Dw. Dunphy On… New Releases
Thursday, October 9th, 2008 by Dw. DunphyWe are now officially in the fourth quarter sales market. Department stores have begun to roll out the Christmas decorations, big summer movies are winding their way to the DVD department and some major releases in music are on the horizon for the all-important time in the retail year. It seemed appropriate, then, for me to discuss some of the most recent new releases in my headphones, one of which comes with a lot of expectation and another that exploded unbidden from out of the blue. Intrigued?
Ben Folds, Way to Normal (Epic)
I’ve been a fan of Folds’s work for a long time but find his solo efforts incredibly uneven. His last release, Songs for Silverman, was a leaden, ballad-heavy affair with very few tracks to really grab hold of. The latest, Way to Normal, should have been a return to form but only half succeeds. Sure, he regains a bit of his bounce and more than a bit of his bite, but the songs come from a sticky place: the dissolution of his third marriage, a relationship that informed most of his previous two albums. What you end up with is a lot of songs that make you feel like a friend has borrowed your ear for a while, relating to you how horrible that witch he used to be with has been. All the while, you have a sneaking suspicion that this friend is hardly as innocent as he claims.
I have no idea about the details of Folds’s personal life or how his marriage came apart. With semi-scathing tunes like “Bitch Went Nuts”, “Errant Dog,” and “You Don’t Know Me,” I frankly don’t want to know. Kiss-off and piss-off songs are common fodder in pop music, but they’re easier to take in smaller doses. They’re also easier on the ears when the production isn’t as abrasive as Dennis Herring’s. Tweedly-sounding synths, canned beat construction, occasional distortions that could be mistaken for blown speakers all attempt to frame the tunes in the most modern way, but become tiresome after a while. Worse, “You Don’t Know Me” employs the wonderful Regina Spektor and gives her nothing to really work with. Spektor, like Folds, has harnessed the power of solo voice and piano to great effect, so it’s really disappointing to find that anyone could have contributed her part on this song. (more…)





So much of our lives are shaped by how we carry ourselves — our self-confidence, if you will. Yet I have come to believe that confidence is actually an indicator of:
Popdose represents the coming together of a veritable who's who of music bloggers and an ever-expanding roster of writers who've made it their mission to experience the best and worst in pop culture — from music to movies, TV, and books, with a dash of current events thrown in for good measure — so you don't have to. Popdose delivers coverage both in-depth (the all-encompassing