Posts Tagged ‘Adam Schlesinger’

The Popdose Interview: Kelly Jones

kelly-jones-1It’s your third album. You’ve written and performed songs that recall the best tunes from simpler, more fun times, yet they reveal true songwriting talent and a desire to do more than flog the studio gimmick of the moment. You’ve also somehow found yourself working with pop-music gurus Mike Viola and Adam Schlesinger. If all of this strikes you as oddly familiar, you might just be Kelly Jones, and at this moment Popdose is catching up with you.

Popdose: You’ve just released your third CD, SheBANG! and you’ve found yourself in this pretty impressive pop collective, considering Mike Viola, Adam Schlesinger, Ducky Carlisle and the people they’ve worked with. How did you come together with them?

Kelly Jones: It all started very organically with Adam Schlesinger.  Sometime in 2004 while out to see a show, I recognized him and introduced myself.  I had only discovered Fountains of Wayne in 2002 or 2003 so I was very excited to say hello and gush over his music.  We exchanged info and I visited his studio (Stratosphere Sound). He came and watched me perform, and we became friends!  Then sometime in 2007, he introduced me to Mike Viola.  Coincidentally Mike and I were both playing the same night at the Living Room in NYC.  I saw the tail end of Mike’s set and was hooked.  I thought he was brilliant.  He had another show the following week so I went to that and we chit-chatted afterward and also became fast friends.  I started sitting in with him during his sets and the more we worked and sang together the more I decided he would be the perfect producer for the pop record I wanted to make.  Then I met the famous Ducky Carlisle when we traveled to Medford, Mass. for our first recording session at (his studio) Ice Station Zebra…

Could you give a little background on your career so far and what brought you to this point?
I’m originally from a small town just north of Portland, Oregon.  As a child/teenager, I was a dancer and trained in classical piano.  I moved to New York City in 2003 to get closer to the action and decided it was my chance to really pursue a life in music.  I completed my first record called Brave Heartache at the end of 2003.  it’s alt-country for lack of a better term.  Country music was one of the genres I was most familiar with growing up and went hand in hand with gospel music which I sang a lot of in church.  It seemed to be the natural first step for me as I was writing my first songs and I think it served me well at the time. After completing that record, I got a great band together here in NYC (which I still work with), we started playing a bunch of shows and I started to build a little following. (more…)

The Friday Linkfest: 2/27/09

The Wall Street Journal wonders if Irving Azoff is the man who can save rock ‘n’ roll, and heralds the return of the green-haired animated superhero known as Captain Planet;

Cahl’s Juke Joint reviews Eddie Mack: The Complete Recordings and Gurf Morlix’s Last Exit to Happyland;

Eddie Money proves that the rock-musical trend has finally gone too fucking far;

Everyone’s favorite Lefsetz goes cuckoo for the new U2;

On the Trail of the Great shows some love for singer/songwriter Don McGlashan;

Ickmusic issues a disappointing update on Prince’s newest Web venture, then reviews J.J. Cale’s new album, Roll On;

Rolling Stone takes a peek inside the upcoming Zappa box, Lumpy Money;

Idolator interviews Ne-Yo;

The Beastie Boys talk to the BBC about their “strange” next album, Tadlock’s Glasses;

Wings for Wheels posts the eight funniest words in movie history;

Topless Robot counts down the eight most awesome old school 3-D flicks;

Slacktivist looks at the other side of the myth of the undeserving poor;

Kinder Trauma relives the horror of Toto’s “Stranger in Town” video;

The long-lost 20th take of “Revolution 1″ makes its way onto the Web;

Def Leppard, Cheap Trick, and Poison just made our old pal Kurt Torster cream in his acid-washed jeans;

Jeff Vrabel, a.k.a. the Michael Phelps of Monopoly, looks under the Boardwalk of the game’s 4,219th reinvention;

Styx, REO Speedwagon, and 38 Special have come up with a “rock ‘n’ roll stimulus package” that we urge every state governor to reject;

Steven Page splits with the Barenaked Ladies, breaking the tender heart of our very own Jason Hare;

…and Taylor Hanson, Bun E. Carlos, Adam Schlesinger, and James Iha debut their first single as Tinted Windows, “Kind of a Girl”:

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Hooks ‘N’ You: The Click Five, “Modern Minds and Pastimes”

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How can you tell the difference between a good music critic and a bad music critic with a single question? Well, your mileage may vary on this, but for my money, you need only ask them to tell you their guilty pleasures. If they offer no hesitation whatsoever before launching into their list, then you should consider their opinions to be suspect. On the other hand, if they hem and haw for a moment before offering up a response that’s half an answer and half a clarification that “if you like something, then you shouldn’t feel guilty about it,” then it’s probably worth adding their RSS feed.

If you’re wondering, I don’t have the ego to suggest that I’m a must-add, mostly because I’m prone to answer the question by saying, “I know I shouldn’t feel guilty about liking them, but…” And as you’ve probably guessed, I have on more than one occasion ended that particular sentence by citing The Click Five.

In 2005, the Click Five released their bouncy debut album, Greetings from Imrie House, and picked up two distinct audiences the moment they left the gate: the power pop fans, most of whom discovered the album because Adam Schlesinger (Fountains of Wayne) had a hand in writing two songs on the record, and the teenaged girls, who just thought the band was cute. It’s sad but true that the former audience is pretty well negligible when it comes to sales figures, but the latter helped Imrie House sprint to #15 on the Billboard album chart, thanks to the powerhouse first single, “Just the Girl.” If you scour the song titles and the credits, you’ll see that one of the two Schlesinger songs is “I’ll Take My Chances,” which was originally recorded by Swirl 360, who’ll score their own “Hooks ‘N’ You” column one of these days. You’ll also discover that Paul Stanley…yes, the one from KISS…co-wrote “Angel To You (Devil To Me),” and that Elliot Easton – late of The Cars – contributes guitar to that song and well as “I’ll Take My Chances.” In other words, it’s not hard to argue that there’s more street cred here than on your average bubblegum pop-rock album.

So how did they decide to follow it up? Why, by replacing their lead singer, of course!

Talk about killing your momentum stone dead.

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