Posts Tagged ‘Al Pacino’

Farkakte Film Flashback: It’s Not Personal, It’s Just Business Edition

I swear to God I'm not holding a bag of money behind my backMichael Moore’s latest, Capitalism: A Love Story, opens around the country today, and if the early reviews are any indication, it’s yet another cleverly executed and scathing reminder of how we’re all … wait, let me check my notes … ah, yes — majorly screwed. Taken as a whole, the Moore oeuvre seems dedicated to the concept that before we die we’ll all be laid off, betrayed by our government, shot, burdened by lousy, expensive heath care, and cheated out of our tax dollars and retirement funds, possibly all at once.

Moore’s latest is of course aimed at the business titans of Wall Street who let us have it twice, first by ruining our economy, then by wheeling and dealing the government into ponying up billions in public money so they could get started on ruining it again. I’m sure Capitalism is well executed but no doubt depressing, at least for those of us not on the receiving end of the aforementioned billions. I prefer my cinematic big business to be the fictional kind, where greed may be good but Michael Douglas still goes to white-collar jail at the end, or is at least sexually harassed by Demi Moore. Mrowr!

With that in mind, patch in to my conference call as I review my 300-slide PowerPoint presentation on five random business flicks that deserve the key to the executive washroom.

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No Concessions: Summer Shorts, with Woody, Coppola, “Tony Manero,” and Zowie Bowie

Just about this time last year I devoted a column to indie or indie-ish movies hunkered down out there among the multiplex behemoths, titled “Summer Shorts.” It’s time for the sequel. The “specialty” market needs all the help it can get—this year’s biggest grosser among the littles has been Sunshine Cleaning, which washed up with a paltry $12 million in the till, or about what it costs to stage a Quidditch match. Consider this a lifeline, for them and for you, if you’re sick of super-stuff (and don’t forget the excellent The Hurt Locker, which I reviewed two weeks ago).

What I liked best about Moon, which I saw this opportune week, was its retro look. Director Duncan Jones (once known as “Zowie Bowie,” son of the formerly named David Jones) was inspired by the industrial design of Silent Running, Alien, and Outland, which production designer Tony Noble and visual effects supervisor Gavin Rothery translated with models rather than computer graphics. Every time the movie, shot in slightly distressed widescreen by Gary Shaw, ventures outside to the lunar surface I was transported to the pre-digital era. This movie has those movies in mind and also the worlds of Gerry Anderson, of TV’s Thunderbirds and Space: 1999, whose 1969 feature Journey to the Far Side of the Sun is another clear inspiration. (And maybe The Man Who Fell to Earth, but Jones is careful to distance himself from his space oddity dad.) (more…)

Death by Power Ballad: Scorpions, “Still Loving You”

Bands like Rush and AC/DC wear as a badge of honor the fact that they’ve never written or performed a power ballad. I love them both, but they’re pussies. The power ballad is to rock and roll what Al Pacino in Scarface is to acting. The artist has little use for subtlety or restraint — emotion is laid bare, put forth in the most emotive manner possible. In power ballads, the tempo slows; the guitars come to the fore; the notes the singer sings echo and elongate for miles and miles. When done well, the result is beautiful in its pure, overblown glory, enabling the audience to say “hello” to the band’s leetle friend, usually with lighters held aloft.

Every two weeks or so, I will pay tribute to the finest examples of the genre. Together, we will find this death by power ballad to be an exquisite one, indeed.
RS

My vote for greatest rock and roll song of all time goes to the Scorpions’ “Rock You Like a Hurricane.” It’s got it all: its guitars are loud and its lyrics filthy, sung in broken English by a bunch of long-haired yet still balding German dudes with names like Klaus and Matthias. The album it came from, Love at First Sting, was chock full of likewise loud, enormous-sounding, German-accented rawk songs like “Big City Nights,” “I’m Leaving You,” and “Bad Boys Running Wild” (cuz the Scorps were not good boys; good boys would never do such a thing).

The same record also contained “Still Loving You,” one of the great power ballads of the ’80s — one you typically see on Volume 2 of the typical multi-disc set of Hard Rock Ballads” or “Metal Hits” or other bargain bin product. Rarely does it make the cut for the first volume, which is typically crowded with Whitesnake, Warrant, and Winger shit. More about them some other time.

“Still Loving You” is six and a half minutes of slow-building rock ballad pleading, the kind of groveling that guys only do when they’ve fucked up really bad. Really bad. Bad, as in you sleep with your girlfriend’s best friend, in the bed you share with your girlfriend, on your girlfriend’s side of the bed, using your girlfriend’s “toys” and her brand new candle from Bath and Body Works, and instead of cleaning up the sticky, smelly, waxy mess afterward, you just throw the comforter over it and leave your girlfriend a note, asking her to please throw the sheets in the wash when she gets a chance. That kind of bad. (more…)