Posts Tagged ‘Akon’

Unsolicited Career Advice for … Donny Osmond

So Lev comes over to my place last week—first time he’s been around in a while. We have a few beers and watch Tiger Woods implode, split a calzone from Napoli’s, chat a bit. He gets up to leave and, almost as an afterthought, tells me he has more Uncle Donnie memos in his car. Of course, I get pissed—I would have much rather spent the afternoon reading through Uncle Donnie’s memos than watching golf. Lev probably knew that, but his TV was broken and he really wanted to watch Tiger. Whatever.

This is a recent missive Uncle Donnie sent to one particular toothy Mormon Vegas singer. Methinks there might have been ulterior motives in play, though. -RS

TO: Donny Osmond
FROM: Don Skwatzenschitz
RE: Career Advice

From one Don to another, Donny, we need to get you out there, in a real way. Twenty years since your last hit is too long. Now, I understand you might not think the public is ready for you to reemerge, but you’re wrong, Donny-Boy. Really wrong.

Right now, this very minute, I could get on the facsimile machine and book you a US tour that would take you from Utah to the Florida panhandle, up to Maine, over to California, and back to Utah again. Seventy, eighty shows. And we could do it all in around six weeks, because we’d be playing in under-utilized performance spaces: abandoned Circuit City storefronts. Not inside the stores, mind you; outside them, on the sidewalk. Guerrilla style, like those Rage Against the Machine guys. Set up, play a half hour—”Puppy Love,” “Sacred Emotion,” “Go Away Little Girl,” “One Bad Apple,” “Love Me for a Reason,” maybe a cover of something current, then “Soldier of Love,” done—then pack up and move on to the next place. We could do three or four a day, depending on the routing. Think about it. People hanging around outside abandoned Circuit City storefronts are hungry for your music, and they don’t even know it. (more…)

Political Culture: Peter Buffett’s Activism Through Music … And $$$$$$

Those clunky translation earpieces were nowhere to be found last Thursday night in the United Nations General Assembly, as a multinational assemblage of talent and star power filled the great hall with music and poetry rather than the usual polyglot diplomacy. The occasion was a concert titled “Breaking the Silence, Beating the Drum,” which sought to remember the victims of past slavery while raising awareness of the contemporary tragedy of human trafficking.

Among the African and African-American luminaries in attendance, from Ladysmith Black Mambazo to the Blind Boys of Alabama to choreographer Bill T. Jones, perhaps the evening’s central performance came from a white guy: musician and activist Peter Buffett, who premiered a new song, “Blood Into Gold,” that he had created in collaboration with the chart-dominating Senegalese rapper/vocalist Akon. The song had been commissioned by the nonprofit Culture Project specifically for the event, and UNICEF produced a video to accompany it.

The issue of human trafficking is having a bit of a moment in the culture right now. The Liam Neeson film Taken, which has taken in more than $137 million at the box office this winter, concerns the kidnapping of young women for sale into sex slavery. (To be more direct, it concerns an ex-CIA operative who massacres the gaggle of nasty Albanians who kidnapped his daughter, but whatever.) Meanwhile, the documentary War Child has been making the rounds of film festivals worldwide, relating the story of a Sudanese child soldier and building on the attention brought to the issue by mainstream films such as 2006’s Blood Diamond.

“It’s interesting how these things happen – how an issue such as trafficking, or Darfur, can suddenly achieve such a public moment,” Buffett says. “Part of it is that, thanks to advances in technology, we’re in this strange time when we can see into the lives of faraway people like never before. So we’re starting to see these darker elements of humanity, and find out what people are capable of.”

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