coma or similar state in 2008.  However, the 1973 world he inhabits is so vivid that it is hard to really know which world Sam knows is actually more real.  In 1973, Sam is still a cop, and he works out of a precinct which is ruled by Lieutenant Gene Hunt (played by Harvey Keitel), with his two main men Detective Ray Carling (Michael Imperioli) and Detective Chris Skelton (Jonathan Murphy).

Sam’s intrusion with his 30 years of advanced political correctness and procedural adherence is not met kindly by the gut-instinct approach of Hunt.  Sam would otherwise go crazy, if he is not already, were it not for the calming force of Officer Annie Norris (an understated Gretchen Mol).  Gene and Sam stand at odds, but in the end they both basically want to do the right thing.  How Sam finds his way to live in this archaic world or manages his way home is what invests you in the series.It’s difficult to not compare this version with the original. Indeed, it is obvious that the minds behind the U.S. version (producers Josh Appelbaum, Andre Nemec and Scott Rosenberg) are very aware of the shadow that it casts. (more…)

Popdose Interview: Martin Fry of ABC

When music journalist Martin Fry popped ’round a practice by the band Vice Versa in Sheffield, England, in 1980, it’s unlikely that he had any idea that he was embarking upon a journey that would, in 28 years time, find him playing dates alongside Belinda Carlisle, The Human League, Naked Eyes, and A Flock of Seagulls on an endeavor known as the Regeneration Tour. And, yet, that’s what’s keeping Fry’s band, ABC, hopping around the USA this summer. For the first time in many moons, ABC even has a new album to promote: Traffic, a record which harks back to…well, pretty much every single stage of the band’s musical evolution, really. Popdose had the opportunity to speak to Fry about the tour, and we took the opportunity to quiz him about not only the new record but also his entire back catalog, stopping along the way to have him explain a lyric, reflect on his VH-1 appearances, and discuss working with Trevor Horn.

Martin Fry: Hello! I was expecting your call. How are you doing?

Popdose: I’m doing well! We actually talked about two years ago…

MF: Oh, yeah?

PD: Yep. So it’s nice to have the opportunity to speak with you again.

MF: I’m still at it! We’re still out there touring!

PD: So you are! In fact, you’re going to be in my area in just under two weeks. So let’s start by talking about the new record, Traffic. How shocked were you when the first single, “The Very First Time,” was added to Radio 2’s “A” playlist?

MF: It was a good feeling. It was nice to walk back into the BBC. I walked back in, and I saw Doctor Who! Are you familiar with Doctor Who?

PD: Absolutely. I’m a big fan.

MF: He’s a big part of the BBC franchise. And Jonathan Ross, he’s another guy there. But it was nice to be welcomed back, yeah, and it was great hearing a brand new ABC tune on the radio.

PD: Were you pleasantly surprised?

MF: Yeah, I was, really. I’ve been touring a great deal, and I get associated with the 1980s, and I’m proud of that, but it’s good to be able to pepper the set with some new songs, yeah.

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PD: Now, reports of the impending release of Traffic were exaggerated, to say the least. By, uh, years.

MF: Oh, yeah! I wrote a new song ten years ago, and I’ve been itching to make a new record for a long time, but what can you do? (Laughs) But having said that, with Traffic, in a way, it’s opened a lot of doors for me, so I’m hoping the next ABC album won’t take ten years to arrive. I don’t want it to be like a lunar eclipse; I’d rather it be a welcome friend you’ve not seen for a little while.

PD: You and David Palmer wrote most, if not all, of the album…

MF: Yeah, pretty much all of it, with Chuck Kentis.

PD: How quickly did you fall back into writing together? Because it had been quite a while.

MF: Well, we wrote in quick bursts. He’s playing drums with Rod Stewart…and still is. He’s in Cincinnati right now, I think. But I went over to L.A., Pacific Palisades, and we started just writing songs in his garage, and it took us right back to when we first started in the early ‘80s. It was just good to get back to doing it for the love of the music. We wrote “The Very First Time” and “Sixteen Seconds to Choose” and “Ride” and “One Way Traffic” together, and it just felt good again. In the meantime, I’ve been playing live with ABC on the circuit a lot, and, in a way, making a new record and 12 new songs just felt like a sort of added bonus.

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